1412 pistas de audio libre de derechos para "Modular"

A sound i, my self, will use for an instagram film made with imovie. I'm trying to learn that program a little.

17 modules. . . Just to create a beat like this. . . Don't get a modular synth :-dhmmm i can use the same noise source for high-hats and snare if i want -1 then.

Same patch as in electronic minute no 226 and 227 but on my real modular. I'm using a filter. Thats why i call this version subtractive. I'm subtracting harmonics from a square wave. Why are 226 blue? probably because i did it at work. . . Listening in bad earbuds. Makes you rise the bass. Lets see if i can make this wave ble at the end! i will slowly fade out the vco with high pitch. At the very end i'm switching the synth off.

Vcv rack loop.

Small patch painting in sound chaos, random and music of the krells.

Basicly the same patch ashttps://www. Freesound. Org/people/gis_sweden/sounds/395016/. I let it play for a while then i start "doing things". . . It's not beautiful but its what it sounds like when you playwith a modular synth. Think i'm done with this patch. Unpatching time.

A small piece of music made a sunny day in november.

A small piece of music made a sunny day in november.

A selection of glitchy drums created with the akemie's taiko eurorack module. No external processing.

Result from a short session. Sequencing with cvlfo, s/h, attenuverter, step sequencer.

A rare combination?.

Used a mini mod filter and tuned it up slowly so you can cut out the wanted pitch, switch daw to 120bpm to cut it preciselyenjoy.

Its a sine wave folded 4 times by a cgs inspired wavefolder module (kinda like the metalizer from the minibrute). The whole thing is then modulated with an external function generator that controls amount and frequency of modulation. This is what came out and it's pure junky drone noises, so goddamn nasty. Absolutely love them. Feel completely free to sample this and use it for your own purposes. This is a diy synthesizer i'm building and unfortunately it is still a prototype, but i'm gonna finish it soon and hope to sell it. Cool indeed, isn't it?.

I want you to compare this sound with:"electronic minute no 18 - vcv rack sqr sequencing"https://freesound. Org/people/gis_sweden/sounds/413520/in this sound, no 19, i use my modular synth. The sound is not as clean as in the virtual one. To some extent i blame my method of recording. . . Different oscillators sound different. Here i use a self oscillating filter. That produces a clean sinus wave. The cleanest sinus in my rack. But i guess the real thing is not perfect and that is what you are hearing? in neither of the patches i use a quantizer. . . (that's art :-)and, i almost forgot, i use a cheap analog delay pedal. Noisy. . .

Sinus wave connected to the filter cv1 in sweeps sound from mfb osc-03some reverb from ladik d-330.

I record my modular synth performing. I select parts - silence to silence - under 30 seconds. Machine composition - human selection. Warning this is very electronic. . . I'm patching up quantussy cells to make this. Much work for. . . What?.

Heavily processed sounds form the symbiotic waves module by pittsburgh modular. Filtered through the intellijel atlantis filter. Effects were minifooger chorus and occasionally strymon delay or flint. The name give a hint which oscillator model and processor were used.

A drone resting in chaos and ring modulator circuits.

What i was listening to while cleaning toilets. . .

No, it's not beautiful but its a generative feedback patch.

No comments.

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.

I decided to bring my wind chimes inside and recorded them with an mxl 910 microphone into my computer using a focusrite scarlett 18i20 interface with the gain turned up a bit. I then chopped 15 samples i liked from the entire recording and formatted them into a make noise morphagene reel containing 15 splices. I am very pleased with the results, especially when patched into clouds or using an eventide space pedal for example. Enjoy!.

Machine composed electronic music. Searched for a sound to mix it with. Found this lovely sound recorded by unfa. Noise » intel got crazy - psychedelic soundcard buzzing noiseshttps://freesound. Org/people/unfa/sounds/274221/machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Trying to create a not totally correct entropical paradise patch in vcv-rack.

I've created a snare from pink noise with voltage modular, added some spring reverb and a bit of distortion.

Rumble made with wave rectifier, vactrolfilter etc. . . But a full spectrum rumble!.

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.

Could be less.

A bi-product sound. Strange enough.

Modular synth sounds edited in audacity.

As the title says. . . Playing around. Added a beep and a sample. Works as a loop if anyone cant get enough :-d.

Actually i think i did it wrong, but something is happening.

Time for electronic minute no 301. A relatively structured sound and patch. It's not exact, not exactly repeating. Sometimes an electronic high-hat sound i heard.

Created and formatted for the make noise morphagene, this reel is divided into three sections with like sounds clustered together for ease of navigation. The first group of splices are glitchy, percussive, experimental, modular snippets. The middle third consists of melodic and chordal washes. The final cluster is a series of field recordings taken from a recent trip to beirut, lebanon, with a cut up inspired splice at the very end. Collectively, i hope this sonic material will inspire the user to mangle, manipulate, and deconstruct to taste.

Sometimes i regret being so stubborn, only using analog modules in my modular. How easy it should have been creating cool rhythms for the drums with a digitalclock generator or having a nice wave table oscillator etc. . . . Today, i admit, i once again was looking at a digital clockgenerator. How would care!?same sequence as in electronic minute no 105, but slower. And i have added someeasy modular analog. . . . Drums and a bonus sound. Play with it. In the end the drums are alone!the wav-file is raw! no editing at all. Yes i should record via my h1. . . But it'sso easy to use the mic in on my laptop.

4 cross modulated/connected looping envelopes phasing in and out of some sort of equilibrium. Cross connected in pairs. . . Lot of spring reverb. . .

This is long low buzz sound. Can be used ig games and other stuff. Made in fl studio.

Yes, my wasp-filter is alive again!.

This is a type of sound i don’t really know what they are called. Not in swedish, nor in english. If you know – help me!. The sound is intended to suggest an impending startling event. It’s an underscore sound meant to indicate the mood of a scene. It’s was made on my modular synth.

A morphagene reel culled from an improvisation i made on a eurorack modular synth. Qu-bit electronix scanned is the sole voice here. Splices in the reel are ordered from somewhat delicate (taps, pulses, etc. ) to pretty chaotic noise. All recorded into a zoom h6.

Another sloth lfo test. I wanted to see - expected to see - cyclesrepeating. I don't. I have x controlling frequency and y controllinga filter. This recording is 5 minutes so there should be some repetitiveness. . . It's a regular sloth. . . I see 48 second cycles but they are not the same. Cool. Chaos.

This is part of a set of samples demonstrating the capabilities of the diy version of the hexinverter mutant clap module (eurorack/modular synth). Of particular note is the noise bleed present in some hexinverter diy products as discussed on the muffwiggler forum. Except where noted as "with vca," all samples are recorded without added effects or processing. "with vca" samples have been tidied up with an envelope modulated vca. One may choose to see the bleed as a feature or flaw. . .

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.