1412 pistas de audio libre de derechos para "Modular"

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.

A little synth ramp that could be used for a robot or in electronic music. Reminds me of one of the effects at the start of the dangan ronpa theme ^o^. Made with hybrid3.

Sounds made with analog modular synth. Analog delay and spring reverb. Is this music or sound-design? something in between. Anyway its made with generative technique. The synth is working by it self. Machine composition.

A bass made with one oscillator and drums from yamaha qy-10. Mixed in a noisy mixer. The qy-10 is also acting as sequencer. The bass sound is made on my modular. 101% analog. Including reverb and delay. Yep, now i have got a midi to cv module.

I've created a kick with korg monologue, then i distorted it and delayed it with an fx i've created on voltage modular.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Feeding some cv to nlc ffc. Okay. It affects the module.

Yep, i'm reading allen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 5. 20 modules involved. The ending is just modular freak-out. . . Whit the turn of one pot. . . Leading to some nice sound fx.

Cross fm modulated filters performing a painful dance on your eardrums. This is noise but with a musical and rhythmic trace. I keep coming back to my vcfs…?.

Using an cvlfo in a feedbackloop creating very "chaotic" cv!.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Test of how uoki-toki polivoks vcf handles sin-wave. I tune the module i use as sin-oscillator (intellijel μvcf) to ca 270hz. I connect it to uoki-toki polivoks vcf. I let a sin lfo sweep the filter, cv1 pot at ca 70%.

I had a sound on my digital recorder. It had some sort of harbour feeling. To amplify that feeling i used pkoracs recording of "marina in kolding (denmark) in wind". So part modular synth part field recording. (https://freesound. Org/s/90721/).

Two small connected feedback systems playing for you.

Playing with the compressor function in audacity version 2. 1. 1.

Trying to create a small "engine" for use in generative patches. I use doepfer a-147-2 and alm pip slope. Here i use them in a two voice patch.

I thought i had a diy contact mic somewhere, but i did not find it. But i found another thing. A contact mic for an instrument tuner. But (again) it had a 1/4 inch mono plug. That meant i could not connect it to my computer mic in. But (i know) what if i plug it in to my modular synth. Surprise. . . Then i could add a little filter, pan and spring reverb. So clamped the mic on to my external 3,5 inch disc drive and recorded. This is my submission to dare 51.

10 minutes of old school tension or horror sound. An ever changing sound generated by a analog modular synth. It's a generative patch controlling the synth and the sound development. The reverb is a spring-reverb. No editing. Pick the part that fits you best. Or just listen and listen to what the synth is doing. . . I have my fav part!.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Started with me playing with doepfer a-146-2 as gate delay. Went on using it as a wave shaper. Went on and on. . . It's not a very big patch. But the outcome is nice. It's a mix of chaos and random. Yes i'm using jerk off and sloth. Analog modular synth fun.

Yep, i'm reading alen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 4. Changed pitch on one osc and added some drums. Some editing in audacity compressor and limiter.

Filter sweep with modded dirt filter.

Created and formatted for use in the make noise morphagene. Using my modular system to create different sounds, recorded by mn morphagene.

Suddenly you realize that you have made a patch that sounds strange. . . But that okay!.

Working with feedback. This is just "work in progress". But cool. When this "neuron" doesent have contact it gets upset.

This is one of 17 recordings made with the same patch. Same tempo, same scale, different outcome. I made this recordings for disquiet junto project 0377: algorithms assemble.

It has a start and an ending. . . Feedback. If you like noise. . .

Machine composed electronic music. The result made me think of a pedestrian crossing. I desired to mix my sound with a field recording of a swedish crossing. A recording madeby dobroide. Thanks. Stockholm » 20100806. Stockholm. Traffic. Light. Flachttps://freesound. Org/people/dobroide/sounds/102873/machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.