295 pistes audio libres de droits pour "Alto"

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01:47
Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.
Auteur: Untitled
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02:44
Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.
Auteur: Untitled
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05:35
Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.
Auteur: Untitled
00:00
03:59
Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.
Auteur: Untitled
00:00
05:25
Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.
Auteur: Herbert von Karajan, Wiener Philharmoniker, Leontyne Price, Hilde Rössel-Majdan, Fritz Wunderlich, Eberhard Wächter, Walter Berry
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04:11
Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.
Auteur: Untitled
00:00
02:47
Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.
Auteur: Untitled
00:00
03:43
Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.
Auteur: Untitled
00:00
02:45
Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.
Auteur: Untitled
00:00
03:30
Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.
Auteur: Untitled
00:00
00:43
The sound of a small compact car rolling on a bumpy cobblestone road. You can hear some things vibrating and some loose screws. This audio was recorded with a zoom h5 inside a susuki alto in managua, nicaragua. Where did you use it?.
Auteur: Orlandorizo
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14:58
Zlob diode chaos. X output - pan left "alto voice"y output - pan right "soprano voice"z output - pan center "bass voice" (no cv input to vco)trigger out - controls noise. This is a recording that makes a chaos explorer happy.
Auteur: Gis Sweden
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02:10
Riding my mountain bike on gravel trail at baylands nature preserve in palo alto ca. Recorded on my galaxy note 2 cellphone. Edited in cyberlink power director 13. This is actually two separate tracks equalized differently to accentuate the crunch of the gravel, and to minimize wind noise. Output in mono.
Auteur: Gordoh
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03:53
The song The kiss, arranged and played by alto saxist H. Benne Henton. It is originally a waltz from Luigi Arditi. Das Stück The kiss, arrangiert und eingespielt vom Altsaxophonisten H. Benne Henton. Es ist ursprünglich ein Walzer von Luigi Arditi.
Auteur: H. Benne Henton & unknown Band
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02:30
I am playing on a viola softly on c e and g across 4 octaves without applying eq recorded with a dynamic microphone in my room with a computer using my hands to play the instrument.
Auteur: Tennisers
00:00
00:29
Ok, i don't know how many of you might be interested in this, but i figure there's no harm in posting it. I'm working on some original songs. Laptop-based, electronic songs, with many orchestral parts, including violin, viola, cello, and string bass. Presonus studio one has some very nice vst string instruments, and i have some really great ones for kontakt. But they all are missing one thing, and i couldn't find the (admittedly esoteric) sound that i'm looking for anywhere on the internet. Being a viola player myself, i recorded myself playing these very particular incidental sounds. Let me explain-. There's this 'grabby' sound that a well-rosined bow makes just is it is first being drawn across the string. Listen carefully to any of the pros and you'll hear it. In your laptop sequences, if used subtly, right at the point where the first note of a phrase is initiated, this sound can give the string part a marked sense of realism*. This, combined with vibrato, reverb and a nice warm/tube/tape saturation setting, nobody will be able to tell the difference between your vst and the real thing. About the audio-i tried to keep them as pitchless as possible, thus not limiting their utility. I recorded two sets of all four open strings (c, g, d, a), first close mic'ed, and once from a few feet away, in stereo. Or to say it another way, the sounds are as follows-1. Open c close2. Open g close3. Open d close4. Open a close5. Open c far6. Open g far7. Open d far8. Open a far. It's totally overkill for me to record all the different versions, but i suppose somebody out there might find one more appropriate than another for their purposes. They work pretty effortlessly for violin and viola, but you might have to pitch them down for cello and string bass. I added no processing whatsoever, apart from normalizing each individual sound. Aiff, recorded at 44/16. Nady scm-2090 stereo condenser mic, focusrite saffire pro 24 interface, recorded in logic. Not the quietest room, but these sounds will be so far down in the mix that it won't matter. Free for all to download, no attribution necessary. Http://www. Freesound. Org/people/bruce%20burbank/sounds/220917/. As an example, here's the part i'm working on that motivated me to record these sounds, with the grabby sound in place. See if you can spot the three times i used it. *pro tip- much the same way i'll insert an inhale breath right before horn or oboe phrases.
Auteur: Bruce Burbank
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00:01
One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: violaens_pizz_a3_v1_rr1. Wavinstrument family: stringsinstrument: viola sectionarticulation: pizzicatonote: a4midi note: 69midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, se2200aii closeperformer: brendan klippel, jenny frantz, dan lay, gerson martinez.
Auteur: Samulis
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00:01
One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: violas_spic_a3_v1_rr1. Wavinstrument family: stringsinstrument: viola sectionarticulation: spiccatonote: a4midi note: 69midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, se2200aii closeperformer: brendan klippel, jenny frantz, dan lay, gerson martinez.
Auteur: Samulis
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00:13
One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: violas_trem_b2_v1_rr1. Wavinstrument family: stringsinstrument: viola sectionarticulation: tremolonote: b3midi note: 59midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, se2200aii closeperformer: brendan klippel, jenny frantz, dan lay, gerson martinez.
Auteur: Samulis
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00:10
One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: violaens_susvib_a3_v1_1. Wavinstrument family: stringsinstrument: viola sectionarticulation: vibrato sustainnote: a4midi note: 69midi velocity (center): 63location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, se2200aii closeperformer: brendan klippel, jenny frantz, dan lay, gerson martinez.
Auteur: Samulis
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00:21
I recorded a viola for a theatre project. I recorded it in a dry room, close mic with a neumann tlm103. Some samples are just noises of the bow on the c or d string, then once in a while creating overtones, other samples contain some processing with echoboy by soundtoys. Amazing plugins they make!. Feel free to use the samples in any way you like. If you use it in a project i am always curious to hear it. Comments and questions welcome.
Auteur: Malupeeters
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00:07
Villa processed sample.
Auteur: Phonosupf
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00:15
Villa processed samples remix.
Auteur: Phonosupf
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00:28
Viola processed samples remix.
Auteur: Phonosupf
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00:03
Viola processed samples remix.
Auteur: Phonosupf
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00:06
Viola processed samples remix.
Auteur: Phonosupf
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00:17
Viola pitch processed sample.
Auteur: Phonosupf
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00:15
Viola pitch processed sample.
Auteur: Phonosupf
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00:07
Viola processed sample remix.
Auteur: Phonosupf
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00:05
Viola processed sample.
Auteur: Phonosupf
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03:15
The Laverne Waltz Caprice, composed and played by alto saxist H. Benne Henton. It was published in 1911 and recorded by the Victor Talking Machine Company by March 1912. Das Laverne Walzer Capriccio, komponiert und eingespielt vom Altsaxophonisten H. Benne Henton. Es wurde 1911 veröffentlicht und im März 1912 für die Victor Talking Machine Company aufgenommen.
Auteur: H. Benne Henton & unknown Band
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00:15
Short viola samples.
Auteur: Owstu
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00:49
A small swell sequence for nick's film. Maybe.
Auteur: Livindead
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00:32
I made this using my alto recorder. It is quite long but can easily be shortened. I just realized that i forgot to take the breath sound out at the end!! sorry! i will do better next time. This is my first time contributing to freesound. I like this site and am happy to finally be able to contribute to it. Enjoy!.
Auteur: Mariecaron
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00:10
I made this using an alto recorder and then adding reverb to it. I have made it longer or shorter by just adding or taking away pieces in the middle. It was made to convey a sense of foreboding. I hope you like it. I am grateful for all the sounds i have found and used in freesound - feels good to finally be able to give back and contribute!.
Auteur: Mariecaron
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00:11
A sort of renaissancey version of the first two lines of ding dong merrily on high, composed on cubase with samples from the edirol orchestral plug in (a bit of harp, french horn, alto flute and violin with kettle drum and sleigh bell percussion). This was for the intro to a radio sketch but hopefully could be useful for other theme setting. Sorry in advance for not doing the whole song.
Auteur: Waxsocks
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04:18
Cavatina from La Favorita, arranged and played by alto saxist H. Benne Henton. It is originally from the fourth act of Gaetano Donizetti’s opera La favorite. Die Cavatine aus Die Favoritin, arrangiert und eingespielt vom Altsaxophonisten H. Benne Henton. Es ist ursprünglich die Cavatine des Fernando aus dem vierten Akt der Oper Die Favoritin von Gaetano Donizetti.
Auteur: H. Benne Henton & unknown Band
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00:35
Grabación del ambiente en lo alto de la quebrada dentro de un bosque. Bogotá-colombiaquebrada las delicias a las 09:44 a. M. Grabado con zoom h4n a 48khz y 24 bits de profundidad. Field recording from de top of of the river in a forest. Bogotá - colombiariver las delicias at 09:44 a. Mrecorded with zoom h4n at 48khz and 24 bits.
Auteur: Paisajessonorosurbanos
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04:23
The song Fantasie on scenes that are brightest, arranged and played by alto saxist H. Benne Henton. It is originally from the third act of William Vincent Wallace’s grand opéra Maritana. Das Lied Fantasie on scenes that are brightest, arrangiert und eingespielt vom Altsaxophonisten H. Benne Henton. Es stammt ursprünglich aus dem dritten Akt von William Vincent Wallaces Grand opéra Maritana.
Auteur: H. Benne Henton & unknown Band
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00:13
An open c-string played arco and sustained for 7 seconds on a 16. 5-inch viola made by mike sheriff in 2007.
Auteur: Bcantrell
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07:06
Rubber Grommets and Liquor performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 12 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander TSgt Jeff Sofet, alto saxophone SSgt Steve Knowis, trombone SSgt Scott Vignassi, trumpet
Auteur: Composition: Dave Bandman; Performance: United States Air Force Band of the West, Dimensions in Blue; Recording: United States Air Force
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02:02
Support my musicdonate now. Https://www. Paypal. Com/paypalme/giovi82this and other. Ableton live. Free music slap house dance edm loop electro clap drums kick drum snare bassdance club psytrance drumroll trance trance sample compressed tight drum.
Auteur: Davejf
00:00
01:56
I improvised this over a song of mine but i´m likely to not use it so i´m uploading it here. It´s the first take and not edited so don´t complain about wrong notes. Key: fmin bpm: 75. Feel free to use it in your music but i´d really like to hear what you did with it so if you use it pls also write a link to your song in the comments. Hope you like the sound :). If so pls check out my yt-channel: https://www. Youtube. Com/channel/ucfvticwxelr7iqjw7uhfcoq.
Auteur: Dierechnug
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03:35
I played the melody and solo of against all odds by gerald albright (ca. 100 bpm, key: db maj)and put effects on it. If you want to have a dry version or something different on the saxophone pls write a comment. Feel free to use it in your music but i´d really like to hear what you did with it so if you use it pls also write a link to your song in the comments. Hope you like the sound :). If so pls check out my yt-channel: https://www. Youtube. Com/channel/ucfvticwxelr7iqjw7uhfcoq.
Auteur: Dierechnug
00:00
02:52
Experimental sadism waterboarding a poor cello just for fun. Using makenoise gear to experimentally change the sound to muffle. Rendered in reaper @48khz 32 bit fp with markers for all you morphagene fans out there. Enjoy the muffling waterboarded feeling. . .
Auteur: Jim Bretherick
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00:45
Double bass thriller tense music loop.
Auteur: Elzozo
00:00
05:41
Away in a Manger (jazz rendition) performed by the Airmen of Note of the United States Air Force Band. Track 10 from Christmas Time is Here (1998). Recorded at the Center For The Arts, George Mason University, January 24-27, 1998. Credits: Alto Saxophone – Technical Sergeant Andy Axelrad* Alto Saxophone [Lead] – Senior Master Sergeant Joe Eckert* Baritone Saxophone – Master Sergeant Don New* Bass – Master Sergeant Paul Henry* Bass Trombone – Master Sergeant Dudley Hinote* Directed By – Chief Master Sergeant Peter C. BarenBregge* Drums – Senior Master Sergeant C. E. Askew* Engineer [Assistant] – Master Sergeant Kendall Thomsen* Engineer, Edited By – Bruce Leek Guitar – Technical Sergeant Shawn Purcell* Layout [Graphic] – Master Sergeant Dudley J. Hinote*, Master Sergeant Judith J. Thompson*, Technical Sergeant Robert K. McConnell* Liner Notes – Chief Master Sergeant Peter C. BarenBregge* Mixed By – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Percussion – Master Sergeant Pat Shrieves* (tracks: 2, 4 to 11) Piano – Master Sergeant Wade Beach Jr.* Producer – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Tenor Saxophone – Senior Master Sergeant Saul Miller Jr.* Tenor Saxophone [Lead] – Chief Master Sergeant Pete BarenBregge* Trombone – Technical Sergeant Jeff Martin* Trombone [Assistant Lead] – Technical Sergeant Ben Patterson* Trombone [Lead] – Master Sergeant Joe Jackson* Trumpet – Master Sergeant Rich Sigler*, Technical Sergeant Tim Leahey* Trumpet [Assistant Lead] – Master Sergeant Dave Detwiler* Trumpet [Lead] – Master Sergeant Bruce Gates* Vocals – Master Sergeant Tracey Wright*
Auteur: Composition: James Murray; Arrangement: TSgt Alan Baylock; Performance: United States Air Force Band, Airmen of Note; Recording: United States Air Force
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00:30
Dumb test.
Auteur: Manugkk
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00:10
Slow progrock electronic drum mixed in a beat. Enjoy!.
Auteur: Paranoye
00:00
00:09
A sound of swinging, best for animated scenes. Made with a violin and a zoom h4n.
Auteur: Joedoe
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