4 094 pistes audio libres de droits pour "Après Midi"

Diatonic scale on C, staccatissimo articulation.

Complexe sonore: the octatonic scale may be arranged as four major chords or seventh chords. Created by Hyacinth (talk) 13:49, 13 June 2010 using Sibelius 5.

833 cents scale step 2. 235.77 cents. 3⁄ φ {\displaystyle \varphi }  2

A lieta vita Amor c'invita

Takt 3 und 4 aus der vierten Variation des dritten Satzes von Beethovens Opus 109

One example of imperfect consonances previously considered dissonances in Guillaume de Machaut's "Je ne cuit pas qu'onques".

Anfang des dritten Satzes aus Beethovens Opus 109

Adagio-Thema des ersten Satzes aus Beethovens Opus 109

3-12 trichord on C. Augmented chord.

*Centitone on C. Equal-tempered: 21/600:1 = 2 cents. MIDI pitch bend: 82,64

Ausschnitt aus dem zweiten Satz von Griegs Klaviersonate

*Cent on C. Equal-tempered: 21/1200:1 = 1 cents. MIDI pitch bend: 41,64 Simultaneously and successively.

833 cents scale step 6. 733.82 cents. 1/ φ {\displaystyle \varphi } ⁄ φ {\displaystyle \varphi } /4

833 cents scale step 9 (2). 1068.86 cents. 3⁄ φ {\displaystyle \varphi }

Heavy metal gallop pattern on guitar power chords, with palm muting.

Siegfried leitmotif from Wagner's 'Siegfried' (1876).

Twelve bar blues in C, block chords.

833 cents scale step 8 (1). 932.36 cents. φ {\displaystyle \varphi }  5⁄4 φ {\displaystyle \varphi }

A few bars from the songs "Der Lindenbaum" and "Wasserflut" from Franz Schuberts songcycle "Die Winterreise"

833 cents scale step 15 (1). 565.45 cents. φ {\displaystyle \varphi }  6⁄8 φ {\displaystyle \varphi }

Dominant ninth chord on C.

Habanera rhythm.

833 cents scale step 7 (0). 833.09 cents. φ {\displaystyle \varphi }  2⁄ φ {\displaystyle \varphi }

833 cents scale step 12 (5). 230.41 cents. 1⁄6/ φ {\displaystyle \varphi }  4

I-IV-♭VII-IV chord progression. Barre chords on a MIDI acoustic guitar: C-F/C-B♭-F/C.

Midi-fil av folkemelodien Kjerringa med staven. A folktune from Norway

Beta scale minor triad on C. MIDI pitch bend appears to match intervals.

Compound duple drum pattern: divides two beats into three. Created by Hyacinth (talk) using Sibelius 5.

Northern Lights chord. Created by Hyacinth (talk) 16:19, 2 October 2010 using Sibelius 5.

833 cents scale step 1. 99.27 cents. φ {\displaystyle \varphi }  4⁄4 φ {\displaystyle \varphi }

833 cents scale step 11 (4). 99.27 cents. φ {\displaystyle \varphi }  4⁄4 φ {\displaystyle \varphi }

Habanera tresillo rhythm for comparison with 3:2 polyrhythm.

*Augmented octave and diminished unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.

Augmented chord progression: V+75 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Takt 1-8 des esten Satzes aus Beethovens Klaviersonate Opus 109

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 05:08, 14 July 2011 (UTC) using Sibelius 5.

Secondary supertonic chord: ii7/V - V/V [- V] in C major (a7 - D7 [- G]). Created by Hyacinth (talk) 15:14, 18 July 2010 using Sibelius 5.

Diatonic scale on C, staccato articulation.

Passage aus der sechsten Variation des dritten Satzes aus Beethovens Opus 109

Diatonic scale on C, legato articulation.

Vivace aus Beethovens op. 79 und Reduktion nach Alfred Rosenberg

833 cents scale step 4. 466.18 cents. φ {\displaystyle \varphi }  3⁄2 φ {\displaystyle \varphi }

Habanera rhythm (tresillo) and 3:2 polyrhythm alternating for comparison.

A few bars (30,32, etc.) from Schuberts song "Der Lindenbaum"

Augmented chord progression: V+65 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

An excerpt from the traditional Latin song "Adeste Fideles". Created by Hyacinth (talk) 22:50, 1 February 2012 (UTC) using Sibelius 5. See: :Image:Adeste Fideles sheet music sample.svg

An arpeggiated chord. Created by SreeBot (talk) using Sibelius 5. GFDL-self

Polly-Wolly-Doodle