4 094 pistes audio libres de droits pour "Après Midi"

Eight bar blues, guitar chords: I V7 IV7 IV7 V7-IV7 I V7.

Bugle scale: the five notes that comprise most bugle calls: C G C E G (harmonics 2 3 4 5 6).

Variation 1 aus dem dritten Satz von Beethovens Klaviersonate Opus 109

833 cents scale step 5. 597.32 cents. 1⁄3/ φ {\displaystyle \varphi }  3

Bach, Sinfonia in F minor BWV 795, mm. 1-3, composite rhythm.

Slendro vs whole tone scale on C

Berg violin concerto tone row

C6add9 chord.

Leitmotif of Siegfried form Act III of opera.

3:2 polyrhythm for comparison with the Habanera tresillo rhythm.

833 cents scale step 9 (2). 1068.86 cents. 3⁄ φ {\displaystyle \varphi }

Heavy metal gallop pattern on guitar power chords, with palm muting.

Polly-Wolly-Doodle

833 cents scale step 3. 366.91 cents. 1⁄ φ {\displaystyle \varphi } /2

Variation 3 des dritten Satzes aus Beethovens Klaviersonate Opus 109

First nine measures of the Grand Sonata in F minor, Opus 77 by Dussek

833 cents scale step 14 (0). 466.18 cents. φ {\displaystyle \varphi }  3⁄2 φ {\displaystyle \varphi }

Just augmented fifth in just C scale: E♭ and B.

Tone row of Webern's Variations for piano, op. 27.

Ausschnit (sul una corda) aus dem zweiten Satz von Beethovens Opus 109

Diatonic scale on C, tenuto articulation.

Ausschnitte aus Mozart Klaviersonate KV 332 (erster Satz)

833 cents scale step 13 (6). 366.91 cents. 1⁄ φ {\displaystyle \varphi } /2

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

Twelve bar blues in B, block chords. Created by Hyacinth (talk) 09:25, 17 December 2010 using Sibelius 5.

D chord in all fourths tuning.

Scarborough Fair arranged for 2 flutes and harp with 2 variations "Scarborough Fair" arrangiert für 2 Flöten und Harfe mit 2 Variationen

MIDI rendering of "Honte, paour, doubtance", a ballade by Guillaume de Machaut, 14th century

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar. Created by Hyacinth (talk) 14:10, 7 July 2009 using Sibelius 5.

Wolfgang Amadeus Mozart, Eine kleine Gigue, KV 574

Du lieber, heilger, frommer Christ

German sixth equals dominant seventh

*255th subharmonic on C = D-. Just: 256:255 = 6.78 cents. Limit: 17-limit. MIDI pitch bend: 21,66

The Christmas tree is bright with candles Am Weihnachtsbaum die Lichter brennen

Sah ein Knab ein Röslein stehn

Primary and secondary melody in the opening of Bach's BWV 1079.

*127th subharmonic on C = ??. Just: 128/127 = 13.58 cents. Limit: 127-limit. MIDI pitch bend: 44,68

Franz Schubert, Deutsche Messe, "Wohin soll ich mich wenden" (D-Dur), Gotteslob (2013) Nr. 145

Dominant eleventh chord in four-part writing.

Aus meines Herzens Grunde, Chorale 1 (BWV 269), for harpsichord and piano by J. S. Bach (1685–1750) from Editions de J.P Kimberger - C.P.E Bach.

9 steps in just A12 on middle C: 23/10 = D = 1441.96 cents.

Opening of Mozart's piano sonata K545. Created by Hyacinth (talk) 01:48, 31 October 2011 (UTC) using Sibelius.

Tritone substitution (for V) notated as Italian sixth.

Ich dank dir, lieber Herre (BWV 347) for harpsichord and piano by J. S. Bach (1685–1750) from Editions de J.P Kimberger - C.P.E Bach

How Stands the Glass Around

*Just minor sixth on C = A♭. 8:5 = 813.69 cents. Limit: 5-limit. MIDI pitch bend: 49,68

Georg Friedrich Händel: Ombra mai fu ("Largo")

Franz Schubert, Deutsche Messe, "Ehre sei Gott" (F-Dur), Gotteslob (2013) Nr. 413

Narrow diminished sixth on C (Abb-), 1024 : 675, 721.51 cents.