132 pistes audio libres de droits pour "Balance"

I have done a scale of my own. My a is 432hz. Not unique. . . In this example you hear my a, f and d. The tones are generated in audacity.

C major scale played on a martin sigma 6 string acoustic guitar with old steel strings using a seymour duncan soundhole pickup into a presonus audio box interface. Recorded at 120bpm in living room.

Speech by communists.

This is an f major scale played on flute played from low range up to mid range. This was recorded in my home studio using a sennheiser 421 from about 10" away into a macbook pro running reaper on 11/16/15 at around 1pm in foster city, ca, usa.

A dream-like sound effect created from playing a whole tone scale with a synthesizer in zynaddsubfx.

New linear scale. Made in python. . . 200hz up to 2000hz and back in steps of 100hzi'm not that convinced the beep command outputs exact frequencies. . . And the sound is terrible. But it is a beep. . .

Solo trumpet improvisation performance recorded in a sound-proof 10m2 recording studio. Performer: hikmet altunbaşlıerrecording device: zoom h6.

A saw wave created with sfxr and pitch shifted with audacity. The first note in the major pentatonic scale.

Book scale.

Book scale.

Book scale.

Book scale.

Simple vibraphone scale.

Piano processed-sound sound-efect scale.

Sounds of me scale the carrots.

A chromatic scale from a to a flat. You can separate them into their respective notes on any sound editing software, my treat.

A dream-like sound effect created from playing a whole tone scale with a synthesizer in zynaddsubfx. This is a downscale version of the original, which can be found here: https://freesound. Org/s/332409/. Requested by mariarugh: http://freesound. Org/people/mariarugh/.

Solo trumpet improvisation performance recorded in a sound-proof 10m2 recording studio. Performer: hikmet altunbaşlıerrecording device: zoom h6.

C4 piano major scale 44100hz 105bpm 16bit 5s.

Fish scale scraper - edirol rc09. .

5 tones equal interval scale5 oscillators tuned to: 110, 132, 154, 176 and 198hz. Not that bad?.

This was a recording i made of a toy often found in wealthy households of victorian britain. The toy is composed of heavy brass base, candle-stick shaped,upon which balanced a brass cross-piece. Atop the cross-piece was attached the model of a horse and cart, with seated driver. This was made out of tin. When the cross-piece was rocked the sound heard is that of the moving horse's head and driver's arms. The head and arms were connect by thin cord, so moved in unison.

This was recorded in my kitchen next to a railway, late at night when there was maintenance going on on the line. A heavy unit called a tamper went past, tamping down the ballast (stones) that go under the tracks. Lots of sub-bass as the whole building gets vibrated and at -04:29 a balanced teapot lid puts itself onto the teapot. Zoom h4n, 24/48 wav exported to flac in audacity.

Although the project inspire (nasa) seems to have died, there are still sources of sound sources of vlf noise in the net. In http://abelian. Org/vlf can be found several available streams from multiple receivers located around the globe. In this package, i simply offer a few records scattered in time from this site. The stereo samples correspond to a experimental stream that combines two sources balanced on each channel: cumiana vlf receiver (italy) + sheffield vlf receiver (uk). The mono tracks correspond to other indeterminate receivers.

A simple multi-sampled synthetic spacebass pack, containing 25 samples, derived from 2 octaves of a home made soft-synth patch. The original quality was 24 bits with a sample rate of 88. 2khz, which i converted with a very good src to 16 bits and 44. 1khz. Not that is was that important after all considering the fact that the patch itself has a grainy character in the higher frequencies. . . No compressing, equalizing whatsoever involved, the panning is pretty wide tho, with left and right sounding rather different, but in stereo it still feels pretty balanced i think.

Recorded just after the clock struck midnight, signaling the beginning of 2023 in greenville, south carolina with a tascam dr-05 stereo recorder. Very nice clear recording with basically zero unwanted noises except for an occasional light water drip. Audio edited to perfection by me. ;) did some light eq, compression, limiting, and stereo balancing, as well as removing some of the constant ambient white noise hiss. Creative commons 0 license, so use this for whatever you like! enjoy!.

Sound to notify winning.

I simply played a c major scale on the electric guitar.

The result of a chuck programming session. I edit the program/script live while recording.

I made a linear tone scale in audacity. Interesting.

This is a chromatic scale synthesized from musescore, using the piano sound from fluidr3 soundfont. Edited on audacity for changing from stereo to mono 16-bit. The tempo is about 130bpm. The register of notes spans from c4 to b4.

D-scale from d-string on a violin.

Rough e minor scale played on a jackson dinky with seymour duncan humbucker through a mesa boogie dual rectifier amp, recorded with a shure sm57 using audacity. Recorded in november 2014.

Monophonic saxophone solo improvisation on bb-major scale, performed by toprak barut. Location: ankara, turkeydevice : zoom-h6environment : 15m2 sound-proof recording studio (@yüzen oda).

Just the c major scale mutted.

Hey guys this is the c major scale.

Inspired by a discussion on the ambient online forum:https://www. Ambientonline. Org/forum/ambient/sound-design/92341-how-to-synthesize-drum-sounds. Used the subtractor synth from reason. Please refer to the pack description for a full list of the sounds synthesized. Ao_subtractor_snare_2_1. Reason subtractorosc 1 is off (set balance 100% to osc 2 + noise). Osc 2 set to sine wave, oct = 3. Noise decay = 127, noise color = 127, noise level = 127. Filter set to low-pass 12 and completely open (=127). Amp env decay = 44.

Barrel organ ambience close to a vegetable market. More in this pack. Recorded close to outdoor terrace of a café, so tableware audible. The cracking / squeaking sound sometimes is from the windscreen over the terrace. Recorded june 2011, 's-hertogenbosch, holland. I've tried to find a spot that gives a nice balance in sounds. Sony pcm d50 internal mics xy90re-uploaded ad public domain.

1:56 field recording of exterior daytime environmental windy day in an exposed lincolnshire countryside location, but with mics completely shielded inside a bus-shelter for a less in your face perspective. Mics are pointed upwards into the wooden box roof of the shelter, which has added a somewhat eerie and disconcerting lower mid rumble to the scene. Recorded with a balanced stereo pair of mics and edited to remove intrusions.

Just going up the scale.

Recorded with a zomm h1 and edited with audacity. Playing a chromatic scale with a marimba.

Stepping on a scale, the sound of springs and stepping off.

This is a small dog yelping along with a flutist warming up with scales.

Chromatic scale on keyboard.

Quiet urban residential area in tokyo at about 2 am in the late summer (october, i think). You can hear far off traffic, some night insects and a drunk guy who came to close to my hidden mics to take a whiz. Excluding the peeing guy, quiet parts are perfect for looping (for ambient background sounds in video or audio works). The peeing guy might actually be useful, so i didn't cut it out. Faithfully recorded with a stereo mic pair placed at a 90 degree angle. The left-right balance was adjusted and the stereo field was expanded later to fix the lopsided sided flatness of the original recording. Other than that, the recording is unprocessed.

Piano middle c5.

Sampled a toy glockenspiel. C major scale. Each note runs for 2 bars set to 120bpm. Enjoy!.

This is an original composition i created in sibelius 6 using traditional music theory guidelines ( i. E circle progressions, chord progressions, aba structure. )the instruments used to create this are : chords - acoustic guitarmelody - electric guitar-xbkyboox xd.

Just a simple scale arrangement played through dpo and mysteron from makenoise. Standard effects. Mimeophon karplus-strong sequenced from rené. Percussion, i´ll let you guess. . . Enjoy!.

This is my baritone guitar, with a mute under the strings at the bridge, to give it a percussive distorted sound. I've played a scale so it can be used as a samplepack.