1 326 pistes audio libres de droits pour "Chords"

Major chord on C in 17 equal temperament (0,6,10).

Secondary leading-tone chord from Purcell's Z. 669, III, mm. 9-13.

Augmented chord progression: I+75 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

I-IV-♭VII-IV chord progression. Barre chords on a MIDI acoustic guitar: C-F/C-B♭-F/C.

Three beta chords on C♯. C♯, E, G, B♭, C♮; C♯, E, G, C♮; and C♯, G, C♮.

Lydian augmented polychord on C: 04689e = C,E,F#,G#,A,B.

Crunchy electric guitar chords, played with single coil pickups.

Crispy chords from the e major scale.

A fingerpicked f#add11 chord with tremolo added at the end for suspense.

Dirty fmaj7 cycling envelope variations. 2nd inversion. Lazy chord patch.

Granular synth chord from some lo-fi noise i found, with additional reverb, width, and eq.

Free use.

Major triad on C in first inversion.

German sixth with 6/4 resolution, generated on Sibelius.

My wife singing a 3-part triad as a choir of angelic voices.

1st chord progression made with multisamples saw wave sampled from arturia minibrute loaded into a kontakt2nd one made with single waveform from the same samples loaded into serumjust for analyse the difference between the two signal. Donate: paypal. Me/rvone.

Future bass supersaws, created with xfer serum in reaper. Decided not to use this chord progression for my track, but perhaps it can be of use to someone!. License: cc0.

Recorded classical guitar cuenca mod 10. Made in spain. The sound is recorded on condenser microphone octave mk-220 and fw 1814.

Augmented chord progression: V+75 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: V+65 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: V+43 I63. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

An upright piano chord sequence repeated three times, and a clock ticks!. This recording is not a perfect loop but able to be made such. Tempo is synced to clock ticks and so is almost accurately 120 bpm. Recorded by sony xperia c5305.

Played some chords in f dorian.

Created by Hyacinth (talk) using Sibelius.

Some jazz chords with a full wind section. 88 bpm.

Viennese trichord as dominant. Created by Hyacinth (talk) 21:31, 4 July 2010 using Sibelius 5.

A dark minor chord progression made with a vintage synth plugin on fl studio.

Eight bar blues, guitar chords: I V7 IV7 IV7 V7-IV7 I V7.

Cut up from mall muzak 1974 / track 06https://archive. Org/details/mallmusicmuzakmallof1974.

Electric guitar, mild gain. Repeating riff pattern up and down the fretboard.

Man i keep making these loops lolol. The chords are e7 gmaj7 d7 d#7.

♭III+ chord in just intonation. Pitch bend matches intervals.

45:54:64 = F#+, A+, C = C, Eb, Gb-

5:6:7 = E, G, B7b = C, Eb, G7b.

Diagonal barre chord: major seventh chord on G. The first finger fingers both the second fret on the first four strings and the third fret on the sixth string.

Secondary supertonic chord: ii7/V - V/V [- V] in C major (a7 - D7 [- G]). Created by Hyacinth (talk) 15:14, 18 July 2010 using Sibelius 5.

Chord progression on mic'd acoustic guitar. A major, c# minor, b minor, e major. Sm57.

A carefully balanced pad chord. Reminds me of 1996. Perfect for warm and relaxing edm / elektro / chillout.

Oberheim sem pad chords at 120 bpm with delay and parallel shift.

Some chords with an impulse response from a pcm 70 reverb.

Instrumental chords best em.

I am very proud of this one. Chords:. Cm9f9g#6b5gaug7, gdom7.

VI7 in C minor. Created by Hyacinth (talk) 15:26, 2 July 2011 (UTC) using Sibelius 5.

This is something what i'm thinking of for a while. It's not very musical but i'm trying to find how are this type of chords useful?. When i listen this chord it gives me some strange sad-happy mood that changes rapidly in my head.

2 channel, drop-d chord played on a reverend rocco through a hughes&kettner; tubeman ii on distortion channel.

V-I progression, unaltered dominant resolving to the tonic. Created by Hyacinth (talk) 22:29, 9 July 2008 using Sibelius and Audacity.

A nice and wide sounding piano chord, using a digital piano sound i'm developing from public domain piano samples. Enjoy!.

An acoustic guitar chord recorded through a set of guitar plugins for extra fun!this one is am9.

Pandiatonic chord with nonharmonic bass in Igor Stravinsky's Symphony of Psalms, 3rd movement.

Original live home recording.