93 pistes audio libres de droits pour "Distinction"

Listen with secure stereo headphones. The first wave sounds mono; it should appear as though the sound is coming from the center of your head. In the second wave, the right channel has been inverted--otherwise identical. That should sound as though there are two distinct sounds coming from either ear.

Rain on the plastic roof of a greenhouse, close-up. Distinct drops of quite a loud rain. Sometimes the plastic flapps. Variations of the density of the rain,. France, nov2022. Recorded with schoeps ab ortfrecorded on sounddevice mixpre648khz, 24 bits, wave stereo.

This effect was created for a radio tax spot to support the line "here's all the directions. . . 1,000 pages of them!" (sfx: drops 1,000 pages on desk)it makes a distinct whoomp sound when they land. Recorded on nt2-a rode mic in a production studio.

Song in progress but lost the files, so i scrapped it. Electric guitar tapping and strumming with some reverb. Made in cubase. This sample has 3 distinct parts. Intro-mellow-rhythmic. If you use it, i'd love to see what you use it for!.

This is a loop derived from https://freesound. Org/s/274213/. I reduced the distinctness of some foreground talking and some equipment noise, and used a basic split + crossfade to make it loopable.

Purring of cat: this sound is extremely distinct. It is an up-close recording of the vibrations emitted by a cat when they are happy. It is an accurate representation because an actual cat was used to record this sound. Recorded with the zoom h6, rode ntg. This is a great sound if you are looking for an extreme specific purr unaccompanied by other noises.

Me making a vvvvvvvvooooooo increasing pitch noise ran through a phasor. Intended for unlocking something in a game. Recorded with yeti usb condensor.

Water dropping on tile and metal drain randomly, with a distinct rythm that slows down towards the end of the file. Recorded with zoom h4n embedded mics, quickly edited on protools for gain, noise reduction and artifact removal. Still a little noisy, though.

A clean raw stereo recording of about a thousand people chatting with each other. No distinct dialogue. Recorded in stereo on an h4n. The microphone was at a far distance from the crowd, so this would be suitable for any scene where you need a crowd to be in the next room or some such. There might be minimal handling noise.

Pills being taken out of a metal wrapper: a very distinct metallic sound can be heard. It is sharp and high-pitched. You can hear a pop when the pill is being taking out of it's housing. Great to create tension in a scene. Recorded with the zoom h6, rode ntg.

General ambiance at gate 29 from piedmont triad intl. Airport in greensboro, nc on august 18, 2018, at about 9:30 am, as i was waiting for a flight to nyc. Includes some distinct conversation, announcements, background music and distant plane sounds. Recorded with a shure mv88 attached to an iphone 8.

This is the interval crowd from the play blithe spirit that ran at the basin theatre in 2019. They've all had a good laugh and their about to go back into the theatre and have some more. Although this is an australian crowd i don't think you can hear any distinct voices or words. It's a happy murmuring.

Kittens: the screeching of 3 week old kittens is very distinct. Real kittens can be heard here. It is high-pitched and a “close-up” of these sounds coming from these tiny creatures. By overlapping some of the screeching it creates the illusion of more kittens. A slight purr can be heard which comes from the mother. Recorded with the zoom h6, rode ntg.

Stereo recording (decoded stereo from a core sound tetramic recording. B-format version also on freesound) sounds are kind of whooshy, very non-present. Very good for non-distinct urban-city bg's. Really useful in helping cover dialog ambient shifts. At :21 two guys on bikes with a boombox pass - one of the weirdest sounding things i've recorded.

A clean raw stereo recording of about a thousand people chatting with each other. Includes distinct dialogue in american english, iberian spanish, french and other languages. Recorded in stereo on an h4n. The microphone was positioned inside the crowd. Recorded in a big space with huge ceilings--would be suitable for a theatre, auditorium, rally, sports game, etc. , but an experienced editor might be able to make this into an outdoor scene as well. There might be minimal handling noise.

A clean raw stereo recording of a about a thousand people chatting with each other. Almost no distinct dialogue. Recorded in stereo on an h4n. The microphone was positioned on the side of the crowd, close but not in the crowd. Recorded in a big space with huge ceilings--would be suitable for a theatre, auditorium, rally, sports game, etc. , but an experienced editor might be able to make this into an outdoor scene as well. There might be minimal handling noise.

21-tet scale on C (57.14 cent steps). Easley Blackwood, Jr.'s notation for 21 equal temperament. Intervals are notated similarly to those they approximate and there are distinct enharmonic equivalents (E-sharp-down = F-down). MIDI pitch bend matches intervals.

Pobblebonk frog named for the sound of its call or the eastern banjo frog. An australian frog with a distinctive call. Note i've used selective eq to remove the cicada calls. An accompanying file has the cicada calls unedited. Recorded with rode ntg5 - > zoom h4n pro -> processed in adobe audition, equalisation, hi-pass, eq.

This is the first recording i made with my zoom h1 (probably will be making more soon). I made it from my balcony, late afternoon - there is a large playground surrounded with 4 four-storied blocks, so there's a great echo. The birds are very noisy at this time of day here and kids as well. There are also some distinct parents talking in the background. Recorded in small town in poland.

Field recording of a train ride in the western outskirts of paris. I wanted to capture what passengers actually hear when they take that train. It's a bombardier regional train with diesel engine. This is simportant because it gives this particular train a distinctive acoustical fingerprint: you can hear engine bursts (a bit like a bus hitting the gas) no electrical train does that. . . It also has a nice roaring drone. Recorded with a zoom h2n in stereo x/y mode.

A clean raw stereo recording of about a thousand people chatting with each other. Includes distinct dialogue in american english, iberian spanish and other languages. Recorded in stereo on an h4n. I slowly walked through the crowd during this recording. Recorded in a big space with huge ceilings--would be suitable for a theatre, auditorium, rally, sports game, etc. , but an experienced editor might be able to make this into an outdoor scene as well. There might be minimal handling noise.

This was recorded in a small, underground brick wine cellar during a wine-tasting event in europe. While the language spoken in the clip is slovak, it's impossible to pick out any indivdiual conversations, so this could be used as background noise in any project. At 0:57, there is a distinct "ano" (slovak for yes) which you may wish to edit out if you need the full minute. Mp3 recorded at 320 kps on a tascam dr-1 stereo mic recorder.

A sound of a tightening wrench (a bike repair kit) being spun around to produce its distinct ratchet like sounds. Foley fun: put to 25% of its rate and you get convincing metallic gear sounds, apply a tiny bit of reverb, maybe layer it with some screeching sounds from other users (or me, your choice) or a slow gate shutter to get a nice mechanical door opening sample.

Busy street in tokyo during the evening rush hour. I placed a pair of mics at 120 degrees between 2 stop lights on a busy street. There are 3 distinct "waves" of traffic let through the lights and all our recorded well. The panning is quite dramatic, so you really get a sense of movement.

A clean raw stereo recording of about a thousand people chatting with each other. No distinct dialogue. Recorded in stereo on an h4n. The microphone was positioned about 20 feet above and to the side of the crowd. Recorded in a big space with huge ceilings--would be suitable for a theatre, auditorium, rally, sports game, etc. , but an experienced editor might be able to make this into an outdoor scene as well. There might be minimal handling noise.

The snailhorn is a wind instrument. (skrt. Skankha, tib. Dung kar, jap. 陣貝, jinkai, 法螺貝, horagai)it is from the shell of a snail manufactured, the tip is detached. Often the snail shell by engraving or ornamented metal versions. Sometimes it is also a mouthpiece of metal used. With hindsight bubbles - similar to a horn or a trumpet - creates a distinctive, penetrating tone. The snail horn is used in different cultures and different symbolic meanings. Recording: tascam hd-p2 and beyerdynamic mce82;. Soundsystem: pro tools le.

Looking at the spectrogram waveform display of https://freesound. Org/people/ivolipa/sounds/344948/ i noticed a few patterns. Distinct bands of high volume at around ~600hz, ~1200hz, ~1800hz, the fade in volume toward higher frequencies, a ubiquitous noise, and the soft staccato rhythm. Using these facts, i tried to make yet another engine sound with fm-synthesis. Sound forge 7 — to my knowledge — lacking a spectrogram, i've no clue if this was a successful attempt, but it does have a vaguely engine-like sound.

A clean raw stereo recording of a about a thousand people chatting with each other. Almost no distinct dialogue, but a discerning ear would hear american english and iberian spanish. Recorded in stereo on an h4n. The microphone was positioned on the side of the crowd, but pretty close. Recorded in a big space with huge ceilings--would be suitable for a theatre, auditorium, rally, sports game, etc. , but an experienced editor might be able to make this into an outdoor scene as well. There might be minimal handling noise.

Needed the exceptionally specific sound of putting an old book into an old hiking backpack. This is that sound. The recording starts with me the backpack off, before placing the book into the backpack and throwing the backpack back over my shoulder. Backpack description:an old-ish (likely 60's) hikers backpack with a metal "seat" that folds out. Made out of wool, leather, metal and the inside is plastic (a thick plastic bag that keeps everything dry). All straps are made of leather and metal that makes a very distinct jangly sound. Book description:this is an 1841 (handled with great care) edition of "hegel's logik" hardcover with a leather spine. *no credit needed, but would love it if you shared your creation, if you use this sound!.

An extactor hood starting to work, running for a couple of seconds and stops. I decided to not record the switch on, switch off because it didn't "sound right" to me. You will find a better, more distinctive switch sound in here. Recorded with a tascam dr-40. Note: feel free to use this sound in one of your own projects. If you want to, you also can send me a link. I would love to hear some of my field recording into someone’s work.

This wood thrush was recorded around 7:30 in the morning in heavy woods in deep southern illinois. Unlike my earlier posting of the wood thrush singing at dusk, this morning recording has the wood thrush singing with lots of company, although he clearly rises above his neighbors. 17 seconds into the recording you hear the drumming of a woodpecker, and at one-minute 20 seconds into the recording you hear the distinctive-lonely sounding call of the huge pileated woodpecker. Recording made with good-quality stereo microphones so use headphones to get a wonderful experience.

Ungdoms synden (translates to: the sin of adolescence) is a traditional swedish melody (style: polska) from boda in dalarna sweden. The melody is compsed by röjås jonas, aledgely played to him in his old age, by a fellow fiddler. "who has made that song?" jonas asked. "you did - many years ago" the player replied "that must have been my sin of adolescense" the composer replied. This is just the first phrase of the melody recorded by me. The boda polska rythm is based in 3/4, but somewhat unevenly spaced. Every village in the neighboorhood have their distinct muiscal dialect, in the way of how to play a polska. The boda musical dialect is reputaded throughout scandinavia. Recorded with zoom h4 in my living room copenhagen.

Bank vault combination lock sound - refers to a sound effect of a bank vault's combination lock being opened or closed. This sound effect can be used in various multimedia projects to create a sense of security, protection, or access. The sound is typically mechanical and metal-based, with the distinct sound of the dial turning and the lock being unlocked or locked. The tag includes keywords such as bank, vault, safe, security, mechanical, dial, and sound effect, among others, to help users find the right sound effect for their project.

These are not squeaks of pain! no rats were harmed! if you own rats, you know that they are very greedy when it comes to food, and will actually yell at you if you try to take it. Here are my two rats, rem and ezio, eating some bread, and me chasing them around with my hand to get them to squeak. They were not happy with me. So these squeaks basically mean, "no! my food! get away!" it's kinda cute. Sorry it's horrible quality, little rat voices are very soft. The squeaks that sound like painful squeaks are rem, and the more whiny ones are ezio. It's funny how they have distinct voices just like humans. Eeeeeeeeyup. Annoyed rats.

Representational approaches to field recording are bullshit. On another day i will explain why i feel this to be the case. But it centers around a critique of the distinction between representation/reality, along with a critique of the concept of mediation. Mechanical openings, heartfelt wanderings was recorded with a tascam dr100mkii and a rode shotgun mic. One sound taken from the 'microblocks, vol. 1' percussive found sound sample-pack. The sample-pack features 135 unique field recordings culled from the ordinary soundscapes of santa cruz, ca. Find and download (for free) the rest of the sample pack here: https://fieldrecordingworkinggroup. Bandcamp. Com/releases. The sample pack comes with an accompanying essay describing the method, politics and historical context of the sample-pack.

2016-06-01clear creek metro parkrockbridge, ohio. In late spring 2016, seventeen-year cicadas emerged in a section of the united states that includes eastern ohio. The cicadas crawl out of the ground, shed their skins, and climb up into the trees. One cicada makes a loud and distinctive sound, but a whole group of them creates a dull roar. This recording was made on the cemetery ridge trail at clear creek metro park in rockbridge, ohio. I was standing some distance from the cicada sounds, trying to capture the pervasive roar from a distance. Sound recorded using the built-in mic on an iphone 5.

Fireworks- recording fireworks is really strange. There are two distinct things going on with fireworks- the sound of the explosion, and the powerful physical impact our bodies feel when all that sound energy reaches us. Thing is, the mics don’t have any way of capturing that physical impact; they can only record the pop sound of the initial explosion. So what ends up on tape? honestly, it doesn’t sound much different than popping popcorn in your kitchen. Even with my good mics, i think i had to boost the low end a little bit in this recording to make it actually sound more like fireworks than popcorn. But judge for yourself. Nady stereo condenser microphonefocusrite saffire pro24 interfacelogic 8 on a macbook pro4th of july fireworks over mission bay, sandiego.

This is a sample of a small red carpet event at an awards ceremony.

Feel free to use for anything, creative commons. Just state where you've used it or better yet credit: jack gracie. Thanks.

A semi-rare and priceless recording (at least to me) of a whippoorwill; a bird who, unfortunately, is declining in many areas of the country. This recording contains more hiss than many of my existing nature recordings, but i still want to post it so you can get sample of this wonderful signature sound of summer woods at dusk. Recording made in the shawnee national forest in late may of 2010 using my zoom h4n recorder. I used an audio technica at8035. I was trying out this microphone. This particular microphone does have a narrow acceptance angle, which is probably 1 reason for the hissiness. Still, go out in the summer woods around dusk sometime and maybe you will get lucky and hear this beautiful little bird whose distinctive calls have livened up the woods for generations of many youngsters – including me!.

A heartbeat sound i created. Fairly consistent through most of it, and then speeds up into heart-attack mode about 30 seconds from the end. To make it, i took a kick-drum sample and a snare-drum sample, and made a pattern of kick-snare, kick-snare, kick-snare, over and over. I then eq'd them to be less distinct and drum-like, added tape saturation to increase the low-end thumping, a small chorus effect and some compression to get rid of the drums' attack. . . Basically just over-processed the hell out of it. Then i used a plugin called wok m-st to get a fake hard-panned stereo effect. My goal was to make it sound like your heartbeat sounds in your ears when you've been running too fast for too long. I think it sounds cool.

Featured in the game 'noclip vr'!! thank you so so much, reality games online!. This is heavily inspired by the urban myth and/or creepypasta called the backrooms, which have a very distinct atmosphere to them. This is my interpretation. However, this isn't exclusively for backrooms-related stuff! so by all means, if you're simply in need of some interior ambience of any sort, that's also why i made this for you. No advanced processing was used to achieve this sound. I recorded an electrical box in my garage for the buzzing. For the 2nd layer, i turned on some fans in my room, and made a long mono recording of the white-noise. I then split the recording in half, and used each half for the left and right channel, giving it a stereo sound. I then spent an hour leveling all of it because i'm a perfectionist. Yay. Hardware & software used:-audacity-zoom h4n pro (buzzing)-rode nt1 (fan-noise).

While working on another audiobook, i decided to make this sound. It's 38 voices, each saying different things, panned around and mixed together, creating a "wall of sound" that speaks like 38 radio channels at once. Recorded with a zoom h2 via usb into ardour2. Mixed and exported to flac with ardour2. Ps: it's all polish (with some possible german shout-outs), but the amount of noise makes it almost completely incomprehensible. Only a few words that are being yelled in a different voice can be understood. No sound repeats here, no recycling - every voice and every second of this recording is unique. Yes, it required quite a lot of work to record so much talking in quality! it's almost an entire audiobook squeezed into 5 minutes. Strangely (or not) listening to this makes my mind rest, because the noise blocks all other sounds from the environment - making my mind free of stimulation, allowing for sleep-like rest state. The signal is so much modulated that it appears to be not modulated at all - like static you get from a fm radio of you tune it wrong. The brain receives less data when you listen to this, than when you sit in a room hearing even faint (but distinct) noises from outside, other rooms, other people or yourself. This is sound masking in action. A very interesting psychoacoustic property of human hearing. Also: this is an interesting material to study of my voice's spectral energy distribution while speaking (as opposed to singing). As you can see using the spectrogram view, most energy is present in the band below 600 hz.