185 pistes audio libres de droits pour "Impression"

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00:31
A whirring machine in a print shop. Recorded on sony pcm m-10.
Auteur: Disasterservices
00:00
01:53
Some print shop machine. Sounds like of like a space ship to me. Recorded on sony pcm m-10.
Auteur: Disasterservices
00:00
01:56
Printing press machine. Recorded on sony pcm m-10.
Auteur: Disasterservices
00:00
01:04
A printer printing out a photoprinter: canon ip7250mic: zoom h4n internal micsrecording format: 24, bit, 96khz, stereo, wave.
Auteur: Vkproduktion
00:00
00:13
The receipt printer on an old cash register feeding paper through.
Auteur: Lolamadeus
00:00
00:31
//////// made using audacity (only):. Generate 3 wave forms. Saw - 110hzsquare - 220hzsine - 440hz. Pull down the track's volume using the sliderthen mix them all together on one track. Apply a wahwah plugin :freq= 1,5 / phase=0 / dept=70 / resonnance= 5,2 / cutoff freq= 5. Progresively increase the tempo :source tempo to -75% / final tempo to +150% (with dynamic transcient sharpening)source hight to -50% / final hight to +150%. Normalise to -0,5apply short fade in and long fade out. //////// typologie:continu varié (v)(pourrait presque être aussi décrit en tant que série d'impulsions tonique / n' ). ////// morphologie:- masse: son seul- timbre harmonique: riche, puissant et assez agressif (mais adouci par le filtrage)- grain: grain assez "gros" et rugueux- allure: stable, pas de vibrato rapproché, pas de "chevrotement"- attaque: l'attaque est graduelle- profil mélodique: variations à mi-chemin entre scalaires et serpentines- profil de masse / calibre : présence d'un filtrage évolutif intermitent qui adoucit le grain et donne une impression plus "organique".
Auteur: Univ Lyon
00:00
00:50
Old epson printer trying to print something on a sheet of paper. The ink was completely dry, that's why the sound may vary a little bit from a "standard" unit. Delicate noise reduction performed.
Auteur: Partykus
00:00
00:16
My canon printer printing. 0 licence. Recorded with a 4th gen ipod touch, edited with audacity.
Auteur: Kwahmah
00:00
00:14
An office-grade printer performing the task of copy, including scan and then print.
Auteur: Mbpl
00:00
00:02
A sort of sound that a machine makes. Follow me on scratch: https://scratch. Mit. Edu/users/scrxbble/.
Auteur: Scrxbble
00:00
00:34
Simple mechanical noise.
Auteur: Jamesbradford
00:00
00:11
I wanted to create a sound that is scary. I was inspired by sounds for jumpscare sequences in horror movies. So here i generated an audio track and i added a « batterie risset » on it. It gaves a sound that sounds like a bell so i duplicated it 3 times more on 3 different audio tracks. Once done, i accelarated and turn up the volume on the second audio track a bit more compared to the first audio track. I repeated it on the 2 other tracks to give the impression that something is getting closer to us. After that, i generated a new audio track with a tone, i put it on overlap with the forth track and i highly turn up the volume to create a saturation in order to strongly surprise the listener. To finish, i checked that the final mixed track was not saturated, except the sequence i wanted to be saturated, and i exported the sound.
Auteur: Univ Lyon
00:00
00:04
Binaural pov sound of an original polaroid 650 land camera when taking and printing a photo without flash. Recorded with an ohrwurm mic and tascam recorder indoors, with little reverb. Rate this item and tell me how you've used it.
Auteur: Larspriebe
00:00
08:44
Stereo recording of the main printing floor of a printing firm in berlin/germany. Recording was conducted in the rear of the hall, printing machines are running and idling, some workers' voices can be heard in the background. Recorded with a zoom h2n, mics set to 90° dispersion. This recording is also available in 5. 1 surround. Drop me a message if you want it.
Auteur: Blaukreuz
00:00
02:02
4-channel record of a rolling thunder. The record is slow downed to 0,7-speed. The thunder has now very deep frequencies, which can shake your house, if you have the right equipment to play the file. The 4 channels are recorded in irt-cross technique (microphone distance 25cm) so it is a 360° record. Http://irt-cross. Mozello. Deat the end of the track the rain moves to the front channels. (fade is starting at 1:20 min and is finished at 1:41min)my other track can be used for "intro" followed by this track. See/hear here for the intro option:https://freesound. Org/people/bluedelta/sounds/446753/. The spatial impression is best if headphones are used. Ch1 = flch2 = frch3 = rlch4 = rr. The download-file is a polywav. If you need to split the file (e. G. To make a stereo file), you can use the easy to use"wave agent beta"(free)from sound devices for example. ;-)_________________________________________________________used recording gear:zoom f84 x rode nt1 (without "a" = the black ones).
Auteur: Bluedelta
00:00
00:04
This is my impression of a flatulent arachnid, or "spider fart" which if referenced by a woman in an old-timey southern mansion, might be pronounced as "spidah-faht". This seemingly odd spelling and like-wise pronunciation, perhaps worthy of explanation, would be on account of their ". . . Well known and often satirized dropping of "r's" in times when they precede another consonant or pause, which has the effect of elongating the pronounciation of the vowel before it. " as ray kooyenga explains it. Delving deeper, according to j. Fought who seems to agree, this was a originally a "southern english dialect associated with priveledge and prestigem" and in certain geographies of the southern and south eastern united states migrants "clung to such speech through its association with the influential proprietors of the southern plantation agricultural system. ". The use in "faht" has also another common southern linguistic trait of what the preceding gentleman might term a "confederate a". And so this, is the "spidah-faht" or "spider fart" if you prefer, as performed by ray anthony mimicking the fairly common species "arachnid flatulence gigantous".
Auteur: Rayrc
00:00
00:03
Pistol fired outdoors with ricochet. Single shot, fairly close, with fast fadeout. Narrow stereo image, no panning, almost monophonic. Wholly synthesized. No weapon was fired in the making of this sound. It's an emulated sound effect of a sidearm gunshot with a cliche ricochet sound, like in the vintage western movies and ww2 films that they showed on tv when i was a kid. Can be used in a game, perhaps, or a none-too-serious vidclip. The sound of the pistol cartridge explosion is default flstudio kick, clap and snare slowed right down. A single tap of delay is added to lend an impression of echo off a middle distance hard surface. The ricochet noise was made with sytrus running as a vsti inside flstudio. It took an entire day of head scratching, oscillator tweaking and envelope mangling to get something that reasonably resembles a sound that i recall from the old movies. I think i'll shoot myself before i try something like this again. :). Plus the usual flstudio compressors, eq, reverb and delay - nothing tricky, just standard stuff.
Auteur: Diboz
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00:25
Office ambience loop with no voices to be heard. There are multiple phones ringing, quick typing and printing. Could be useful if you want to put dialogue on top, or just want to represent a 100% focused and silent workplace. Made up of all of these cc0 freesounds:- https://freesound. Org/people/lewooz/sounds/521398/- https://freesound. Org/people/stu556/sounds/450281/- https://freesound. Org/people/alivvie/sounds/323432/- https://freesound. Org/people/alphium/sounds/470937/- https://freesound. Org/people/keybit2/sounds/178137/- https://freesound. Org/people/mycompasstv/sounds/457161/- https://freesound. Org/people/chlund/sounds/504622/- https://freesound. Org/people/vrodge/sounds/119556/.
Auteur: Fupicat
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00:07
It's a recording of a modern portable cash register printing a daily report. Then the paper tape is ripped of. There are funny frequency effects caused by the paper tape getting longer and resonating different frequencies. The sound have not beet piped through any processing. Recorded with a hand-held zoom h2's rear mics. Originally 96khz/24-bit wav. Edited and converted to flac using audacity.
Auteur: Unfa
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00:42
Soundscape galactic knights keyboard impressions in wav quality.
Auteur: Udopohlmann
00:00
00:06
Me making animal noises.
Auteur: Soundguy
00:00
00:10
A taxi meter machine printing the receipt and than the driver tearing it.
Auteur: Orelbitan
00:00
00:02
Okay, about this small bibliothek there is a story to tell. Maybe a year ago my mother phoned me and asked if i could give her a hand because the door to her kitchen was squeaking. After work i went to her, went down to the cellar, took the can with the lubricating grease, went upstairs and made my mother happy. Then i putted the grease back and went upstairs. Whe sat down, drank a cup of coffee. Then i had to go to the toilet andnoticed that the toilet door was squeaking too. So i went down to the cellar again and took once again the grease. Now i thought, before i make the stairs again, i'll show if any other thing in my mothers house is squeaking. It was terrible! i swear, never in my entire life i've been in a house where so many different things were squeaking so impassionated. First off all i went back to my car and took my cheap dictaphone i use for work. And before i putted grease on those squeaking things i recorded them. Xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx. So this are really historic sounds! none of them exist anymore in the real world!. Xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx. But. . . When i heard through them later i was disappointed of the bad sound quality, cutting out higher ond lower frenquencies of the rich spectrum of those "neeeeiiiks" and "uiihggs". During winter holidays i processed them first with the audacity noise reduction - then with other tools. The result gives an unreal impression of the original sounding, they have now some "synthetic" touch - but makes them probably usable for funny films or comic-likeeffects. All the sounds in my "big squeek pack" where recorded in one afternoon and all in my mothers house. "tension-sounds" for example are nothing else than a junker (tin can? - sorry, my english) moved from one side of a wooden shelf to another, meanwhile my dictoaphone was laying in the junker. I don't ask to credit me - but if you make use of one of these sounds and create something funny with them, please let me know. . . So i can show it my mother too. Thank you.
Auteur: Fantozzi
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04:38
Marches des Princesses from the Cendrillon Suite performed by the Concert Band of the United States Air Force Band. Track 6 from French Impressions (2000).[1][2][3]
Auteur: Composition: Jules Massenet; Arrangement: Lawrence Odom; Performance: United States Air Force Band, Concert Band; Recording: United States Air Force
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07:27
Samson et Dalila, Op. 47: "Danse Bacchanale" performed by the Concert Band of the United States Air Force Band. Track 7 from French Impressions (2000).[1][2]
Auteur: Untitled
00:00
16:03
An excerpt from Daphnis et Chloé performed by the Concert Band of the United States Air Force Band. Track 8 from French Impressions (2000).[1][2][3][4]
Auteur: Untitled
00:00
05:40
Le roi malgre lui (The King in Spite of Himself): "Danse Slave" performed by the Concert Band of the United States Air Force Band. Track 1 from French Impressions (2000).[1][2]
Auteur: Composition: Emmanuel Chabrier; Arrangement: Lawrence Odom; Performance: United States Air Force Band, Concert Band; Recording: United States Air Force
00:00
06:45
La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: II. "Jeux de vagues" performed by the Concert Band of the United States Air Force Band. Track 10 from French Impressions (2000).[1][2][3][4]
Auteur: Untitled
00:00
01:18
My voice acting provided for free cc0 free public domain. I recorded this for a cool project. I'm willing to do projects for free and without credit, i like talking in impressions and coming up with voices and accents to speak in, it's not hard for me. I'm recording this on a blue yeti, i love yetis. Hear for yourself the sound quality. Edited in audacity.
Auteur: Frazierwing
00:00
09:20
La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: I. "De l'aube à midi sur la mer" performed by the Concert Band of the United States Air Force Band. Track 9 from French Impressions (2000).[1][2][3][4]
Auteur: Untitled
00:00
08:11
La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: III. "Dialogue du vent et de la mer" performed by the Concert Band of the United States Air Force Band. Track 11 from French Impressions (2000).[1][2][3][4]
Auteur: Untitled
00:00
02:39
Who has ever experienced complete inner peace and tranquility knows the feeling of peace that remains for days in your system. Of course there are always those impressions around you that distract you from that. But by regularly absorbing that silence, that tranquility, this peace grows. Eventually the feeling of peace is ruling and there is only just an occasional little storm. That keeps you alert, so that is good as well. So, peace at last.
Auteur: Huggingbear
00:00
03:22
Performer: BBC Symphony Orchestra Conductor: Arturo Toscanini (1867-1957) Title/Work: Symphony No. 6 in F major, Op. 68 (Beethoven) Content: 1st Movement (Awakening of serene Impressions upon arriving in the Country): Allegro ma non troppo (Part 1) Composer: Ludwig van Beethoven (1770-1827) Genre: Symphonic 1st recording date: 1937 1st release date: 1937
Auteur: Untitled
00:00
02:21
Performer: BBC Symphony Orchestra Conductor: Arturo Toscanini (1867-1957) Title/Work: Symphony No. 6 in F major, Op. 68 (Beethoven) Content: 1st movement (Awakening of serene Impressions upon arriving in the Country): Allegro ma non troppo (Conclusion) Composer: Ludwig van Beethoven (1770-1827) Genre: Symphonic 1st recording date: 1937 1st release date: 1937
Auteur: Untitled
00:00
02:22
1st release date: 1937 1st recording date: 1943 Place of recording: London, United Kingdom Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Conductor: Arturo Toscanini (1867-1957) Performer(s): BBC Symphony Orchestra Vocal range: instrumental Title/Work: Symphony No. 6 in F major, Op. 68 (Beethoven) Content: 1st Movement (Awakening of serene Impressions upon arriving in the Country): Allegro ma non troppo (Conclusion) Genre(s): Symphonic
Auteur: Untitled
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