79 pistes audio libres de droits pour "Mai"

I modified the attack and cut the silence at the beginning and the end. Masse:groupe tonique. Timbre harmonique:clair et creux. Grain:assez rugueux. Allure:pas de vibrato mais la cuillère vibre un peu dans le fond. Dynamique:attaque progressive et redescente pour finir. Profil mélodique:pas de mélodie mais un rythme irrégulier. Profil de masse:changement des niveaux au début et à la fin.

Corrente de plastico chacoalhando em contado com outro plastico para fazer mais efeito. Plastic chain shaking in count with another plastic to make more effect.

Boom e neumanngravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

Masse:son seul complexe. Timbre harmonique:ondulant. Grain:lisse. Allure:vibrato. Dynamique:forte attaque mais pas violente. Profil mélodique:serpentine. Profil de masse:effet whawha et petit écho qui couvrent la note de départ.

Motor da antiga camera 16mm do zé pintor rodando. Som captado na casa dele com microfone akg c568b posicionado no lado que produz um ruído mais grave.

Enfin la Beauté by Etienne Moulinié, an "air de cour", performed live by myself: Enfin la beauté que j'adore Me fait cognoistre en son retour Qu'elle veut que je voye encore Ces yeux pour qui je meurs d'amour Mais puis que je revoy la beauté qui m'enflame, Sortez mes desplaisirs hostez vous de mon ame. Le ciel voyant que son absence M'oste tout mon contentement, Octroye à ma perseverance La fin de mon cruel tourment: Mais puis que je revoy la beauté qui m'enflame, Sortez mes desplaisirs hostez vous de mon ame. Mes maux changés vous en delices, Mon coeur arrestés vos douleurs, Amour bannissez mes supplices, Mes yeux ne versez plus de pleurs: Mais puis que je revoy la beauté qui m'enflame, Sortez mes desplaisirs hostez vous de mon ame.

/////description////////. Risset drum created with audacity, edited with amplification, echo, opening fade and closing fade. //////////typologie (p. Schaeffer)///. V : continu varié. ////////morphologie////////////. - masse:son cannelés. - timre harmonique:lourd et vibrant. - grain:son avec un peu de grain. - allure:léger vibrato. - dynamique:attaque graduelle mais rapide. - profil mélodique:variation serpentine.

Baixar mais de 9 horas de som de chuva sem trovão. Download: https://bitlybr. Com/5vjcthayforte chuva gravado hoje, dia 16/02/2021 som de chuva forte caindo no quintal da minha casa. Heavy rain recorded today, 02/16/2021 sound of heavy rain falling in my backyard.

Rires - discussions bruyantes - phrases en françaislaughter - noisy discussions - sentences in french. Enregistré avec un zoom h2, il ne s'agit pas vraiment d'un bar mais d'une dizaine de comédiens. Registered with a zoom h2, it is not really real people in a bar but about ten comedians. .

Avião passando, prestes a pousar no aeroporto de lisboa, take 02 com ambiente da estrada mais silencioso. Gravado com o microfone sennheiser mkh-416 no gravador zoom f8n. Airplane passing, about to arrive at the lisbon airport. Recorded with sennheiser mkh-416 on the zoom f8n recorder. Less background noise from the nearby trafic.

Une colonie de grenouilles à une heure du matin, sur une mare à côté du mans. On entend quelques bruits de circulation dans le fond, mais les grenouilles étaient très proches. Frogs recorded near le mans, france. Though we can still hear things in the background, the frogs were very close to the microphone. 48khz 24bits.

Water drop recorded in my kitchen. //////////typologie (p. Schaeffer)///. V' : impulsion variée. ////////morphologie////////////. Masse:son seul / (tonique &) varié. Timre harmonique:clair. Grain:pas de grain, texture "soyeuse". Allure:vibrato (un vide graduel entre la première note de la goutte et la deuxième). Dynamique:attaque franche mais mésurée, entrée du son assez douce. Profil mélodique:variation serpentine. Profil de masse:une impression de léger filtrage des aigus.

Nasty alarm !. Générer un son « carré » de 220 hzeffet, amplification : -10 dbcoupe pour n’avoir que 5 secondesje ne garde que la première boucleeffet : changer la vitesse : -77effet : changer la hauteur : 260% de modificationfondus en ouverture et en fermeture. Description :. Typologie : v, continu varié. - masse:son tonique avec petites répétitions derrière. - grain:léger grain derrière la note « principale ». - allure:continu. - dynamique: attaque tonique, mais fondus en ouverture et en fermeture. .

Someone eats an apple, turns on the radio and the news radio program begins. The original sounds used are from these lovely people:chewing: freesound. Org/people/luthien22/sounds/467625radio knob: freesound. Org/people/joao_janz/sounds/477704;and not least, the news program music: freesound. Org/people/connum/sounds/23874. I only combined them, added some hissing to simulate radio quality and ended the news music early, without the final effect, to be more subtle. Please use the licence (give attribution) to the the main sound, the last linked from connum. Thank you. _____. Port: alguém come uma maçã, liga o rádio e toca a música de abertura do programa de notícias. Eu apenas os combinei os sons dos links acima, adicionei chiado do rádio e terminei o som da música antes, sem o efeito final mais destacado, para ser mais sutil. Por favor utilize a licença (atribua ao autor) do som principal, o último link de connum citado.

Arbusto balançando, gravado com um zoom h4 no pátio do centro de artes da ufpel. Esse som foi gravado pelo grupo cinema vocal, para conhecer mais sobre nós acesse: http://cinemavocal. Blogspot. Com. Br/. ----------------------------------------------------------------------------------a bush shaking, recorded with a zoom h4 in the courtyard of centro de artes of ufpel. This sound was recorded by the group cinema vocal, to know more about us access:http://cinemavocal. Blogspot. Com. Br/.

Alguns passos na grama seca, gravado com um zoom h4 no pátio do centro de artes da ufpel. Esse som foi gravado pelo grupo cinema vocal, para conhecer mais sobre nós acesse:http://cinemavocal. Blogspot. Com. Br/. ----------------------------------------------------------------------------------a few steps in a dry grass, recorded with a zoom h4 in the courtyard of centro de artes of ufpel. This sound was recorded by the group cinema vocal, to know more about us access:http://cinemavocal. Blogspot. Com. Br/.

Alguns passos na brita, gravado com um zoom h4 no pátio do centro de artes da ufpel. Esse som foi gravado pelo grupo cinema vocal, para conhecer mais sobre nós acesse: http://cinemavocal. Blogspot. Com. Br/. ----------------------------------------------------------------------------------a few steps in crushed stone, recorded with a zoom h4 in the courtyard of centro de artes of ufpel. This sound was recorded by the group cinema vocal, to know more about us access:http://cinemavocal. Blogspot. Com. Br/.

Batendo um pequena barra de metal no chão, gravado com um zoom h4 no pátio do centro de artes da ufpel. Esse som foi gravado pelo grupo cinema vocal, para conhecer mais sobre nós acesse: http://cinemavocal. Blogspot. Com. Br/. ----------------------------------------------------------------------------------beating a little metal bar in the ground, recorded with a zoom h4 in the courtyard of centro de artes of ufpel. This sound was recorded by the group cinema vocal, to know more about us access:http://cinemavocal. Blogspot. Com. Br/.

Micael imitando um pássaro com alguns pássaros de fundo, gravado com um zoom h4 no pátio do centro de artes da ufpel. Esse som foi gravado pelo grupo cinema vocal, para conhecer mais sobre nós acesse: http://cinemavocal. Blogspot. Com. Br/. ----------------------------------------------------------------------------------micael imitating a birds and other birds in the background, recorded with a zoom h4 in the courtyard of centro de artes of ufpel. This sound was recorded by the group cinema vocal, to know more about us access:http://cinemavocal. Blogspot. Com. Br/.

Campo da manga durante o início da madrugada. Da janela do meu quarto, com aparelhos calibrados, analisava o ambiente do campo e todos os sons que ele me proporcionava. Num horário mais calmo, a rua já vazia, veículos começam a passar, cachorros brincam no meio da grama, sons bem noturnos e calmos, com presença de grilos e sapos. Data:hora: 0h45. Equipamento: gravador sony pcm d50. Gravado por vinicius sousa neri. Ref. Centro- 070120_00.

Alguns passos na calçada com alguns pássaros de ambiente, gravado com um zoom h4 no pátio do centro de artes da ufpel. Esse som foi gravado pelo grupo cinema vocal, para conhecer mais sobre nós acesse: http://cinemavocal. Blogspot. Com. Br/. ----------------------------------------------------------------------------------a few steps in the sidewalk with some birds, recorded with a zoom h4 in the courtyard of centro de artes of ufpel. This sound was recorded by the group cinema vocal, to know more about us access:http://cinemavocal. Blogspot. Com. Br/.

This sound is a superposition of two records. First, i recorded a coffee machine and cut it to extract just the sound of the money that falls in. Then, i recorded the sound of keys and mix it together on audacity. I wanted to make a sound that can be repeated in a loop. So, i copied the record of the coffee machine to give a rhythm to the sound. I tried to cut the sound of the key perfectly to make a loop with the help of the option “search for crosses with zero”. Then, i added view effects. I have changed the amplification in purpose to bring out more the sound of the coffee machine. I also change the reverberation. Gradually, my sound made me think of a music in a video game that i used to play, rayman. It was difficult to describe what the sound was like, but i liked the atmosphere, so i kept it. Then, a friend told me it made him think of a frog noise, and i liked the idea. Code typologie de schaeffer : v’’précisions morphologie :sur le principe de l’écoute réduite, la morphologie du son peut-être décrite comme étant un groupe tonique car nous entendons plusieurs hauteurs. Le son peut être qualifié d’acide et éclatant. Le son paraît plutôt rugueux. Je dirais que le son est dynamique mais que l’attaque n’est pas brutale mais graduelle au moment où l’on entend le son de la machine à café. Le profil mélodique présente des variations plutôt scalaires. Pour finir on entend des hauteurs de sons parmi d’autre son.

Sharpening knife : sharp sound. The sound was post-processed to make the sound of the knife seem more scary. Afiando faca : som afiado. O som foi pós-processado para fazer o som da faca parecer mais assustador. Dragging a knife : shaky sound of a knife being dragged on an irregular surface. Arrastando uma faca: som trêmulo de uma faca sendo arrastada em uma superfície irregular. Girl yelling : high pitched sound. The sound was post-processed to seem like the sound happened in a room full of echo. Garota gritando : som agudo. O som foi pós-processado para parecer que o som aconteceu em uma sala cheia de eco. Gravados com um microfone shotgun shure vp89 e uma placa de som behringer u-phoria umc404 hd. Gravado no estúdio da escola ort no rio de janeiro, em fevereiro de 2022.

This underwater breathing was created in audacity. To create this sound i generated 2 tracks rhythms on 2 different mono tracks. For the breathing i created a rhythm "click noise" and added the effect "paulstrech". I deleted some moments of silences. I tried to simulate a heartbeat. I generated a rhythm tracks "noise click" and added the effect "echo". I selected in the track a sound wich looks like to a beat, cut the remain and add the repeated effect on the selected moment. I added bass to make the son more organic and reduced the gain. ---. Typologie/morphologie de shaeffer. Ce son est un mélange de continu complexe (x) et d'itération complexe (x''). Masse :son cannelé. Mélange de sons complexes avec des hauteurs. Grain : a la fois rugueux (la respiration) mais aussi lisse (les battements de cœur). Dynamique :l'attaque est plus ou moins violente avec des variations. Profil mélodique :variation scalaire.

Midnight, mont de marsan (france), november 23 is the day of the wild cranes migration. It is fabulous! the fog is settled in the city, and these cranes are invisible! close but invisible. The nearby military airbase gives rhythm to the soundsc@pe with its take-offs and landings of fighter planes, which make the acoustics of the city resonate. Minuit, mont de marsan (france), ce 23 novembre est le jour de passage des grues sauvages en migration. C'est fabuleux! le brouillard est posé dans la ville, et ces grues sont invisibles! proches mais invisibles. La base aérienne militaire proche rythme le p@ysage sonore de ses décollages et atterrissage d'avions de chasse, qui font résonner l'acoustique de la ville. Original recording 96khz/32b sd mixpre6ii, stéréo ab dpa4041 dans cinela pia2.

What if we could hear sounds from another planet ?. In this imaginary place, people can visit zoos under water. Here is the sound of a yhtem, recorded by a visitor from inside his personal submarine. The recording device was found by a member of the zoo staff, as it was floating over the water. It gave no more informations about what happened to the visitor, except that according to several monster's specialists, the yhtem « sounded hungry ». In the real world, this sound was created using the sound of a very brief scream. At the background was a noisy street, and some cars were passing by. I used two different screams and mixed them, before decreasing speed and tempo in audacity. -. Xson « cannelé ». Le son « d'arrière plan » est étouffé, plutôt doux, mais il y a des « accents » rugueux, acides, lors du grognement. L'attaque est graduelle. On distingue quelques notes, différentes hauteurs. Variation scalaire.

//////// made using audacity (only):. Generate 3 wave forms. Saw - 110hzsquare - 220hzsine - 440hz. Pull down the track's volume using the sliderthen mix them all together on one track. Apply a wahwah plugin :freq= 1,5 / phase=0 / dept=70 / resonnance= 5,2 / cutoff freq= 5. Progresively increase the tempo :source tempo to -75% / final tempo to +150% (with dynamic transcient sharpening)source hight to -50% / final hight to +150%. Normalise to -0,5apply short fade in and long fade out. //////// typologie:continu varié (v)(pourrait presque être aussi décrit en tant que série d'impulsions tonique / n' ). ////// morphologie:- masse: son seul- timbre harmonique: riche, puissant et assez agressif (mais adouci par le filtrage)- grain: grain assez "gros" et rugueux- allure: stable, pas de vibrato rapproché, pas de "chevrotement"- attaque: l'attaque est graduelle- profil mélodique: variations à mi-chemin entre scalaires et serpentines- profil de masse / calibre : présence d'un filtrage évolutif intermitent qui adoucit le grain et donne une impression plus "organique".

A recording of ringing a bicycle bell, slowed by 64%. Production stages- first of all we recorded the sound of a bicycle bell, then i imported it to audacity. I cut the beginning as well as the end, adding a constant gain at the beginning and a constant fade at the end so that the sound would be even more harmonic. Then i slightly compressed the sound, and normalized it. Then i used a “noise reduction” in order to get rid of the sound in the background and a slight equalizer. Ce son est de type v- continu varié. Dès le début il augmente avec les vibrations de la sonnette. C’est un son cannelé. Il est harmonique et résonant et ressemble à une cloche, mais est en fait une sonnette d’un bicyclette ralenti à 64%. Il est lisse et comporte des vibrations (vibrato). L’attaque au début est graduelle, douce, clair, riche et saturé. Il y a des variations scalaires qui nous ammenent à un pic clairement montré. C’est un son énergique et joyeux.

This sound was created using audacity. First of all i chose a frequency of 432 hz ( a number which includes the golden rule/proportion), then i created a gradual rise in the first 4 seconds, leading into a peak which descends so it can go up again, creating an effect of confusion. At the end, the sound raises gradually and rapidly to reach its peak once again. This sound recreates, for me, a fast- moving ufo (unidentified flying object) and includes the notion of conspiracy in our society- the changing of the frequency of the tone “la “ from 432 hz to 440 hz in 1953 by the nazis. La règle d’or- 432 hertz. Le ton « la » est une pointe centrale dans le réglage des instruments musicaux. Le ministre de la propagande en allemagne pendant l’époque des nazis a fait un décret général avec lequel il a changé la tonalité « la »de 432 hz en 440 hz. On utilise cette hauteur à partir de 1939 jusqu’à nos jours. Il y a eu des protestes de la part de professeur dussault de la conservatoire parisienne qui a fait une pétition signé par 23 000 artistes françaises mais sans aucun résultat. L’organisation internationale de standardisation(iso) a accepté en 1953 les changements et on utilise la valeur de 440 hz depuis. Des recherches montrent que ce changement a des effets incontournables sur le corps et le cerveau humain- les gens entrent dans un chaos. Ce changement a été caché du monde entier parce que c’est le point de la balance dans la nature. 432 hz est la vibration qui inclue aussi le règle d’or (ou la proportion de dieu). Quand on écoute de la musique en 440 hz la première chose qu’on remarque c’est une fatigue, aucun envie de faire n’importe quoi et beaucoup d’autres ( y inclus le mouvement de notre adn) une étude récent montre que l’utilisation de 440 hz crée des mouvais effets dans la nature et dans toutes les êtres vivantes. Cette article m’a inspirée à recréer un son avec une fréquence de 432 hz qui monte et baisse graduellement. C’est un son seul de type complexe(nodal). Il est de type v( continu varié), il est éclatant,clair et lisse. L’attaque du début est graduelle et violente. Le son varie en « hauteur » de plus fort au moins fort et l’inverse, recréant un effet d’un ovni qui passe à côté de vous.