4 363 pistes audio libres de droits pour "Midi"

Popular tune from Latvia Wir, an Babels fremden Ufern (Gotteslob (2013) 438)

Traditional Thai 7-tet subset pentatonic mode 1: 1, 2, 3, 5, 6. Beginning on middle C.

Chopin's Prelude in C minor modulates within the first three measures.

Wir weihn, wie du geboten; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 713

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of quadruple whole notes. =60.

Wach auf, wach auf, du deutsches Land, Evang. Gesangbuch 145

Befiehl du deine Wege; Evang. Gesangbuch 361; Gotteslob (2013) 418

Gegrüßet seist du, Königin, Melodie des Erstdrucks (Johann Georg Seidenbusch, Marianischer Schnee-Berg, 1687)

I made this midi file; it is a performance of an In Nomine by Orlando Gibbons, an English composer who died in 1625.

Bekehre uns, vergib die Sünde; Gotteslob (1975) 160; Gotteslob (2013) 266

The "Schwencke measure" added to J.S. Bach's Prelude in C Major BWV 846

*Tridecimal 5/4 tone on C = D♯. Just: 15:13 = 247.74 cents. Limit: 13-limit.

Ick heff mol en Hamborger Veermaster sehn

Herr, dir ist nichts verborgen, Gotteslob (1975) 292; Gotteslob (2013) 428

Nun bitten wir den Heiligen Geist (Ev. Gsb. 124)

Minor triad on A in first inversion. Created by Hyacinth (talk) 18:56, 23 November 2010 using Sibelius 5.

Dominant minor ninth flat five chord on C. C E Gb Bb Db.

O Gott, du frommer Gott, Evang. Gesangbuch 495 (erste Melodie)

*Wolf fifth on C = G- (Ben Johnston's notation). 40:27 = 680.45 cents. Limit: 5-limit.

So this is the midi version of the rough draft done in guitar. Will be recording it at a later point this year hopefully (or maybe around january). Time will tell.

Tone mixtures for Group I of Studie II. First five pitches (Group I: 1). G♯=100 Hz.

Deinem Heiland, deinem Lehrer, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 880 (Hamburg und Osnabrück)

Ambient noise and sound scape created in a mini midi studio with an akai s01 sampler , roland s10 sampler , korg wavestation sr and some other synth modules.

Strange sci-fi drone. Created on samplitude music studio, by applying 3 vst instruments (wollow drone, wollow fm-era and sts-17) on the same midi sequence i previously wrote.

Loop-able ring tone for your phone. Written and recorded using cakewalk by band lab and a midi controller.

Recreation of the sound of wave that i made on reason. Took the sound from this site https://freesound. Org/people/straget/sounds/412308/.

The third piece of the surviving fragments of Nannerl's music book.

I was walking outside in my complex. I recorded this sound with a zoom h6. It was the afternoon. It was a windy day.

Recorded in bandappa garden, jalhalli, bangalore, india. I am sitting on a bench and around me the sprinklers watering the palmtrees and various plants. Binaural recording with soundman okm`s and a h4n. If you want to support my work, please visit:jardinsonore(. )bandcamp(. )comthere you find a lot more.

This is a mix of many different sounds. A dog keeps on barking, birds sing. There's a plane that passes by. At one moment a truck also passes by. There's even squirrels and at the end a faint murmur of people talking as they walk on the sidewalk. Recorded with a zoom h4n.

This is recorded when i went out from a park using a staircase. There were some leaves on one of the steps.

City town old havana afternoon balcony.

Sound of cicada at tokyo, summer afternoon48khz 24-bit.

15 minutes of cicadas. Brood x 2021. Bit of walking on the deck/thumping at the beginning and end, but otherwise a clean recording.

At 4 pm (hawaii time), it's the sounds of birdsongs and blowing light breezes in the trees lining the rather dry river near my home in honolulu. You can also hear the humming of my refrigerator in the background.

From Die Zauberflöte, K.620 Wenn Tugend und Gerechtigkeit ... "When virtue and justice spread the path of the great with fame.." These pages contain some of my MIDI sequences of classical music in general midi (GM) format, linked so that you can download or play them by clicking on the links. The sequences are intended to be heard on a computer sound card, and do not include system exclusive messages or controllers other than volume, pan, reverb and chorus. They are all in the public domain. That is, they are no-one's intellectual property: they may be freely copied, adapted, tinkered with and, I hope, surpassed by others.

Second septimal minor third on C = D♯-. Just intonation: 25/21 = 301.85 cents.

Created using ableton and a midi synth. Hope you enjoy it. Feel free to used in your projects. Thanks for hear it.

O Gott, du frommer Gott, Evang. Gesangbuch 495 (zweite Melodie)

Sollt ich meinem Gott nicht singen; Evang. Gesangbuch 325

Gott der Vater steh uns bei, Evang. Gesangbuch 138

Ich bin Soldat, doch bin ich es nicht gerne

Nun wollen wir singen das Abendlied, Evangelisches Gesangbuch Niedersachsen-Bremen 637

Excerpt from the second movement of the concerto poloniosy by Georg Philipp Telemann

Seventh suspension four chord on C. Created by Hyacinth (talk) 20:28, 31 May 2011 (UTC) using Sibelius 5.

Der Mond ist aufgegangen (1790), Evangelisches Gesangbuch 482; Gotteslob (2013) 93

Dein Tag, o Herr, uns hell anbricht, Gotteslob (2013) Freiburg/Rottenburg-Stuttgart 714

Gott der Vater, steh uns bei, Gotteslob (1975) 305

[Dominant] eleventh chord in F, on C (C11). "As it appears in actual music": C, —, G, B, D, F.

Laudato si’ (Gotteslob Diözesananhänge, Ev. Gsb. 515)