4 363 pistes audio libres de droits pour "Midi"

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): meat stixnote: c1midi note: 24midi velocity: 21.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): pw actionnote: c2midi note: 36midi velocity: 21.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): velocity bassnote: c2midi note: 36midi velocity: 48.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): velocity clicknote: c2midi note: 36midi velocity: 11.

G♯ natural minor scale ascending and descending.

B♭ natural minor scale ascending and descending.

E♭ natural minor scale ascending and descending.

Mit den Hirten will ich gehen, Evang. Gesangbuch Rheinland-Westfalen-Lippe 544

The chord progression of the ostinato from "Creep" played with block chords with each chord in root position within one octave.

Actual score to accompany an analysis by Czerny (simplified) of the first measures of Chopin Study op. 10 n. 1.

Piano Sonata No. 8 (Beethoven) second movement (Adagio cantabile) 12 KB, 5:03 minutes

A melody i came up with in midi shifting notes around. The sound is from an acoustic guitar note sample of mine with effects, ran through structure free in pro tools.

Seventh of a dominant seventh chord in C. Created by Hyacinth (talk) 22:57, 13 May 2010 using Sibelius 5.

Komm herab, o Heilger Geist (Veni Sancte Spiritus, et emitte caelitus), Gotteslob (2013) 343

A-sharp melodic minor scale ascending and descending.

Wer unterm Schutz des Höchsten steht (Gotteslob (1975) 291; Gotteslob (2013) 423)

Melchior Franck: Da pacem, Domine, in diebus nostris, vierstimmiger Kanon, in Tonika- und Dominantlage kombiniert

A-sharp harmonic minor scale ascending and descending.

Example of harmonic minor from the opening theme to Schumann's First Symphony (probably 1832/33 Zwickau, WoO 29).

Jesus lebt, mit ihm auch ich; Gotteslob (2013) 336

Complexe sonore: the octatonic scale may be arranged as four major chords or seventh chords. Created by Hyacinth (talk) 13:49, 13 June 2010 using Sibelius 5.

Zu dir, o Gott, erheben wir (Gotteslob (1975) 462; Gotteslob (2013) 142)

Den lyse dag forgangen er Des Tages Glanz erloschen ist, Evang. Gesangbuch Niedersachsen 636

E5 power chord in eighth notes. Created by Hyacinth (talk) 12:48, 2 July 2009 in Sibelius 5 set on "electric guitar" triple forte.

Der Tag ist aufgegangen, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 701 (vgl. Erstdruck 1767)

Mit Fried und Freud ich fahr dahin (Evang. Gesangbuch 519)

Secondary supertonic chord: ii7/V - V/V [- V] in C major (a7 - D7 [- G]). Created by Hyacinth (talk) 15:14, 18 July 2010 using Sibelius 5.

James Scott's "Grace and Beauty" (1909) - MIDI sequencing by Adam Cuerden, piano synthesis by Jujutacular

A harmonic minor scale ascending and descending. No pitch bend.

O Maria, sei gegrüßt (Gotteslob (1975) 582; Gotteslob (2013) 523)

Komm, o komm, du Geist des Lebens Evang. Gesangbuch 134

Such, wer da will, ein ander Ziel, Evang. Gesangbuch 346

Gott ist gegenwärtig (Evang. Gesangbuch 165; Gotteslob (2013) 387); Wunderbarer König (Evang. Gesangbuch 327)

Johannes, auserkoren; Gotteslob (1975) Hildesheim 883; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 918

Ich ruf zu dir, Herr Jesu Christ (Evang. Gesangbuch 343)

Nun ist sie da, die rechte Zeit, Gotteslob (2013) 638

Excerpt from the third movement of the concerto poloniosy by Georg Philipp Telemann

Caribbean Our Father, German adaption Vater unser, Vater im Himmel, Evang. Gesangbuch 188

Wir pflügen und wir streuen (Evang. Gesangbuch 508)

Im Frieden dein, o Herre mein (Evang. Gesangbuch 222)

E-flat melodic minor scale ascending and descending.

Morgenstern der finstern Nacht, Gotteslob (1975) 555; Gotteslob (2013) 372

Exposition Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 1-28.

*Undecimal neutral second comma on C. 121:120 = 14.37 cents. Limit: 11-limit.

Tut mir auf die schöne Pforte, Evang. Gesangbuch 166

Es ist das Heil uns kommen her (Evang. Gesangbuch 342)

E-flat harmonic minor scale ascending and descending.

Bitonal polychord: F major on top of C major. Created by Hyacinth (talk) 01:48, 7 July 2009 using Sibelius 5.

Ein neues Lied wir heben an, Melodiefassung des Erfurter Enchiridions (Schluss auf der Tonika)

Nun jauchzt dem Herren, alle Welt (Evang. Gesangbuch 288; Gotteslob (1975) 474; Gotteslob (2013) 144)