4 366 pistes audio libres de droits pour "Midi"

Phrase split into two phrase members from Haydn's Trio no. 1 in G Major.

Wohl ist die Welt so groß und weit (Bozner Bergsteigerlied)

Use of the whole tone scale in Debussy's Voiles (1910), Prelude. 2, mm.1-4.

Jerusalem, du hochgebaute Stadt; Evang. Gesangbuch 150; Gotteslob (2013) 553

Christ fuhr gen Himmel; Gotteslob (1975) 228; Gotteslob (2013) 319

ii-V-I turnaround in C, in four-part harmony.

König ist der Herr (Gotteslob (1975) 275; Gotteslob Kirchenprovinz Hamburg (2013) 811)

Bekehre uns, vergib die Sünde; Gotteslob (1975) 160; Gotteslob (2013) 266

Kommt und lobet ohne End, Gotteslob (1975) Hildesheim 866

I really don't know that to do with this. Made it some time ago. Made using air ignite software with an axiom mini 32 midi. If you can make something good out of it i'd like to hear ;).

Alt version of a melody i came up with in midi shifting notes around. The sound is from an acoustic guitar note sample of mine with effects, ran through structure free in pro tools.

Johann Sebastian Bach. BWV 269. Aus meines Herzens Grunde (Chorale 1)

Compound just perfect fifth on C. Also the 833 cents scale step 16 (2). 1901.96 cents. 3/1

Dein Tag, o Herr, uns hell anbricht, Gotteslob (2013) Freiburg/Rottenburg-Stuttgart 714

Dominant seventh on F in third inversion. Created by Hyacinth (talk) using Sibelius 5. See: File:Dominant seventh on F in third inversion.png

Ein neues Lied wir heben an, Melodiefassung in Johann Walters Geistlichem Gesangbüchlein (Schluss auf der Dominante)

Wach auf, wach auf, du deutsches Land, Evang. Gesangbuch 145

Herr, dir ist nichts verborgen, Gotteslob (1975) 292; Gotteslob (2013) 428

Nun bitten wir den Heiligen Geist (Ev. Gsb. 124)

Befiehl du deine Wege; Evang. Gesangbuch 361; Gotteslob (2013) 418

Gott sorgt für mich, Gotteslob (2013) Freiburg/Rottenburg-Stuttgart 843

A self generated cue for a musical. Used xpand2 plug-in in pro tools 10. Features a medium attack gust with a long decay. Leaves can be heard underneath the whistle of the wind.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland jx-8ppatch name (pack): look ma no chorusnote: c2midi note: 36midi velocity: 16.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland sh-2patch name (pack): noisy sqr filter velnote: e#1midi note: 29midi velocity: 48.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): pass the band (at)note: c2midi note: 36midi velocity: 32.

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

Light traffic by the sea front, main promenade of larnaca. Recorded with zoom h4n pro.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: fender chroma polarispatch name (pack): saw filter 1xnote: c1midi note: 24midi velocity: 4.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: fender chroma polarispatch name (pack): scratch padnote: c2midi note: 36midi velocity: 97.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland jupiter 4patch name (pack): vikings pad 2 oscnote: c3midi note: 48midi velocity: 64.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland jx-8ppatch name (pack): sample & hold itnote: c2midi note: 36midi velocity: 8.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): changes lengthnote: e#2midi note: 41midi velocity: 32.

I had a problem at the bank and called to fix it. They left me waiting and the waiting sound had a strange noise. Recorded indoor with tascam dr-40.

O Gott, du frommer Gott, Evang. Gesangbuch 495 (zweite Melodie)

Sollt ich meinem Gott nicht singen; Evang. Gesangbuch 325

Ich bin durch die Welt gegangen (Evang. Gesangbuch Bayern-Thüringen 621)

Aus tiefer Not schrei ich zu dir (Evangelisches Gesangbuch 299)

Der Tag ist aufgegangen, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 701 (vgl. Erstdruck 1767)

Freygish scale on D. Created by Hyacinth (talk) 03:16, 26 November 2011 (UTC) using Sibelius 5.

Tut mir auf die schöne Pforte, Evang. Gesangbuch 166

Augmented chord progression: V+43 I63. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Lilliputian Chaconne from Telemann's Gulliver Suite. Notated in 3/4, quarter note = 120.

O Maria, sei gegrüßt (Gotteslob (1975) 582; Gotteslob (2013) 523)

Komm herab, o Heilger Geist (Osnabrücker Melodie); Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 786

Hymn tune CanonburyO Gott, dein Wille schuf die Welt, Gotteslob (2013) 628

O Jungfrau, wir dich grüßen; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 899

Gott der Vater, steh uns bei, Gotteslob (1975) 305

Dominant sevenths in Chopin's (1810–1849) Mazurka in F minor, op. 68, no. 4, m. 1-4.

Secondary supertonic chord: ii7/V - V/V [- V] in C major (a7 - D7 [- G]). Created by Hyacinth (talk) 15:14, 18 July 2010 using Sibelius 5.