779 pistes audio libres de droits pour "Modulaire"

Used the vcv rack grains of wrath module to mangle a sample.

An engine sound (propeller plane maybe?) that i synthesised using my modular synthesiser and a complex fm patch. It is thunderous. Hope you enjoy and please send me a comment if you use it in one of your projects :).

A loop made with my modular.

Building a complex waveform in vcv-rack. Down load - patchhttps://app. Box. Com/s/a6wno4rr8x6ab9qrttuf9uu3s8w5a5ei. Down load file to examine waveform.

Using 4ms smr. Have fun with it, make music, make sounds.

Using 4ms smr. Have fun with it, make music, make sounds.

Using clock divisions in composition.

No fuss 3 stage asr (analog shift register) patch. I sample from a quantizer but still its not exact pitch. The sound start with a short decay. I will gradually increase the decay time of the three sounds.

nonlinearcircuits jerkoff chaos circuit is based on sprott's chaotic jerk equation. This sound is long and boring. . . But i wanted to test the nlc jerkoff. This might be of interest to someone. . . I upload an mp3 file to save disc space. . . The single module has 3 outs. 2 of them are controlling vcaa and one is connected to an envelope follower that generates a trigger when the cv is high enough. The signals in to the vca are the same (1. 5v). A way to illustrate the work of the module. Maybe.

The yamaha qy-10 is playing a cm chord thru zoom ms-70cdr and the modular synth plays a patch that improvises around a cm7 chord. Well, thats it. . .

I use a voltage controlled lfo (vclfo) for this experiment. When i send a trigger to the lfo it resets and start over again. In this example i'm using a sinus wave output. I send the output, the sinus wave, to1 - a sample and hold (s/h) module2 - a quantizer3 - straight to vco. The s/h and the quantizer are triggered at the same time. Even an envelope a generated with the same trigger. All three sounds are controlled by this envelope. First out we have s/h (left)second straight to vco (right)third the quantized (center). As usual its fun to take a real close look at the wave!.

Created using a dr-110 clone in a small intellijel eurorack system.

A patch with nonlinearcircuits jerkoff ("chaos circuit based on the jerk equation and its electronic implementation by jc sprott") in the center. I had a question that needed an answer. Is jerkoff a stable lfo when not using the input to disturb the rythm?my answer is. It can be relatively stable, but sometimes it is wobbling around. The recording is from a wobbly jerkoff. One output to osc cv in and another to a vcf vc in. The third output goes to a comparator. The comparator generates a trigger every time the cv is passing the threshold level.

Vcv rack patch.

Percussion made in blok modular. Kind of morphs around but plenty of bongos and some kind of shaker towards the end. You can maybe get a couple of claps out of the end part too. Sometimes sounds a little too fm-y (think sega genesis sounds) but others sound pretty organic imo.

More blok modular sounds, sort of sweeps and glitches this time.

Sweeps up.

Snare drum sampled from modular synthesizer.

Unused sequence that i recorded using my modular analog synth.

A little soundscape of an ostinato sequencer pattern with variations in duty and slide values. Realised on a modular system consisting of doepfer, ajh minimod, sputnik and circuit abbey modules.

A murky sounding, pulsating, composition with some noise. Two different filters sends the sound to respective stereo channel. No effects added in the modular or in the computer.

This sound was made with 3 lfos, 1 vco and 1 vca. It was decided that the sound should be 30s. It took some tries for me to set the lfo that controlled the vca. The vca controls the output amplitude of the sound.

Test of how uoki-toki polivoks vcf handles sin-wave. I tune the module i use as sin-oscillator (intellijel μvcf) to ca 270hz. I connect it to uoki-toki polivoks vcf. I let a sin lfo sweep the filter, cv1 pot at ca 70%.

Don’t know if my english is correct. . . Butt i guess you get it, dear reader. Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. I let the lfo sweep the frequency. Cv1 pot at ca 70%. What happens. . .

Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. The vco is also tuned to 270hz. In this test i connect the same lfo to cv1 on the vcf and 1v/oct on the module i use as vco (intellijel μvcf). I let the lfo run. Cv1 on vcf pot at 100%. They are playing together. The vco is connected to the in on the vcf. Confused explanation. . . But at least not in swedish.

Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. I let the lfo sweep the frequency. Cv1 pot at ca 100%. Hmmm interesting. . . .

I let both the vco (intellijel μvcf) and the uoki-toki polivoks vcf play a little melody, the same. The vcf is in self-oscillation and cv1 at 100%. It does not track perfectly, but could be useful.

Classic modular sounds - i think. . . Sound sources are intellijel μvcf and uoki-toki polivoks vcf. A little reverb (ladik r-330) added.

This recording is inspired by alienxxx http://freesound. Org/people/alienxxx/sounds/345510/made a little patch on my modular, still missing its (main) oscillators. I let the patch sound thru a pair of cheap computer speakers that i use as monitors. In an adjacent room, close to an open window, i put my phone and record. This is the unedited outcome. The recording was made 09:00 (16-05-11). Unfortunately nothing happened outside the window. Even the birds was quiet. I think there is a hint of feedback in the sound? first i planned to record with an old tape recorder, but i couldn’t find it. . . I think this recording should be listened to with low volume. May by it was a mistake to amplify the sound in audacity? but i think there is a nice room ambiance to the recording. Ideas for next time. Use guitar amp. Find old tape recorder. Don’t put recording device to close to window.

Warning: harsh noise with resonant malefactors. Bad q ! bad q!. Noise sound through analog phase shifter and steiner parker filter through a holtech-based delay. I imagine this as a soundtrack to an ultraviolent horror movie scene.

Sound made with modular synth, left and right are different. Sound is random created.

Today i'm supposed to play with my modular, or anything. As long as i'm not disturb the boys watching gremlins down stairs. . . Okay. I put some modules out for sale. Made this. The sound is generated by self oscillating vcfs. I love sinus wave. I will sell my triple oscillator now. It does not have sinus wave! the randomness is generated to old fashion way. I don't have any fancy random trigger modules. Bla bla bla. . . I stop there.

Playing with ring modulation on my modular. Zapp!.

It's ben a hard day. I have been an official at an big youth athletics competition. I chill down (or off?) with a modular synth moment. . . . I will not try to explain the patch.

An interesting blippy sound i once made with my doepfer a100 modular.

Was experimenting with involving an adsr in sequencing when this beat suddenly appeared. Had to record it. Saved it in a low resolution mp3 format just to get that old mp3 sound. Meaningless. . . That's what it all about.

A little strange thing i did on my little modular synth. No external input. No external fx. Meanless video here https://www. Youtube. Com/watch?v=umn6uovi_ri.

Modular synth patch with 2 voices (vcos). One sinus wave and one triangle wave. Max reverb (hall) on my ladik d-330. Output to reverb is mono. Observe how the output from the reverb makes affects the channels. Meanless and bizarre video on https://www. Youtube. Com/watch?v=daymdm8vrz0.

Patching with eurorack analog modular synth. No external effect or computers used here.

Patching with eurorack analog modular synth. No external effect or computers used here.

Patching with eurorack analog modular synth. No external effect or computers used here.

From analog modular synth.

Snare-ish sound from analog modular synth.

5 tones equal interval scale5 oscillators tuned to: 110, 132, 154, 176 and 198hz. Not that bad?.

Acid intermission.

Swoosh intermission.

In this sound i'm using a phonogene version of mithimightbe's sound https://freesound. Org/people/mithimightbe/sounds/407072/.

Morphagene reel from modular synth. Audio signal and wavefolder from mn maths processed in mn lxd lpg plus some reverb and delay.

I'm rebuilding and downsizing my synth. Which modules should i keep. Doepfer a-124 is that a keeper or not? maybe i keep it, but not in the starting eleven?.

Nothing,but an acid like sound designed randomly using modular synth,on caustic 3.