780 pistes audio libres de droits pour "Modulaire"

The sequence is not stable. I'm not touching the synth. Te electronics are making variations. Not what i thought but interesting. Sequencing in my usual way with a vclfo. My plan was to upload a short loop, but the variations was so interesting. . . .

Sound made on modular. Today i cant come up with no cool name for my sound. I hope "fussy" is an okay name for a sick rhythm. "fussy" sounds sweet in my ears. Google corrects me, "do you mean 'fuzzy'?". No, i dont. I want fussy. . . Eehhh well. . . .

A little thing i wanted to record for evaluating. Is it too uninteresting?.

Modular lab atmosphere soundscape.

Modular lab atmosphere soundscape.

What can you do with this strange sound?.

24 bit 44. 1 10+ minutes of mono modular noise maddness. I particularly like 9:57 to the end. Excellent for wavetable creation, cutting up for sound design, or just listening to fm synthesis noise based mostly in zerocillator.

A loop with hi-pass filtering in action!.

5 minutes of chaos. Never the same. Nonlinearcircuits jerk off (a discontinued jerk circuit module) and genie playing a song for you. Or controlling. Creating. Composing. Whatever. . . Nobody will ever be able to recreate this. Not exactly. This is unique.

3 cell quantussy patch. One cell acts as "controller cell". When the controller cell starts a new cycle a noise is heard defining the start of one cycle and at the same time the ending of the previous. Here we have three short cycle.

Excerpt recording.

Short noisy sequence on my modular.

Short recording.

Pattern on the small diy synth.

Sample and hold effect.

Pattern with weird timing and suboctave bass.

Source of uncertainty driven patch.

Some cafe ambience severely altered with blok modular fx. Was originally a long jam cut up into a bunch of individual files but i figured searching through them would be a pain so i merged them back into one file. So listen through and pick the sounds you like with a wav editor, or enjoy it in its own regard as abstract sound sculpture or something. I don't want to divulge too much of what the patch looked like but it random note values with each keyboard press which were then ran through a waveshaper. Later on i add some reverb and use various things to alter the panning for some strange stereo effects. Edit: you might want to use a dc eliminator on the samples because the waveshaper creates some dc offset (basically useless low/zero frequency noise for those not in the know). But maybe it has some aesthetic value for you to keep it intact? you decide. Http://www. Meldaproduction. Com/plugins/product. Php?id=mutility this free vst has a dc eliminator included.

Just a couple of clappy noises which get noisier as it goes on.

Sounds made using noisecraft, a free online modular synthesis environment.

Polyrhythmic synth sequence. Exploring with ring modulation.

Drone made with 32hp modular. No effects. Modules:nonlinearcircuits geniebarton musical circuits 2lfoshzłob diode chaosdoepfer a-101-2.

Some goa synth i created in fl studio a while ago using the pro 53 vst synth. Basically a saw wave form with glide or portamento, this nice lfo lpf in fl studio called fruity love synth, slight hpf, slight distorition (blood overdrive), a little compression, a little pannomatic, the right amount of delay and reverb. Presto!.

Mixed in random to create variations in the arpeggio. I call it arpeggio. Wrong probably. Well, call it tone sequence then. An arpeggio/sequence created with cvlfo and qnt as usually. . . No, i don't have a sequencer. But i ordered parts for a second case today. . . ;-)someday i'll get my self a sequencer - maybe. Https://en. Wikipedia. Org/wiki/arpeggio.

Alien xxx sent me a “cross modulation challenge”. I have tried to be true to his idea, but added automation, so to speak. Oscillator1 is constantly fm-modulating oscillator2. I vary the frequency of oscillator1 with an lfo. The output of oscillator1 is sent to a) left audio channel and b) in to oscillator2. The output of oscillator2 is fed to oscillator1. The degree of cross fm modulation is controlled by a vca controlled by another lfo. The output of oscillator2 is also sent to right audio channel. As i’m writing this i have just made a theoretical patch on a piece of paper. The result is what you hear. No effects added. Straight out of the modular for better or worse.

The fundamentals of this patch is from the doepfer home pagehttp://www. Doepfer. De/a100_man/a100_patch. Htmthe patch they call "random melody". I call the sound "random melody from doepfer site". Boring. . . I added a voice with some delay/reverb fx and some simple drums. The high-hat is made from white noise and the bass drum isa self oscillating filter. I have used a minor scale on my doepfer a-157 quantizer. This sound is slitly treated in audacity. A little compressor and limiter. Review from one of my kids: "well, there is some rhythm".

A small piece of music made a sunny day in november.

A small piece of music made a sunny day in november.

Modular synth generative feedback patch driven by feedback between flip-flop chaos (nlc), a vclfo and logistische gleichung (klangbau köln). Two simple voices and filtered noise. Some reverb from spring reverb.

Drone made with 32hp modular. No effects. Modules:nonlinearcircuits geniebarton musical circuits 2lfoshzłob diode chaosdoepfer a-101-2.

Drone made with 32hp modular. No effects. Modules:nonlinearcircuits geniebarton musical circuits 2lfoshzłob diode chaosdoepfer a-101-2.

This is one of 17 recordings made with the same patch. Same tempo, same scale, different outcome. I made this recordings for disquiet junto project 0377: algorithms assemble.

Simple patch. Two oscillators, ring modulation, lfos, vcas and digital effects. No spring reverb this time. Important module is the clock divider. Result a generative ambient patch and sound.

Two small connected feedback systems playing for you.

Patching up a burst-patch. There are x ways to do that. This is is the results of one.

The engine to the hysterical "melody" is formed by a two lfos and a looping envelope performing an ever changing dance of random or maybe chaos. Zooming in and study waveforms in this sound is interesting. The sound is unedited, straight from the analog modular synth. Quantization of the pitch - nope. . .

This is a lead synth sound i made for the xs24 on the nord modular g2 and universal audio uad emulations of the neve eqs, ln1176 limiter, 88rs, fairchild, and pultec eqs. Also used the joe meek eq from protools.

First 4 seconds from the title song of the kids program "fem myror är fler än fyra elefanter". The song was made by bengt ernryd. For some reason i recorded in mp3-format. . . 128 kbits/s? i use make noise phonogene. Reverb by zoom ms-70cdr.

First 4 seconds from the title song of the kids program "fem myror är fler än fyra elefanter". The song was made by bengt ernryd. For some reason i recorded in mp3-format. . . 128 kbits/s? i use make noise phonogene. Reverb by zoom ms-70cdr.

Signal from left intermission.

Algorithmic modular music program (man3_2019). The computer is my analog modular synth. 00 rem -------------- man3_2019 --------------00 rem man3 - modular algorithm no 300 rem the steps/command lines, 01 to 08, are steps on a step sequencer00 rem main clock (lfo_2) 3hz00 rem the cv sequencer (seq) are tuned to an octave split in 5 equal parts. 00 rem seq has its own clock00 rem lfo_2 controls vco_2 via vca_2 and vca_300 rem lfo_3 controls wave shaper and vcf00 rem vco_1 tuned to 150hz sin -> wave shaper00 rem vco_2 tuned to 150hz tri00 rem vco_3 tuned to 75hz sqr -> vcf00 rem ----------------------------------------01 sampl lfo_1 -> vca_1 (vco_1)02 sampl seq -> vco_203 sampl lfo_1 -> vca_2 (vca_3) : rem [lfo_2 -> vca_2 -> vca_3 (vco_2)]04 sampl seq -> vco_105 trg -> noise -> delay_106 sampl seq -> vco_307 trg -> env (vco_3)08 trg -> noise -> delay_110 goto 01.

Testing my modular synth after downsizing. Works well.

Basically i connected one lfo to the polivoks in. Now when i think of it. Wonder if that added something…. And how much. And to cv1 i connected a square wave and to cv2 a wide frequency sine wave. Resonance at max. Think i have to reanalyse this patch later… i’ll be back!.

Dark bass sound made with the following modules as main actors dinsync modseq, doepfer a-124 special edition, uoki-toki polivoks vcf, intellijel μvcf and synthrotek dirt. I'm exploring my filters and try to use them in different ways.

Another room acoustic ambiance recording. Connected my little modular to a guitar amp (orange crush 12l). Some overdrive added character to the sound and the simple patch. Placed my phone 2,5meters from the speaker and recorded. No post editing! not even amplification.

A little patch hard to balance. It's a meditative timbre practice. . . A en envelope generator in quadrature mode is controlling the amplitude. Download and take a look at the wave - close. Nice!.

I'm thinking graphic in this patch. . . Maybe not obvious if you don't have the same picture as i have. . . Anyway. As i realize the same patch on my real synth graphics will be submitted on soundcloud - not here. Maybe i could try to do the graphics in ascii but i dont.

No, i cant really describe what this is! but i use a ring modulator. Two audio signals goes in. I guess the side band frequencies goes out??? or?! anyway the original frequencies are also in the mix. So, two audio signal and the result from a diy ring mod. Have to learn more. . . Read below!!! in this sound you are listening to, the result, the ring modulation, carrier signal and modulator signal. After some research. . . I write this for myself. . . Correct me if i'm wrong!!!from youtube (audiocollage)ring modulation is the sum and the differences of the carrier and modulator signal. Feed the ring modulator with 261,626hz and 391,995hz and you get (261,626 + 391,995) 653,621hz and (391,995 - 261,626) 130,369hz. From wikipedia". . . Neither the carrier nor the incoming signal is prominent in the outputs, and ideally, not at all. "". . . In the basic case where two sine waves of frequencies f1 and f2 (f1 < f2) are multiplied, two new sine waves are created, with one at f1 + f2 and the other at f2 – f1. The two new waves are unlikely to be harmonically related and (in a well-designed ring modulator) the original signals are not present. It is this that gives the ring modulator its unique tones. ". Above is true when using pure sine waves! waves with no harmonics. I have a passive diy ring modulator. I guess it's not acting "perfect". . .

A krell patch.

Machine composition with modular synth.