2.958 file audio bebas royalti untuk "Es"

Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: april 2016, field-recording, sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: april 2016, field-recording, sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: april 2016, field-recording, sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

Vidrinho. Wav, som de um conjunto de garrafas de vidro juntas, batendo uma nas outras, pode ser usado em qualquer tipo de filme onde existam carros ou caminhões transportando alguma coisa de vidro, gravado no estúdio da escola ort do rio de janeiro, em fevereiro de 2022. Os equipamentos são: um microfone- shotgun shure vp89, e uma placa de áudio - behringer u-phoria umc404 hd, foi um exercício de foley. Vidrinho. Wav, the sound of a set of glass bottles together, hitting each other, can be used in any type of film where there are cars or trucks transporting something made of glass, recorded at the ort school studio in rio de janeiro, in february 2022. The equipment is: a shure vp89 shotgun microphone, and an audio card - behringer u-phoria umc404 hd, it was a foley exercise.

Microsystèmescours 525/10/2012. Chapter 4 – process integrationpage 106 – 0 minpage 111 – 2min20page 112 – 5min20page 121 – 13min30page 118 – 14min50page 484 – 17min03page 488 - 21min 23page 489 - 23min08page 123 - 23min43page 120 – 33min58page 124 – 35min03page 126 - 41min02. Pause. Chapter 5 – lumped modeling with circuit elementsslijd mitpage 1-2-3 – 44min58page 4 – 48min14page 5- 50min14page 6 -51min59page 7 – 54min54page 9 – 56min39page 10 – 59min26page 11 - 62min13page 12 – 63min48page 13 – 65min48page 14 – 67min13page 15 – 69min03page 16 – 69min43page 17 – 70min13page 18 – 71min18page 19 – 73min03page 20 – 74min48page 21 – 78min02page 22 – 78min22page 23 – 78min42effort e(t) <-> flot f(t)intégré par rapport au temps =>moment généralisé p(t) <-> déplacement généralisé q(t). Page 24 – 82min32page 25 – 86min02page 26 – 86min52page 27 – 88min29page 28 – 89min19page 29 – 90min02page 30 – 92min22page 31 – 93min02page 32 – 94min07page 33 – 95min34page 34 – 100min22page 35 – 101min49page 36,37,… – finmemristor -.

Re-mix and re-edit of various public domain/nasa recordings of the space shuttle take-off/launch. Commentary/countdown has been edited out so don't expect it to sync completely with any one film or video take of a launch. Note to downloaders:i'm not that big a stickler about receiving credit for the use of my sounds on freesound. As a courtesy, i appreciate it but i do ask people to always credit freesound. Org and if their project ever sees any kind of profit to please consider making a donation to the website. It's a great resource and deserves our support. Good luck with your project. In the case of this recording some acknowledgement of the original source material i. E. The national aeronautics and space agency (nasa) is only fitting.

Overflight of 2 fighter jets (eurofighter). In quadro (in 5. 1-terms: l-r-sl-sr) you will hear them coming from front-left flying "above the head" to rear-right(roughly spoken). The 4 channels are recorded in irt-cross technique (microphone distance 25cm) so it is a 360° record. Http://irt-cross. Mozello. De_________________________________________________________used recording gear:zoom f84 x rode nt1 (without "a" = the black ones). Ch1 = flch2 = frch3 = rlch4 = rr. The download-file is a polywav. If you need to split the file (e. G. To make a stereo file), you can use the easy to use"wave agent beta"(free)from sound devices for example. Https://www. Sounddevices. Com/product/wave-agent/. Comments about this atmo-record are welcome! ;-).

A set of orchestral hits with different instrumentations. The chord c major is played. A: full orchestra with cymbals and bells (*1)b: full orchestra without cymbals and bellsc: no untuned percussiond: col legno strings (*2)e: no woodwindsf: no brassg: no percussionh: only brass & percussioni: only woodwinds and percussionj: only strings and percussionk: only col legno strings and percussionl: only strings and woodwindsm: only strings and brass. (*1) the cymbals tend to sound weird when you change the pitch (in my opinion) so all other samples don't use them. (*2) col legno is when the strings are hit with the wooden back of the bow. These are very dry samples with no additional reverb or any other processing.

1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

This is from a recording session trying to create laser weapon sounds. I just used the same technique as ben burtt used in wall-e (with the slinky and the contact mic). This is unprocessed, no eqs, compression, reverb or anything was added. I used a long piece of curled up aluminum wire which i hung from a tall structure at my house and the main object i used to oscillate the wire was a drum stick. For the recording i used the blue icicle and recorded into reaper. The contact mic is my own creation from a diy i found online (roughly €5 to make). I hope you find this useful! please feel free to use it, whenever and however you want to. If you create something awesome and you're proud of it i'd love to see it!.

Nightingales in a fairy tale forest ;-)this is a recording of nightingales which is played in 0,25 speed of the original record. The original record is layed over the slower played record. All voices are nightingales, nothing else. It was recorded after the rain. You can hear the drops falling down the leaves. Sometimes you can hear in the distance a roe deer. The spatial impression is best if headphones are used. The download-file is a polywav. If you need to split the file (e. G. To make a stereo file), you can use the easy to use"wave agent beta"(free)from sound devices for example. ;-)https://www. Sounddevices. Com/product/wave-agent/_________________________________________________________. Recorded with zoom f8 by using 4x nt1-a rode microphones.

A variant of the mechanical instruments and play an independent musical instrument is the "dancing bear" (tanzbär), a self-playing accordion, often with the same grade band rolls or even micro-boxes can be controlled. Also here are the sounds through the air to the schwingen tongue to bring, as in the normal accordions also erzeugt. Den dancing bears, there are now almost one hundred years and he was from the leipzig firm made famous as well. Today, these e. G. By blüml, hofbauer and watterott, each with different techniques. This famos instrument is recorded in the "deutsches musikautomaten-museum bruchsal"http://www. Landesmuseum. De/website/deutsch/sammlungsausstellungen/aussenstellen_und_zweigmuseen/deutsches_musikautomaten-museum_bruchsal/ausstellung. Htm. Music is free from gema-fees. Recording: tascam hd-p2 and beyerdynamic mce82soundsystem: pro tools le.

Sharpening knife : sharp sound. The sound was post-processed to make the sound of the knife seem more scary. Afiando faca : som afiado. O som foi pós-processado para fazer o som da faca parecer mais assustador. Dragging a knife : shaky sound of a knife being dragged on an irregular surface. Arrastando uma faca: som trêmulo de uma faca sendo arrastada em uma superfície irregular. Girl yelling : high pitched sound. The sound was post-processed to seem like the sound happened in a room full of echo. Garota gritando : som agudo. O som foi pós-processado para parecer que o som aconteceu em uma sala cheia de eco. Gravados com um microfone shotgun shure vp89 e uma placa de som behringer u-phoria umc404 hd. Gravado no estúdio da escola ort no rio de janeiro, em fevereiro de 2022.

1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

This piece was produced using a text-to-speech program on a "rant" by francis e. Dec. Mr. Dec was a disbarred lawyer from new york state who spent the balance of his adult life writing and publishing rants against a global conspiracy that had removed him from the legal profession, controlled the white house for decades, performed clandestine medical operations on the entire population of earth and worked for a malevolent entity called the "world wide communist gangster computer god". Mr. Dec appears to have hated just about every religious, racial, ethnic, professional and political group that he was aware of. Although i have tried to maintain the syntax and general flow of this rant; i have taken the liberty of removing the more offensive passages and phrases. Since the development and widespread use of anti-psychotic drugs in north america, schizophrenic creativity of this level of complexity has become harder to find. Street ranters are an endangered species but my memories of them include the unusually stiff, declamatory and repetitious cadence of their speeches. Curiously, a speech-to-text program mimics some of these features. I hope that the irony in using a computer voice cuts two ways. Mr. Dec's rants are in the public domain. To his credit he was very open source with his work. My use of dec's writings should not be construed as advocacy for his views nor as an endorsement of how our society currently treats persons labeled as schizophrenic. The wikipedia entry on francis e. Dec is a good and balanced starting point if you are interested in the life and work of this very unique and unfortunate man. I leave the listener with this quote by g. K. Chesterton-. "the madman is not the man who has lost his reason, the madman is the man who has lost everything except his reason. ". --.

Electric machine engine, rumble, large air-conditioner. Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: november 2015, a rather large air conditioning unit in a public parking garage, in sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

Large industrial refridgerator, electric machine engine noise, field recording,. Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: october 2015, a refridgerator in an industry in sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Wish you success!kent. Ps. Please comment and rate. .

Cafe/cafeteria (with permission), calm & relaxed, porcelain, sound of people talking, and children in the background. Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: october 2015, a cafeterian during lunchtime in sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate.

River, stream, creek, sound of waves, moving water, field recording. Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate & rec format: 44100 hz & wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: october 2015, a fast-flowing creek on an ordinary autumn day in sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate.

9-note ending riff. 1 of 8 samples under 5 seconds from my acoustic guitar recording of a civil war fife and drum song named frog in the well, which i learned from an 1862 instructional manual. The instrument was a 1928 gibson l3. There are no effects. Key is (in order of best fit) d major, f# minor, e minor, g major, a blues. Time signature is 3/4, but these samples are mainly under a bar so can be used in a 4/4 song. You also use either of these licenses for your remix: creative commons attribution-sharealike, creative commons attribution-noncommercial. The home of this song on the web is soupgreens. Com/froginthewell. That has the full source song in mp3 format and short clips (40 seconds, 30 seconds, and 20 seconds) for use in video cues. There is also sheet music and guitar tab there.

Footsteps. . . Note:. These are no field recordings but handmade walking sounds in different speeds and manners intended for game creation. Most of them you can loop. They are recorded as dry as possible so you should add the ambience you like. How to make these:. 1. First empty two bottles of the famous spanish brandy lepanto. 2. Keep the korks - they have a very special sound different from the korks of wine bottles. 3. Then, if you're still able to hit (maybe you shouldn't drink the brandy alone and at once), fill things in a flat bowl or a plate - f. E. Pepper grains or salt. 4. Step the korks in the bowl and record it. You may also - as i did - step the korks on other things like a ventilator. 5. Compress the sounds hard but limit them to -4 db (as they sound not naturally if they are to loud).

A crescendo demo of the registers Violin, Viola and Horn, with modulation and sustain. You will hear random akkords with extreme rhytmic crescendo demo. The crescendo effect is monophonic, i. e. the keys have always to be released and pressed down again in order to get the crescendo effect. The crescendo only influences the registers Violin and Viola, not Trumpet/Horn and Contrabass and Cello. Note: Horn is the low pass filtered version of the register Trumpet, not an additional register. Trumpet sounds much brighter. If the button Horn is pressed, you may release the button Trumpet, without any change in sound. Horn means French horn. The Trumpet or Horn register offer the effects of the brass section in an orchestra. This is the famous and well known sound of the Arp/Solina String Ensemble! Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland

Title/Work: Madama Butterfly Content: No.13: Perchè con tante cure Genre(s): Opera Author(s)/(Composer(s): Giacomo Puccini (1858-1924) Music arranger(s): none Lyricist(s): Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906) based in part on the short story "Madame Butterfly" (1898) by John Luther Long (1861-1927), which was dramatized by David Belasco (1853-1931) Performer(s): Professori d'Orchestra e l'intero Corpo Corale della "Scala di Milano", Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccaloni (Basso) and Lino Bonardi (Baritone) Conductor: Lorenzo Molajoli (1868-1939) Place of recording: London (United Kingdom) 1st release date: 1929 1st recording date: 25 April - 11 May 1929

This is an extract of the 30 minutes version of:"nightingales - concert of several nightingales in quadro. Wav"in case you do not want to download the 922mb-version. (this extract starts at 5:21 of the long version)for further description of the longer version read here:https://freesound. Org/people/bluedelta/sounds/446212/. _________________________________________________________used recording gear:zoom f84 x rode nt1 (without "a" = the black ones)http://irt-cross. Mozello. De. Ch1 = flch2 = frch3 = rlch4 = rr. The download-file is a polywav. If you need to split the file (e. G. To make a stereo file), you can use the easy to use"wave agent beta"(free)from sound devices for example. Https://www. Sounddevices. Com/product/wave-agent/. Comments about this atmo-record are welcome! ;-).

This wav file is a take-away from a midi track my current project. The vst instrument is 4front e-piano and it's free! - the root key is g major, starting off in the piano roll at g3. The bottom drops to g2 and uses heavy steps, separated by a key to reach g2. Going back up to g3, the notes are shortened and no keys are skipped. Hence the fairytale stares ascents. The ceiling above g3 is g5. So 1 octave down, 2 up. The tight stairstep is maintained above g3. There is just downward notes to keep it sounding like a saw form. The entire sound should be in-key and loopable. Each of the 16 bars is unique. I didn't just copy and paste the same notes several times. - my next step is to apply a different midi sound. Sorry for the book. I hope this helps someone.

Electric machine, engine, large air conditioning unit, hum, noise, field recording. Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: october 2015, a rather large air conditioning unit in a public parking garage, in sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

Laboratory refrigerator, with beeping, plus the sound of a door being closed in the background, field recording. Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: october 2015, a laboratory in sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

4-channel record of a rolling thunder. The record is slow downed to 0,7-speed. The thunder has now very deep frequencies, which can shake your house, if you have the right equipment to play the file. The 4 channels are recorded in irt-cross technique (microphone distance 25cm) so it is a 360° record. Http://irt-cross. Mozello. Deat the end of the track the rain moves to the front channels. (fade is starting at 1:20 min and is finished at 1:41min)my other track can be used for "intro" followed by this track. See/hear here for the intro option:https://freesound. Org/people/bluedelta/sounds/446753/. The spatial impression is best if headphones are used. Ch1 = flch2 = frch3 = rlch4 = rr. The download-file is a polywav. If you need to split the file (e. G. To make a stereo file), you can use the easy to use"wave agent beta"(free)from sound devices for example. ;-)_________________________________________________________used recording gear:zoom f84 x rode nt1 (without "a" = the black ones).

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

This sample is a vocal "arh" sound, pitch d. It was created by singing "arh" into a dynamic microphone, with pop-screen and recording, through an e-mu 1820, into cakewalk music creator pro version 2. The sample was then roughly trimmed. The sample was then imported into wavelabs lite where the dc off set was removed, the sample was normalized and the trimmed exactly. This sample was then imported back into cakewalk music creator pro version 2, compressed slightly, then duplicated 5 times. Each of these duplications was given slightly different attack and release times, different pan and different eqs. 1 sample was given a multiple voice chorus\flanger effect and another auto-pan. A 6 sample was then added before the main sample, with reduced gain. This sample has increasing volume envelope and "moving" pan envelope. All 6 samples where sent to the same master out where "chapel" style re-verb and compression was applied. The mix down from this was then imported into wavelad lite, dc off set removed and normalized.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. This is from the spider incident, hence why it is far away. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

*Thirty-third harmonic on C = C↑ (Ben Johnston's notation). 33/32 = 53.27 cents. Limit: 11-limit. MIDI pitch bend: 6,49 Other accidentals[edit] v • d • e #7 = 5·7 : 2·32 = 35 : 18 = -48.77 cents. vs. #L 11 = 3·11 : 25 = 33 : 32 = 53.27 cents. vs. U11 13 = 5·13 : 26 = 65 : 64 = 26.84 cents. vs. E1 17 = 3·17 : 2·52 = 51 : 50 = 34.28 cents. vs. L1 19 = 5·19 : 25·3 = 95 : 96 = -18.13 cents. vs. U19 23 = 2·23 : 32·5 = 46 : 45 = 38.05 cents. vs. U23 29 = 5·29 : 24·32 = 145 : 144 = 11.98 cents. vs. U29 31 = 31 : 2·3·5 = 31 : 30 = 56.77 cents. vs. 1E LE = 3·52 : 2·37 = 75 : 74 = 23.24 cents. vs. 37 41 = 41 : 23·5 = 41 : 40 = 42.75 cents. vs. U41 43 = 3·43 : 27 = 129 : 128 = 13.47 cents. vs. U43 47 = 24·3 : 47 = 48 : 47 = -36.45 cents. vs. U47 53 = 25·5 : 3·53 = 160 : 159 = -10.85 cents. vs. U53 #7, 11, 13, 17, 19, 23, 29, 31, 37, 41, 43, 47, 53... #L, U11, E1, L1, U19, U23, U29, 1E, LE, U41, U43, U47, U53...

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I think this was also from the spider interruption. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

Cathedral bells for ukraine. Church bells for peace and justice. The dutch make all church bells ring for the ukraine. Freedom for the ukrainians. The bells from sint jan’s kathedraal (saint john’s cathedral) and in the background the bell from the grote kerk (large church) in 's-hertogenbosch, netherlands march 2 at 2022. 5. 15 pm. Голландці дзвонять у всі церковні дзвони за україну. Свобода для українців. Хертогенбос, 2 березня 2022 року, 17:15. Except that the dutch are collecting money and goods for the people of ukraine, all churches will ring the bells for fifteen minutes today, march 2, 2022 at 5. 15 pm. The first refugees have arrived in our country. Welcome. Hopefully these church bells will go virtual viral, and i hoop that people will help where they can. Date/time: march 2nd 2021, 5:15 pm. Weather: 8c, sun, wind e 2 bft with gusts to 14 km/h, 1021 hpa, humidity 48%. Location; parade, ‘s-hertogenbosch (den bosch), noord-brabant, netherlands (holland), europe. Gps 51. 687467 5. 308463. Gear chain: sennheiser mkh30/50 ms, in rycote cyclone small, windjammer > sound devices 302 >tascam dr-100 mk2. Decoded mid-side to stereo.

I combined an ambient bar crowd recording that i found here with a funky little back beat that i also found on this site and made a great cubicle noise blocker / filter. I use this at work with headphones on when i'm trying to concentrate and drown out conversations in the office. Also good for when i work from home and i'm trying to drown out the tv and other distractions. The crowd noise is excellent at diffusing regular office conversation and the little funky back beat keeps the crowd noise from getting boring. This works really well even at fairly low volume i. E. You dont have to crank it loud to drown out the distractions. Hope you like it and thanks to everyone for the great sounds on this site. Combination of the following two files - yet another bar crowd - june 2007. Wav (lonemonk)hip hop. Wav(ls)ps - i purposely let the crowd noise run out for a few seconds at the end so that you can appreciate the full groove of the hip hop. Wav. Has a nice effect when you loop the whole thing, gives you a little break from the crowd noise. Almost like you're stepping out of the room for a second.

4-channel hq record of a sudden and heavy thunderstrike (nearly) without rain in the afternoon of a hot summerday. The recording equipment was prepared for recording thunder, so there is no distortion, no compression or (auto)gain reduction done by a limiter in the zoom f8, means the whole dynamic is still there and will be audible by a adequate monitor/audio equipment. ;-)the sound was not edited or otherwise enhanced with effects. This file can be used as a intro followed by my other track (link below), which has soft rain at the beginning, before the thunder comes. . . ;-https://freesound. Org/people/bluedelta/sounds/367222/. The 4 channels are recorded in irt-cross technique (microphone distance 25cm) so it is a 360° (4x90°) record. Http://irt-cross. Mozello. De_________________________________________________________used recording gear:zoom f84 x rode nt1 (without "a" = the black ones). Ch1 = flch2 = frch3 = rlch4 = rr. The download-file is a polywav. If you need to split the file (e. G. To make a stereo file), you can use the easy to use"wave agent beta"(free)from sound devices for example. Https://www. Sounddevices. Com/product/wave-agent/. Comments about this atmo-record are welcome! ;-). . . And you can help others to find this sound easier by (star)rating this track.

This 6:17 minute cut from a 25:00 piv (penis in vagina) sex session that features loud doggystyle sexual intercourse between two young consenting adults. Recorded in september 2016 in a california dorm room: female is asian, 19 y. O. , male is white, 21 y. O. Both are rather slender, and have already had orgasms from oral sex. The slapping sound is made from the male's lower abdomen and testicles rhythmically striking the female's bum during rapid penetration -- the female is kneeling on the edge of a bed and the male is standing on the floor. There is no artificial birth control used -- the couple uses "natural family planning" meaning sex occurs only during infertile times of the female's ovulation cycle. Despite the loud sound of flesh slapping together, the couple is actually very slender -- the recording is natural with no effort to "act out" and there is a slight background music: classical. The parts edited out to make this 6:17 cut were aspects of piv sex that was too quiet to hear -- other sexual positions, i. E. , the female lying face-down with her stomach touching the bed, male atop, were at a much slower tempo so as to be nearly silent.

So these are all real reactions to certain things i do, i. E, video games, narrations, etc. Funny story. . . The reason this one is from far away is because while recording a narration, a lovely spider decided to descend from the ceiling, and i flipped out, having decently bad arachnophobia. It also got near my hamster's cage, so naturally i bellowed "die!" when killing it. I'm uh. . . Very passionate about certain things. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.

Away in a Manger (jazz rendition) performed by the Airmen of Note of the United States Air Force Band. Track 10 from Christmas Time is Here (1998). Recorded at the Center For The Arts, George Mason University, January 24-27, 1998. Credits: Alto Saxophone – Technical Sergeant Andy Axelrad* Alto Saxophone [Lead] – Senior Master Sergeant Joe Eckert* Baritone Saxophone – Master Sergeant Don New* Bass – Master Sergeant Paul Henry* Bass Trombone – Master Sergeant Dudley Hinote* Directed By – Chief Master Sergeant Peter C. BarenBregge* Drums – Senior Master Sergeant C. E. Askew* Engineer [Assistant] – Master Sergeant Kendall Thomsen* Engineer, Edited By – Bruce Leek Guitar – Technical Sergeant Shawn Purcell* Layout [Graphic] – Master Sergeant Dudley J. Hinote*, Master Sergeant Judith J. Thompson*, Technical Sergeant Robert K. McConnell* Liner Notes – Chief Master Sergeant Peter C. BarenBregge* Mixed By – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Percussion – Master Sergeant Pat Shrieves* (tracks: 2, 4 to 11) Piano – Master Sergeant Wade Beach Jr.* Producer – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Tenor Saxophone – Senior Master Sergeant Saul Miller Jr.* Tenor Saxophone [Lead] – Chief Master Sergeant Pete BarenBregge* Trombone – Technical Sergeant Jeff Martin* Trombone [Assistant Lead] – Technical Sergeant Ben Patterson* Trombone [Lead] – Master Sergeant Joe Jackson* Trumpet – Master Sergeant Rich Sigler*, Technical Sergeant Tim Leahey* Trumpet [Assistant Lead] – Master Sergeant Dave Detwiler* Trumpet [Lead] – Master Sergeant Bruce Gates* Vocals – Master Sergeant Tracey Wright*