2.370 file audio bebas royalti untuk "Tracks"

The Show Boy performed by the Concert Band of the United States Air Force Band. Track 9 from Front & Center (1998). Recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6 to 8, 1998. Col. Lowell E. Graham, conducting.[1][2][3]

Adjutant's Call and "C.M.T.C. March" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 1 from disc 1 of Ceremonial Music (2005).

This audio file is a stem (single track) from the full song "Synth pop with 4 on the floor" by Mesostic. It was provided to allow for remixing, reproduction, and extension of the original. Synth pop with 4 on the floor This stem is the synth lead, created with the free U-He Tyrell N6 soft synth.

Ode to Joy (a version of "The Hymn of Joy" or "Joyful, Joyful We Adore Thee") performed by the Concert Band of the United States Air Force Band of the Rockies. Track 15 from Christmas from the Rockies (1993).

Cantique de Noël ("O Holy Night") performed by the Concert Band of the United States Air Force Band of the Golden West. Track 10 from Holiday Fantasies (2000). Captain Douglas Monroe, conductor.[1][2]

Congressional Honors ("The Stars and Stripes Forever") performed by the Concert Band of the United States Air Force Heritage of America Band. Track 33 from disc 1 of Ceremonial Music (2005).

Bugles and Drums performed by the Concert Band of the United States Air Force Heritage of America Band. Track 5 from disc 1 of Ceremonial Music (2005).

An a cappella, choral arrangement of the traditional American folk song "Shenandoah" performed by the Singing Sergeants of the United States Air Force Band. Track 9 from America (2017). Recorded between January 2015 and March 2017 at Rachel M. Schlesinger Concert Hall, Joint Base Anacostia-Boiling, and Bias Studios. Featuring soloist Master Sgt. Emily Wellington.[1]

3 Ruffles and Flourishes and General's March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 35 from disc 1 of Ceremonial Music (2005).

Roast Beef of Old England performed by the Concert Band of the United States Air Force Heritage of America Band. Track 28 from disc 1 of Ceremonial Music (2005).

Rooster cock-a-doodle-dooing: there is no sound like it. A very loud and sharp effect of a rooster doing what it does best. Different versions are available in this track containing different amplitudes and tone. Recorded with the zoom h6, rode ntg on a farm. This is great to use for a natural alarm or to fill out fram-ambiences.

This track was developed in 2018 via apple's logic pro x on a macbook pro 2017. The home studio employed the usage of the presonus eris e4. 5 near field monitors in east harlem new york city. The project used sample files already included in apple's logic pro x. The mixing process employed only logic pro x plugins (e. G. Compression, equalization). You may find the developer at twitter: @harlemdaw.

This is a clothing rubbing foley sound, emulates the sound of couch moving, chair adjust, writing on table, moving around in clothing. This in efforts of bringing you easy to use sound that is both editable and low in noise. Thank you and feel free to adjust,cut and boost the track. Some credit wouldn't hurt. Good luck filming. :).

A fast train is going to pass yelahanka train junktion. It is blowing the horn to make space on the rails and to warn people not to walk to close or to cross the track. Binaural recording with soundman okm`s and a h4n. If you want to support my work, please visit:jardinsonore(. )bandcamp(. )comthere you find a lot more.

Simple dminor pad created by layering two minimalistic custom waldorf blofeld patches and a bit of faint korg monotribe. U-he's satin tape emulation on every track. Recorded in cubase 6. 5. It's always nice to hear what projects you use these sounds for. Let me know. ;-).

Recorded above a go kart race track with fairly heavy kart traffic and minimal crowd noise. Gear: zoom h6, xyh-6 x/y capsule (120 degree stereo image), rycote windjammer. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

Recorded next to a go kart race track with moderate kart traffic and sparse crowd noise. Gear: zoom h6, xyh-6 x/y capsule (120 degree stereo image), rycote windjammer. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

This a spare recording from a short film i was making. It's a stereos track but all sounds are recorded to the left channel. This was recorded on a zoom h4n and a sennheiser me67. The sound is of a woodland near liskeard, cornwall, uk. There are occasionally cars passing, but mostly it's quite clean - and the cars might be useful for somebody.

This is the new traffic signal in town. We watched the stephen hawking show on pbs last night as they tried to filter out voices from space and i thought this would make a good alien voice trying to contact us. Recorded on my yamaha pocketrak with one track duplication and edited with sony vegas. Please comment on what you may use it for. Thanks. :^).

Spoken word recording of be good sounds like take that through audacity with the distortion effect applied to full distortion amount and half harmonic brightness from the first track of the second hour of the war table role-play session in giving and gifting a woman my music.

Spring at noon time, a russian olive tree is swarmed by bees gathering the nectar of the tiny yellow flowers. You can hear a distant motor, magpies, and a wind chim. Recorded with an alesis palm track with the recorder placed directly in the tree, resting on a branch. Processed with soundbooth. Nothing added except gain.

I recorded the end of a rain storm with water running off of the house and multitudes and species of frogs in the background. I used my phone to record a mono track and then used audacity to simulate spatial stereo. It made the traffic in the distance sound like spirits moaning. I thought it was pretty cool. (-;.

Swimming Pool Summer Ambiance recorded at indoor aquatic center. Sound recorded by Stephan and is in the public domain.

Another very old production, i think this one's from around 2009 even!. Using the reverb of a chord i made on my guitar i created a drone-y, washed out sound. Added some subtle bitcrushed drums, cymbals and a vst synthesizer plays some notes to fill it out a bit, and a dark brooding bass-like instrument pulls up near the end of the track.

I went out back to record the robin and also noticed a smaller pileated woodpecker right over on the wood pile. Listen hard and you'll hear it peck the wood. That's the first sound you hear along with the robin and my neighbors kids. Recorded on my yamaha pocketrak and edited on sony vegas with two track duplications. Please comment on what you might use it for. Thanks. :-).

Recorded with zoom h2n ambisonic b-format (no z track), airplane cabin with passenger chatter. *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files converted from ambix format.

The track was taken of a swiftair boeing 734-400 freighter flew over when landing at leipzig-halle airport (germany) on march 06, 2021. Equipment used for recording was a zoom h5 stereo field recorder + 2 rode ntg2 shotgun mics. Registration of the plane was ec-nml. The slight background noise comes from a nearby motorway. . . If you like it, i would appreciate your comment. Thanks!.

A synthesized sting made in logic pro x. Credit is appreciated, but i understand that keeping track is kind of a pain. If you use it in your project, feel free to send me a link! i'd love to see it! :).

A loud orchestral stab for a horror reveal. Credit is appreciated, but i understand that keeping track is kind of a pain. If you use it in your project, feel free to send me a link! i'd love to see it! :).

A brassy, cartoonish punctuation for movement made using a synthesizer in logic pro x. Credit is appreciated, but i understand that keeping track is kind of a pain. If you use it in your project, feel free to send me a link! i'd love to see it! :).

The Marines' Hymn performed by the Concert Band of the United States Air Force Heritage of America Band. Track 58 from disc 1 of Ceremonial Music (2005).

It Came Upon the Midnight Clear (for jazz piano) performed by the Diplomats of the United States Air Force Band. Track 6 from Do You Hear What I Hear? (2002). Frank Pappajohn, conducting.

We Wish You a Merry Christmas performed by Starlifter and Roots in Blue of the United States Air Force Band of Mid-America. Track 10 from the ensembles' 2020 album The Spirit of the Season.

La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: II. "Jeux de vagues" performed by the Concert Band of the United States Air Force Band. Track 10 from French Impressions (2000).[1][2][3][4]

The Merry Bells of Speyer performed by the Stellar Brass of the United States Air Force Band of the Rockies. Track 3 from Holiday Brass (2000). Lieutenant Colonel Philip C. Chevallard, commander and director.[1][2]

Crows Nest performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 8 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Senior Airman Dave Bandman, trombone

Part 3 (a drum cadence) of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 13 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Chanting drone partly tantric monks vocals with bell tones. Strega o-ctrl and o-coast easel output fed into mimeophone. Bells from karplus-strong (mu). Panned in x-pan. Totally synthetic track rendered @48khz 32 bit in reaper and with markers for all you morphagene fans out there. Enjoy!.

Recorded on 06/23/19 at 8:45 a. M. Outside nassau hall, a historic building located in syosset, ny. Sounds that can be heard include: various birds, continuous planes flying overhead, an occasional passing car, a light breeze, a horse snorting (at 9:14 and 9:17), a few distant voices, and insects. A zoom h1n and 3dio fs binaural microphone were to used to record this track.

Come May performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 10 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Senior Airman Dave Bandman, trombone

Four ruffles and flourishes and "The Stars and Stripes Forever" (last 32 measures) performed by the Concert Band of the United States Air Force Band. Track 19 from Esprit de Corps (1997).

The Washington Post performed by the Concert Band of the United States Air Force Band of the Rockies. Track 12 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]

King Cotton performed by the Concert Band of the United States Air Force Band of the Rockies. Track 16 from Footlifters! (1998). Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[1][2][3]

Vice-President of the United States ("Hail Columbia") performed by the Concert Band of the United States Air Force Heritage of America Band. Track 32 from disc 1 of Ceremonial Music (2005).

The Stars and Stripes Forever (2001) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 18 from Early Light (2001). Recorded in 2000 or 2001 at Langley Air Force Base in Virginia. Major Larry H. Lang, conducting.

3 Ruffles and Flourishes and Flag Officer's March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 39 from disc 1 of Ceremonial Music (2005).

4 Ruffles and Flourishes and Flag Officer's March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 38 from disc 1 of Ceremonial Music (2005).

The Star-Spangled Banner (2001) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 1 from Early Light (2001). Recorded in 2000 or 2001 at Langley Air Force Base in Virginia. Major Larry H. Lang, conducting.

The Chicago Tribune performed by the Concert Band of the United States Air Force Band of the Rockies. Track 11 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]

The Stars and Stripes Forever performed by the Concert Band of the United States Air Force Heritage of America Band. Track 62 from disc 1 of Ceremonial Music (2005).