1.102 file audio bebas royalti untuk "Untaian Es"

Es, es, es und es, es ist ein harter Schluss

Wolfgang Amadeus Mozart: Die Zauberflöte; performed 1953, released 1955. Cast: Wilhelm Borchert (rol: tenor; Erster Priester), Kim Borg (rol: bass; Sprecher / Zweiter Garnischter), Diana Eustrati (rol: contralto; Dritter Knabe), Dietrich Fischer-Dieskau (rol: baritono; Papageno), Ferenc Fricsay (rol: conductor), Josef Greindl (rol: Bass; Sarastro), Margot Guillaume (rol: soprano; Erster Knabe), Ernst Haefliger (rol: tenor: Tamino), Margarete Klose (rol: contralto; Dritte Dame), Liselotte (rol: soprano; Zweite Dame), Lisa Otto (rol: soprano; Papagena), Maria Reith (rol: soprano; Zweiter Knabe), RIAS-Kammerchor Berlin (rol: coro), RIAS Symphonie-Orchester Berlin (rol: orchestra), Marianne Schech (rol: soprano; Erste Dame), Maria Stader (rol: soprano; Pamina, Tochter der Königin der Nacht), Rita Streich (rol: soprano; Königin der Nacht), Howard Vandenburg (rol: tenor; Erster Garnischter / Erster Priester), Martin Vantin (rol: tenor; Monostatos, ein Mohr)

Es ist ein Ros entsprungen im Satz von Michael Prätorius

Christus, du bist der helle Tag (Friedrich Dörr nach Christe, qui lux es et dies), Gotteslob (1975) 704

Es waren zwei Königskinder

Tota pulchra es, Maria

Abend wird es wieder

Es war eine Mutter (Jahreszeitenlied)

Es wird scho glei dumpa

Es ist ein Schnee gefallen

Es war einmal ein treuer Husar

Es war ein König in Thule

Es tanzt ein Bi-Ba-Butzemann

Es geht ein dunkle Wolk herein

Lo How a Rose E'er Blooming is an English translation of the 16th/17th century German Christmas carol, "Es ist ein Ros entsprungen". Performed by the chorus of the U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) ca. 2010.

Es ist ein Schnitter, heißt der Tod

Es kann ja nicht immer so bleiben

Es fiel ein Reif in der Frühlingsnacht

Ich weiß nicht, was soll es bedeuten

Es klappert die Mühle am rauschenden Bach

Ich bin Soldat, doch bin ich es nicht gerne

Christus, du bist der helle Tag (Friedrich Dörr nach Christe, qui lux es et dies), Gotteslob (2013) 90

Es wolle Gott uns gnädig sein, Evangelisches Gesangbuch 280

Herr, für dein Wort sei hoch gepreist, Evang. Gesangbuch 196 (Melodie: Es spricht der Unweisen Mund wohl)

Es ist das Heil uns kommen her (Evang. Gesangbuch 342)

St.Martini-Kirche in Bremen. Glockenspiel: „Es kommt ein Schiff geladen bis an sein höchsten Bord“

Christe, du bist der helle Tag (Erasmus Alber nach Christe, qui lux es et dies), Evang. Gesangbuch 469

Gregorianische Antiphon Tu es Petrus, et super hanc petram aedificabo Ecclesiam meam - "Du bist Petrus, und auf diesen Felsen werde ich meine Kirche bauen" (Gotteslob (2013) 486)

Gregorianische Antiphon Tu es Petrus, et super hanc petram aedificabo Ecclesiam meam - "Du bist Petrus, und auf diesen Felsen werde ich meine Kirche bauen" (Gotteslob (1975) 645.1)

Es kommt ein Schiff, geladen; Gotteslob (2013) 236; Gotteslob (1975) 114; Evang. Gesangbuch 8

Icicles being dropped.

Es ist ein Ros entsprungen, Gotteslob (2013) 243; Gotteslob (1975) 132; Evang. Gesangbuch 30

Series of breaking small icicles from a ledge, falling onto a hard surface. Ntg-3, rode blimp, sound devices 702t. Recorded at 96k 24bit, converted to 48k 16bit with dither in pro tools 11.

C-A-F-F-E-E, dreistimmiger Kanon von C. G. Hering

Recorded 8 dec 2013 with tascam dr-100mkii, using only built-in stereo unidirectional mics. Distance from icicles approx 2 meters. Icicles occasionally break off concave cliff face in the sun; cliff reflects sound from behind recorder of people walking by on stanley park seawall, bicyclists, snippets of conversation. Light breeze riffles the ocean behind (mostly unheard). 3:26 with fade-in and fade-out.

Korg es-1 with some samples from yamaha qy-70 programmed by me. . . Chords by rare vintage yamaha pss-780.

Recorded with fl studio 10.

Came upon a rock wall full of icicles in the forest, and recorded myself breaking them. One of my favorite sounds, so many rich tones and dramatic cymbals. Recorded in stereo 24 bit 96 khz with the internal mics on a sony m10 with windjammer. Please use this sound for whatever you want, completely free, no restrictions. Although i really appreciate a comment if you use my sound for something interesting. Always fun to hear where my recordings end up :).

Came upon a rock wall full of icicles in the forest, and recorded myself breaking them. One of my favorite sounds, so many rich tones and dramatic cymbals. Recorded in stereo 24 bit 96 khz with the internal mics on a sony m10 with windjammer. Please use this sound for whatever you want, completely free, no restrictions. Although i really appreciate a comment if you use my sound for something interesting. Always fun to hear where my recordings end up :).

Came upon a rock wall full of icicles in the forest, and recorded myself breaking them. One of my favorite sounds, so many rich tones and dramatic cymbals. Recorded in stereo 24 bit 96 khz with the internal mics on a sony m10 with windjammer. Please use this sound for whatever you want, completely free, no restrictions. Although i really appreciate a comment if you use my sound for something interesting. Always fun to hear where my recordings end up :).

Came upon a rock wall full of icicles in the forest, and recorded myself breaking them. One of my favorite sounds, so many rich tones and dramatic cymbals. Recorded in stereo 24 bit 96 khz with the internal mics on a sony m10 with windjammer. Please use this sound for whatever you want, completely free, no restrictions. Although i really appreciate a comment if you use my sound for something interesting. Always fun to hear where my recordings end up :).

Playing an e2 on the trombone three times.

Eb major triad, MIDI file

E5 power chord in eighth notes. Created by Hyacinth (talk) 12:48, 2 July 2009 in Sibelius 5 set on "electric guitar" triple forte.

Mu chord on E, for guitar. Created by Hyacinth (talk) 22:45, 22 December 2011 (UTC) using Sibelius 5.

E♭ natural minor scale ascending and descending.

E-flat melodic minor scale ascending and descending.

E-flat harmonic minor scale ascending and descending.

Istrian scale, key of Istrian folkmusic, two voiced playing and singing

Ritsu scale on E.