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Suzumushi bell cricket illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

jangkrik antena

One of the portrait from the collection of portraits, Portraits of Actors by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style illustration.

Anker Grossvater erzählt eine Geschichte 1884

warisan budaya nenek

Temple of Hathor (of Euergetes II), pronaos and Small temple of Hathor, propylon and Same building, sanctuary. Grand temple of Isis, at the bottom of the sanctuary from Monuments de l'Égypte et de la Nubie (1835–1845) by Jean François Champollion (1790–1832).

Pooja to Soorya (Sun) from The Sundhya or the Daily Prayers of the Brahmins (1851) by Sophie Charlotte Belnos (1795–1865).

Cicada illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

serangga jepang

Design of an antique burgundy chair. Digitally enhanced from our own original plate.

Left wall with Secos, Sanctuary, At the bottom of the pronaos, and Sanctuary on east wall from Monuments de l'Égypte et de la Nubie (1835–1845) by Jean François Champollion (1790–1832).

Ruins of the Temple at Erments illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Plate 29 : Figures taken from an ancient wall near the Temple at Offedina in Nubia illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

The Town of Bacchus on the North side of the Lake Moeris illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

One of the portrait from the collection of portraits, Portraits of Actor by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style illustration of a woman in colorful clothing.

Procession of Egyptian illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Plate 11 : False Passage towards the centre of the Pyramid by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

One of the portrait from the collection of portraits, Portraits of an Actor by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style illustration of an actor in costume.

Punch Agnee from The Sundhya or the Daily Prayers of the Brahmins (1851) by Sophie Charlotte Belnos (1795–1865).

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Locust on a leaf illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

bunga-bunga antik

Imo–se–yama, hand–colored collotype from Some Japanese Flowers (1896) by Kazumasa Ogawa.

bunga-bunga jepang

Lily, hand–colored collotype from Some Japanese Flowers (1896) by Kazumasa Ogawa.

bunga-bunga jepang

Emblematic Figures illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Plate 27 : The Rocks and Castle of Ibrim in Nubia illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

One of the portrait from the collection of portraits, Portraits of Actors by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style illustration of a man attacking a woman.

Pomegranate illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

serangga jepang

Flower illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

serangga jepang

Horsefly illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

One of the portrait from the collection of portraits, Portraits of an Actor by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style illustration.

One of the portrait from the collection of portraits, Portraits of an Actor by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style illustration.

Soga no Adauchi by Utagawa Yoshikazu (1848-1863), a traditional Japanese ukiyo-e style diptych of a scene from a Soga kabuki play, Soga brothers and warriors fighting.

One of the portrait from the collection of portraits, Portraits of an Actor by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style illustration an actor with a katana sword.

Leaf and flower illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

bunga-bunga antena

Chrysanthemum Garden, hand–colored collotype from Some Japanese Flowers (1896) by Kazumasa Ogawa.

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Oriental umbrellas from My Little Chinese Book by Mary Audubon Post (1912).

Plate 41 : Colossal Head of Red Granite illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Plate 16 : Tablet of brecchia stone with Hieroglyphics illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Moth illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

The Temple of Dakke in Nubia illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Kin–shi–shi, hand–colored collotype from Some Japanese Flowers (1896) by Kazumasa Ogawa.

bunga-bunga jepang

Tableau representing the two Niches illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Tropical Plants illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Vintage European style horseback riding of a lady engraving from London (illustrated). A complete guide to the leading hotels, places of amusement. Also a directory of first-class reliable houses in the various branches of trade by Anonymous (1872).

Butterfly with flower illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

kupu-kupu jepang

One of the portrait from the collection of portraits, Portraits of an Actor by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style actor illustration.

The Brahmin's first ceremony on entering the ganges from The Sundhya or the Daily Prayers of the Brahmins (1851) by Sophie Charlotte Belnos (1795–1865).

barang antik seni

Pooja of Vishnoo from The Sundhya or the Daily Prayers of the Brahmins (1851) by Sophie Charlotte Belnos (1795–1865).

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Owen Jones famous 19th Century Grammar of Ornament. One of the finest graphic design books ever produced. From our own original antique chromolithographic version of the famous book we have created a high resolution digitally enhanced copy for you.

Extraordinary Overflowing of the Nile illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

One of the portrait from the collection of portraits, Portraits of an Actor by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style illustration of an actor in costume.

Misu–no–uchi, hand–colored collotype from Japanese Flowers (1896) by Kazumasa Ogawa.

Seisha-Orandajin, Nankin by Utagawa Yoshikazu (1848-1863), a traditional Japanese illustration of a Japanese print showing a Dutch merchant drinking and a Chinese servant standing on his side.

orang-orang jepang

Figure large as life illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Section of the great Tomb of Psammuthis illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Great speos: Great hall, east wall. Second painting from Monuments de l'Égypte et de la Nubie (1835–1845) by Jean François Champollion (1790–1832).

One of the portrait from the collection of portraits, Portraits of an Actress by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style actress illustration.

Kin–sui–ro, hand–colored collotype from Some Japanese Flowers (1896) by Kazumasa Ogawa.

View of the interior of the temple in the Isle of Philoe illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Religious Vessels from The Sundhya or the Daily Prayers of the Brahmins (1851) by Sophie Charlotte Belnos (1795–1865).

Iris Kæmpferi, hand-colored collotype from Some Japanese Flowers (1896) by Kazumasa Ogawa.

Plate 9 : Entrance into the Pyramid of Cephrene illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Grand temple, west wall. Same, Osiris burial chamber, of the west. Same, foundation of the sanctuary from Monuments de l'Égypte et de la Nubie (1835–1845) by Jean François Champollion (1790–1832).

Moth illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

musim semi kupu-kupu

Egyptian Arches, Existing in Thebes, and several animal Mummies illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Procession of Jews illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

barang antik kuno

One of the portrait from the collection of portraits, Portraits of an Actor by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style illustration of an actor in costume.

Plate 31 Interior of the Temple in Carnak illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Interior of the Temple at Ybsambul illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

One of the portrait from the collection of portraits, Portraits of an Actor by Toyohara Kunichika (1835-1900), a traditional Japanese Ukyio-e style actor illustration.

Perched magpies. Illustration from Seitei Kacho Gafu (1890–1891) by Wantanabe Seitei, a prominent Kacho-ga artist. Digitally enhanced from our own original edition.

Plate 12 : Great Chamber in the interior of the Pyramid illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Exterior view of the two temples at Ybsambul illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Japanese crows perched on a branch. Illustration from Seitei Kacho Gafu (1890–1891) by Wantanabe Seitei, a prominent Kacho-ga artist. Digitally enhanced from our own original edition.

Hand signs represent to Tortoise from The Sundhya or the Daily Prayers of the Brahmins (1851) by Sophie Charlotte Belnos (1795–1865).

kura-kura darat sembahyang

Temple on the road to Berenice illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Lily, hand–colored collotype from Some Japanese Flowers (1896) by Kazumasa Ogawa.

The British lion from Un-Natural History Not Taught In Bored Schools, etc published by Simpkin, Marshall & Co. (1883).

senjata proyektil hewan

Plate 28 : Colossal Head of Red Granite by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

White cockatoo perched on a branch. Illustration (1890–1891) by Wantanabe Seitei, a prominent Kacho-ga artist. Digitally enhanced from our own original edition.

Japanese vintage original woodblock print from Yatsuo no tsubaki (1860-1869) by Taguchi Tomoki. Digitally enhanced from our own antique woodblock print.

Group of Morning Glories, hand-colored collotype from Some Japanese Flowers (1896) by Kazumasa Ogawa.

musim panas jepang

White blossomed flower. Illustration from Seitei Kacho Gafu (1890–1891) by Wantanabe Seitei, a prominent Kacho-ga artist. Digitally enhanced from our own original edition.

musim gugur jepang

Plate 14 : Group from the interior of the northern Temple of Ybsambul illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Exterior View of the Temple of Ybsambul illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Owen Jones famous 19th Century Grammar of Ornament. One of the finest graphic design books ever produced. From our own original antique chromolithographic version of the famous book we have created a high resolution digitally enhanced copy for you.

The secret prayer (Gayatri Jup) from The Sundhya or the Daily Prayers of the Brahmins (1851) by Sophie Charlotte Belnos (1795–1865).

barang antik seni

Sitting figure illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Chrysanthemum, Garden hand-colored collotype from Some Japanese Flowers (1896) by Kazumasa Ogawa.

Tableau supposed to represent the Goddess Isis illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

General View of the Ruin of Carnak illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Vintage European style harp engraving.

Owen Jones famous 19th Century Grammar of Ornament. One of the finest graphic design books ever produced. From our own original antique chromolithographic version of the famous book we have created a high resolution digitally enhanced copy for you.

Hand Signs from The Sundhya or the Daily Prayers of the Brahmins (1851) by Sophie Charlotte Belnos (1795–1865).

Four Dancing Women by Johan Teyler (1648-1709).

Lily, hand–colored collotype from Some Japanese Flowers (1896) by Kazumasa Ogawa.

bunga-bunga musim semi

Tableau of Figures, large as life, in the Tomb of Psammuthis illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Paintings copied from the tomb of Ramses IV (Maimonides) from Monuments de l'Égypte et de la Nubie (1835–1845) by Jean François Champollion (1790–1832).

Zodiak from the tomb of Psammis in Thebes illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Procession of Ethiopians illustration from the kings tombs in Thebes by Giovanni Battista Belzoni (1778-1823) from Plates illustrative of the researches and operations in Egypt and Nubia (1820).

Religious Vessels from The Sundhya or the Daily Prayers of the Brahmins (1851) by Sophie Charlotte Belnos (1795–1865).

Butterfly and flower illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

kupu-kupu jepang

Fireflies illustration from Churui Gafu (1910) by Morimoto Toko. Digitally enhanced from our own original edition.

serangga kecil bunga-bunga

Tsuzure–no–Nishiki, hand–colored collotype from Some Japanese Flowers (1896) by Kazumasa Ogawa.

musim semi jepang

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