114 tracce audio royalty-free per "1920"

Ombra mai fu from Handel's 1738 opera Serse (a.k.a. Xerxes), sung by Enrico Caruso. Recorded 29 Jan 1920, Matrix: C-23714, Victor Cat: 88617

The Dying Soldier, american folk ballad played by Buell Kazee, old-time and folk musician of the 1920's, accompaining himself with banjo "The Dying Soldier", eine US-amerikanische Folkballade, gespielt von Old-Time- und Folk-Musiker Buell Kazee, der sich selbst auf dem Banjo begleitet.

1920 recording of Bach's Air for G string (Air on the G string) (BWV 1068, D major. arr). Violin solo by Joel Belov with piano accompaniment by Robert Gayler.

Interpret: Jenö Fescay Salon-Orchester Komponist: Johann Strauss (Sohn) Titel: Geschichten aus dem Wiener Wald Erstveröffentlichung: um 1927

23 april 1920 is the foundation of the grand national assembly and is a public holiday in turkey. Because of pandemic, turkey celebrated 100th anniversary from balcony. Anthems have played, firework shows have watched, lights have turned on and off, sirens have heard, people have applaud. Recorded by zoom h6.

Sergei Rachmaninoff performing his own Prelude in C-sharp minor (Op. 3, No. 2). The composition was first published in the Russian Empire and this recording was first released in the United States in December 1920 by Edison Records. It was performed in New York City, April 24, 1919.

John Philip Sousa's march "Comrades of the Legion" (1920), from "The President's Own" United States Marine Band's album "Semper Fidelis": Music of John Philip Sousa; Colonel John R. Bourgeois, Director

I was looking for a sound in which a few high-pitched bells could be heard together with the spinning gears of the striking mechanism. I couldn't find a sound like that, so i made my own. The two bells are from a sample user 'nemodaedalus' uploaded (wuc_bell_high_and_low. Wav). I recorded the spinning gears myself. The sound comes from a 1920's junghans clock i saved out of a dumpster. It's pretty much broken, except for the striking mechanism.

1st release date: 1928 1st recording date: 13 October 1927 Place of recording: unknown Author(s)/Composer(s): Landon Ronald (1873-1938) Lyricist(s): Edward Teschemacher (1876-1940) Performer(s): Doris Vane (1874-?) Vocal range: Soprano solo with cello obligato and piano Title/Work: O lovely night Genre(s): Song

Label: Parlophone (Carl Lindström Company) Cat. no.: P 9118 Order number: 20200 Matrix/StamperID: 2-20200 1st release date: 1927? 1st recording date: 30 March 1927 Place of recording: Hochschule für Musik, Berlin (German Reich) Author(s)/Composer(s): Franz von Suppé (1819-1895) Lyricist(s): Karl Costa (1832-1907) Conductor(s): Fritz Zweig (1893-1984) Performer(s): Orchester der Staatsoper Berlin Vocal range: instrumental Title/Work: Leichte Kavallerie (operetta) (Light Cavalry) Content: Ouverture - Part 2 Genre(s): Operetta terminology Comments: RCM and ELP

Live recording. Uday Shankar and his company of hindu dancers and musicians: Vishnudass Shirali, Sisir Sovan, Rabindra (Ravi Shankar), Dulal Sen, Nagen Dey, Brijo Behari. Čeština: Skladba Raga Tilanga (1937), na sitár hraje Ravi Šankar při své návštěvě New Yorku. Raga Tilanga (1937), Ravi Shankar's first recording, in New York, during a tour organized by his elder brother Uday Shankar. हिन्दी: राग तिलंग (१९३७), बड़े भाई उदय शंकर द्वारा आयोजित एक दौरे के दौरान रवि शंकर की न्यूयॉर्क में पहली रिकॉर्डिंग। Македонски: Рага Тиланга (1937) — првата снимена изведба на истакнатиот индиски класичен музичар Рави Шанкар (1920 - 2012). Raga Tilanga – pierwsze nagranie Ravi Shankara zarejestrowane w 1937 roku w Nowym Jorku podczas tournee grupy tanecznej jego starszego brata, Uday Shankara.

1st release date: April 1928 1st recording date: 1926 Place of recording: London (United Kingdom) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Performer(s): Budapest String Quartet 1st Violin: Emil Hauser (1893–1978) 2nd Violin: Imre Pogany (1893–1975) Viola: István Ipolyi (1886–1955) Cello: Harry Son (born Henri Mozes Son) (1880–1942) Vocal range: instrumental Title/Work: String Quartet No. 17 in B-flat major, K. 458 Content: 3rd Movement: Adagio (1st Record) Genre(s): Chamber music

NOTE: Edited version (noise reduced, volume boosted), original is at File:PDP-CH_-_Opéra_Comique_-_Élie_Cohen_-_Joseph_Rogatechwsky_-_Romance_de_Nadir_-_Les_pêcheurs_de_perles_-_Bizet_-_Cormon_-_Carré_-_Columbia-12527-lx90.flac. 1st release date: 1929 1st recording date: 1928 Place of recording: unknown Author(s)/Composer(s): Georges Bizet (1838-1875) Lyricist(s): Eugène Cormon (1810-1903) and Michel Carré (1821-1872) Music arranger(s): none Conductor: Élie Cohen (unknown birth/death date) Performer(s): Joseph Rogatechwsky (1891-1985) de l'Opéra Comique Vocal range: tenor with orchestra accompaniment Title/Work: Les pêcheurs de perles (The Pearl Fishers) (opera) Content: Romance de Nadir Synonym: This is a "Je crois entendre" encore[1] Genre(s): Opera terminology

Label: Parlophone (Carl Lindström Company) Cat. no.: P 9116 Order number: 20258 Matrix/StamperID: 2-20258 1st release date: 1927? 1st recording date: 5 May 1927 Place of recording: Carl Lindström AG, SO.33, Schlesische Straße 26, Berlin (German Reich) Author(s)/Composer(s): Giuseppe Verdi (1842-1898) Lyricist(s): Francesco Maria Piave (1810-1876) based on a Spanish drama, Don Álvaro o la fuerza del sino (1835), by Ángel de Saavedra, 3rd Duke of Rivas (1791-1865), with a scene adapted from Friedrich Schiller's Wallensteins Lager. Conductor(s): Frieder Weissmann (1893-1984) Performer(s): Orchester der Staatsoper Berlin, Meta Seinemeyer (1895-1929) Vocal range: operatic soprano with orchestra Title/Work: La forza del destino (opera) Content: Sono giunta! Grazie, o Dio! (Aria di Leonora) Genre(s): Opera terminology Comments: RCM and Reloop