1.605 tracce audio royalty-free per "Ade"

This is part of a set of samples demonstrating the capabilities of the diy version of the hexinverter mutant clap module (eurorack/modular synth). Of particular note is the noise bleed present in some hexinverter diy products as discussed on the muffwiggler forum. Except where noted as "with vca," all samples are recorded without added effects or processing. "with vca" samples have been tidied up with an envelope modulated vca. One may choose to see the bleed as a feature or flaw. . .

I composed this out of feeling and added the background violin after. I like the keychange in it. I'm a producer but wasn't really sure what to do with it after so i uploaded it here. As i often grab some of my files from here as well. Enjoy!. Let me know if and where you use it, i would love to know.

Man, this is extremely old! so old that i actually had to pitch it down, because my voice was higher back then, lmao. I literally just growled into my mic and added some paulstretch and reverb, and then pitched it down a bit. It's meant to be like a monster or demon being angered or awoken in an indoors area or something like that.

I created this instrumental while i was messing around on audacity one day and i actually used it to record a song called "erbie bowser" feel free to look it up on youtube. The instrumental includes whistles, claps and a voice loop all performed by myself. The only un-authentic part added was a risset drum. Feel free to use this for whatever i request that you give me credit if you chose to do so.

Large metal sheet and ornamental metalwork gate to village cemetery opened and shut, creaking on it's hinges. Recorded around midnight to avoid bird and insect calls - despite this precaution there were birds calling in the distance. On arrival i saw there was a house adjacent to cemetery. Fearful of waking the non-dead i didnt hang around for more than two bad takes. I've added this not so impressive recording to give a taste of what i hope to record of this wonderfully vocal gate in the future.

Just makes your ears hurt, doesn't it? could be great for something like a machine having a complete meltdown, or a robot going haywire. Created by taking a stock sound effect of guitar plugs being pulled and distorting, reversing, stretching, looping, adding phaser, flanger, vibrato, tremolo, i can't even remember what else, like there's no tomorrow. All done in wavepad. I also tried to make it loop, but it's up to you whether i succeeded or not.

Deep and dark sci-fi background noise that could fit a movie space ship, e. G. In the warp drive chamber. The actual sound source is a gas stove that has been recorded using a fostex fr2 recorder and a pair of røde nt5 mics in x/y positioning. The original 24/88. 2 recording has been slowed down 99% using audacity. Some echo added.

It's time to go on an upload spree! i've made tons of new sounds when i wasn't uploading, and i think it's about time to share some of them with you people. :) this was really easy to make. I just stood outside for a little while, recorded the outside ambience, amplified it so it's audible, eqed it, and added some reverb to give it that stereo effect. Hopefully you enjoy this and find it useful. Have a good christmas. (or hanukkah. ).

I got a weird story for this one! i took a machine sound from my grandpa's workshop, overloaded it with flanger so it didn't even sound like a machine anymore, got a little snippet of the sound, pitch shifted it up, and repeated it, eqed it, and added some reverb. (the machine didn't have anything do do with it btw. You can do this with any sound. ) hope you guys enjoy this sound. Feel free to use this anywhere you want. :).

This is the product of a late night with a new keyboard and a few drinks. Also a first time recording using audacity. All sounds in this piece are bone-stock sounds in the mx49. I only added a bit of mild reverb one sound in one section of the piece. I didn't set out to do something like this - it was only to check some sounds and get familiar with the software. I think of it as the 21st century version of the beatles "revolution 9". I suggest clearing your mind, getting "spiritually lubricated", put in the earbuds, and check it out.

I needed a sound effect for an audio project, specifically the sound of someone moving around in a bathtub full of water and ice. Being too lazy to go out and get a carpload of ice cubes, i raided the ice-maker in the refrigerator and built up a stockpile, then dumped them all into the metal kitchen sink, added some water and a few empty ice cube trays for flavor, and stirred them about using a glass mixing bowl and a wooden spoon.

I used the "the challenge. Wav" base (id: 561988) and made a simple melody with a synth, added effects and some beats. I used some fl studio effects: reverb, echo, distortion, equalization, amplify, low-fi effect, low-pass, drums and synthesizer. Amazing challenge as always, thanks badoink.

Virtual analog (linplug albino) lead multi-sample with a big and upfront sound. Perfectly suited for uptempo dance music and synthpop. The samples have been processed with the nomad factory blue tubes dr2s overdrive and compressed using the sonalksis sv-315 compressor. Sample resolution is 24 bit, 44. 1 khz. All samples in this multi-sample have looppoints added for sustained notes.

Microphone handling sounds for found footage and handheld recorder-style sound design, to give a realistic sense of device handling without adding a disruptive amount of noise to dialogue or environmental sound. I was looking for this on here and couldn't find it, so i made it myself. I figure other people could probably use it too, once in a while. Made by handling and adjusting my microphone, as indicated.

Variation of the loop from:http://www. Freesound. Org/people/maxndee/sounds/106962/. Placed each hit on beat of 125, then put it through a saw tooth transformer, then slight reverb and compression. Other little details like raising one side by 2 decibels to even things out. Also, arranged the rhythm according to a phrase i thought made some more sense, added a couple of variation percs of my own to fill in the gaps. Put either a different eq on them or changed the pitch. Enjoy.

This was originally a friend's cat meowing but it has been processed heavily. First, it was put through a granulizer and the pitch was dropped -2 octaves. The sample was then panned l-r using automation, and bitcrushed. Lastly, to get a slight detuned feel, i added a chorus effect. This sample sounds even better with some convolution or hall reverb but i left this effect out since it's usually a effect users want total control over. The end result is a strange, alien sounding noise.

This is a repost of beerbottlewhoo. Ogg. It's the same sound except that this one is in wav format. Glass beer bottle blow sounding like the background "whoo" effect in the movies alien and blade runner. Mono. Old school spot effect. Helmholtz resonance using a partially-filled (for pitch tuning) glass beer bottle. The resulting tone was sampled, bandpass filtered, pitch bent and laid over a copy of the original sample. Reverb added post-effect to push the sound back and smooth out some nasty quantizing artefacts caused by the pitch bender.

Here, i tried to represent the rain with a thunderstorm in the background, a sound that can be used in a thriller, drama or other movies. To the sound of the rain i generated "white noise", amplitude to 1. Then, i changed the acute and bass across the track to show some instability of the rain. To highlight the suddenness of the rain, i put a fade in during the first 5 seconds with a reverberation from 6 to 50s to make a natural sound. Finally, i added a track recorded of a storm with -9db for the storm and + 11db for the rain.

Creation date: 16 - 06 - 2017. Details of this sound:. Subject of recording:- object : bedside lamp switch- material : plastic- peculiarity : button + sizzles of bulb. Place of capture:- type : inside- resonance : none- distance from source : 20 cm / 1 lien. Recorder:- recorder : tascam dr-40 v2- type of microphone used : condenser microphone- wind shield : none. Recording parameters:- capture type : mono- resolution : 16bit and 44,1khz. Software used:- fl studio 11. Fx added:- edison : to amplify the signal and to suppress parasites. _______.

Recorded on mid-summer (that looked like mid-autumn) day 2010 in vilnius with a simple olympus voice recorder. I placed an old piece of metal sheet on a broken glass fish tank near a garage wall to catch the drops, recorder was placed in the middle of the sheet. The rain was very light and fine, later it intensified and became lighter again - all this is heard in the recording. Unfortunately three recorder beeps are heard at the end signaling that it was running out of memory. I later decided to leave them in as it quite unexpectedly added some drama to the whole record. . .

I've had this saved for a while, and haven't really done anything with it (yet). How it was made: i took an old music box i got for christmas a few years ago, recorded it (obviously), slowed it down a little bit (it originally plays in g, now it plays in g-flat), and added reverb. The reverb plugin i use is called ambience. (it's really frickin' good. ).

Creation date: 14 - 60 - 2017. Details of this sound:. Subject of recording:- object : upright piano- material : wood and strings- peculiarity : quite high. Place of capture:- type : inside- resonance : none- distance from source : above. Recorder:- recorder : tascam dr-40 v2- type of microphone used : condenser microphone- wind shield : none. Recording parameters:- capture type : mono- resolution : 16bit 44,1khz. Software used:- fl studio 11. Fx added:- edison : remove noise, reverse spectrum and suppress reverb.

A little bird started singing on a fence next to my window and i started imitating him with my stones of skiddaw midi player, added in an accompaniment. Couldn't find a use for it but maybe you can, no credit required but i'd love to see what you can do!. This is my own youtube: https://www. Youtube. Com/channel/ucgreiexzkwry5cn9f7jjr0a?view_as=subscriber. Let's exchange youtube/soundcloud info or collab! :).

A patch generating triggers not that random. . . The triggers are triggering an envelope generator and a sample and hold. The sample and hold cv is quantized following a minor 7th chord rules. Hope you understand. . . Pardon my english. Why this. Answer. I have to start adding something like this to my patches. But i use 3 lfos for this :-/ thats about all i got - right now. The alm pip slope works fine as an lfo too. Square wave this time. Take a close look.

This is a singing glass. 1. Hold the empty wine glass on a tabletop at the base of the stem with one hand. 2. Wet the index or middle finger of your other hand with some water. 3. Lightly rub your wet finger along the rim of the glass. 4. As you rub the glass, you will hear the "singing" sound of the glass. You may have to re-wet your finger periodically and/or adjust the pressure of your finger on the rim of the glass to keep producing the sound. 5. You can change the pitch of the sound by adding water to the glass. Minidisc.

This is a singing glass. 1. Hold the empty wine glass on a tabletop at the base of the stem with one hand. 2. Wet the index or middle finger of your other hand with some water. 3. Lightly rub your wet finger along the rim of the glass. 4. As you rub the glass, you will hear the "singing" sound of the glass. You may have to re-wet your finger periodically and/or adjust the pressure of your finger on the rim of the glass to keep producing the sound. 5. You can change the pitch of the sound by adding water to the glass. Minidisc.

This is a singing glass. 1. Hold the empty wine glass on a tabletop at the base of the stem with one hand. 2. Wet the index or middle finger of your other hand with some water. 3. Lightly rub your wet finger along the rim of the glass. 4. As you rub the glass, you will hear the "singing" sound of the glass. You may have to re-wet your finger periodically and/or adjust the pressure of your finger on the rim of the glass to keep producing the sound. 5. You can change the pitch of the sound by adding water to the glass. Minidisc.

This is a singing glass. 1. Hold the empty wine glass on a tabletop at the base of the stem with one hand. 2. Wet the index or middle finger of your other hand with some water. 3. Lightly rub your wet finger along the rim of the glass. 4. As you rub the glass, you will hear the "singing" sound of the glass. You may have to re-wet your finger periodically and/or adjust the pressure of your finger on the rim of the glass to keep producing the sound. 5. You can change the pitch of the sound by adding water to the glass. Minidisc.

Fifteenth chord from Marpurg on A: A,(C,E,)G,B',D',F',(A"). Resolves to C,E,G,C',E'.

Recorded in january 2011 in a shop next to shinkansen (bullet train) entrance gates in koriyama station in fukushima, japan. Recorded with a zoom h2 in 2-channel surround mode, with a windshield. File has not been modified, just cut short from a longer recording.

Https://freesound. Org/people/dakitsune/sounds/414930/https://freesound. Org/people/organicmanpl/sounds/204324/both sounds togeather mixed up and speeded up sounds awesome. Big thanks to dakitsune & organicmanpltrying to find a sound like i made now out of those for years and i love the outcome. Organicmanpl's d7100 capture sound + dakitsune's old camera flash and some percussions jointed and added modular synthesismixed up and brewed by me.

This sample was created by layering short, improvised passages on a yamaha psr-275 into a boss dd-20 in sound on sound mode. Loop was played into a boss me-30 on harmonizer and pitch shifter settings, processed in real time, then faded out. Audio was further processed in goldwave (compression, added hiss, vibrato, etc. ) to give it a more believeable "old vhs tape" sound. I cut it to only include the most convincing segment of audio. (it's not perfect, but it's only an emulation!) 24 kbps, stereo.

I went for a more realistic gun sound without the hollywood subbass and a lot cleaner than my previous work. Made in ableton live, i just layered an ak47, an m16, an enfield rifle and an acoustic kick drum together with eq and used parallel compression to gel them together. Transient designers were used on the layers to make them snap harder. A bolt slide forward sample and a bolt slide back sample were added to give some mechanical feels to the gunshot. Enjoy.

Creation date: 08 - 06 - 2017author: alayan. Details of this sound:. Subject of recording:- object : mechanical keyboard of computer- material : plastic- feature : none. Place of capture:- type : inside- size of the room : 8m^3- coating of room : wood et plaster- content of the room : home furnishings. Recorder:- recorder used : tascam dr-40 v2- type of microphone used : condenser microphone- wind shield : none. Recording parameters:- capture type : stereo- input level : 27. Software used:- fl studio 11. Fx added:- edison : for amplifying the signal.

Pipe sound. Extraje el fragmento de un vídeo de youtube de un turista. Son unas tuberías que hay en méxico que hacen un ruido muy curioso. Se escuchan voces de fondo de dos personas que comentan. Le añadí delay con audacity. I extracted the fragment of a youtube video of a tourist. They are some pipes in mexico that make a very curious noise. Voices are heard in the background of two people who comment. I added delay to it with audacity.

Not sure how to describe it, so i'll just describe how i made it. . Micro sampled something in g minor, added tons and tons of lfos to filter modulation, with more filters, and eq and utility, and tons of effect plugins like vinyl, lofi2, saturaters, yeah yeah. . All that stuff.

This is for a video game i was making, but i figured it would be a good idea to share this with everyone. This is supposed to be the sound of a wooden container being violently smashed open, such as a barrel or a box, or even possibly a wooden wall. I borrowed a few sounds from the site, tweaked a little of course, and also added some powerful white noise effects to indicate a hard smash. With some layering with twigs cracking and pieces of wood falling on the floor, i think it sounds pretty authentic. . . Or as authentic as it can get!.

A glissando that's perfect for sliding in and out (both sliding in and out for each sample have been added). A lot of cartoons use this particular sound. This sound was recorded by a very talented violin player that i know personally, and edited in audacity. I used the 'dolby on' app on my iphone to record it. Please let me know what you think of it! absolutely no attribution is needed but please don't reupload this sound unless you add something to it.

Modulation to the dominant in Haydn's Symphony in C Major, No. 97, Movement III Menuetto, measures 0-8 (piano reduction). Compiled from Murphy, Melcher, and Warch (1973). Music for Study, p.115. ISBN 0-13-607515-0; August Horn's piano reduction; and Howard Chandler Robbins Landon's full score edition. Roman numeral analysis added.

This is a soundscape i made for a large scale art and oral history event for light night in liverpool. It was designed to create the texture of a working docks in liverpool in the 50's & 60's. Some of my sounds from a tascam dr-07 mkii. Plusprops to these sounds to adding to the mix. 98479__juskiddink__flock-of-seagulls72805__lg__steam-whistle-090518106111__thatjeffcarter__clanking-warehouse-combined-stereo145721__rmutt__mooring-rope171376__klankbeeld__container-port-01213600__genghis-attenborough__train222037__sailor55__marinepiledriver-sel244233__ikbenraar__car-ferry-terminal-dover. Cheers. Gav. Http://gavcross. Co. Uk/time-liners-and-light-night-liverpool/. Let me know if you use this - just out of intrigue!.

This is a singing glass with a cat meowing in the background. 1. Hold the empty wine glass on a tabletop at the base of the stem with one hand. 2. Wet the index or middle finger of your other hand with some water. 3. Lightly rub your wet finger along the rim of the glass. 4. As you rub the glass, you will hear the "singing" sound of the glass. You may have to re-wet your finger periodically and/or adjust the pressure of your finger on the rim of the glass to keep producing the sound. 5. You can change the pitch of the sound by adding water to the glass. Minidisc.

I was just messing around with audacity again, this time slowing down my recording like a tape record, which not only stretched the time, but also turned down the frequency range which resulted in pitch shift. I stumbled around a sound that sounded like a huge horn exhaust - like those war pipes from celtics. So i experimented a little bit and made this one. Original recording was mono (but recorded to stereo track), however i added a reverb effect which created a nice stereo reverb effect. Feel free to use in games :).

Lean minced beef frying in the pan recorded with olympus ls 12, sounding like hard rain. Thunder-esque sounds recorded by blowing into the mic of my olympus ls 12. Mixed with segments of dry thunder3. Wav by juskiddink https://www. Freesound. Org/people/juskiddink/sounds/101948/ for the tail of my blow thunder and thunder! by netaj https://www. Freesound. Org/people/netaj/sounds/193170/ for the last clap of thunder. Reverb and delay added and mixed with ableton. As crap or good as it sounds i had loads of fun with this.

Calm ocean breeze simulation, created using the zoom h1. Sound was created using water faucet, and carpet to catch ambient close sounds to create this effect. Added pop compression filter and verb. Recorded at 24bit 96khz , converted to 16 bit wav. Feel free to use this sound how ever you need it. A little credit wouldn't hurt. Thank you and stay tuned for more improved sound effects. :).

In this sound i can imagine a monster in a horror game that is stressed because it can't catch its prey or another thing i can imagine is that the beast has been injured and is roaming around in pain. I made this sound using vocal sounds from a lion! i used fl studio like i always do and added effects like reverb, some eq and i also reversed the file to. I got the orginal lion sound from: https://www. Freesound. Org/people/roman_cgr/sounds/223978/. Go check it out!.

A thing a did on acoustic guitar on my phone. Added voice to make it sound more like a satanic ritual or something like that. Made the final touch in garageband for something called victors crypt. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

80's crack. Some of the most recognizable blip bleeps and blurps ever to reach human ears, all made rythmatical by the amazing paul slocum's synthcart! find more info on this crazy atari synth @ www. Qotile. Neti've got the synth, so if you've got a bpm in mind let me know and i can get it up to the speed you need it, or maybe closer to the sounds you are looking for. I will be adding more soon. (basslines, samples, cuts, etc. ).

I made a great impersonation of the grudge when she is angry using adiomass and my own voice! i thought it was a good idea since i had figured out how to make that sound a long time ago (like 2 months or something) the scream you may hear at the end was me breathing out but because i added 250% more gain over and over again i ended up sounding like i met the "grudge". Good for horror movies and possibly a grudge 2 (although i already saw the old grudge 2 this would be a remake. ).

Free to use without restricition. No attribution required. 50 seconds of ghostly wails over a dark sub bass drone with wide stereo reverb. Produced by using two old school analog synths, a cs-80 and a dx7. All chorus, phaser and reverb settings were manipulated within the synths. An external hi-pass eq plugin was added in order to cut off the subs at 30hz. These old analog synths produce frequencies way below the tolerance of your monitors; thus the need for a bass cutoff, not to mention to also prevent involuntary bowel leakage xd.

Tinkle hi pitch chime obsidian needles. Like a magic wand or metal wind chime. Could also represent a daydream or flashback. Thanks to Lisa Redfern for this awesome sound effect.