835 tracce audio royalty-free per "Ritmo"

Bach, Sinfonia in F minor BWV 795, mm. 1-3. Created by Hyacinth (talk) 22:19, 17 April 2010 using Sibelius 5. See: :Image:Bach,_Sinfonia_in_F_minor_BWV_795,_mm._1-3a.png

Bo Diddley beat.

Elaborado en reason.

Ritmo con sincopa media, usando 2 sonidos principales el bombo y el violin.

Sonido que modifica el ritmo del son.

Ritmo, usando 2 sonidos principales el bombo y el violin.

Ritmo , usando 2 sonidos principales el bombo y el violin.

Ritmo con sincopa suave, usando 2 sonidos principales el bombo y el violin.

Ritmo con sincopa media, usando 2 sonidos principales el bombo y el violin.

Ritmo con sincopa alta, usando 2 sonidos principales el bombo y el violin.

Ritmo con sincopa suave, usando 2 sonidos principales el bombo y el violin.

Ritmo con sincopa alta, usando 2 sonidos principales el bombo y el violin.

Sbs1.

Sasb.

Sonido altos sincopa alta.

Es una composicion ritmica en base a la clave africana shiko.

Ritmos creados en midi class no 9.

Recorrido de un diablero de cascos vacíos por calle regina.

Sound edited and located to generate syncopas.

Sincopa=+9los graves marcan un pulso y los agudos marcan el ritmo.

Sincopa=-4los graves marcan un ritmo y los agudos marcan el pulso.

Sincopa=-4los graves marcan un pulso y los agudos marcan el ritmo.

Sincopa=-9los graves marcan un pulso y los agudos marcan el ritmo.

Sincopa=+2los graves marcan un ritmo y los agudos marcan el pulso.

Sincopa=+5los graves marcan un pulso y los agudos marcan el ritmo.

Sincopa=+2los agudos marcan un ritmo y los graves marcan el pulso.

Sincopa=-9los graves marcan un ritmo y los agudos marcan el pulso.

Sincopa=+9los graves marcan un ritmo y los agudos marcan el pulso.

Sincopa=+5los graves marcan un ritmo y los agudos marcan el pulso.

Este es un sonido en el cual use 3 tonos diferentes, uno grave, uno medio y uno agudo para representar un pulso y un ritmo usando de referencia una clave africana "gahu rotation".

Pieza de tres sonidos inspirados en una clave africana (rumba).

Ritmo métrica binaria de 4 pulsos y 4 compases. El sonido agudo marca la síncopa. Síncopa --> 5. Binary metric rhythm of 4 pulses and 4 compasses. The high sound marks the syncopation. Syncope --> 5.

Ritmo polifónico. 4 compases: ritmo principal de 4 pulsos + 3 modificaciones. Sonido grave marca el pulsosonido agudo reproduce la clave gahu rotation. Sonido medio adicional.

Es una pieza que posee una sincopa suave, con los graves marcando el pulso.

I tried to compile moaning, sex sounds and orgasms of two different girl friends to hiphop rhythm. Hope you like it ;-).

This a transformed version of 5 sec man, it transforms the normal rhythm to shuffle rhythm, and at the end swing the last note.

created and formatted for use in the make noise morphagene. The sounds contain elements that i’m drawn to like dynamics, distortion, rhythm, and artifact noise. If users are looking for noise floors, breathing drum loops, and grimy textures, hopefully they will find it inspiring or useful enough to let it occupy the 64. 7 mb of space on their microsd cards. .

A tr8 beat run through a mooer distortion pedal.

Ritmos experimentales.

Created with reaper and used sounds from free sound.

Double bass processed samples remix.

Double bass processed samples remix.

One kick on an 80s ludiwg bass drum. Recorded with an sm 57. Slight muffling of echo with small pillow in drum. No compression added, nor any other effect.

Rhythm made from tape measure - rule. It makes flanging effect. Recorded on zoom h4n.

A standard bar drumroll loop at 120 bpm.

A standard bar drumroll loop at 120 bpm.

Sound experimentation with a generator of random rhythms, according to a stochastic model : a simple "markov model".

Made with dblue glitch vst and some other.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Here, the lfo is driving also the oscillator pitch, resulting in a rhythm shift. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Here, the lfo is driving also the oscillator pitch, resulting in a rhythm shift. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.