2.734 tracce audio royalty-free per "Basso"

Weird little melody i made today. Use it or not. . . It's up to you. :)made on soundtrap.

Free my music on my youtube channel. Https://youtu. Be/fzhu2rkaxvc?list=pl9bdtoyt75avvvwgccaakduwmiqtjhums. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 120 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/iqddwaji3s0. Facebook. Https://www. Facebook. Com/simplesamplesweb.

This sound was created using "surge" synthesizerkey: a minorbpm: 126check it out: https://presetshare. Com/preset/view?id=5342.

The bass drum was generated using absynth 3, as well as the other instruments that follow it. Within the software, i simply just generated a quick drum patch (for myself), which i manipulated over and over till i got several varations. I just happened to choose this one for this loop. General techno-trance and suitable for almost any genre in electronica. The loop is set at standard 120bpm for easy manipulation.

Lots of strong bass on this set. The bass sound was produced by lowering the frequency to about 20 on reaktor - arobic. Amazingly, it sounds fun.

Maybe this is a bit too loud. The overdrive and the crazy percussion instruments adds a bit too much on this loop. I think it needs to be refined.

The bass melody was produced by applying a modulation to the frequency of the bass. Not much has changed from 003.

This is a variation of the loop: 005 from the mitosis pack. The odd bass sound (or melody) is the result of tweaking too much with the modulation.

Back to a normal loop. This loop contains more noise. . . Though they sound like a rough shaker in the background. The bassdrum is slightly not prevalent.

The mitosis pack contains several loops with melodies. I removed the modulation and let the bass run without changing a pitch for this loop. See also loops 005 and 6.

This one has an extremely thick bass that pulsates crazily. At the same time, it sounds like a low tom sound.

Back to normal. Nothing really special here excepting the unusual tom sound that seems out of pitch.

Finally, another normal loop. Nothing much again, but the difference is significant.

Here is a drum beat i made for use in any kind of metal creations, please enjoy and use it to it's full potential!.

This sound was created using "surge" synthesizerkey a minorcheck it out: https://presetshare. Com/preset/view?id=3524.

A reversed piano beat loop i quickly made in audacity,. Uses a modified fl studio piano melody sample taken from the open-project 'exoplanet' by eric kauffmann,. Edited and processed in audacity. 112 bpm.

Weird wind made with a synth that makes wind sounds, reapper, and orca.

Live session performed by zhenya pikulev in ableton live recorded in saint petersburg 14/11/2017.

Bassline synth 110bpm.

A bass note created with the free version of the "dronos" vstturned down to 10 bpm. Effects: reverb, compressor.

This is a simple beat that can be looped. Made it in fl studios. Can use in countless ways.

8 bar sequence loop space baroque synth.

A clash cymbal turned down to 10 bpm, repeated on different tones depending on my mood and a triple osc was added. Effects: massive delay and reverb, echo and a compressor.

This is a very intense sound of being inside a tornado. Made with over 10 different sounds in fl studio.

Synthetic industrial sounddesign.

Loud bass 02. Original track by frankum & frankumjay. Synths: ableton live,synth1.

Acoustic bass drum sound recorded in studio.

For high dynamic range and stereo lovers.

A synth line i made for the 127 search ;) i made this one on reason. Used three thor modules, effected each one differently. Gave two a delay of different time panned opposite, and the other a reverb. This is in the key of g. 楽しみます.

Heavy kick with a low frequency slide. Classic dance music phrasing fx for chorus to build/break transitions. [format: wav][license: cc 0].

200hz snare with a dulled out transient and really deep sub stab underneath it. :).

I filtered the flowing of the river and made it sound like a distant rumble like the storm is coming.

808 deep low kick.

Dubstep bass: 110 bpm wobble at 1/8th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.

Dubstep bass: 110 bpm wobble at 1/8th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.

Dubstep bass: 110 bpm wobble at 1/16th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.

Dubstep bass: 110 bpm wobble at 1/16th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.

A basic hardstyle kick i put together. It's in the key of b#.

Triple osc, echo. Recorded with low volume and re-recorded with a high output volume.

This was a pretty hard work. I only use a triple osc and i took an advantage of the several asio bugs of my soundcard. I don't mix the sound. I've re-recorded that shape 15 times, after that, i applied massive echo and reverb filters. 3 osc, echo, reverb, compressor.

I only use a triple osc and i took an advantage of the several asio bugs of my soundcard. I don't mix the sound. I've re-recorded that shape 17 times, after that, i applied massive echo and reverb filters. 3 osc, echo, reverb, compressor. For this record, i've deleted the major part of the notes. Some new settings of the echo filter, are applied.

Random drum loop i made by accident in lmms. Goes at 126 bpm. Free to use as you wish :).

Countdown from 3 to 0.

A jpotter sound that has a techno kind of feel to it with a sort of dark edge and a surprising bass. -jpotter.

Here is the bassline with an arpeggio lead from the same free bass stab instrument, recorded at 102 bpm at c2 44khz stereo.

I downloaded the break from here http://www. Freesound. Org/people/patchen/sounds/20176/# and then split the sounds into instruments, reworked it with a new sub bass at 102 bpm. Enjoy :).

Another 102bpm break using free individual hits sequenced in jeskola buzz. Enjoy :).

Another 102bpm clean unaffected break created in jeskola buzz :).

Sound track generated in reason 3. 0 - subtractor and redrum. Bass drum uses a combination of a sine wave and a triangular wave. Played at 140bpm.

Reason 3. 0 was used: hi-hats were added to the original drums. Very techno like feature.