37 tracce audio royalty-free per "Forma"

Sonido de alguien intentado reirse de forma malvada.

Aplauso con mano abierto, contrastando otra forma de aplaudir.

Se ejecuta la acción de cerrar una puerta de madera, de forma moderada y tranquila.

Se tocaron las cuerdas desde el clavijero de una forma muy suave.

Sonido de llamada para movil de zumbido de una mosca de forma digital.

Sonido de una botella editado de forma que parece una especie de herramienta de obra. It’s like a sound of a bottle.

Català: Zarabanda de Johan Kuhnau on es pot veure una forma binària de dues frases

Wolfgang Amadeus Mozart: Le Nozze di Figaro Ferenc Fricsay, RIAS-Symphonie-Orchester, Renato Capecchi, Irmgard Seefried, Dietrich Fischer-Dieskau, Maria Stader, Hertha Töpper

Fs1r yamaha formant acid.

Garcello note shape.

Garcello note shape.

Garcello note shape.

Garcello note shape.

Toddler “girl” saying circle.

Seis pessoas bateram palmas num estúdio de forma sucessiva onde o som foi aumentando com o tempo, utilizamos dois canais para gravação e os mixamos o som era para ser utilizado em uma comemoração. Os equipamentos que estamos usando:microfone- shotgun shure vp89 placa de áudio - behringer u-phoria umc404 hdsoftware de gravação - adobe audition. Six people clapped in succession in a studio where the sound increased over time, we used two channels for recording and mixed them. The sound was to be used in a celebration. The equipment we are using:microphone- shotgun shure vp89 audio card - behringer u-phoria umc404 hdrecording software - adobe audition.

Sine. Shape 1. 452. Relative frequency 210. 7. 60hz b-2-2.

After clicking on pause, this sound persists in the headphones. . . Don't know why. . . But it sounds interesting.

Triple osc soundshape. Fx: echo and phaser.

I recorded these sounds in three different offices. This is the result of them mixed, because i had an order for a sound like that for a film that was a scene of a noisy office as well, because it had many people working together. The recording was very good, was originally obtained on a machine with 8 channels of 8 large diaphragm microphones positioned to cover all recording environments. -----------------------gravei esses sons em tres escritórios diferentes. Este é o resultado deles mixados , porque eu tinha uma encomenda de um som assim para um filme que a cena era de um escritório bem barulhento, porque nela haviam muitas pessoas trabalhando juntas. A gravação ficou muito boa, originalmente foi obtida em uma maquina de 8 canais com 8 microfones de diafragma grande posicionados de forma a cobrir todo os ambientes a gravar.

A triple osc with reverb, delay and echo. It may be possible that there are some clics and bugs. . . Sorry for that. This one was pretty hard to records properly.

Bass notes created with the aethereal vst. Effects: asio sound card bugs, echo, reverb. After recording, the shape has been inverted.

Loud chainsaws carving wood sculptures at the evergreen state fair in washington state.

Using a sharpie marker pen to write and scribble on a piece of paper. Writing, a few dots to punctuate writing a sentence, drawing a heart then scribbling inside the heart shape to fill it in. Scribbling different speeds. Recorded on a zoom h1.

A clash cymbal turned down to 10 bpm, repeated on different tones depending on my mood and a triple osc was added. Effects: massive delay and reverb, echo and a compressor.

I only use a triple osc and i took an advantage of the several asio bugs of my soundcard. I don't mix the sound. I've re-recorded that shape 17 times, after that, i applied massive echo and reverb filters. 3 osc, echo, reverb, compressor. For this record, i've deleted the major part of the notes. Some new settings of the echo filter, are applied.

This was a pretty hard work. I only use a triple osc and i took an advantage of the several asio bugs of my soundcard. I don't mix the sound. I've re-recorded that shape 15 times, after that, i applied massive echo and reverb filters. 3 osc, echo, reverb, compressor.

En algunos pueblos venezolanos en vez de usar la tambora, utilizan este tambor, el cual tiene forma de barril. El cuero es fijado con prensas de metal. De uso en las parrandas venezolanas. Este sonido lo grabamos como parte de una entrevista que le realizamos a rafael rondón, director del grupo "el valle". Se realizó una grabación simple con un celular sony y luego se editó con audacity, se ecualizó y normalizó. Ver la entrevista a rafael rondón en https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica. "in some venezuelan towns, instead of using the tambora, they use this tambor, which is shaped like a barrel. The leather is fixed with metal presses. For use in venezuelan parrandas. We recorded this sound as part of an interview we conducted with rafael rondón, director of the group "el valle". A simple recording was made with a sony cell phone and then it was edited with audacity, it was equalized and normalized" see the interview with rafael rondón in https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica.

Me saying "i do believe everything is ship shape and bristol fashion" in a british accent, "queens english" "upper class" and old fashioned.

Deep notes created with a osc, shaped with the "aetereal" and "alienspace weaver" vst's. Effects: echo, reverb.

As usual. . A triple osc was used. I played with the different possibilities. . . Sine, triangle, saw, square waves were used here. It may cause damage on high volume (maybe?). Effects: phaser, reverb. After recording, the entire soundshape was inverted.

Signpost. 2 oscillators, reverb. Created with psychic modulation (aethereal). Mixed in audacity.

Free improvisation on a triple osc. . . Subnotes. Effects: asio driver bugs, compressor, a little reverb.

Sound made with the alienspaceweaver vst. Effects: reverb, delay, echo.

Tripe osc soundshapeevery bass note cames with his higher pitched brother. Effects: echo, reverb and maybe my usual asio soundcard bugs.

Bass shape made with a 3 osc. Fx filters: echo, reverb. "crisp" effects are my current asio bugs with gives a special effect.

Sveriges Radios folkmusikinspelningar. Låtar från Uppland. Dokumentatör: Lars Madsén (Q5971467) Radiotjänsts ursprungliga produktionsnummer: 42/2895

El furruco o furro es un tambor con cuero y una varilla, suele utilizarse en la música tradicional navideña, así como en la gaita zuliana y los aguinaldos. Tambien se utiliza, en algunos pueblos, en la parranda. Está constituido por una caja de madera, cilíndrica y ligeramente cónica, está cubierta por una membrana de cuero seco, vibrante. Fijada al tambor con tirantes metálicos, de modo de poder templarla de acuerdo a las necesidades y gusto del intérprete. En el centro de la membrana va fijada una espiga de madera, de poco más de un centímetro de diámetro, cuyo extremo, romo, va engastado en el cuero, y es atado fuertemente por el lado opuesto de la membrana. Dicha espiga de madera, de unos 7 centímetros de longitud, tiene forma cónica, y va aguzada en la punta. Esto tiene por objeto el que en el extremo libre va colocada una varilla de caña, de unos 125 centímetros de longitud. Esta caña es la pieza que apropiadamente manipulada por el ejecutante vibra con la caja de resonancia, produciendo un sonido ronco, profundo, de registro grave, de gran sonoridad. Pudiera decirse que el furro es el bajo en la ejecución de la gaita y de la parranda. Este sonido fue grabado como parte de una entrevista realizada por rafael rondón, director del grupo "el valle". Se realizó una grabación simple con un celular sony y luego se editó con audacity, se ecualizó y normalizó. Ver la entrevista a rafael rondón en https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica. "the furruco or furro is a drum with leather and a rod, it is usually used in traditional christmas music, as well as in the bagpipes of zulia and christmas bonuses. It is also used, in some towns, in the parranda. It is made up of a wooden box cylindrical and slightly conical, it is covered by a vibrant, dry leather membrane. Fixed to the drum with metal braces, so that it can be tempered according to the needs and taste of the interpreter. At the center of the membrane is fixed a wooden dowel, a little more than one centimeter in diameter, the blunt end of which is set in the leather, and is tightly tied on the opposite side of the membrane. Said wooden dowel, about 7 centimeters long, has a conical shape and is pointed at the tip. The purpose of this is that a cane rod, about 125 centimeters long, is placed at the free end. This reed is the piece that appropriately manipulated by the performer vibrates with the soundboard, producing a hoarse, deep, low register sound, with great sound. It could be said that the furro is the bass in the execution of the bagpipes and the party. This sound was recorded as part of an interview conducted by rafael rondón, director of the group "el valle". A simple recording was made with a sony cell phone and then it was edited with audacity, it was equalized and normalized" see the interview with rafael rondón in https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica.