677 tracce audio royalty-free per "Controller"

A sequence in a minor. Spring reverb feedback. Filter sweeps controlled by nlc sloth. I'm not using a sequencer. There are other was to obtain a sequence on a modular synth.

Background hum for a sci-fi space ship. This sound was created using a kaos pad and an 8 track recorder, filtered through various effects.

When you complete the level. The sound is created with reason 4. 0 and m-audio midi controller, recorded with reason 4. 0. It is made in 16 dec. 2014 in estonia.

Sound of clicking of dualshock buttons. In order of x, trigger, touch pad, share, analog, d pad #mus152.

This is the sg90 micro servo, hooked up to an arduino circuit i made so i can control the position of the servo with a potentiometer. Recorded very close with ksm141 in omni.

Old soviet washing machine "сибирь-2" ("siberia-2") drain for 3 minutes (controlled by mechanical timer) and then smoothly stops. It use centrifuge to drain.

A sample of the hose and resulting pressure build up from a level controlled pool float. The impedance of the flow is what causes the resulting sound. Recorded with a zoom h4n field recorder.

Really simple patch. Cv from nlc sloth to quantizer (doepfer a-156), via attenuverter. Triggers from doepfer a-160(161). But a tone is only generated if there is a change in cv from sloth. Its not 100% generative :-) first there is no cv connected to the oscillators. I connect them one at a time. The noise is also controlled by the same sloth. The analog delay is connected to barton musical circuits (bmc) 4 quadrant multiplier and panner acting as a panner, controlled by nlc jerk off (still a sick name on a great module). The ehh drum sound is generated by bmc decaying analog noise.

A short instrumental piece i wrote one day when i was feeling kinda blue. Recorded with an m-audio oxygen 49 midi controller in the ignite music software.

A little patch hard to balance. It's a meditative timbre practice. . . A en envelope generator in quadrature mode is controlling the amplitude. Download and take a look at the wave - close. Nice!.

This is a recording made in the room of my apartment in the province of rieti in italy, where i am flying a flying sphere without a remote control. This recording was done with my iphone connected to the shure mv88 plus stereo microphone.

I built a pad with several multiosc synths, this is me pressing one key on a midi controller and letting it go. There are approximately 48 separate oscillators stairstepped on this one. I think it might have completed one cycle.

An old PLA stereo recording of the Internationale in Mandarin, Xiao San's version used as the anthem of the Chinese SSR from 1931-1937.

Warning-bass! keep it low on preview! this is for testing low range frequencies in controlled environments, you've been kindly warned=d. 20hz to 190hz sine wave sweep. Length=13 secondsbpm=128bars=7. .

Automated/computer controlled plasma cutting torch. Re-processed from open source wikipedia video courtesy of metaveld wijchen bv. Noise reduced, dynamics compressed and high/low frequencies resynthesized. I'm not that big a stickler about receiving credit for the use of my sounds on freesound. As a courtesy, i appreciate it but i do ask people to always credit freesound. Org and if their project ever sees any kind of profit to please consider making a donation to the website. It's a great resource and deserves our support. Good luck with your project.

This is cheap table fan spinning around and moving from left to right. Recorded from top of the fan controllers with nokia 6. 2. Android phone. No processing, just boosted in audacity.

I have started to read a certain book written by allen strange, "electronic music: systems, techniques, and controls". It's about time i dig into it. Probably it will result in some sounds. . .

The inspiration for this track came from a stereo cross-fading delay patch for modular synths i found, created using caustic 3. 2 with my akai mpk mini keyboard as usb-midi controller with a bit of a tangerine dream style.

A heavy wooden door for a theatre control room being opened and then closing on it's own at a regular pace.

A random arpeggio of sine waves with some reverb + ping-pong delay. Can be used for sci-fi purposes (control panel, alien machinery, etc. ).

This is a small construction kit - lightly processed for easy control and use. . . It´s based on these broken beat sounds and trip hop - and a bit jazzy from the choosen instruments. . . 165 bpm - the drumsamples are from a roality free libary. . .

This is a sci-fi door or piece of equipment sound - short bleeps - it was created using mixcraft 6 and a shure usb mic. . I whistled and manipulated the sound using effects and pitch control.

Controlled sine generator with random values. Software: pro tools / audacity / ocenaudio. Your comments are greatly appreciatedcheers, piotr zaczek.

A wine glass made to resonate by running a wet finger around the rim of the glass. This recording has slight clicks as the camera uses the automatic gain control. I would not recommend this for serious recording. Recorded on a canon d550 camera.

A very busy file of a very busy girl. An unplanned activity that livened things up considerably. . . Posted for a friend. Yeah i heard it got out of control, but that wasn't shared.

I was driving past a back burning (bush fire control burn) and pulled over to a quite place. I could hear quite crackling and birds chirping.

This sound/track is made with a modular synth and a zoom ms-70cdrwith spacehole reverb and stereocho chorus effect. The music is a patch controled by some random andlfos. I'm not interfering at all.

A krell patch and short sample and hold tones. Okay even the krell gets pitch cv from a sample and hold. The short sample and hold tones are panned with help of chaos. I use two nlc sloth lfos to control the panning. The speed of the short sample and hold tones are controlled by two mixed lfos from bmc 2lfosh. Reverb from spring reverb and delay from an anlog delay stomp box. Please suggest some tags i should have used. . . !.

Four-bell tower at bethesda church, saratoga springs ny usa - electronic control rings the bells at random. Long tail fade to silence at the end. Sm58 up in the tower to behringer usb interface to audacity, trimmed and amplified.

Atmospheric engine control unit ecm pcm h#6667440.

Bunch of keys being shaken. It was recorded with condenser microphone in a controled studio. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

A small toy that vibrate. It was recorded with condenser microphone in a controled studio. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

Whitney music box, variation 14. First stereo variation. Two lines are used which are used to control panning. Music generated using my own syd synthesis software. Visualization:http://www. Coverpop. Com/whitney/index. Php?var=v14.

Atmospheric engine control unit ecm pcm h#6667440 node a.

Acoustic guitar chime using echo effect, envelope control, fade and noise reduction. Recorded with conexant smart audio on at2020 mic, processed with audacity.

Yep, i'm reading allen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 4.

This is a recording made in the room of my apartment in italy in the province of rieti while i am playing with a radio-controlled mini helicopter. This recording was done with the shure mv88 digital stereo microphone connected to my iphone 12 pro.

Chaotic resonances that soon falls into more and more chaotic behavior. Quite a smooth chaotic noise sound. Made from 2 sine oscillator frequency modulating each other and some variable controls. Programmed in chuck programming language.

Part of a sample pack from my analogue boss dr-110 drum machine, which i modified to give me control over various parameters for individual sounds. Enjoy, and let me know if you find them useful :).

I use a voltage controlled lfo (vclfo) for this experiment. When i send a trigger to the lfo it resets and start over again. In this example i'm using a sinus wave output. I send the output, the sinus wave, to1 - a sample and hold (s/h) module2 - a quantizer3 - straight to vco. The s/h and the quantizer are triggered at the same time. Even an envelope a generated with the same trigger. All three sounds are controlled by this envelope. First out we have s/h (left)second straight to vco (right)third the quantized (center). As usual its fun to take a real close look at the wave!.

6 octaves of a simple square wave in concert c for reference. Tuning oscillators has never been easier! just patch an oscillator output into the morphagene input, select an octave with the organize control and dial sound on sound to mix the two to assist in tuning.

Thunderstorm on the evening of 20 march 2017 in ohio. Recorded with tascam dr-05 with level control set to limiter and limit value at 38 which yielded peaks about -12db. Processed in sony vegas and saved with sound markers.

Atmospheric engine control unit ecm pcm h#6667440 node c.

I wrote this some time back, well before covid hit the world and like many, suspected there was more at play than what we saw. Now in 2023, the uk government are to implement 15-minute cities. This is what the poem refers - the human herd.

It's fun to patch up a kind of analog shift register (3 stages). Doepfer a-160 controls the stages. On a-160 i use /2, /4 and /8. I sample slewed noise. No quantizer.

Alien xxx sent me a “cross modulation challenge”. I have tried to be true to his idea, but added automation, so to speak. Oscillator1 is constantly fm-modulating oscillator2. I vary the frequency of oscillator1 with an lfo. The output of oscillator1 is sent to a) left audio channel and b) in to oscillator2. The output of oscillator2 is fed to oscillator1. The degree of cross fm modulation is controlled by a vca controlled by another lfo. The output of oscillator2 is also sent to right audio channel. As i’m writing this i have just made a theoretical patch on a piece of paper. The result is what you hear. No effects added. Straight out of the modular for better or worse.

*short, synthesized evolving looping ambient teaser sequence with deep reverb on distant kickdrum. Fades in and fades out. A hint of a dreamy, chilling out atmosphere. An aural echo of days of gentle hippiedom. An accidental discovery as a result of feeding ni massive through flstudio's effector vst. An x-y controller is attached to effector with asychronous ramping of the x and y gains via two control tracks. Strangely produces phantom instrument sounds, almost like guitar and organ. Created in flstudio 11 with ni massive, flstudio effector, reverb, compression and eq. The note track is made by me for no good reason - i just thought it sounded pretty. *there is, now, a longer version on my harddrive.

I dont know the name of this instrument but it is a flute that you control with a stick while blowing in it. Often heard in older cartoons :). Enjoy and it would be fun to receive links with your application of the sounds!.

Yep, i'm reading alen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 4. I will try to do about the same on my modular.

Silly speed and pitch manipulation of a standard car horn to create a siren effect. More like a drunken car horn than a siren. Multi-tonal electric siren increasing and decreasing in pitch. Steady, long whine. Sounds like a child's remote controlled radio.