677 tracce audio royalty-free per "Controller"

Recorder setup opposite to workmen digging a trench in the road. Traffic is controlled with lights and can be heard moving left to right and then right to left. Zoom h5, external stereo condenser mic.

5 minutes of chaos. Never the same. Nonlinearcircuits jerk off (a discontinued jerk circuit module) and genie playing a song for you. Or controlling. Creating. Composing. Whatever. . . Nobody will ever be able to recreate this. Not exactly. This is unique.

I am standing between two motors for two lifts of a medical center. Near the relais that control the motors. Binaural recording with soundman okm`s and a h4n. If you want to support my work, please visit:jardinsonore(. )bandcamp(. )comthere you find a lot more.

A simple bass lick recording which i used on the demo of my master thesis. Yamaha trb5pii (maple top), slightly balanced favouring pickup bridge, fingerstyle, fingers placed over pickup bridge, all other controls centered. Straight into focusrite scarlett 2i2 into audacity.

Selected parts from a longer recording. This is a modular synth controlled by quantussy cells. They are one method for creating generative music. I call it machine composition.

I wanted to create mood for a shot video piece that was dramatic, ambient and atmospheric. I jumped on my midi-controller keyboard and generated this sound on my computer using software synths and mixed it and processed it in audacity. Useful for background music for video, or for meditation.

A heavy wooden door for a theatre control room being opened quickly and then closing on it's own at a heavy, faster pace.

Electronic minute no 27 - combined forces. A patch with 2 unrelated patchesthey share an lfo. . . A) 2 lfos playing with a-101-1 vactrol vcfthe filter is feed with a square wave. B) a more advanced patchtriggers from env. Follow. Feed with cv from jerkoff (chaos)noise to a slew controlled by a sloth lfos/h to oscosc to vcathe vca is controlled by the same lfo as the slew but inverted!. Evaluation of patch/soundone cycle is - cycles? about 1min - goodonly short sounds - no, and thats goodamplitude variation - fairly goodpitch variation - yes, goodtimbre variation - not bad at allmusical value - i should consider this musicalentertaining - think so, yes.

Using nonlinearcircuits sloth lfo (regular version) to control volume, pan an some other stuff. . . Always nice to see/hear chaos in action. Sloth delivers cv and let me play with a ruffly tuned chord that goes thoughan analog delay pedal.

Sound/track made withhttps://freesound. Org/people/gis_sweden/sounds/465325/noise and some simple tones added. Reverb and delay (zoom ms-70cdr)!nlc sloth is controlling filters and melody development.

Another sloth lfo test. I wanted to see - expected to see - cyclesrepeating. I don't. I have x controlling frequency and y controllinga filter. This recording is 5 minutes so there should be some repetitiveness. . . It's a regular sloth. . . I see 48 second cycles but they are not the same. Cool. Chaos.

Under a canal bridge, 2 barges pass. The first one does have a radio on (the music will be subject to copyright control) but i can't tell what the song is. After they've gone we hear the water lapping and one or two people talking. Some traffic in the background and a motorbike leading into the first barge.

Record of a metal box with mentos’s mints being shaken. It was recorded with condenser microphone in a controled studio. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

Beginning of an arrangement of afro blue using a 5/4 time signature. Piano (roland xv5080 + studiologic sl73 controller), bass (sadowsky 5 string), bongos (toca percussion). Recorded to sd card using a zoom r16 digital 8-track (44. 1khz, 16 bit wav format). Mixed using goldwave.

This is a recording made in the room of my apartment while i am testing an eachine e130 radio controlled helicopter, during the recording even a small helicopter crash is heard at one point. Recorded with the shure mv88 plus digital stereo microphone connected to my iphone 12 pro.

This sound was inspired by this youtube tutorial: https://www. Youtube. Com/watch?v=ke5vztfcykc on converting formula controller output into audio but instead of pitching the sound up in audio i pitched it up in real time using two instances of gross beat. It sounds like a broken synth to me.

Old experiments using a simple 8 bit vst controlled by a midi keyboard. Recorded in real time by messing around with my effects rack in my daw, changing effect orders on the fly, disabling and enabling things etc. Very fun stuff :d.

Old experiments using a simple 8 bit vst controlled by a midi keyboard. Recorded in real time by messing around with my effects rack in my daw, changing effect orders on the fly, disabling and enabling things etc. Very fun stuff :d.

Quick clip of a bonus performance following saint mark's compline service. Sat about arms reach away from the organist which is why you can hear a click/thumping noise from the wooden pedals that control the larger pipes. The zoom started clipping towards the end from the boom of the organ. Looking for the organist's name.

Zlob diode chaos. X output - pan left "alto voice"y output - pan right "soprano voice"z output - pan center "bass voice" (no cv input to vco)trigger out - controls noise. This is a recording that makes a chaos explorer happy.

Old experiments using a simple 8 bit vst controlled by a midi keyboard. Recorded in real time by messing around with my effects rack in my daw, changing effect orders on the fly, disabling and enabling things etc. Very fun stuff :d.

Another field recording made during the 21 mar 2012 prescribed burn in toronto's high park. Each year the city undertakes a controlled burn to maintain the continentally-rare black oak savannah ecosystem in the park. Roland r05 sound recorder with sennheiser mke400 stereo microphone.

Some loops i made in reaktor. They're made using a little wavetable-based synth which i built from scratch; the wavetable contains 32 home-grown waveforms, and the synth's parameters and effects are controlled by a bank of 16 sequencers. Good for glitch/minimal techno, and there are some nice individual bleeps/percussive sounds in there too. Enjoy!.

At the mountain view, ca transit center on a weekday commute morning in the spring of 2022, an audible "wait. . . Walk sign is on. . . " is heard at the crosswalk control box, followed by the horn of a commuter train leaving the mountain view station for san jose, ca, interspersed with various traffic/commute-hour sounds. . . Recorded while walking my dog in downtown mountain view, ca.

Yep, i'm reading alen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 4. Changed pitch on one osc and added some drums. Some editing in audacity compressor and limiter.

Semi-generative melodic analog sequence drenched in delay and reverb. Key of c pentatonic minor, 96bpm. Patch notes:. Moog matriarch sequenced by intellijel metropolis, filtered by ssf stereo dipole and reverb by noise engineering desmodus versio. Minimally post-processed in ableton with compression, eq, and transient control.

Gem pathescope 9. 5mm projector, unit #1191, made in england. Recorded on a marantz pmd661 with a rode nt4 stereo mike. The gem is a variable speed projector, controlled by a rheostat. Speed for this recording was unknown, but probably 12-16 fps. Microphone was facing the operational side of the projector, 50 cm away. Audio begins with power being turned on, ends with power being turned off.

I made a script in python with three balls bouncing around at different speed. When the ball hits a wall a beep is played. The slowest bass plays a 110hz beep. The middle ball a 220hz beep and the fastest a 440hz beep. Python can’t play two beeps at a time…sort of random “music”… you control the rhythm with the ball speed.

Thanks to cinematic-laboratories for the source from didge-morph. Wav and makenoise for their brilliant gear!. Morphagene settings slf full blue. Morph full cw shift controlled by tempo of o-ctrl. Mimeophon and erbe-verb used for final outputs. Rendering in reaper 48khz, 32 bit. Feel free to put in your own markers wherever you wish.

Just a quick loop for your consumption. Copy/sell/enjoy. This is 140bpm with the intention of sneaking this into a reggae piece. The very best of luck to you. Recorded into logic pro 9 using a casio cdp-120 digital piano as a midi controller to trigger the logic pro steinway piano. Added a little reverb with logic pro reverb designer. Best regards,.

Yep, i'm reading allen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 5. 20 modules involved. The ending is just modular freak-out. . . Whit the turn of one pot. . . Leading to some nice sound fx.

I took another sample from a malfunctioning arcade cabinet, this time giving off a repetitive droning hum. Listening to it without context, i imagine being in a control center containing heavy industrial computing machines.

I tried to make a friction drum by stringing a med handglove membrane to a wooden mortar. That mostly failed; i couldn’t control the pitch and make continuous sound. Here the membrane is stroked by a wooden pestle, making quite annoying sounds. Recorded with redmi note 5 phone, denoised and filtered bogus sub bass in audacity.

I'm attempting to create a controllable thunderstorm for a film, and this is my first legitimate attempt. This recording consists of 4 samples of rain, and another 3 samples of rain+thunder that i recorded one afternoon. Equipment used was the inbuilt mics on a roland r-26, and a sennheiser me66 into a sound devices 702. The clips were recorded at 96khz/24-bit, and they were processed at 48khz/24-bit. For processing, i put the samples into kyma, and crossfaded for texture. The howling wind sound is an analog-style low pass filter's frequency, level, and resonance being controlled by a wacom intuos4 pen/tablet. The rain slowly swells, which was done by changing parameters of a granular reverb. The thunder was also controlled by the wacom tablet, with x, y, and z (pressure) dimensions mapped to making the thunder swell in level, density, and texture. This could have been output in surround, but i don't have that many monitors ;). This style of "rain-synthesis" can also go on indefinitely. Please let me know what you think of the quality of this track; eg, if it sounds real, if the wind sounds ridiculous, too much thunder, etc. Use this sound (wherever) if you want to, or let me know if you'd like an mp3 of this, or for it to last longer. I'd like some credit if you do use it, but it's no big deal. A blog is up explaining the method of creation here:http://www. Kylehughesaudio. Com/2/post/2013/02/tempest. Html.

This is a recording made in the living room of my apartment in the province of rieti in italy, while i am trying a nano drone that i bought at the troni shop, however, since this small drone is unfortunately a bit unmanageable even with the remote control, you can also hear some crashes, because this model goes a bit where he wants. This recording was done with an asus stereo cellphone.

Gem pathescope 9. 5mm projector, unit #1191, made in england. Recorded on a marantz pmd661 with a rode nt4 stereo mike. The gem is a variable speed projector, controlled by a rheostat. Speed for this recording was unknown, but probably 12-16 fps. Microphone was facing the operational side of the projector, 50 cm away. Audio begins with power being turned on, ends with power being turned off. The speed variation during recording occurred naturally.

This anthem was in use during the rule of Emperor Haile Selassie I from 1930 to 1974. The music was composed in 1926 by Kevork Nalbandian, an Armenian living in Ethiopia. It was first performed when Haile Selassie I was crowned Emperor on November 2, 1930 and remained the national anthem until the Emporer was overthrown by socialist army officers in 1974 and the socialists fully gained control of the government in 1975.

Gem pathescope 9. 5mm projector, unit #1191, made in england. Recorded on a marantz pmd661 with a rode nt4 stereo mike. The gem is a variable speed projector, controlled by a rheostat. Speed for this recording was unknown, but probably 5-10 fps. Microphone was facing the operational side of the projector, 50 cm away. Audio begins with power being turned on, ends with power being turned off. The speed variation during recording occurred naturally.

See title &. . . Https://freesound. Org/people/strangehorizon/sounds/668910/. This is a ~50:50 mix of timbre processed & adobe processed,i. E. Adobe enhanced version is a reinforcement of speech. Https://podcast. Adobe. Com/enhance (currently does not have wet/dry or other controls).

New recording of the same garage door with better microphone: https://freesound. Org/people/samsterbirdies/sounds/581601/. Recording my noisy electric garage door opening and closing. First 2 is my right door, last 2 is my left door. Recorded with a boya by-m1 through an awful phone that does garbage post processing and gain control.

Beginning, part ii, of an arrangement of afro blue using a 5/4 time signature --- same piano track as "afro blue five 003", but with a newer bassline. Piano (roland xv5080 + studiologic sl73 controller), bass (sadowsky 5 string), bongos (toca percussion). Recorded to sd card using a zoom r16 digital 8-track (44. 1khz, 16 bit wav format). Mixed using goldwave.

Made sometime during 2017. Excerpts from my experiments with sinusoidal waves, homemade distortion effects, digital reverb, room reverb, and speaker->mic->pc feedback. Several effect parameters are controlled via an ekg setup called the "infernal gadget" which i constructed between 2010-2011 and used for several improvised music sessions.

This is a recording of a second flight test of my dji phantom 4 pro drone in my bedroom of my apartment in italy in the province of rieti. I remember that unfortunately i am a blind boy, but unfortunately i have this passion for these radio controlled models. This recording was done with the shure mv88 digital stereo microphone connected to my iphone 12 pro.

Recording of the rotation motor on a dynamic perception motion control rig. Recorded with a sennheiser ew100g3 wireless cardioid mic on a zoom h6. Minimal post production with just a highpass filter to remove some of the very low end sound in the background. Kind of reminds me of the scene where neo leaves the matrix for the first time.

More than two centuries ago some extraordinary people put together documents recognizing what everyone knew: power and control by anyone other than one's self ends, stops, halts, wherever our noses begin. Or whatever part of the body happens to be foremost. Today, hell, it's "fuck that. Do what i say. ". We'll just see about that.

This recording was made inside the room of my apartment in italy in the province of rieti, where i am carrying out a second flight test of my eachine e130 single-rotor radio-controlled helicopter, during the recording we also hear some small incidents. Recorded with the shure mv88 plus digital stereo microphone connected to my iphone 12 pro.

Recorded in a controlled studio environment with a sennheiser mkh 416 shotgun microphone into a universal audio la-610 mk ii pre-amp through ssl converters. 48000 khz 32-bit float. Recorded by benni knop, sound designer & re-recording mixer for dream vault studios. Http://dreamvaultstudios. Comhttp://benniknop. Com.

Recorded in a controlled studio environment with a sennheiser mkh 416 shotgun microphone into a universal audio la-610 mk ii pre-amp through ssl converters. 48000 khz 32-bit float. Recorded by benni knop, sound designer & re-recording mixer for dream vault studios. Http://dreamvaultstudios. Comhttp://benniknop. Com.

Clicking a light switch on and off and off and on and turning it. . . On and switching it. . . Off. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

My lights are actually connected into the wall with a switch that i can turn on/off with a seperate controller, and this switch makes this very peculiar sound when it switches on and off. I felt like it was a cool sound actually and would be great for other people to use as well in their projects!. Feel free to use whenever/however you want. Don't even need to credit me, but it would be appreciated! :).