677 tracce audio royalty-free per "Controller"

Create alarm/klaxon 1 sound from brainclaim's "saw-cutting" sound. Use audacity:• cut from 3. 678s to 4. 696 (end). • select from 2. 023s to 3. 678 (end). - effect→adjustable fadefade type: fade upmid-fade adjust (%): 0. 0start/end as: % of originalstart (or end) 100start (or end) 100handy presets (override controls): exponential out. - effect→repeatnumber of repeats to add: 25. Tiếng báo động.

Recorded in a controlled studio environment with a sennheiser mkh 416 shotgun microphone into a universal audio la-610 mk ii pre-amp through ssl converters. 48000 khz 32-bit float. Recorded by benni knop, sound designer & re-recording mixer for dream vault studios. Http://dreamvaultstudios. Comhttp://benniknop. Com.

Algorithmic modular music program (man3_2019). The computer is my analog modular synth. 00 rem -------------- man3_2019 --------------00 rem man3 - modular algorithm no 300 rem the steps/command lines, 01 to 08, are steps on a step sequencer00 rem main clock (lfo_2) 3hz00 rem the cv sequencer (seq) are tuned to an octave split in 5 equal parts. 00 rem seq has its own clock00 rem lfo_2 controls vco_2 via vca_2 and vca_300 rem lfo_3 controls wave shaper and vcf00 rem vco_1 tuned to 150hz sin -> wave shaper00 rem vco_2 tuned to 150hz tri00 rem vco_3 tuned to 75hz sqr -> vcf00 rem ----------------------------------------01 sampl lfo_1 -> vca_1 (vco_1)02 sampl seq -> vco_203 sampl lfo_1 -> vca_2 (vca_3) : rem [lfo_2 -> vca_2 -> vca_3 (vco_2)]04 sampl seq -> vco_105 trg -> noise -> delay_106 sampl seq -> vco_307 trg -> env (vco_3)08 trg -> noise -> delay_110 goto 01.

Recorded in a controlled studio environment with a sennheiser mkh 416 shotgun microphone into a universal audio la-610 mk ii pre-amp through ssl converters. 48000 khz 32-bit float. Recorded by benni knop, sound designer & re-recording mixer for dream vault studios. Http://dreamvaultstudios. Comhttp://benniknop. Com.

Made with voicechanger. Io, these are all the cyberman and dalek voices!includes:- moon base cybermen- cyber controller (1967)- wheel in space cybermen- invasion cybermen (planet 14 cybermen)- revenge of the cybermen- 80s cybermen (excellent!)- cybus cybermen (delete!)- 2013 cybermen- cyber-planner- audio play cybermen (primary stage conversion is complete!)- you would make a good dalek.

After working for the last several years on holiday spots that required the need of sleigh bells, i finally decided to get my own set of sleigh bells. All the ones online i could find didn't pass quality control. Here is a loop i created at 90 bpm. Hopefully this comes in handy for someone who was in my position the last few years. Enjoy!.

Recorded in a controlled studio environment with a sennheiser mkh 416 shotgun microphone into a universal audio la-610 mk ii pre-amp through ssl converters. 48000 khz 32-bit float. Recorded by benni knop, sound designer & re-recording mixer for dream vault studios. Http://dreamvaultstudios. Comhttp://benniknop. Com.

Electronic minute no 31 - scales with fnattyep down to cscales made with envelope generatorsonce in a while they get fnatt5 envelope generators in use. Don't miss it>>> there is a bonus sound at the end!!!basically the same patch! but on acid :-). Evaluation of patch/soundone cycle is - not that longonly short sounds - yep, good in this caseamplitude variation - well not muchpitch variation - controlled by envelopetimbre variation - nomusical value - maybe, but not the fnatt partentertaining - ambient bleeps ad bloops?.

Recorded in a controlled studio environment with a sennheiser mkh 416 shotgun microphone into a universal audio la-610 mk ii pre-amp through ssl converters. 48000 khz 32-bit float. Recorded by benni knop, sound designer & re-recording mixer for dream vault studios. Http://dreamvaultstudios. Comhttp://benniknop. Com.

1 of 3 mics recording a peugeot 404 injection driving on the road. There is a 3mics in one edited version too. Some gain control may have been done within the take. Mostly driving down hill. This recording was done with a rode wireless go near the engine, in the inner bonnet on the wall driver side. Recorded in 48khz 24bit on a zoom h5.

I made a waveshaper in the js audio language that applies random math operations to the signal. The original signal is liteon's (of reaper forums) lorenz attractor synth, which is then run through the waveshaper, then that signal controls the pitch of a soundwave. Later on i waveshape the resulting soundwave but i don't think it has the best results (dc offset city). A lot of the cooler sounds/series of pitches are made by changing the number of operations on the fly, or shuffling a new set of operations for the waveshaper to use.

Recorded in a controlled studio environment with a sennheiser mkh 416 shotgun microphone into a universal audio la-610 mk ii pre-amp through ssl converters. 48000 khz 32-bit float. Recorded by benni knop, sound designer & re-recording mixer for dream vault studios. Http://dreamvaultstudios. Comhttp://benniknop. Com.

nonlinearcircuits jerkoff chaos circuit is based on sprott's chaotic jerk equation. This sound is long and boring. . . But i wanted to test the nlc jerkoff. This might be of interest to someone. . . I upload an mp3 file to save disc space. . . The single module has 3 outs. 2 of them are controlling vcaa and one is connected to an envelope follower that generates a trigger when the cv is high enough. The signals in to the vca are the same (1. 5v). A way to illustrate the work of the module. Maybe.

A sound travel in space beetween earth and the international space ship, french announcer (ddo) in control room for countdown, verification of parameters, stowage and separation, entry into the international station, congratulations, release. . This sound story was made with neumann microphone for voices, shoeps microphone for originals acoustics sounds, kurzweil synthetizer, albino and sampletank plug in, waves and isotope on protools for modelisation and mix. Total use of bandwith, so take care of yours speakers. Enjoy.

Assymetric ticking noise. Sounds like the ticking of an analogue counter. A single clock tick was placed on two seperate tracks in order to control the time interval between ticks. One of the tracks was pitch shifted to create the sound of two, slightly different ticks. Both tracks pass through a tight chorus filter and a delay tap to recreate a slight sense of springiness and rattle as the "counter wheels" tick over. Created in flstudio with one audio clip, fruitydelay2, fruity fastdist, fruity parametric eq 2, fruity chorus and equo.

Just ringing my door bell. Pretending to be impatient. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Some kind of tardis-esque machinery humming away, ready to project the adventurer into outer space. Would be useful as a sound effect for a video involving strange futuristic machinery. No effects have been put on it to aid this. This was created with my eurorack, the main component is a waldorf wavetable oscillator nw-1 module, put through an a-127 triple voltage controlled resonance filter and a a-188-2 tapped bdd delay. The filter and oscillator are modulated in sync by an a-145 lfo.

(forgive the squeaks. I have no control over that. )saw this on you tube for guitar and recorded with my epiphone sg through the walrus slo pedal on the dream setting and into the focusrite 2i2 interface into reaper. Finger style with bass. The bass was recorded with a squire mini-bass through a behringer bxl1800 amp also through the interface to reaper. Thanks much to kenny gioia for the reaper tutorials as i would never be able to figure things out on my own. Comments welcome and let me know what you may use it on. :-).

Quindar sounds were used by nasa for controlling the ground station transmitters that allowed communication with spaceships through the space shuttle era. Fiber optic cable has made quindar sounds obsolete. This sound, at 2525 hz, was generated when the capsule communicator pressed the ptt button on his microphone, and the pitch told the ground station transmitters to start broadcasting. You can read more about quindar sounds at https://www. Hq. Nasa. Gov/alsj/quindar. Html. This sound was generated in audacity.

Alam Ara (Hindi: à¤à¤²à¤® à¤à¤°à¤¾, Urdu: عاÙ٠آراء , translation: The Light of the World) is a 1931 film directed by Ardeshir Irani. It was the first Indian sound film.[1][2] Irani recognised the importance that sound would have on the cinema, and raced to complete Alam Ara before several contemporary sound films. Alam Ara debuted at the Majestic Cinema in Mumbai (then Bombay) on 14 March 1931. The first Indian talkie was so popular that "police aid had to be summoned to control the crowds.

Studio technologies - stereo simulator (generation ii). Https://studio-tech. Com/products/generation-ii-stereo-simulator/. The generation ii stereo simulator from studio technologies creates a convincing stereo imagefrom a mono audio source. The fully mono-compatible signal simulates space withoutreverberation by using random, non-recursive filter techniques. The mode switch (found on the hardware unit) controls the overall sound of the generation ii. In the music position, the full audio bandwidth of the input signal is simulated. This mode isappropriate for audio material with little or no voice-only content. In the music & voice position, the input signal is sent through a band-reject filter prior togetting sent to the simulator circuits. This creates stereo simulation over the low and highfrequency range, while limiting simulation in the voice band. This mode is appropriate for audiomaterial that contains voice-only content, such as a film track or television show. The stereo intensity control determines the amount of stereo simulation that is produced. Inthe fully counterclockwise position (ir files “0” – included for process comparison), no simulatedstereo is produced. The mono input signal is sent equally to the left and right outputs. As thecontrol is turned clockwise (ir files “1 – 6”), the amount of stereo simulation increases.

At cmu, there is a building with a really long hallway that has amazing acoustics. In this experiment, i set up a feedback loop. On one end of the hallway, there is a microphone connected to a laptop. On the other end, there is a speaker connected to another laptop. The two laptops are connected via skype calling. I play with my speaker's built in eq, and play my violin to stimulate the resonant frequencies of the hall. A better set up would be to use better equipment directly connected to each other, and have a stand-alone eq to independently control what resonant frequencies are playing.

Recorded may 23rd 2022 at noon for the 70 year anniversary of the first siren test in sedgwick county, kansas. (april 22, 1952). 50-65 feet from the siren. This thunderbolt was installed in 1952 and remained until sometime between 2012 and 2015 when the siren head was replaced with a newer bolt. The original controls and blower remain, however.

Set computer volume level at normal. Using headphones or your speakers, play each tone, gradually decreasing the volume until you cannot detect it. Note the volume setting (i know, this isn't easy if you don't have a graduated control, but you can make some arbitrary levels using whatever indicator you have on your os). Repeat with next tone. Try the test with headphones if you were using your speakers, or vice versa. Fyi: http://en. Wikipedia. Org/wiki/hearing_range.

This was originally a friend's cat meowing but it has been processed heavily. First, it was put through a granulizer and the pitch was dropped -2 octaves. The sample was then panned l-r using automation, and bitcrushed. Lastly, to get a slight detuned feel, i added a chorus effect. This sample sounds even better with some convolution or hall reverb but i left this effect out since it's usually a effect users want total control over. The end result is a strange, alien sounding noise.

Rodovia 262 minas geraisposto de paragem de ônibus, carretas e caminhões. ** acidentalmente deixei o agc (automatic gain control) ativado. É possível perceber pequenas variações de volume no waveform. Sorry!. Gravado com celular samsung galaxy usando o app "tape machine lite". (recorded with samsung galaxy using "tape machine" app for android). 16 bit. Wav48. 000 hzmono.

Basic sound using reason 10. Modular. Edited and rendered in reaper. Loaded into morphagene. Output (left) into erbeverb to create stereo. This fed into dual lpg from buchla (thomas white eurorack version) voltage controlled by random wogglebug trigger into tempi and maths envelop and thence into mimeoophone and into mixer as stereo. Other stereo from morphagene direct through mixer to element 24 to re-edit and render in reaper. Mixer doepfer a-138bp (dual 4 track version). Please excuse the clicks - caused by the analog handling and slight clipping (i´ll do better next time, i promise :).

A hyundai ix35 can be heard. It is started, runs a bit with isolated revs, and is turned off again. Before and after startup you can hear the car's control electronics. Feel free to use the sound; no attribution required. Feel free to write me in the comments what you used the sound for. Equipment:beyerdynamic mce 86 n(c)zoom h4n. File:wavmono48 khz24-bit.

The engine rotor motor noise of a small rc helicopter. Flying around the front stereo recording microphone. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Gem pathescope 9. 5mm projector, unit #1191, made in england. Recorded on a marantz pmd661 with a rode nt4 stereo mike. The gem is a variable speed projector, controlled by a rheostat. Speed for this recording begins at about 12 fps. Microphone was facing the non-roller side of the projector, 30 cm away. Audio begins with power being turned on, ends with power being turned off. The end of the film leaves the gate at 4. 37 and becomes free of the last roller at 4. 40, when the motor speeds up. The speed and audio-level variations during recording occurred naturally.

Gem pathescope 9. 5mm projector, unit #1191, made in england. Recorded on a marantz pmd661 with a rode nt4 stereo mike. The gem is a variable speed projector, controlled by a rheostat. Speed for this recording was about 9 fps. Microphone was facing the gate of the projector, 10 cm away. Audio begins with power being turned on, ends with power being turned off. The end of the film leaves the take-off reel at 7. 10, exits the gate at 7. 22, and becomes free of the last roller at 7. 30, when the motor speeds up. The speed and audio-level variations during recording occurred naturally.

We develop iphone app that perform musical analysis on recorded audio from the iphone. Our app implementation make use of the audio queue service to receive raw audio buffers from the audio queue callback. In the first version of our app we had the problem of too much clipping on the recording which degrade the accuracy of our analysis. We also suspected that the noise canceling algorithm in iphone 5 produce distorted sound, which is not much noticeable by human ear but distorted enough to affect our sensitive algorithm. We found that the solution to our problem is to set the audio session mode to kaudiosessionmode_measurement. This session mode is supposed to give maximum freedom for us to control the microphone input, which include turning off the automatic gain control and probably noise canceling as well. The solution works very well except that it introduce a strange waveform pattern in the beginning of all recordings in iphone 5. It is very hard to explain the waveform we get, so i made two recordings at freesound so that you can see it visually. The first recording is made in an almost quite environment, and you can see the weird spike in the beginning of the recording. The second recording (this recording) is made with constant background noise, and you can see that the actual sound wave is offset from the strange curve and gradually increase to its original volume. This waveform only happens on iphone 5 devices that we tested, and there is no problem at all for iphone 4s and older generations. We have tried various settings and the glitch is still unavoidable as long as we set the audio session mode to kaudiosessionmode_measurement. We also find similar glitch in one of our iphone 5 devices, in which the glitch happens even if we try to set just the input gain level without changing the session mode. We are not sure if this is a hardware-related bug in iphone 5, or if it is fixable software glitch in the future version of ios. For the moment we are looking for workaround that can avoid this glitch while automatic gain control and noise canceling are disabled.

I made a project in cubase which had 12 tracks each playing a sine wave in a different note of the chromatic scale, each sine wave also had slightly varied lfos on volume and pitch. Then i put this sound through the soundtoys crystallizer plug and recorded it while manipulating various parameters. Ended up with 3 minutes of crazy glitched out sounds, use for anything you like!. It gets pretty out of control at some points so don't have your speakers up too loud :).

Various operations with a hand pallet jack. Times & descriptions follow: 0-15;18 empty, l-r; 15;08-22;49 empty r-l; 22;49-30;17 various control sounds; 30;17-1:25;46 distant roll, load, move pallet; 1:13;06-1:19;38 warehouse ambiance; 1:25;56-1:45;00 loaded roll by l-r; 1:45;00-2:01;46 l-c, unload pallet; 2:01;46-end load pallet, move, drop off distant, roll by empty.

Gem pathescope 9. 5mm projector, unit #1191, made in england. Recorded on a marantz pmd661 with a rode nt4 stereo mike. The gem is a variable speed projector, controlled by a rheostat. Speed for this recording is about 16 fps. Microphone was facing the roller side of the projector, 30 cm away. Audio begins with power being turned on, ends with power being turned off. The end of the film leaves the take-off reel at 4. 05 and becomes free of the last roller at 4. 09, when the motor speeds up. The speed and audio-level variations during recording occurred naturally.

It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.

Created for fun to document the first test launch of the (fictional) falkon8 space rocket to take humanity to the rings of saturn. After the countdown the engines start. During liftoff, ground control engineers talk to the pilots to help keep the rocket on the right course. The launch crew and pilots are talking in a particular regional northeastern italian dialect. The mission launched from the san marco platform, italian "luigi broglio" space center. Following sounds were used:82986: counter93078: space rocket264185: space rocket start and background386067: some radio distortions and classic nasa com. Beeps.

An actual new production instead of old stuff! made in june of 2020. A dark intro implies the humming engines of the spaceship you're in as you're traveling at speeds unimaginable. Slowly the ship starts to spring to life. As you open your eyes, slow but huge bands of light sweeps across your cryogenic sleeping pod, as if being scanned. The pod starts to move while you're still in it, going through chambers filled with machinery and bleeping computer stations, until it stops in front of a huge closed door. Suddenly, your pod opens up as well as the door. Your eyes are greeted with the majestic sight of a gigantic control room with windows as far as the eyes can see, galaxies fills your field of view, a beautiful synergetic view of the grandeur of space and the hundreds of lights of the control room, welcoming you to a new adventure. 2 simple chords form the basis of a textural composition supplied with sound effects. Plugins used: ni kontakt 5 with atom hub's the planet, doom by sampletraxx, space by rigid audio, ni absynth, and massive vst synths. Extra sound effects: shocking signal and ui designer by sampletraxx, heavily sampled and mangled. Effects: izotope mastering plugins, a bunch of fl studio stock reverb and eq, guitar rig 5, blackhole reverb, replika xt, raum reverb.

Handling of a plasticky canon 310xl super 8mm film camera, including rotation in the hand and movement of the zoom knob. This sound is licensed under creative commons 0, meaning you can use it in any work, for free, forever! however, i request that if you do use it in your project, you leave a comment below sharing what you used it for. You can use the sound regardless, but i would love to see what people use it for. Thanks, and happy mixing!.

[heavy_artillery_shot. Wav]. Flamethrower shot!. This sound can for example be used in real-time strategy games, for example when a soldier is using a flamethrower during battle - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

10 minutes of old school tension or horror sound. An ever changing sound generated by a analog modular synth. It's a generative patch controlling the synth and the sound development. The reverb is a spring-reverb. No editing. Pick the part that fits you best. Or just listen and listen to what the synth is doing. . . I have my fav part!.

A typhoon thunderstorm recorded in a backyard of an apartment complex in xinyi district, taipei city, taiwan, in late august, 2022. Rain can be heard falling on grass, the glass roof over the recording area, and various roof materials in the area such as tin, brick, concrete, and clay tile. Occasionally, there is thunder. Recorded on a zoom h1n with a wind filter, at its 96k 24 bit option, mic sensitivity control wheel set to 6 (out of 10). Due to the length of the recording, this is part 1 of 2.

Test guitar solo. Bright noise as artifact of notebook mic input agc (automatic gain control) made in the imposition of a previously recorded. Recorded: 20-10-2013notebook: aspire-5742g, windows 7, asio4all driver, sonar x2, noise gate and vox plug-ins. Guitar: squier stratocaster, south korea, early 1990, with pickup saymour duncan at bridge position. Very very old strings. Guitar connected directly to notebook mic input. Exported to wav 44000/16. Encoded into mp3 with linux console: lame -b 320 -m s soloprev3. Wavlame version: lame 64bits version 3. 99. 5 (http://lame. Sf. Net).

This was an attempt at the ice speed record by a rocket powered snow machine called the arctic arrow. The old record was 247 mph. On this run he goes 241mph but at the finish line he loses control and crashes quite dramatically! the driver, kurt anderson walked away. I have photos of the crash as well if interested. This clip is nsfw due to some language at the end, but it really took our breaths away as he was careening thru the snow on frozen bear lake in manawa wisconsin. Enjoy!.

Communication between a bomber crew and flight control before a lift-off. Extracted from a video (http://img. Youtube. Com/vi/v10ym-zhiji/2. Jpg) by a us government agency, thus public domain. Find many more military sounds in my military sounds pack, also located on freesound. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

[satellite signal 02. Wav]. Could it be them. . ?. This sound can for example be used in a sci-fi cutscene, for example when a satellite receives a mysterious signal in space - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

A typhoon thunderstorm recorded in a backyard of an apartment complex in xinyi district, taipei city, taiwan, in late august, 2022. Rain can be heard falling on grass, the glass roof over the recording area, and various roof materials in the area such as tin, brick, concrete, and clay tile. Occasionally, there is thunder. Recorded on a zoom h1n with a wind filter, at its 96k 24 bit option, mic sensitivity control wheel set to 6 (out of 10). Due to the length of the recording, this is part 2 of 2.

The chordephon is a mechanical zither, the strings in the excitement with a hole disc is controlled (hole plate zither). The leading manufacturers in the area of the hole plate zithers was the company claus & co. In leipzig. Under the brand name "chordephon" were built between 1893 and about 1910 these mechanical zithers in high quantity produced. There were chordephone for plates with holes 30, 44 and 60 hole rows, each row corresponded to a string. The perforated metal plates have a rough edge gear for the drive gear on. Original recording is more than 50 years old, composer more than 70 years dead - music is free from gema-fees.

A section of the recording at https://freesound. Org/people/nlux/sounds/620955/ re-purposed for use in the makenoise morphagene eurorack synthesizer module. A high-pitched, metal windchime, sent through some granular processing software. The reel is divided into two, long halves: one with the sound playing forwards and one with it playing in reverse. This means i can easily switch from forward to reverse without tuning issues, simply by applying cv to the morphagene's 'slide' control.

From Die Zauberflöte, K.620 Wenn Tugend und Gerechtigkeit ... "When virtue and justice spread the path of the great with fame.." These pages contain some of my MIDI sequences of classical music in general midi (GM) format, linked so that you can download or play them by clicking on the links. The sequences are intended to be heard on a computer sound card, and do not include system exclusive messages or controllers other than volume, pan, reverb and chorus. They are all in the public domain. That is, they are no-one's intellectual property: they may be freely copied, adapted, tinkered with and, I hope, surpassed by others.