776 tracce audio royalty-free per "Eco"

Https://freesound. Org/people/ibm5155/sounds/397961/.

A slinky spring toy stretched out and plucked once from the end, recorded with a zeppelin design labs cortado impedance-matched piezo contact microphone. The resulting recording is a classic spring-based sci-fi "laser sound" with a massive, lengthy, rumbling decay tail. This was recorded at 24 bit 96 khz. In addition to its use as a sound effect, this waveform works well inside a convolution reverb as an offbeat spring reverb impulse response, provided one has the processor power and ram to support a 2 minute 13 second convolution. The cortado's bass response is exceptionally large for a contact mic, so high pass filtering may be desired if used as an impulse response.

Strange pew-pew sound reaction to fireworks at parker steel factory, portslade.

A long echoing foghorn sound, made by blowing into a 10-foot-long pvc pipe in a fairly big, empty room. This is the best of the foghorn sounds i recorded. I think it sounds surprising like a real foghorn in the distance. Nice long reverb/decay after the main sound is over.

A long single foghorn sound, made by blowing into a 10-foot-long pvc pipe in a fairly big, empty room. Sounds surprising like a real foghorn in the distance.

A loopable drumline thing. . . Feel free to visit my yt channel where i post music and more: https://www. Youtube. Com/channel/ucw2gb1h1xejderyn0xaumgw/.

No need to credit me, dawg. But send me a pm of what you do with it if you have the time. I'm interested.

A single deep splattering synth hit followed by a long reverb tail.

Friend núk (นุก) read name of level 1 in game đôn hổ and use audacity for echo. 2020. 12. 28 ≈13:00. Use audacity:• effect→change speed…-16%. • effect→echo. . . Delay time (seconds): (0. 05)decay factor: 0. 5. • effect→reverb. . . Room size: 100%pre-delay: 27 msreverberence: 28%damping: 30%tone low: 100%tone high: 100%wet gain: 0 dbdry gain: 0 dbstereo width: 100%.

Friend núk (นุก) read name of level 3 in game đôn hổ and use audacity for echo. 2020. 12. 28 ≈13:00. Use audacity:• effect→change speed…-16%. • effect→echo. . . Delay time (seconds): (0. 05)decay factor: 0. 5. • effect→reverb. . . Room size: 100%pre-delay: 27 msreverberence: 28%damping: 30%tone low: 100%tone high: 100%wet gain: 0 dbdry gain: 0 dbstereo width: 100%.

Friend núk (นุก) read name of level 4 in game đôn hổ and use audacity for echo. 2020. 12. 28 ≈13:00. Use audacity:• effect→change speed…-16%. • effect→echo. . . Delay time (seconds): (0. 05)decay factor: 0. 5. • effect→reverb. . . Room size: 100%pre-delay: 27 msreverberence: 28%damping: 30%tone low: 100%tone high: 100%wet gain: 0 dbdry gain: 0 dbstereo width: 100%.

Friend núk (นุก) read name of level 5 in game đôn hổ and use audacity for echo. 2020. 12. 28 ≈13:00. Use audacity:• effect→change speed…-16%. • effect→echo. . . Delay time (seconds): (0. 05)decay factor: 0. 5. • effect→reverb. . . Room size: 100%pre-delay: 27 msreverberence: 28%damping: 30%tone low: 100%tone high: 100%wet gain: 0 dbdry gain: 0 dbstereo width: 100%.

I think we're okay. . . Not too bad here.

My first upload of a vocal sample to freesound. I hope my german accent and voice in general isn't too distracting. Recorded with a rode nt5 and a mixpre-6 in my bedroom. Very mild clean-up in rx. Https://freesound. Org/forum/sample-requests/41792.

Experiment weaving objects in to the banjo strings creating spooky vibration and hum effect. Very scifi/horror. Some low popping noises, dog bark at beginning, chatter in middle; recorded with cheap pc microphone.

Experiment weaving objects in to the banjo strings creating spookyvibration and hum effect. Some low popping noises; recorded with cheappc microphone.

Made this by putting my keyboard through my guitar pedal, distorting the kick drum, then putting an echo on it. I made it to put in my horror film in media studies.

The piledriver recording from quite a distance awy, this time with a clack echo between strikes. Again, recording time shortened by windy conditions.

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Echo trumpet-sound.

Pulse telephone echo.

A distorted keyboard comp with a tasty rhythmic wah degraded echo feedback effect.

This is just a scream i recorded for a song a few years ago and decided to upload here.

Short snippets of voice demonstrating the acoustics of different enviroments: a normal living room with hard floors, a bathroom, and a studio treated for sound. Recorded with a handheld recorder (omnidirectional microphone) held at arm's length, mono.

Different human whistling layers overlapping each other with an echo effect.

A freight train whistling its passage through a small town on a cold, quiet december night. The echo is enjoyable. Recording made with a sony pcm-m10 with the volume set on 6.

A space inspired pad.

This is a piece of an announcement made in japanese in the small town of kawaguchiko near mt. Fuji in japan, about a month after the earthquake and tsunami of 2011. The hotel staff told us the message said that, due to very good work of the people in rationing their power usage, there would be no power outage that night.

Metal echo sound which i created just by hitting cauldron with metal spoon. Recorded on blue yeti.

I've played the notes with an electric bass, the notes sequence are c, d and d#. Recorded with audacity and edited in adobe audition.

Its mufo in a efects chamber.

A person gets hypnotized, then suddenly snaps out of his trance.

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New year's eve in the mountains. Stereo recording. I was in a house overlooking the valley, leaning out the window. Fireworks left right and ahead, echoes off the mountains.

Something really old i found tucked away in my computer. Apparently i was trying to create an echo.

Background used for video games and movies. Feel free to use it anytime. Link me what you used it in. :).

A heavily processed and reverberant of some heavy movement in a "metallic" space. Created for a stage play.

The sound of liquid hitting the bottom of a metal water bottle after a person has taken a drink.

Echoed piano sound.

One of the end products of recycling my old samples with some granular synthesizer.

November 5th 2009. 8pm guy fawkes night. The sound of distant fireworks echoes off trees in a scots pine plantation in rural surrey, england. Recorded on a zoom h2 at 48khz using the front 120˚ microphone.

In an after death setting, you may be temporarily parked in an waiting room, before the admission to the paradise. A strange door opens and closes, a ring sounds (the saint peter's office?), whispered voices, steps, echoed little noises. Registration made into an empty big church, with very few people praying and some maintenance operations. Equipment used: sony icd-sx800d, external microphone rode ntg-2.

The first of 2 creaking ship noises i took from my old horse trailer.

The second of 2 creaking ship noises i took from my old horse trailer.

1 voice chanting with multiple echo's, added bell from. . . Freesound, that i cut up and stretched. By bristolstories (http://www. Freesound. Org/usersviewsingle. Php?id=113976)repeated_bell. Wav (http://www. Freesound. Org/samplesviewsingle. Php?id=65911).

Door creak.

Hitting a large metal oil tank/drum. Mono recording from shotgun mic and solid state recorder.

Weirdly echoing seagull calls recorded from top floor window of a building near fort point area of south boston. Recording also features a lot of traffic noise (including police sirens) and some wind-based distortion.

This is something i made with audacity using the generate>risset drum option. After i generated one long risset drum, i made a short one below it, copied it & added a delay to the track with the short decay risset drum. After that, i just leveled everything a couple times. :).

Someone a ways over from us was firing a rifle. It really echos off the hills and forest. Recorded with my yamaha pocketrak and edited on sony vegas. My headphone jack quit on my computer so i'm hoping it's up to snuff. Please comment on what you may use it for. Thanks. :^).