362 tracce audio royalty-free per "Filtro"

Sound created by square wave lfos, attenuverters, hard synced vcos, delay, reverb and filter. I think it nice. Kraftwerkish. . .

Just a basic single wave form sample from a real roland jp-8080 saw wave in the key of g. Used in making an epic super saw and super arp for these youtube tutorials and project:. Part 1: https://www. Youtube. Com/watch?v=byd_yirefiipart 2: https://www. Youtube. Com/watch?v=wruzgwtmvuqfull ableton project here: http://blnd. Io/1aodggb. The sample is tuned to the key of g, you will have to make sure that the sample is set to the key of c or transpose up 5 semitones. I correct this in the new template update; so that all chords and arps are in sync w/ the correct key.

Seamless loop of gaspipe or gasleak hissing continuously. This sound is the actual background noise in the frequency range 1200 to 6800 hz from my randomly generated subhorrorambience1. Wav sample. All frequencies below 1 khz (lowend) and above 8 khz (highend) have been filtered out and the volume has been normalized. I release this sound as cc0. You can do whatever you want with it and don't need to mention my name. Tips & tricks for professional mastering of dark ambient loops:. ~ (range) 1200 - 8000 hz, the highmid area of all sounds. ~ (gate) filtering in and adding subtle noise in this frequency range can addatmosphere or "air" to dark ambience but sound noisy like a tape recording. ~ (filter) filtering out noise in this frequency range can make the bass andlower frequencies (20-1000 hz) in dark ambience sound clearer but more dull. ~ (highend) frequencies above 8 khz should always be filtered out completelyand muted to 0 db, since those are only necessary in music and higher sounds.

Composition made using soundedit 16 on mac. Mainly done using thesoundedit 16 generated tones put through many different filters.

Composition made using soundedit 16 on mac. Mainly done using thesoundedit 16 generated tones put through many different filters.

Composition made using soundedit 16 on mac.

Composition made using soundedit 16 on mac. Mainly done using thesoundedit 16 generated tones put through many different filters.

Composition made using soundedit 16 on mac. Mainly done using thesoundedit 16 generated tones put through many different filters.

Leftovers from reducing noise on a lavalier mic recording.

My roland jupiter 4 with resonance cranked up and filter modulated with lfo by a very low rate. The deep basses at the end of each sweet may be great for deep dub-basses. The sweep sounds great with effects and when gated. Have fun. . .

Processed alto sax sound - approx. C5 w/filter stepping.

The same sound thru two filters. No editing. 100% dry.

A bunch of various filtersweeps i created in adobe audition by generating whitenoise and using the filtersweep plugin. Useful for creating build-ups.

A simple filter sweep i created using white noise wave and a filter to create the sweep.

This might be usefull for a brake;).

Yep, analog filters. . . Everything is analog!no, wait the reverb is digital. And this recording. But the noise that reaches your ears is analog. My little modular synth is playing a patch just for you. Or world is a big ad/da converter!!!. I failed at the fade out. . . Sorry for that.

A simple square wave, done with chirp generator in audacity. Starts at 200hz then slides until 30hz. Bass booster and phaser added. Then enveloppe manualy modified (enveloppe tool) + fade out processing for the end of the tail. Then normalized.

Its just an effect i made with some grainy sample and filtering alongside some reverb / delay. Its 88khz 24bit wav.

Very electronic. What else do you need to know. Do something with it. Let me know/hear :-) cut it up. Loop it. This is an unedited recording. (as usual. . . ).

Heavily processed vst synth sounds using various filters, delays, flangers and reverb.

Cptnal's comment on muffwiggler was an big aha moment. He wrote "you could patch the output of one s&h into the input of the next and get yourself a 12-step shift register. " well i don't have 12 s/h. I have 10. . . I would need a lot of sequenced gates to build that shift register. . . In this patch i use 4 s/h. (s/h or s&h is sample and hold. ).

Made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters.

Sample made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters, then used as a note in sfozando to create an uneasy melody.

Sample made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters, then used as a note in sfozando to create a melody.

Defender air filter white noise.

I've created an fx on voltage modular to filter and delay samples; i've used it on a sample (foley kick) that i downloaded on sounds. Com.

A noise made with a analog modular synth. Used in my submission for disquiet junto project 0504: transform formula.

Strange guttural alien vocalizations, pops and glitches.

A 100 bpm synth perc loop, first without and then with a bandpass with its cutoff on a 3-bar sine lfo.

Electronic minute no 31b - full modular acid remixlow mp3 quality december special noob versionfully analog modular synth fjant acid. Basically the same patch as 31. . . . Evaluation of patch/soundentertaining - ?. Wiggling during recording. Switching channels on or off in the beginning and end.

Wobble loop 70bpmdubstep wobble bass lfo cutoff filter loop.

Could need some sounds in the middle spectrum and better eq. . . Background soft minimal techno?.

I start with a standard reese, next i add a low-pass filter with some attack and a high resonance. Good for drum&bass tracks.

Arpeggiated blips witch have a retro videogame feel. If you like this make sure to check my soundcloud: http://soundcloud. Com/beverlyhillsboy cheers!.

The sound of an air filter in a fish tank. Apologies for the sniffle in the middle.

Helicopter chopper techno rendition using filter sweep of strega and sequenced through 0-ctrl and 0-coast. Done at 32-bit fp and 48khz with markers for morphagene. Enjoy!.

fluctuating random voltages patch example from doepfer. De/a100_man/a100_patch. Htmi made the patch in vcv-rack. The patch is meant to emulate the "fluctuating random voltages" of the buchla 266 source of uncertainty module. In this patch i use the "fluctuating random voltages" to modulate a filter. The filter is filtering a square wave tuned to a c (or close to a c).

Atmospheric filter sweep.

Second version of the remixed rope swishes loop. Only background (wet) noise this time.

Yes, my wasp-filter is alive again!.

Gently rising above a water surface. Filter applied to the beginning. Foley.

Sold a module. Now there is room fort dirt again. The name is well-deserved. Dirt is a filter module from synthrotek. It's so strange that i wonder if the person who built it got it right. . . It's a kit. But i bought the module second hand.

This time a more abstract sound clip which in that case was prerecorded (bell 1) altered to the extend and used from mono back to eight channel ending up l+r. Although its abstract atmosphere the modular effects rings on a specific structure using 20th century harmony "rules" and of course tempo. Enjoy!.

Acustic guitar fender recorded with some amps from pod hd400 and some philters,eq and gross beat effects. I saved it in - 6 db with a tempo 130bpm.

Composition made using soundedit 16 on mac. This is a human voice saying an unknown word slowed down and looped.

Band pass filters applied to a violin improvisation. Nice and ambient. No fades or other additional post production has been done.

Playing with lfos. 2 lfos are controlling the amplitude of the sample and hold generated blips. . . :-).

Latino raggatronic.

A wobble created with ableton live native instruments and effects.

Experimental sound.