362 tracce audio royalty-free per "Filtro"

Sounds that were created during a mixing session. I cut out my favorite samples.

I needed this synth part for this song i'm working on right now. . . So i decided to create one instead of getting one from here. Saw wave, with a gate, and a saw lfo low pass filter down, with full delay and slight reverb. Areppegiating on a c#6.

This is a remix for the freesound continuum project. I took the original file:. 150306__corsica-s__the-view-from-a-distant-giant. I played with it by vocoding it, and a bit of filtering and general mucking about in reason6.

This is a sound for videogame. I love notch filters, so, in order to keep the sound less raw and simple, i put some filter modulation and a bit of reverb.

This is a sound for videogame. In this sound, i used a low-pass filter instead of notch like the previous sound. That sound haves a slow lfo and reverb too.

Another sound for videogame. I put some delay too in this version, and same lfo but now with a notch filter again. Second delay is low-passed.

Same as allydmg but bit crushed.

The same bassline like the other one i made, just with a lowpass filter that is triggered everytime a key is played.

Just a short reece loop.

These are some freesound works i've glued together. I added a wobbly lfo to it. If you like this sound make sure you check my tunes on sc: http://soundcloud. Com/beverlyhillsboy.

Atmospheric chords with several effects in the chain. If you like this sound, don't forget to check my soundcloud and share your feedback on my tunes: http://soundcloud. Com/beverlyhillsboy cheers!.

Synth filter sweep bass c2.

Turtle filter noise.

Turtle filter noise but weird.

It's sooo hot in sweden right now! 30 c where i live. Luckey me having a cool modular synth. All previous records are gone. This is the hottest may since 1850-ish.

Heavily processed vst synth sounds using various phasers, reverbs and filters.

Heavily processed vst synth sound using various filters, reverbs and phasers.

Heavily processed vst synth sound using various filters, reverbs and phasers.

Hard deep bassy crackle soundeffect made with ni metaphysical function.

Reverb with a couple cool synth tones bleeding through.

Cool sounds from filter. The two filters filter a tri-wave. The filters are almost self oscillating and are modulated by an lfo. Natural tones. And some spring reverb and analog delay.

Another beat. . . Made with my modular synth. But a beat is a beat. . . Or something. . .

Percussion sample band filtered remix.

Percussion sample filtered with long resonance.

Electric guitar filtered sample.

Electric guitar sample sequence filtered.

Electric guitar sequence filtered.

Electric guitar band filtered sequence remix.

French horn blowing samples studio rexcorded filtering 1000-1500 hz.

French horn band filtered long sample remix and filtered 800-2000 hz.

Harp sample filtered 700-1200 hz.

Strumming a guitar with lo-fi processing.

Sample and hold + vcf and manual filter sweeps.

Check out other sounds on my website: https://jakeeaton. Bandcamp. Com/.

Kick filtered through a mini moog.

Created using lmms and its triple-oscillator plugin, and lfo automation used on the formant filter (new in lmms 0. 4. 13).

This is random noise with low pass filter applied.

Deep space ambience created by synthesizing noise and applying filters to make it sound like you're cupping your ears.

A noise, a harmonic, from somewhere beyond space. . . . Then an ugly sound.

Mixing using rxmx and fxdf from makenoise quite an interesting background. Rendered in reaper @48khz 32 bit fp for morphagene fans. Enjoy!.

This caught my attention as an unfamiliar sound, and i actually had to investigate to learn what it was. It was the raindrops hitting some styrofoam bodyboards near a swimming pool, which at times sounded almost more like a hollow "pop" than a "drip. ". In the background one can hear thunder, rain, and the humming of a pool filtration system. Recorded with an iphone 7.

Used a mini mod filter and tuned it up slowly so you can cut out the wanted pitch, switch daw to 120bpm to cut it preciselyenjoy.

Blok modular set to bang on random keys/throw random parameters in various places. Sort of a kind of fm synthesis but i'm pretty sure blok can do a lot of extra things like place filters/waveshapers after the modulator but before the main oscillator. Don't want to give away much else but you can improv random textures by drawing in a waveshaper window/right-click to drag the drawing from one side to another. Also you can use the atan button to scale the notes on some sort of curve by distorting the note values. I could've added delay/reverb/eq/ ambience but i wanted it to be as dry as possible because that's personally what i look for, raw sounds that you can choose to change if you like. No edits aside from normalizing the. Wav file.

A simple but effective white noise sweep up created using a white noise signal, using automation to change a simple filter and colour to the sound to create a sweep effect.

I was trying to make some fx you can hear in enigma’s tracks (for example ‘the eyes of truth’). Made with audition. P. S. Maybe it’d be a better sound if you listen to a downloaded file.

Some filtered shaker-like rhythm.

Sinus wave connected to the filter cv1 in sweeps sound from mfb osc-03some reverb from ladik d-330(i have modified my wasp filter to achieve more self resonance. ).

Recording of fish tank water (filtered) spilling into the tank. Recorded with tascam dr-05.

Testing a synth and new filter.

A third version of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. Now i let the alm pip slope affect a filter. I play a little sequence made with cvlfo , clock divider, attenuverter, quantiziser. The way i usually do…. But the interesting thing is the cvad (?) voltage controllable envelope generator. But in the case of alm pip slope you just control attack and decay. Seems to be enough. As in the other versions of this sound i connect one lfo to attack and a second lfo to decay. But this time i connect the vcad to control the frequency of a filter. Interesting. I wish i had two more cvlfos… should open up for rhythmical usage. I use no vca or adsr. I have connected the vco straight to the vcf and the vcf to mixer. In the beginning i have the frequency pot at 2 a clock then i gradually move it clock wise and let the vcad take control. 1 minute in the pot is fully clock wise. The vco is playing a sawtooth wave. If you dl and inspect the wave you can see that in the beginning and the end it is a sawtooth wave, but in the middle part the filter affects the wave form.