This is a windchime recorded very quietly struck with a triangle beater with a fairly cheap microphone, noise removed, and normalized to max volume without distortion. Higher note of 2.
One piece of a bamboo wind chime struck with a rubber mallet quietly, noise removed, and amplified to max volume without distortion. Recorded with a cheap mic.
This is a windchime recorded very quietly struck with a triangle beater with a fairly cheap microphone, noise removed, and normalized to max volume without distortion. Lower note of two.
It's pretty decent beat, synth beat too, used just some generic sources to make this, you can loop it too, so that's nice. (i had to add more detail to this description because of the mods, i hope this is enough description to get this sound uploaded).
Engine control unit utv atv trail path channel loss battery jitter iso synchronous wavelength band broadband symmetry mirror min max networking rheology paradigm rack shelf port map standard 4x4x4 dual.
Engine control unit utv atv trail path channel loss battery jitter iso synchronous wavelength band broadband symmetry mirror min max networking rheology paradigm rack shelf port map standard 4x4x4 dual.
An atmosphere created from a recording of my friend's fart believe it or not. Processed by granulator ii in max for live. Originally recorded with tascam dr-05.
Strange machine thumping sound. It is the sound of an old malfunctioning tv monitor with all image adjustments knobs turned to the max. I was afraid it might implode. . . Credits listenjoe.
Created in ableton live 11 suite. Used:- tone generator by socalabs (free)- lfos (max for live device)- bit crusher (ableton)- ruina by noise engineering (free).
This is a harshly manipulated file of rumbling that has been tweaked to the max by plug-ins and various noise making enhancers meant to simulate the sound of impacting. This, combined with the gentle rumble to accentuate.
This is the 1910 max amberger guitar recorded with my yamaha pocketrak and edited on sony vegas. This is only the first part of the tune. Please comment on what you will use it for. Thanks. :^).
This is the noise of my desktop pc at max fan speed, and a laptop that is currently experiencing coil whine. Recorded with the internal microphone of my sony rx100 vii.
Impulse response from a teisco 450e delay/chorus effect unit. Old and grungy delay with max feedback. Requires lots of filtering before use but authentic and rare. .
Written by Buddy Bolden (1868-1931). Performed by George Lewis (clarinet), Avery "Kid" Howard (trumpet), Jim Robinson (trombone) Lawrence Marrero (banjo), Edgar Mosley (drums), Chester Zardis (bass).
Title/Work: Mass No. 2 in E minor, WAB 27 Content: 6th Movement: Agnus Dei (Part 2) Genre(s): Masses Author(s)/Composer(s): Anton Bruckner (1824-1896) Music arranger(s): none Lyricist(s): none Performer(s): Philharmoniker Hamburg Conductor: Max Thurn (1897-1969) Place of recording: Hamburg State Opera, Hamburg (German Reich) 1st release date: 1938 1st recording date: 10 June 1938
A 34 second manipulation of two different sound clips. One is a man speaking in cherokee and the other is a rainstick. Both sounds came from the examples provided with cycling74's max/msp.
This is a rubber nut shaker hit from below. Noise removed, amplified to max volume without distortion. Recorded with a very inexpensive mic. Longer of two versions.
This is a rubber nut shaker hit from below. Noise removed, amplified to max volume without distortion. Recorded with a very inexpensive mic. Shorter of two versions.
I recorded this on a different guitar (1910 max amberger) and at a faster tempo. I'm still getting the hiss and tried to remove some in sony sound forge. Recorded on my yamaha pocketrak. Please comment on what you may use it for. Thanks. :^).
My first recording with the tascam dr-05. Was taken out the window. At minute 0:48 you can hear the strong wind sensitivity of the recorder. Stereo; 96000 hz; 24 bit; microphone up to max.
This is an artificial lifeform. The sound of a worm striving to be free in a hostile ambient. Done for video game sound design , sine tones pitched up and down randomically , then ran through a max granular patch.
This is a noise i found while listening to a recorded track that i thought sounded interesting, so i worked with it for a bit, eliminated all the extraneous noise, and amplified it to max volume without (unwanted) distortion.
Unsual song short 26. Wrote/recorded an unusual song at 112 bpm. Using stock plugins in ableton live 9. Additional notes:-15. 2 lufs integrated-1. 9 db true peak max.
Recorded with sony pcm-m10 with a shure sm-58 microphone in the engine compartment. Took a short drive, max speed aprox 50 km/h. Various sounds, idling, driving, acceleration.
Recorded with sony pcm-m10 with a shure sm-58 microphone in the engine compartment. Took a short drive, max speed aprox 50 km/h. Various sounds, idling, driving, acceleration.
I was just messing around with audacity recently and recorded a word "no". Then stretched it out using tempo stretch function (function that streches speed, but does not alter the pitch) maxed out twice in a row. That resulted in such a simple word stretched out to almost 5 minutes. Sounds rather scary and interesting.
Another recording of my cat trying to get my attention. I couldn't get rid of all the room ambience, but i got the mic as close as i could without max eating it. Lol. Recorded with: sanken cs-1e, fostex fr2le.
Ff chaos test conditions:cv in from nlc jerkoff. Square wave in from lfo, 1hz. 3 vcos tuned to 130,8hz and one "strange sound". Cv in on vcos are attenuated, about 50%. Gate 1 and cv 1 to vco pan leftgate 2 and cv 2 to vco pan rightgate 3 to vco pan centertrigger to "strange sound" pan center. Sound 1 - cv min and rate minsound 2 - cv max and rate minsound 3 - cv min and rate maxsound 4 - cv max and rate maxsound 5 - cv at 50% and rate at 50%sound 6 - jerkoff to cv in on lfo. Vco 3 gets cv from jerkoff - chaos.
Unusual song short 27. Wrote/recorded an unusual song. Using stock plugins in ableton live 9. Used ezbass from toontrack for the bass. Recording guitar direct into scarlet 18i20. Additional notes:-13. 4 lufs integrated-3. 6 db true peak max.
Sound editor recorded a 5 second countdown leader including the following:-left and right channel split tones recorded at -6db max-3 second countdown (3, 2 - with 1 frame tone). Can be very useful in cueing editing segments meant to be synchronized in a program or show leader. Produced and voiced by:jeremy gossettgossett productions, llc. .
