4.289 tracce audio royalty-free per "Midi"

45:54:64 = F#+, A+, C = C, Eb, Gb-

Ach, wie ist's möglich dann

Es wird scho glei dumpa

Four on the floor on the high hat.

III+7M chord in C minor.

Ein Männlein steht im Walde

O Durchbrecher aller Bande, Evangelisches Gesangbuch 388

Ich bin die kleine Nienburgerin

Just augmented fifth in just C scale: E♭ and B.

Lueget, vo Bärgen und Tal

Just minor seventh chord on C.

5:6:7 = E, G, B7b = C, Eb, G7b.

Pythagorean major chord on C.

Dornröschen war ein schönes Kind

Trara, die Post ist da

In Holland staat een huis

Im Frühtau zu Berge

Der Ritter und die Magd

Zogen einst fünf wilde Schwäne

Green Sally Up, Green Sally Down

Schnaderhüpfel als Midi-file, selbst gebastelt und hiermit Public Domain.

Francesco Durante: Vergine tutto amore.

Simple and compound major third (major third and major tenth).

Wohlauf in Gottes schöne Welt

Brown Girl in the Ring

Jetzt fahr'n wir übern See

Solang der alte Peter am Petersbergl steht

Wir lieben die Stürme

O Deutschland hoch in Ehren

Am Brunnen vor dem Tore

The Flowers of the Forest

Üb immer Treu und Redlichkeit

Lippe-Detmold, eine wunderschöne Stadt

Der Kuckuck und der Esel

Came ye o'er frae France

I wanted to create mood for a shot video piece that was dramatic, ambient and atmospheric. I jumped on my midi-controller keyboard and generated this sound on my computer using software synths and mixed it and processed it in audacity. Useful for background music for video, or for meditation.

Selected voice lead on a yamaha ew300 keyboard and paulstretched by 2. 0 in audacity and then amplified it down by -5. 0db to use as a background drone ambience, next i selected midi grand piano voice on keyboard and played over the background drone.

Schubert - op.9 D.365, mm.17-24. Modulation using German sixth in new key, enharmonic to dominant seventh in old key.

Kommet, ihr Hirten; Evang. Gesangbuch 48; Gotteslob (1975) Hildesheim 816; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 735

O selige Nacht (Melodie Heinrich Bone 1858); Gotteslob (1975) Hildesheim 814; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 737 II

Debussy's Pelléas et Mélisande motif, at Mélisande's entrance and later when Golaud asks if she ever loved Pelléas, features, in addition to the already usual ninth, a thirteenth inverted to a "warm" close-position fourth.

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

Piano accompaniment from Franz Schubert's lied "Der Wanderer" D.493, second couplet (Die Sonne dünkt ... Ich bin ein Fremdling überall) Accompagnement au piano du deuxième couplet du lied Der Wanderer D.493 de Franz Schubert (Die Sonne dünkt ... Ich bin ein Fremdling überall)

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

O Heiliger Geist, o heiliger Gott, Evang. Gesangbuch 131 O Jesulein süß, o Jesulein mild, volkstümliches WeihnachtsliedMelodie nach Ist das der Leib, Herr Jesu Christ

Enharmonic tetrachord in Pythagorean tuning. Created by Hyacinth (talk) using Sibelius 5. hypate parhypate lichanos mese 4/3 9/7 5/4 1/1 ↓ 28/27 ↓36/35↓ 5/4 ↓ -498 -435 -386 0 cents MIDI pitch bend appears to match intervals.

Schubert - op. 29, D.804, I, mm.144-49. Enharmonic modulation using a common viio7, enharmonic in two keys.

Picardy third example from Johann Sebastian Bach's cantata Ich habe genug, BWV 82 in G Minor at a cadence in the right-hand of a realised continuo part Created by Hyacinth (talk) 22:13, 13 July 2011 (UTC) using Sibelius 5.