687 tracce audio royalty-free per "Opera"

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09:44
Richard Wagner: Parsifal. Act III Good Friday Scene. Gotthelf Pistor (tenor) Parsifal, Ludwig Hofmann (bass) Gurnemanz. Conductor, Karl Muck, Berlin State Opera Orchestra
Autore: Karl Muck, Berlin State Opera Orchestra
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04:17
Aria "Vision fugitive" (Fleeting vision) from Jules Massenet's 1881 opera Hérodiade, sung by Charles W. Clark (1865–1925)
Autore: Charles W. Clark
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03:54
Italiano: Scena della lettera, primo atto di Eugene Onegin di Tchaikovsky, canta il soprano Claudia Muzio in italiano. Rappresentazione del 3 novembre 1920 al New York Metropolitan Opera, con il ruolo principale affidato al baritono Giuseppe De Luca. Letter Scene, the first act of Eugene Onegin by Tchaikovsky, the soprano Claudia Muzio sings in Italian. Performed on November 3, 1920 at the New York Metropolitan Opera, with the main role played by the baritone Giuseppe De Luca.
Autore: Untitled
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11:19
Ballade No. 1 in G minor, op. 23 Italiano: Ballata n° 1 in Sol minore, Opera 23
Autore: Untitled
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09:02
Daniel Auber's overture to the opera Fra Diavolo, played by the United States Marine Band for the album Overtures, Volume Two.
Autore: Composition: Daniel Auber Performance: United States Marine Band
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07:15
Antônio Carlos Gomes's overture to the opera Il Guarany, played by the United States Marine Band for the album Overtures, Volume Two.
Autore: Composition: Antônio Carlos Gomes Performance: United States Marine Band
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04:41
Basilio's aria "La calunnia è un venticello" from act 1 of Gioachino Rossini's 1816 opera The Barber of Seville (Il barbiere di Siviglia), sung by Russian bass Feodor Chaliapin.
Autore: Feodor Chaliapin (1873–1938)
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10:30
Arrangement from Richard Wagner's 1876 opera Götterdämmerung: Siegfried's Funeral March and Finale, Music of Richard Wagner (track 5)
Autore: Richard Wagner, performed by the United States Marine Corps Band, recorded December 8–11, 1981 at w:Lisner Auditorium, w:George Washington University, w:Washington, DC, funeral march transcribed by Howard Bowlin and finale transcribed by John Bourgeois, who was the Band Director.
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08:40
Otto Nicolai's overture to the opera The Merry Wives of Windsor, played by the United States Marine Band for the album Overtures, Volume Two.
Autore: Composition: Otto Nicolai Performance: United States Marine Band
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03:27
Io non ho che una povera stanzetta from act 2 of Ruggero Leoncavallos opera La bohème (1897), sung by Enrico Caruso in 1911. It is probably best to make this explicit: This is NOT from Puccini's La bohème. Ruggiero Leoncavallo, Puccini's contemporary, also made an opera based on the same stories, with the same name. While Puccini's version proved wildly popular, Leoncavallo's faded into obscurity. This is Matrix # C-11276 recorded 26 November 1911 (details)
Autore: Sung by Enrico Caruso (1873–1921) Composed and librettoed by Ruggiero Leoncavallo (1857–1919)
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03:17
La Marseillaise (words and music by Rouget de l'Isle) Sung by Georges Thill, tenor of the Opera, and played by the band of the Garde Républicaine. Directed by Pierre Dupont Columbia DF 760 L 3408
Autore: Méhul & Chenier
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07:23
Johann Strauss II's overture to the opera The Gypsy Baron, played by the U.S. Marine Band for the album Overtures.
Autore: Composition: Johann Strauss II Performance: United States Marine Band
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02:26
Enrico Caruso's performance of "Recondita armonia" from Giacomo Puccini's 1900 opera Tosca. This is Matrix B-8347, recorded 6 November 1909, and released under various labels full details
Autore: Giacomo Puccini (1858–1924) Enrico Caruso (1873–1921)
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02:25
Enrico Caruso's performance of "Recondita armonia" from Giacomo Puccini's 1900 opera Tosca. This is Matrix B-8347, recorded 6 November 1909, and released under various labels full details
Autore: Giacomo Puccini (1858–1924) Enrico Caruso (1873–1921)
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02:56
Colline's aria "Vecchia zimarra" from act 4 of Giacomo Puccini's 1896 opera La bohème, sung by Russian bass Feodor Chaliapin.
Autore: Feodor Chaliapin (1873–1938)
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06:22
Gaetano Donizetti's overture to the opera Don Pasquale, played by the United States Marine Band for the album Overtures, Volume Two.
Autore: Composition: Gaetano Donizetti Performance: United States Marine Band
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06:60
Franz von Suppé's overture to the opera Leichte Kavallerie (Light Cavalry), played by the United States Marine Band for the album Overtures, Volume Two.
Autore: Composition: Franz von Suppé Performance: United States Marine Band
00:00
02:29
An orchestral arrangement of the "Toreador Song" from Georges Bizet's 1875 opera Carmen, played by the Damrosch Orchestra in 1903. The refrain of the "Toreador Song" begins at about 1:07, and is preceded by other music from Carmen.
Autore: Georges Bizet / Damrosch Orchestra
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02:38
O mio babbino caro from Giacomo Puccini's opera Gianni Schicchi (1918). It was performed by Frances Alda in 1919. This is Victor 64802, Matrix B-22578-2, and was recorded on February 11, 1919
Autore: Giacomo Puccini (1858–1924) Frances Alda (1879–1952)
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04:07
Ah! fuyez, douce image from Jules Massenet's Manon (1884). Sung in Italian by Aristodemo Giorgini in 1910 for Edison Records. This recording is Edison Grand Opera Amberol Record #30031.
Autore: Jules Massenet (1842–1912). Aristodemo Giorgini (1879–1937).
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04:16
Ombra mai fu from Handel's 1738 opera Serse (a.k.a. Xerxes), sung by Enrico Caruso. Recorded 29 Jan 1920, Matrix: C-23714, Victor Cat: 88617
Autore: Enrico Caruso (1873–1921) George Frideric Handel (1685–1759)
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02:34
Aria "Ancora un passo" ("One step more") from act 1 of Giacomo Puccini's 1904 opera Madama Butterfly, sung by Frances Alda in 1913. This is Victor 64334; Matrix B-13108-2. It was recorded on April 10, 1913
Autore: Giacomo Puccini (1858–1924), Luigi Illica (1857–1919), Giuseppe Giacosa (1847–1906), Frances Alda (1879–1952)
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02:54
Donna non vidi mai from Giacomo Puccini's 1893 opera Manon Lescaut, sung by Enrico Caruso.
Autore: Enrico Caruso (1873–1921) Giacomo Puccini (1858–1924)
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00:05
Musical notation to illustrate two leitmotifs of Prince Gvidon that appear in "Flight of the Bumblebee" from the opera The Tale of Tsar Saltan Made from notation prepared on computer by Mllefifi; screen capture in JPEG format. The composition itself is in the public domain; the musical excerpts are only minimally extracted and analyzed.
Autore: Hyacinth
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04:22
Una furtiva lagrima from Gaetano Donizetti's 1832 opera L'elisir d'amore, sung by Enrico Caruso on 26 November 1911 for the Victor Talking Machine Company in Camden, New Jersey.[1]
Autore: Enrico Caruso, Gaetano Donizetti
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00:06
Musical notation to illustrate two leitmotifs of Prince Gvidon that appear in "Flight of the Bumblebee" from the opera The Tale of Tsar Saltan Made from notation prepared on computer by Mllefifi; screen capture in JPEG format. The composition itself is in the public domain; the musical excerpts are only minimally extracted and analyzed.
Autore: Hyacinth
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02:34
Aria "Ancora un passo" ("One step more") from act 1 of Giacomo Puccini's 1904 opera Madama Butterfly, sung by Frances Alda in 1913. This is Victor 64334; Matrix B-13108-2. It was recorded on April 10, 1913
Autore: Giacomo Puccini (1858–1924) Frances Alda (1879–1952)
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15:13
Le ballet de la reine (or "La peregrina") from Giuseppe Verdi's 1867 opera Don Carlos on the Grand Scenes (2000), recorded June 5–9, 2000 at Center for the Arts, George Mason University, Fairfax, Virginia.
Autore: Giuseppe Verdi, transcribed by Donald Patterson, performed by the w:United States Marine Corps Band, Timothy Foley Director
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03:29
Pasquale Amato's 1911 rendition of the "Toreador Song" from Georges Bizet's 1875 opera Carmen (1875) This is Victor Matrix C-11213-1, recorded in Camden, New Jersey, on 11 September 1911, and released on a variety of labels
Autore: Singer: Pasquale Amato (1878-1942) Composer: Georges Bizet (1838-1875)
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04:15
Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.
Autore: Gilbert and Sullivan; Edison Light Opera Company
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04:16
Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.
Autore: Gilbert and Sullivan; Edison Light Opera Company
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04:38
1st release date: 1920 1st recording date: 9 January 1919 Composer: Giacomo Puccini (1858-1924) Lyricists: Luigi Illica (1857-1919) and Giuseppe Giacosa (1847-1906) Performer: Rosa Ponselle (1897-1981) with orchestra Work: Madama Butterfly (opera) Content: Un bel di vedremo (One fine day)
Autore: Giacomo Puccini (1858–1924), Luigi Illica (1857–1919) and Giuseppe Giacosa (1847–1906)
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04:11
Enrico Caruso and Geraldine Farrar sing "Manon! Avez-Vous Peur...On L'appelle Manon", the opening of act 2, scene 1 of Jules Massenet's 1884 opera Manon. Matrix: C 12750-2
Autore: Jules Massenet (1842–1912) Enrico Caruso (1873–1921) Geraldine Farrar (1882–1967)
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04:01
Overture to Mozart's 1786 opera The Marriage of Figaro (Le nozze di Figaro) Brass quintet from the Army Band's album. Overture von Mozarts Oper Le nozze di Figaro (Die Hochzeit des Figaro, 1786) Aufnahmen der Band der US Armee.
Autore: US Army Band
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02:38
O mio babbino caro from Giacomo Puccini's opera Gianni Schicchi (1918). It was performed by Frances Alda in 1919.This is Victor 64802, Matrix B-22578-2, and was recorded on February 11, 1919 Українська: «О, дорогий мій тату» з опери Джакомо Пуччіні «Джанні Скіккі» (1918), виконує Френсіс Альда 11 лютого 1919 року.
Autore: Giacomo Puccini (1858–1924), Giovacchino Forzano (1884–1970), Frances Alda (1879–1952)
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03:06
Label: His Master's Voice Cat. no.: DB 3225 Order number: 2EA 5256 Matrix/StamperID: 2EA5256 -II- 1st release date: 1937 1st recording date: 28 May 1937 Place of recording: unknown Author(s)/Composer(s): Giacomo Puccini (1858-1924) Lyricist(s): Luigi Illica (1824-1893) and Giuseppe Giacosa (1847-1906) based on Scènes de la vie de bohème by Henri Murger (1822-1861) Conductor: Walter Goehr (1903-1960) Performer(s): Beniamino Gigli (Tenor) (1890-1957) and Maria Caniglia (Soprano) (1905-1979) with orchestra accompaniment Vocal range: Tenor and soprano with orchestra accompaniment Title/Work: La bohème (opera) Content: Act 1: O soave fanciulla Genre(s): Opera terminology (aria) Comments: RCM and ELP
Autore: Untitled
00:00
03:26
NOTE: Edited version (noise reduced, volume boosted), original is at File:PDP-CH_-_Opéra_Comique_-_Élie_Cohen_-_Joseph_Rogatechwsky_-_Romance_de_Nadir_-_Les_pêcheurs_de_perles_-_Bizet_-_Cormon_-_Carré_-_Columbia-12527-lx90.flac. 1st release date: 1929 1st recording date: 1928 Place of recording: unknown Author(s)/Composer(s): Georges Bizet (1838-1875) Lyricist(s): Eugène Cormon (1810-1903) and Michel Carré (1821-1872) Music arranger(s): none Conductor: Élie Cohen (unknown birth/death date) Performer(s): Joseph Rogatechwsky (1891-1985) de l'Opéra Comique Vocal range: tenor with orchestra accompaniment Title/Work: Les pêcheurs de perles (The Pearl Fishers) (opera) Content: Romance de Nadir Synonym: This is a "Je crois entendre" encore[1] Genre(s): Opera terminology
Autore: Untitled
00:00
04:45
Enrico Caruso and Titta Ruffo's only surving recording together: "Sì, pel ciel marmoreo giuro!" from Giuseppe Verdi's 1887 opera Otello. Recorded 8 January 1914 in New York City for Victor Records (as Matrix C-14272), this was released under a variety of labels (full details)
Autore: Otello: Enrico Caruso (1873–1921) Iago: Titta Ruffo (1877–1953) Composer: Giuseppe Verdi (1813–1901)
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03:25
One of the most famous opera of Eric Satie (1866-1925), French composer and pianist. It was published in Paris in 1888. Italiano: Una delle opere piu celebri di Eric Satie (1866-1925), pianista e compositore francese. Fu pubblicata a Parigi nel 1888. Une des œuvres les plus célèbres d'Eric Satie (1866-1925), compositeur et pianiste français. Il a été publié à Paris en 1888.
Autore: Teknopazzo
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02:37
One of the most famous opera of Eric Satie (1866-1925), French composer and pianist. It was published in Paris in 1888. Italiano: Una delle opere piu celebri di Eric Satie (1866-1925), pianista e compositore francese. Fu pubblicata a Parigi nel 1888. Une des œuvres les plus célèbres d'Eric Satie (1866-1925), compositeur et pianiste français. Il a été publié à Paris en 1888.
Autore: Teknopazzo
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03:16
Enrico Caruso and Nellie Melba singing the duet "O soave fanciulla" from Giacomo Puccini's 1896 opera La bohème. It was recorded in New York on 24 March 1907 (Victor C4326 95200) – http://victor.library.ucsb.edu/matrixDetail.php?id=200006039
Autore: Enrico Caruso (1873–1921)), Nellie Melba (1861–1931) Giacomo Puccini (1858-1924)
00:00
06:40
Song to the Moon from Antonin Dvorak's 1901 opera Rusalka as performed by the United States Navy Band. Recorded at the Hylton Performing Arts Center, Manassas, Virginia in May 2015. Conducted by Captain Brian Walden. Orchestrated for band by Senior Chief Musician Scott Silbert. Featuring soprano soloist Musician 1st Class Susan Kavinski.
Autore: Untitled
00:00
02:27
1st release date: 1932 1st recording date: 18 May 1931 Place of recording: Teatro alla Scala, Milan (Italy) Author(s)/Composer(s): Georges Bizet (1838-1875) Lyricist(s): Henri Meilhac (1831-1897) and Ludovic Halévy (1834-1908) Music arranger(s): none Conductor: Carlo Sabajno (1874-1938) Performer(s): Gabriella Besanzoni (1888-1962), mezzo-soprano, Enrico Spada (1885-?), basso, Nerina Ferrari (1907-?), soprano, Tamara Beltacchi (1898-?), mezzo-soprano and members of the La Scala Theatre Orchestra and Chorus Vocal range: Bass, Mezzo-Soprano, Soprano, choir and orchestra accompaniment Title/Work: Carmen (opera) Content: Part 15: Act 2: Or ben, Pastià desia (Senor Pastia declares) Genre(s): Opera terminology
Autore: Untitled
00:00
11:41
Scheherazade, Symphonic Suite, Op. 35. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.
Autore: Untitled
00:00
03:08
Title/Work: Cavalleria Rusticana Content: Intermezzo Sinfonico Genre(s): Opera terminology Author(s)/(Composer(s): Pietro Mascagni (1863-1945) Music arranger(s): Lyricist(s): Performer(s): Deutsche Oper Berlin (Orchestra) Conductor: Walter Lutze (1891-1980) Place of recording: Berlin (German Reich) 1st release date: 1941 1st recording date: 1940/03/26
Autore: Untitled
00:00
04:18
Cavatina from La Favorita, arranged and played by alto saxist H. Benne Henton. It is originally from the fourth act of Gaetano Donizetti’s opera La favorite. Die Cavatine aus Die Favoritin, arrangiert und eingespielt vom Altsaxophonisten H. Benne Henton. Es ist ursprünglich die Cavatine des Fernando aus dem vierten Akt der Oper Die Favoritin von Gaetano Donizetti.
Autore: H. Benne Henton & unknown Band
00:00
03:04
Label: Parlophone (Carl Lindström Company) Cat. no.: P 9116 Order number: 20258 Matrix/StamperID: 2-20258 1st release date: 1927? 1st recording date: 5 May 1927 Place of recording: Carl Lindström AG, SO.33, Schlesische Straße 26, Berlin (German Reich) Author(s)/Composer(s): Giuseppe Verdi (1842-1898) Lyricist(s): Francesco Maria Piave (1810-1876) based on a Spanish drama, Don Álvaro o la fuerza del sino (1835), by Ángel de Saavedra, 3rd Duke of Rivas (1791-1865), with a scene adapted from Friedrich Schiller's Wallensteins Lager. Conductor(s): Frieder Weissmann (1893-1984) Performer(s): Orchester der Staatsoper Berlin, Meta Seinemeyer (1895-1929) Vocal range: operatic soprano with orchestra Title/Work: La forza del destino (opera) Content: Sono giunta! Grazie, o Dio! (Aria di Leonora) Genre(s): Opera terminology Comments: RCM and Reloop
Autore: Untitled
00:00
04:01
1st release date: 1936 1st recording date: 26 April 1935 Composer: Georges Bizet (1838-1875) Lyricists: Henri Meilhac (1831-1897) and Ludovic Halévy (1834-1908) Conductor: Franco Ghione (1886-1964) Performer: Beniamino Gigli (Tenor) (1890-1957) and Members of La Scala Orchestra, Milan Work: Carmen (Act 2) Content: Il fior che avevi a me tu dato (See here, thy flow' ret) Music genre: Opera terminology
Autore: Georges Bizet (1838-1875), Henri Meilhac (1831-1897) and Ludovic Halévy (1834-1908)
00:00
04:12
Pasquale Amato's April 16, 1914 Victor Records recording of the Te Deum from Giacomo Puccini's Tosca. Sung at the end of Act I, this scene in fact details the evil priest Scarpia's plans to corrupt and have his way with Tosca, while the chorus goes about seeking redemption. Victor 88489 Pasquale Amato (1878-1942), baritone; Metropolitan Opera Chorus Tosca - Te Deum Mat. C-14715-2 Rec. April 16, 1914 Digital Transfer produced by Tim Ecker for the Internet Archive.
Autore: Pasquale Amato
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08:16
Scheherazade, Symphonic Suite, Op. 35. The San Francisco Symphony Orchestra conducted by Pierre Monteux. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.
Autore: Untitled
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