1.889 tracce audio royalty-free per "Tones"

Word hey recorded in singing inspired by joan la barbara.

A simple sine wav with frequency changing according to a parabola.

An atonal lick on the alto sax, ending with a long tone.

This is the sound that myself and others agree is what you hear when a loud noise makes your ears ring. Why this particular frequency? i don't know. It's just a simple generated tone--you can loop it to make it longer.

20 approximate over tones of a 440hz sounded by fading in and out them one by one; they ovelap. At first it resembles overtone singing, but the a, fundamental tone fades out very quickly. May sound annoying.

Loopable piece of tone dialing sequence 1415926316*b*a3 with some unnecessary pitch correction and pitch bending together. Made with audition.

Rhythmic synth hits with a tone shift and swell.

Alert message.

Soft electronic beep.

Brasslike vibrato ,two tones , blip and drone.

Tone was generated in sfxr program for your sound engineering needs.

Cell phone vibrating.

Yeahjust a 100hz toneit is probably -3db rms, which is as loud as possible. Wle.

An atonal lick on the alto sax, ending with a low overblown tone.

Vocal singing inspired by joan la barbara. . . Singing with harmonic changing.

This is samuel flynn strumming the guitar in a suspenseful tone.

Recording of singing bowl tone.

Room tone of a quiet room, some voices heard in the background.

A user interface beep that denotes a successful action.

Ambient bass tone combined with a simple field recording.

1 minute of brisbane city around midnight.

I made this ringtone for my phone. It's yours now.

A long tone from the horn of the north haven, maine ferry.

Open app.

Another gong but bright-toned and more realistic.

Roomtone apartment, neighbour's children running.

Bytebeat fx.

A 15 second sample of 15khz. Produced in audacity for a request.

Random bells [cc zero].

Example of dissonance in Mozart's Adagio and Fugue in C minor KV. 546.

Sounds created with an ardutouch.

Indoors cafe village stereo.

A long tone from a wooden altoflute. I made a sound more synthetic with audacity.

Diatonic major scale in 12 tone equal temperament

Synthesized with audacity. Didnt take long at all.

A quick poot that dips and rises in tone with an interesting squeak at the end. Processed with audacity for a more consistent tone and volume.

Loop guitar bass various tones, stereo, compremaster, eq, distortion, eq peaking level, other plugins.

Same header tones from a recording of a national periodic test conducted on august 11, 2021. Edited using audacity.

A neutral, static room tone - with some reverb og distortion. I have used it in the background for radio shows, when recorded in a studio that's too silent - but of course mixed down a lot so you can just barely hear it.

Relatively quiet suburban neighborhood ambience/room tone. No people, distant cars in the background, light wind. Recorded with a rode-ntg3 and zoom f4.

Recorded outside university.

Mellow type of lick, good for an intro, sorta blues sorta doom/stoner rock, clean tones, lick starts to build up near the end.

Dual tone multi-frequency (dtmf) dialing 1-2-3-a-4-5-6-b-7-8-9-c-*-0-#-d in this order. Made with audacity.

Recorded on elevated train station, relatively busy winter exterior night ambience, cars and trucks below, quiet city air tone.

Three partsfirst part 11 tones and 4ssecond part 4 tones and 3s (a little unstable sequence. . . )third part 8 tones and 12s. Question. Do i need a modular synth for making meanless things as this. . . Well, yes and no. The parts are related in different ways and theunstableness is nice. Or?all three sequences are made in different ways.

A long tone (approx. C#) on alto sax, with pitch divergences.

Alert message.

Phone dialing and calling then hanging up.

2 brass tones,blip + sustained.

A parisian fire truck passes about 150 feet away and briefly turns on its siren to make sure nobody overlooks it. Emergency vehicles in france have either two-tone or three-tone sirens. Vehicles to which one must yield the right of way, such as fire trucks, use the two-tone siren. The three-tone siren (not on this recording) is used for vehicles that do not require drivers to yield but should still be given some priority. Recorded with a zoom h4n hand-held, stereo 96 khz / 24 bits, built-in mics, about 150 feet away from the passing truck.