1,006 ロイヤリティフリー オーディオトラック の "タブラ"

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Dandiya stick.
著者: Ajith
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Dha sound of a tabla stroke.
著者: Subodh
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Dha sound of a tabla stroke.
著者: Subodh
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Dha sound of a tabla stroke.
著者: Subodh
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Dha sound of a tabla stroke.
著者: Subodh
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Dha sound of a tabla stroke.
著者: Subodh
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Dha sound of a tabla stroke.
著者: Subodh
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Dha sound of a tabla stroke.
著者: Subodh
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Dha sound of a tabla stroke.
著者: Subodh
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Dha sound of a tabla stroke.
著者: Subodh
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00:10
*** please rate this sound if you download and like :-) ***. Tabla loop built with boulanger's free library on ableton's drum rack and mastered. -3 db level.
著者: Cmpsr
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00:03
Bass stroke ghe on a tabla.
著者: Mmiron
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00:03
Tabla is percussion instrument with two drums 'daya' and 'baya'. Only the 'daya' drum is usually tuned. For checking the tuning the 'na' bol is played. Recorded using samson-go portable condenser mike at home. Placing the mike too close to tabla was clipping the sound and if placed away, it was not picking the extended resonance. Hence the mike was moved closer after attack, hence the apparent increase in amplitude and some doppler effect is seen.
著者: Ninad P
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Short indian percussion loop at 121 bpm.
著者: Stevysound
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00:09
This audio was recorded in my keyboard.
著者: Nemaavla
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03:41
I am recording this drum's resonance mainly for an ebay post. . . . Not sure if i can embed on ebay. I like the drum but i have too many drums. 1 drum appears to be a lone tabla drum longing for a partner and a drummer who knows how to play it the :"right way". . . Here i appear to be falling into mostly simplistic rhythms that are intermittant. . . . Peace. . . .
著者: Nirtana
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07:10
This is around 10 minutes of a hand drum groove at 113 bpm, but there are many little random variations, so you can chop it up and loop just the bits you like, or let the little drum section play as you tie up your man bun, kick your hackey sack and shake your money maker around the drum circle.
著者: Stevysound
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01:57
Little loop with some soloing over it about halfway through, chop the beginning for an intro or use the wacky melody that comes in about halfway through. Its basically in lydian mode, so suitable for indian or just for fun.
著者: Stevysound
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Sample of some drum sounds made with a plastic bag drum: a plastic bag is stretched over a cylindrical object (in this case an empty cd-r spindle).
著者: Suspiciononline
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Vcv rack #1 patch recording!.
著者: Brudelarge
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A tabla loop played only with the bayan (the bass drum). The taal is kherwa (the rhythm) and the bayan isn't used at all. Recorded using behringer c-1u, recorded in adobe audition, and finally did some eqing (the major part of the eqing was removing the 60 hz hum and the obnoxious other harmonics). Enjoy!.
著者: Afleetingspeck
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Created and uploaded in 45 minutes: that's the challenge!. This is more of a little fun loop thing. Polyrhythmic percussions + a brief visit by a droning chord. "this is. . . Earth radio. And now here is. . Human music. ".
著者: Prod
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03:24
Anton Günther Gesang und Gitarre: "S ist Feierobnd" in erzgebirgisch
著者: Untitled
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01:47
Morceau d'improvisation à la guitare électrique par Arthur P. (11 ans et quelques) pour l'émission Culture(s) Numérique(s) numéro 11 (juin 2019) sur Radio Pluriel. Publié ici avec son accord.
著者: Untitled
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04:19
Claudio S. Grafulla's march Washington Grays, performed by the U.S. Army Band
著者: Composition: Claudio S. Grafulla (1810–1880) Performance: U.S. Army Band
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Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
著者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807
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Freischutz Quickstep performed by the Concert Band of the United States Air National Guard Band of the Southwest. Track 2 from American Songs (2005).
著者: Composition: Claudio S. Grafulla; Performance: United States Air National Guard Band of the Southwest, Concert Band; Recording: United States Air Force
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Der Tag bricht an und zeiget sich; Evang. Gesangbuch 438; Wach auf, wach auf, ’s ist hohe Zeit; Evang. Gesangbuch 244
著者: Melodie: Melchior Vulpius 1609; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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03:54
I'm Just Wild About Harry song (instrumental version). 78 RPM vertical cut photograph. Noise removed. Some equalization and compression to adjust for "tinny" sound. Some mild adjustments to even out the volume. Українська: «Я просто божеволіє від Гаррі», написана Юбі Блейком і на слова Нобла Сіссла, виконана в 1922 році.
著者: Eubie Blake, composer (with Sissle, Noble, lyrics), performance conducted by Vincent Lopez, published by Edison
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Stephen Foster's music to "We Are Coming, Father Abraham", played by the United States Marine Band. Performed February 16, 2009 at The Music Center at Strathmore. Col. Michael J. Colburn, conducting; Gy.Sgt. Kevin Bennear, baritone.
著者: Untitled
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Short sound effects made with minikorg 700s + kenton midi to cv converter.
著者: Hast
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02:43
著者: John McCormack
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02:44
著者: John McCormack
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Manipulated recording of the back of headphones being rubbed together.
著者: Ismailmasha
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Glass bottle shattering.
著者: Sgarrison
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Recording of a phone screen being flicked.
著者: Ismailmasha
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Fork being scraped around in a trash can.
著者: Evanmack
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Students talking between classes, near microphone.
著者: Claudiooliveira
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Telephone 70s circle dial dialing recorded using a sennheiser wireless dynamic ew135g2 microphone through a yamaha dm1000 digital console with cubase software.
著者: Yakkall
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Struck the back side of a metal tablespoon with another spoon, and let it ring.
著者: Bcimmet
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Tapping of hand on plastic sheet film. Recorded with mono microphone and ensemble. No post processing.
著者: Amrita
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A slowed down hit on a trash can with added reverb.
著者: Evanmack
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01:32
Standing on a platform for the s-bahn (overground) train in berlin. Train approaches, stops, small people get on board. Tannoy makes announcement and train leaves.
著者: Skjor
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First recording with the sound devices mix pre 6with my oldschool vintage philips 50's microphonefrom the rommelmarkt ! just being nice to thelittle device. . . Recording: 18 november 2020. 11 dec 2020, late at nighta+josé.
著者: Antwerpsounddesign
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Two sustained voice samples i subsequently pitch shifted and layered for an ambient work (to achieve an 80's choir pad effect). The key is almost in middle c, but slightly off. . . Because i can't sing. The second, lower voice sample was recorded extremely close to the mic to achieve clipping; i wanted to get a buzzy, boomy sound out of it.
著者: Housedj
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This is the sound of my nails slowly scraping the plastic back of a chair.
著者: Maryamseraji
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Light rain drizzle, recorded from basement window. M-s recorded with neumann rsm191 (decoded while recording)16bit 48khzisrael.
著者: Gadiraz
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