995 ロイヤリティフリー オーディオトラック の "ナマケモノ"

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02:23
Chaos in controlnow have to fix my dish washererror code e:24.
著者: Gis Sweden
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04:55
Another sloth lfo test. I wanted to see - expected to see - cyclesrepeating. I don't. I have x controlling frequency and y controllinga filter. This recording is 5 minutes so there should be some repetitiveness. . . It's a regular sloth. . . I see 48 second cycles but they are not the same. Cool. Chaos.
著者: Gis Sweden
00:00
00:60
Virusdisco. Jupiter storm, ffchaos, sloth, spring-reverb, analog delay etc. . . Yep it's saturday. A sound. . . Not that good. Annoying. Maybe you can do something with it?.
著者: Gis Sweden
00:00
01:57
Trying to recreate an old patch. This was totally wrong way. . .
著者: Gis Sweden
00:00
05:00
Two envelopes trigger each other and the quantizer which is fed with cv from the sloth lfo. Anyway, a modular synth experiment. A triangle wave from an lfo acts as a bass tone.
著者: Gis Sweden
00:00
10:15
X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch.
著者: Gis Sweden
00:00
10:26
X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch. The sloth have a potentiometer that is said to "alter frequency a little". . .
著者: Gis Sweden
00:00
04:00
This is nlc sloth. A chaos module. Doing. . . Chaos. Fade in and out. . .
著者: Gis Sweden
00:00
03:47
This is 2 nlc sloths. Making chaotic but nice music/sound. . . I'm glad you found this little sound. Take good care of it.
著者: Gis Sweden
00:00
07:34
Ambient music shaped by two sloth lfosmuch reverb! very much. . . . Oh yes, some "ambient noise" toolets call this patch "instant generative ambient patch"one sloth generates triggers. One controls pitch cv. Noise through filter controlled by 2lfosh. And loads of reverb.
著者: Gis Sweden
00:00
03:13
Sound/track made withhttps://freesound. Org/people/gis_sweden/sounds/465325/noise and some simple tones added. Reverb and delay (zoom ms-70cdr)!nlc sloth is controlling filters and melody development.
著者: Gis Sweden
00:00
15:09
A drone with jupiter storm and function in some sort of feedback patch with injected cv from sloth - always sloth. . .
著者: Gis Sweden
00:00
04:51
Boring sound. . . Neuron patch (?). . . Inspired by nlc squid axon (i have saved some hp for that one!) i have patched up a simple 2 stage asr with 2 s/h. Most of the time it plays its atonal melody, but when the patch is stimulated (by a sloth lfo) feedback opens up. I can adjust the sensitivity in different ways (so i can simulate the intake of drugs. . . ). The sound from the oscs goes though vcfs with some resonance. The vcfs are controlled by the same sloth lfo. My neuron patch. . . No hands during recording. My favourite part is when nothing happens - for almost 1 min?! but you can hear the filter working via the vcfs. The cv must be in some strange area.
著者: Gis Sweden
00:00
03:24
Anton Günther Gesang und Gitarre: "S ist Feierobnd" in erzgebirgisch
著者: Untitled
00:00
01:47
Morceau d'improvisation à la guitare électrique par Arthur P. (11 ans et quelques) pour l'émission Culture(s) Numérique(s) numéro 11 (juin 2019) sur Radio Pluriel. Publié ici avec son accord.
著者: Untitled
00:00
04:19
Claudio S. Grafulla's march Washington Grays, performed by the U.S. Army Band
著者: Composition: Claudio S. Grafulla (1810–1880) Performance: U.S. Army Band
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03:55
Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
著者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807
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03:31
Freischutz Quickstep performed by the Concert Band of the United States Air National Guard Band of the Southwest. Track 2 from American Songs (2005).
著者: Composition: Claudio S. Grafulla; Performance: United States Air National Guard Band of the Southwest, Concert Band; Recording: United States Air Force
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01:13
Der Tag bricht an und zeiget sich; Evang. Gesangbuch 438; Wach auf, wach auf, ’s ist hohe Zeit; Evang. Gesangbuch 244
著者: Melodie: Melchior Vulpius 1609; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
00:00
03:54
I'm Just Wild About Harry song (instrumental version). 78 RPM vertical cut photograph. Noise removed. Some equalization and compression to adjust for "tinny" sound. Some mild adjustments to even out the volume. Українська: «Я просто божеволіє від Гаррі», написана Юбі Блейком і на слова Нобла Сіссла, виконана в 1922 році.
著者: Eubie Blake, composer (with Sissle, Noble, lyrics), performance conducted by Vincent Lopez, published by Edison
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04:08
Stephen Foster's music to "We Are Coming, Father Abraham", played by the United States Marine Band. Performed February 16, 2009 at The Music Center at Strathmore. Col. Michael J. Colburn, conducting; Gy.Sgt. Kevin Bennear, baritone.
著者: Untitled
00:00
00:03
Short sound effects made with minikorg 700s + kenton midi to cv converter.
著者: Hast
00:00
02:43
著者: John McCormack
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02:44
著者: John McCormack
00:00
00:03
Manipulated recording of the back of headphones being rubbed together.
著者: Ismailmasha
00:00
00:03
Glass bottle shattering.
著者: Sgarrison
00:00
00:02
Recording of a phone screen being flicked.
著者: Ismailmasha
00:00
00:02
Fork being scraped around in a trash can.
著者: Evanmack
00:00
02:01
Students talking between classes, near microphone.
著者: Claudiooliveira
00:00
00:13
Telephone 70s circle dial dialing recorded using a sennheiser wireless dynamic ew135g2 microphone through a yamaha dm1000 digital console with cubase software.
著者: Yakkall
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00:02
Struck the back side of a metal tablespoon with another spoon, and let it ring.
著者: Bcimmet
00:00
00:23
Tapping of hand on plastic sheet film. Recorded with mono microphone and ensemble. No post processing.
著者: Amrita
00:00
00:03
A slowed down hit on a trash can with added reverb.
著者: Evanmack
00:00
01:32
Standing on a platform for the s-bahn (overground) train in berlin. Train approaches, stops, small people get on board. Tannoy makes announcement and train leaves.
著者: Skjor
00:00
00:09
First recording with the sound devices mix pre 6with my oldschool vintage philips 50's microphonefrom the rommelmarkt ! just being nice to thelittle device. . . Recording: 18 november 2020. 11 dec 2020, late at nighta+josé.
著者: Antwerpsounddesign
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00:21
Two sustained voice samples i subsequently pitch shifted and layered for an ambient work (to achieve an 80's choir pad effect). The key is almost in middle c, but slightly off. . . Because i can't sing. The second, lower voice sample was recorded extremely close to the mic to achieve clipping; i wanted to get a buzzy, boomy sound out of it.
著者: Housedj
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00:40
This is the sound of my nails slowly scraping the plastic back of a chair.
著者: Maryamseraji
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00:30
Light rain drizzle, recorded from basement window. M-s recorded with neumann rsm191 (decoded while recording)16bit 48khzisrael.
著者: Gadiraz
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