1,007 ロイヤリティフリー オーディオトラック の "マトリックス"

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00:49
Made in reaper with noise and filters mid side and phase quad etc. . .
著者: Tc
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00:09
This is two seperate oberheim samples, played through a sampler and strangely resonating at the end. The resonation at the end is completely absent when either sample is played by itself. The worble at the end is a product of the two sounds mixing in my sampler. Cool, eh?.
著者: Xzyt Now
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01:40
Fulfilling a request in the forums. Open mary tts system, with a heaping spoonful of 'coding, glitching, filters and delay. I, for one, welcome our new robotic overlords. Kindly comment / attribute if you use this in anything fun. Cheers!. .
著者: Parabolix
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01:40
Fulfilling a request in the forums. Open mary tts system, with a heaping spoonful of 'coding, glitching, filters and delay. I, for one, welcome our new robotic overlords. Kindly comment / attribute if you use this in anything fun. Cheers!.
著者: Parabolix
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00:02
Made with reason 9. 5eds06s - the sound. Matrix - processing. Gate triggering, volume and pitch coarse parameters processed through matrix patterns.
著者: Arnasarnas
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00:08
This is a voice sample, descriptive of the "matrix". It has been processed and is an original recording, not a movie sample, my own rendition.
著者: Bjohan
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00:50
Full matrix is a compilation audio i mixed and recorded from: jm_fx_matrix sound 02 julien matthey scroll_matrix. Wav melissapons telephone ring xyzr_kxfor use in a streaming underground hip hop music video show.
著者: Skycarl
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00:30
A beat induced version of "hive comm", with an emphasis on using a freeware beat generator, (hammerhead) and use of an existing freesound sample. . . .
著者: Bjohan
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00:30
A slightly different beginning to "infinity 2", but basically the same sound file as such. . . .
著者: Bjohan
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00:03
I've been looking for a similar effect for quite a few years and no one has built one. So, using a simple synth and bass drop worked wonders for what i needed. The sound effect is from the matrix and is the sound heard near the beginning when the police are attempting to arrest trinity, just before the agents get upstairs. When trinity jumps, this is that effect.
著者: My Name Here
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00:04
I used the free lokomotiv synth as source, with shit tons of effect processing and mixdown bouncing to result in almost sounding unrecognizable from its starting point.
著者: Goacre
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00:04
Matrix inspired low freq bass bubble. Take the blue pill to go through the looking glass.
著者: Martian
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00:52
This is another matrix-inspired sound file, it is my rendition of an audible hive within the fields of the matrix pods, where human thoughts are focused.
著者: Bjohan
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00:07
Tried to recreate the mirror scream from the matrix.
著者: Jarredgibb
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00:39
This track is an original, with the use of the hammerhead beat generator and sound file processor called goldwave. The track has been processed fo added effect. . .
著者: Bjohan
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06:27
Some impro with arturia matrix brute.
著者: Amingliang
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00:05
I've been looking for a similar effect for quite a few years and no one has built one. So, using a simple synth and bass drop worked wonders for what i needed. The sound effect is from the matrix and is the sound heard near the beginning when the police are attempting to arrest trinity, just before the agents get upstairs. When trinity jumps, this is that effect. This version has been slowed down some. See my other one to get kind of the replicated version.
著者: My Name Here
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00:03
I've been looking for a similar effect for quite a few years and no one has built one. So, using a simple synth and bass drop worked wonders for what i needed. The sound effect is from the matrix and is the sound heard near the beginning when the police are attempting to arrest trinity, just before the agents get upstairs. When trinity jumps, this is that effect. My original concoction.
著者: My Name Here
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00:03
This is the sound that the apple computer imagewriter ii dot matrix printer makes when it is being powered on.
著者: Jewettg
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03:24
Anton Günther Gesang und Gitarre: "S ist Feierobnd" in erzgebirgisch
著者: Untitled
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01:47
Morceau d'improvisation à la guitare électrique par Arthur P. (11 ans et quelques) pour l'émission Culture(s) Numérique(s) numéro 11 (juin 2019) sur Radio Pluriel. Publié ici avec son accord.
著者: Untitled
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00:31
This sound has been created by modifying a voice record of about 3 minutes non-sense talk. Afterwards transformed and modified by many various effects in audacity. Sounds like an alien transmission or digital matrix, transformation kinda thingy. . Feel free to use as you like under public domain.
著者: A
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04:19
Claudio S. Grafulla's march Washington Grays, performed by the U.S. Army Band
著者: Composition: Claudio S. Grafulla (1810–1880) Performance: U.S. Army Band
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03:55
Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
著者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807
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00:14
Recording of the rotation motor on a dynamic perception motion control rig. Recorded with a sennheiser ew100g3 wireless cardioid mic on a zoom h6. Minimal post production with just a highpass filter to remove some of the very low end sound in the background. Kind of reminds me of the scene where neo leaves the matrix for the first time.
著者: C V
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03:31
Freischutz Quickstep performed by the Concert Band of the United States Air National Guard Band of the Southwest. Track 2 from American Songs (2005).
著者: Composition: Claudio S. Grafulla; Performance: United States Air National Guard Band of the Southwest, Concert Band; Recording: United States Air Force
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01:13
Der Tag bricht an und zeiget sich; Evang. Gesangbuch 438; Wach auf, wach auf, ’s ist hohe Zeit; Evang. Gesangbuch 244
著者: Melodie: Melchior Vulpius 1609; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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03:54
I'm Just Wild About Harry song (instrumental version). 78 RPM vertical cut photograph. Noise removed. Some equalization and compression to adjust for "tinny" sound. Some mild adjustments to even out the volume. Українська: «Я просто божеволіє від Гаррі», написана Юбі Блейком і на слова Нобла Сіссла, виконана в 1922 році.
著者: Eubie Blake, composer (with Sissle, Noble, lyrics), performance conducted by Vincent Lopez, published by Edison
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04:08
Stephen Foster's music to "We Are Coming, Father Abraham", played by the United States Marine Band. Performed February 16, 2009 at The Music Center at Strathmore. Col. Michael J. Colburn, conducting; Gy.Sgt. Kevin Bennear, baritone.
著者: Untitled
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00:03
Short sound effects made with minikorg 700s + kenton midi to cv converter.
著者: Hast
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02:43
著者: John McCormack
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02:44
著者: John McCormack
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00:03
Manipulated recording of the back of headphones being rubbed together.
著者: Ismailmasha
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00:03
Glass bottle shattering.
著者: Sgarrison
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00:02
Recording of a phone screen being flicked.
著者: Ismailmasha
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00:02
Fork being scraped around in a trash can.
著者: Evanmack
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02:01
Students talking between classes, near microphone.
著者: Claudiooliveira
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00:13
Telephone 70s circle dial dialing recorded using a sennheiser wireless dynamic ew135g2 microphone through a yamaha dm1000 digital console with cubase software.
著者: Yakkall
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00:02
Struck the back side of a metal tablespoon with another spoon, and let it ring.
著者: Bcimmet
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00:23
Tapping of hand on plastic sheet film. Recorded with mono microphone and ensemble. No post processing.
著者: Amrita
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00:03
A slowed down hit on a trash can with added reverb.
著者: Evanmack
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01:32
Standing on a platform for the s-bahn (overground) train in berlin. Train approaches, stops, small people get on board. Tannoy makes announcement and train leaves.
著者: Skjor
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00:09
First recording with the sound devices mix pre 6with my oldschool vintage philips 50's microphonefrom the rommelmarkt ! just being nice to thelittle device. . . Recording: 18 november 2020. 11 dec 2020, late at nighta+josé.
著者: Antwerpsounddesign
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00:21
Two sustained voice samples i subsequently pitch shifted and layered for an ambient work (to achieve an 80's choir pad effect). The key is almost in middle c, but slightly off. . . Because i can't sing. The second, lower voice sample was recorded extremely close to the mic to achieve clipping; i wanted to get a buzzy, boomy sound out of it.
著者: Housedj
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00:40
This is the sound of my nails slowly scraping the plastic back of a chair.
著者: Maryamseraji
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