1,002 ロイヤリティフリー オーディオトラック の "例"

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00:07
Test sound. Credits to the owner.
著者: Deleted User
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00:02
Example of a sound at four levels of amplification: 0. 0, 0. 5, 1. 0, 1. 5includes clipping at the 1. 5 level. Sound generated using the go-sound golang programming library:https://github. Com/padster/go-sound. As part of the demonstration program:https://github. Com/padster/go-sound/blob/master/runthrough. Go.
著者: Padsterpat
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00:06
Recording of a signal generated by the chirp. Io service.
著者: Paul
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00:06
Pitch bent & filtered sawtooth effect.
著者: Thegarbs
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00:01
Example of how notes are added in series by appending their samples. Sound generated using the go-sound golang programming library:https://github. Com/padster/go-sound. As part of the demonstration program:https://github. Com/padster/go-sound/blob/master/runthrough. Go.
著者: Padsterpat
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00:01
Example of playing two tones at the same time by adding their samples. Sound generated using the go-sound golang programming library:https://github. Com/padster/go-sound. As part of the demonstration program:https://github. Com/padster/go-sound/blob/master/runthrough. Go.
著者: Padsterpat
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00:15
Filtersweep with the sequential ob-6 sem-state-variable-filter. C1. Rme babyface pro fs.
著者: Voxlab
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00:30
Som de um carrinho de chá a andar.
著者: Mafalda
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00:04
Example of a few sounds, first without adsr envelope, then with. Sound generated using the go-sound golang programming library:https://github. Com/padster/go-sound. As part of the demonstration program:https://github. Com/padster/go-sound/blob/master/runthrough. Go.
著者: Padsterpat
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00:03
Sample test audio for testing functionality.
著者: Ndbrandt
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00:35
A woman & a man say questions how to use online convert. 1:the woman say a question2:the man answer the question and say the response.
著者: Marcospurziani
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00:01
Field-recording is a popular tag. Dub example example should effect.
著者: Lzwasyc
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00:04
Example of producing a beat frequency - two seconds of 110hz tone, followed by two seconds of 118hz, to form an 8hz beat frequency. Sound generated using the go-sound golang programming library:https://github. Com/padster/go-sound. As part of the demonstration program:https://github. Com/padster/go-sound/blob/master/runthrough. Go.
著者: Padsterpat
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01:48
Another prime example why the tascam dr40 is complete useless as a field recorder. Picked up this interference somewhere literally in a field in the middle of nowhere. Do not buy.
著者: Uniuniversal
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00:05
Four notes (a4,g4,b4,c5) played one after the other at 60 bpm, generated by an online midi editor.
著者: Esuarezg
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12:25
Thank thank you thank you. Thank thank you thank you. Thank thank you thank you. Thank thank you thank you. Welcome.
著者: Ajaytron
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00:02
This is a first in a series of loops made with the x-base09 drum-kit i have posted long time ago, i thought this would be a nice addition. Loops will be mainly processed in live9. Information will be available depending on the loop. This loop is a dry unprocessed loop, all i did was reduce the release on one of the kicks, as it has a long delay, and i didn't want that in the background of this loop, some midi velocity on the hi-hats, and i added a groove (chachacha) with only 10% quantization. This first loop was mainly to show the original sound of the individual hits as they where recorded, playing as a loop to give you a better picture of the sounds and therefore i added it to the x-base kit instead of x-base loop pack.
著者: Akosombo
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01:44
Me saying 'will you tell the girls about the murder rate of squirrels in third world countries, for a friend who likes scots accents. For more info, go to http://wp. Me/p2lkjm-7p.
著者: Urbaneguerilla
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00:06
A dissonant violin sample from an instrument on garageband.
著者: Untitled
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03:24
Anton Günther Gesang und Gitarre: "S ist Feierobnd" in erzgebirgisch
著者: Untitled
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01:47
Morceau d'improvisation à la guitare électrique par Arthur P. (11 ans et quelques) pour l'émission Culture(s) Numérique(s) numéro 11 (juin 2019) sur Radio Pluriel. Publié ici avec son accord.
著者: Untitled
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04:19
Claudio S. Grafulla's march Washington Grays, performed by the U.S. Army Band
著者: Composition: Claudio S. Grafulla (1810–1880) Performance: U.S. Army Band
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03:55
Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
著者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807
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Don't you just love a professor who can get his point across in spite of the odds.
著者: Nuncaconoci
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03:31
Freischutz Quickstep performed by the Concert Band of the United States Air National Guard Band of the Southwest. Track 2 from American Songs (2005).
著者: Composition: Claudio S. Grafulla; Performance: United States Air National Guard Band of the Southwest, Concert Band; Recording: United States Air Force
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01:13
Der Tag bricht an und zeiget sich; Evang. Gesangbuch 438; Wach auf, wach auf, ’s ist hohe Zeit; Evang. Gesangbuch 244
著者: Melodie: Melchior Vulpius 1609; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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03:54
I'm Just Wild About Harry song (instrumental version). 78 RPM vertical cut photograph. Noise removed. Some equalization and compression to adjust for "tinny" sound. Some mild adjustments to even out the volume. Українська: «Я просто божеволіє від Гаррі», написана Юбі Блейком і на слова Нобла Сіссла, виконана в 1922 році.
著者: Eubie Blake, composer (with Sissle, Noble, lyrics), performance conducted by Vincent Lopez, published by Edison
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04:08
Stephen Foster's music to "We Are Coming, Father Abraham", played by the United States Marine Band. Performed February 16, 2009 at The Music Center at Strathmore. Col. Michael J. Colburn, conducting; Gy.Sgt. Kevin Bennear, baritone.
著者: Untitled
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00:03
Short sound effects made with minikorg 700s + kenton midi to cv converter.
著者: Hast
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02:43
著者: John McCormack
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02:44
著者: John McCormack
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Manipulated recording of the back of headphones being rubbed together.
著者: Ismailmasha
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00:03
Glass bottle shattering.
著者: Sgarrison
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Recording of a phone screen being flicked.
著者: Ismailmasha
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Fork being scraped around in a trash can.
著者: Evanmack
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02:01
Students talking between classes, near microphone.
著者: Claudiooliveira
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00:13
Telephone 70s circle dial dialing recorded using a sennheiser wireless dynamic ew135g2 microphone through a yamaha dm1000 digital console with cubase software.
著者: Yakkall
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Struck the back side of a metal tablespoon with another spoon, and let it ring.
著者: Bcimmet
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00:23
Tapping of hand on plastic sheet film. Recorded with mono microphone and ensemble. No post processing.
著者: Amrita
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00:03
A slowed down hit on a trash can with added reverb.
著者: Evanmack
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01:32
Standing on a platform for the s-bahn (overground) train in berlin. Train approaches, stops, small people get on board. Tannoy makes announcement and train leaves.
著者: Skjor
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00:09
First recording with the sound devices mix pre 6with my oldschool vintage philips 50's microphonefrom the rommelmarkt ! just being nice to thelittle device. . . Recording: 18 november 2020. 11 dec 2020, late at nighta+josé.
著者: Antwerpsounddesign
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00:21
Two sustained voice samples i subsequently pitch shifted and layered for an ambient work (to achieve an 80's choir pad effect). The key is almost in middle c, but slightly off. . . Because i can't sing. The second, lower voice sample was recorded extremely close to the mic to achieve clipping; i wanted to get a buzzy, boomy sound out of it.
著者: Housedj
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00:40
This is the sound of my nails slowly scraping the plastic back of a chair.
著者: Maryamseraji
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Light rain drizzle, recorded from basement window. M-s recorded with neumann rsm191 (decoded while recording)16bit 48khzisrael.
著者: Gadiraz
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