1,017 ロイヤリティフリー オーディオトラック の "増加"

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05:03
Ecu gain growth.
著者: Awaka
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00:12
Tree growth sound.
著者: Tilano
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01:53
I used predetermined sounds from freesound to create a track that symbolises the memories that are stored in our wombs: positive and negative experiences, traumas, ancestral memories, etc.
著者: Andrearabasa
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00:26
Additive synthesis.
著者: Bzakirasantjago
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Since there is an abundance of am'd square wave sounds everywhere, why not turn it into triangle waves? generated and then heavily edited using caustic 3. 2.
著者: Jwph
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00:09
A synthetic bass multisample. I created it using the virsyn cube additive synthesizer (vsti). I applied some eq using the sonalksis sv-517 equalizer plugin. The sound was compressed by the sonalksis sv-315 and nomad factory blue tubes cp2s compressor plugins. All great quality plugs. The sound is a nice but rather static emulation of a bass guitar. Use your sampler's velocity and pitch bending options to bring this multisample to life. All samples in a 24 bit, 44. 1 khz resolution. Loop points were added for sustained notes.
著者: Daven
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00:03
That sounds attempts to be a bell, but sounds like a vocal pad.
著者: Blackie
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00:22
Additive synthesis in supercollider.
著者: Bzakirasantjago
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00:19
Additive synthesis with supercollider.
著者: Bzakirasantjago
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06:26
Engine control unit corrector mono x2 dual sound a. B a!=b iso synchronous atv utv trajectory analyzer left mirror right rheology paradigm efficiency 6db 3dbl+3dbr !=2*3db signal density growth.
著者: Awaka
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06:26
Engine control unit corrector mono x2 dual sound a. B a!=b iso synchronous atv utv trajectory analyzer left mirror right rheology paradigm efficiency 6db 3dbl+3dbr !=2*3db signal density growth.
著者: Awaka
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05:12
Engine control unit corrector mono x2 dual sound a. B a!=b iso synchronous atv utv trajectory analyzer left mirror right rheology paradigm efficiency 6db 3dbl+3dbr !=2*3db signal density growth.
著者: Awaka
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05:12
Engine control unit corrector mono x2 dual sound a. B a!=b iso synchronous atv utv trajectory analyzer left mirror right rheology paradigm efficiency 6db 3dbl+3dbr !=2*3db signal density growth.
著者: Awaka
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00:03
Virtual ans.
著者: Wjoojoo
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00:12
Female moose call recorded by the fish and Wildlife Service in Minnesota. Wildlife recordings like this from the government are automatically in the public domain.
著者: fws.gov
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00:13
Female moose call recorded by the fish and Wildlife Service in Minnesota. Wildlife recordings like this from the government are automatically in the public domain.
著者: fws.gov
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00:07
A simple bell sound created with additive synthesis. A combination of eleven oscillator, each one with a different envelope. The resulting udible tone is more or less a b. The sound itself is mixed with a simple piano b note, just to aid tone recognition.
著者: Archeos
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00:09
Non-offensive reverse speech with delay fx.
著者: Acrolith
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00:04
Turkey gobble then shot, shoot, gun.
著者: Dylanpm
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00:01
An ideal track to join to songs together or to bleep our swearing in a song etc. . . Useful for radio shows!.
著者: Joetully
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03:09
Not new has been added in the alphabetby: maqsood hasniabuzar barqi kutab'khana dec. 2019.
著者: Maqsood@Mailworld
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00:09
Hope u like it did this my self on ableton live its free to use :).
著者: Klavo
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00:02
Music lab sounds added from december these sounds will have a variety from game re edits to created sounds from licensed sound reedits. Theses sounds are free to use from this add.
著者: Bwpo
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01:02
Rainforest ambience with birds and crickets sound
著者: GlorySunz
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00:16
It's free version of sound in 1984 commercial from apple inc. Resynthesized with fm8.
著者: Hp
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00:60
Glitchy bassline made ni razor and some secret stuff.
著者: Logicmoon
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03:24
Anton Günther Gesang und Gitarre: "S ist Feierobnd" in erzgebirgisch
著者: Untitled
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07:20
Same patch as in electronic minute no 226 but on my real modular. I'm using a wave folder. Thats why i call this version additive. I'm adding timbre to a sinus wave. I will do an subtractive version next.
著者: Gis Sweden
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01:47
Morceau d'improvisation à la guitare électrique par Arthur P. (11 ans et quelques) pour l'émission Culture(s) Numérique(s) numéro 11 (juin 2019) sur Radio Pluriel. Publié ici avec son accord.
著者: Untitled
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04:18
This is a bubbling cauldron created for the witches scene in a production of macbeth, and was created by combining 19842_jace_boiling_bubbles2 and 30322_pcaeldries_fireburning_v2,and then processing and looping the resulting mix. Thank you jace & pcaeldries!.
著者: Billyzenn
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00:06
A synthesized, digital oneshot - whirring into a hit. Looped and overlapping.
著者: Newagesoup
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02:22
Did it all my self hope u like it :d.
著者: Klavo
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04:19
Claudio S. Grafulla's march Washington Grays, performed by the U.S. Army Band
著者: Composition: Claudio S. Grafulla (1810–1880) Performance: U.S. Army Band
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03:55
Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
著者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807
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Freischutz Quickstep performed by the Concert Band of the United States Air National Guard Band of the Southwest. Track 2 from American Songs (2005).
著者: Composition: Claudio S. Grafulla; Performance: United States Air National Guard Band of the Southwest, Concert Band; Recording: United States Air Force
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This is the sound of a hand crank from a 1920's adding machine. High quality recording2x schoeps cmc 5u with schoeps mk4 & mk8 capsulessound devices 744 audio recorder.
著者: Weaveofkev
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3. . . 2. . . 1. . . Action!. This sound can for example be used in beatz, games - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.
著者: Matrixxx
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00:38
Spectral synth chord made with sunvox's spectravoice + reverb.
著者: Saltbearer
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01:13
Der Tag bricht an und zeiget sich; Evang. Gesangbuch 438; Wach auf, wach auf, ’s ist hohe Zeit; Evang. Gesangbuch 244
著者: Melodie: Melchior Vulpius 1609; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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01:36
For free use. . . Please let me hear what you done wht this. . . Couse for free. . . As always. . . Good lucky.
著者: Roses
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03:54
I'm Just Wild About Harry song (instrumental version). 78 RPM vertical cut photograph. Noise removed. Some equalization and compression to adjust for "tinny" sound. Some mild adjustments to even out the volume. Українська: «Я просто божеволіє від Гаррі», написана Юбі Блейком і на слова Нобла Сіссла, виконана в 1922 році.
著者: Eubie Blake, composer (with Sissle, Noble, lyrics), performance conducted by Vincent Lopez, published by Edison
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Created this sound from the sound of the ceiling lamp bowl, by creating three sends (that is, three layers) with their subsequent filtering and some stereo manipulations the space of each of the layers. Each layer was processed in its own way.
著者: Newlocknew
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04:08
Stephen Foster's music to "We Are Coming, Father Abraham", played by the United States Marine Band. Performed February 16, 2009 at The Music Center at Strathmore. Col. Michael J. Colburn, conducting; Gy.Sgt. Kevin Bennear, baritone.
著者: Untitled
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00:03
Short sound effects made with minikorg 700s + kenton midi to cv converter.
著者: Hast
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02:43
著者: John McCormack
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02:44
著者: John McCormack
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00:03
Manipulated recording of the back of headphones being rubbed together.
著者: Ismailmasha
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Fork being scraped around in a trash can.
著者: Evanmack
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02:01
Students talking between classes, near microphone.
著者: Claudiooliveira
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