3,762 ロイヤリティフリー オーディオトラック の "3"

Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MT 60/145:3:8

Sveriges Radios folkmusikinspelningar. Dokumentatör: Ulf Peder Olrog, Matts Arnberg (Radiotjänst) Radiotjänsts ursprungliga produktionsnummer: 55/2586 G:3:2

Sveriges Radios folkmusikinspelningar. Bidrag till Radiotjänsts folkvisetävling. Dokumentatör: Qvitt Holmgren (Q98842780) Radiotjänsts ursprungliga produktionsnummer: 51/14958:2:3

Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MT 60/145:9:3

A sound made from an old lathe; stretched and processed to sound like a massive machine. Recorded with m-audio microtrack ii. Processed with audacity 2. 0. 3.

Recorded at hallsands, south devon, uk. Zoom h6 positioned on shingle beach approx 3 metres from water. Sounds of waves on shingle beach as tide approaches for evening high tide.

Baltimore, 2012: arrieta (bal) pitches to pena (tb) in the top of the 1st inning. Four pitch at-bat: 1)called strike, 2)called strike, 3)foul, 4)swinging strike.

Sveriges Radios folkmusikinspelningar. Dokumentatör: Matts Arnberg (Q5559459) Radiotjänsts ursprungliga produktionsnummer: 57/11076:3:4

Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MT 60/145:3:9

3:30pm standing on the corner of downtown street in vancouver, waiting for crosswalk signal. Recorded with tascam dr-05.

Percussion kit sampled in my studio. 3 - 5 dynamic range shots (pp, p, pf, f, ff, fff). Recorded with se3, overheads - se3.

Percussion kit sampled in my studio. 3 - 5 dynamic range shots (pp, p, pf, f, ff, fff). Recorded with se3, overheads - se3.

Percussion kit sampled in my studio. 3 - 5 dynamic range shots (pp, p, pf, f, ff, fff). Recorded with se3, overheads - se3.

Percussion kit sampled in my studio. 3 - 5 dynamic range shots (pp, p, pf, f, ff, fff). Recorded with se3, overheads - se3.

Percussion kit sampled in my studio. 3 - 5 dynamic range shots (pp, p, pf, f, ff, fff). Recorded with se3.

Percussion kit sampled in my studio. 3 - 5 dynamic range shots (pp, p, pf, f, ff, fff). Recorded with se3.

3 korg wavedrum samples arranged in abletons simpler. 2 are taken from the eastern dancehall instrument - the 3rd from the conga. Slightly enriched with a beat repeater.

Nail clippers falling to the floor from about 3 inches. Recorded with my sennheiser 441 into an m-audio profire 610 with digital performer 8.

The various sounds (opening, closing, tumblers moving) of an old 3-digit combination lock. Recorded with a blue yeti pro microphone.

Ode a alegria - criada usando lmms. Gravada usando smartphone galaxy s7, audio recorder for android. Programa lmms versão 1. 1. 3. Usando o instrumento monstro phat.

Street pop tunez delivers a bass sound for you library built from 3 synths being blended together to give you an exotic sound. Works in all daws.

Recorded on iphone slow mo and remixed in studio one 3. Added compression, limiter, mix-verb (free to use royalty free - send a link to your work if you remember to).

Inserting 3. 5 inch floppy-disk into a floppy disk drive, with the typical sliding sound first and then the spring-activated locking mechanism snapping it shut.

Recorded using roli seaboard block with garageband. Please feel free to share your work in comments below :) i would love to see what you came up with <3.

36-string upwards glissando on a synthesized autoharp. Made with sox:. Sox -n -r 48000 -b 16 autoharp-up1648. Wav synth pl "f2" pl "g2" pl "c3" pl "d3" pl "e3" pl "f3" pl "f#3" pl "g3" pl "a3" pl "a#3" pl "b3" pl "c4" pl "c#4" pl "d4" pl "d#4" pl "e4" pl "f4" pl "f#4" pl "g4" pl "g#4" pl "a4" pl "a#4" pl "b4" pl "c5" pl "c#5" pl "d5" pl "d#5" pl "e5" pl "f5" pl "f#5" pl "g5" pl "g#5" pl "a5" pl "a#5" pl "b5" pl "c6" delay 0 0. 05 0. 1 0. 15 0. 2 0. 25 0. 3 0. 35 0. 4 0. 45 0. 5 0. 55 0. 6 0. 65 0. 7 0. 75 0. 8 0. 85 0. 9 0. 95 1 1. 05 1. 1 1. 15 1. 2 1. 25 1. 3 1. 35 1. 4 1. 45 1. 5 1. 55 1. 6 1. 65 1. 7 1. 75 remix - fade 0 6. 1 norm -1.

36-string downwards glissando on a synthesized autoharp. Made with sox:. Sox -n -r 48000 -b 16 autoharp-down1648. Wav synth pl "c6" pl "b5" pl "a#5" pl "a5" pl "g#5" pl "g5" pl "f#5" pl "f5" pl "e5" pl "d#5" pl "d5" pl "c#5" pl "c5" pl "b4" pl "a#4" pl "a4" pl "g#4" pl "g4" pl "f#4" pl "f4" pl "e4" pl "d#4" pl "d4" pl "c#4" pl "c4" pl "b3" pl "a#3" pl "a3" pl "g3" pl "f#3" pl "f3" pl "e3" pl "d3" pl "c3" pl "g2" pl "f2" delay 0 0. 05 0. 1 0. 15 0. 2 0. 25 0. 3 0. 35 0. 4 0. 45 0. 5 0. 55 0. 6 0. 65 0. 7 0. 75 0. 8 0. 85 0. 9 0. 95 1 1. 05 1. 1 1. 15 1. 2 1. 25 1. 3 1. 35 1. 4 1. 45 1. 5 1. 55 1. 6 1. 65 1. 7 1. 75 remix - fade 0 6. 1 norm -1.

Brownian noise sounding like a flying plane at 3×10^4 feet above the earth. . . I created that in audacity! final peak amplitude: 0. 75000 (linear) -2. 49877 db. I applied a bunch of filter curves to make this 90 second loop, normalized to 75% volume. I started with 120 seconds, then made it 90 seconds. Estimated start pitch: d2 (75. 000 hz). Because of the 1024 mb limit, i can't upload the 108-minute version (2 channels, 24-bit, 48000 hz costs 1. 74 gib). Sorry. The final sample rate is 48000 hz, 24-bit wav. I created this myself in audacity 3. 1. 3, so no need to attribute! :). Note: this sounds like it's the 2370 screen ;o).

Recorded using tascam dr-40 and pair of behringer c2 mics c. 10am, sunday march 19, 2017. Location: robin hood way (byway), manor hills - c. 2km south of urban edge worksop, nottinghamshire. Mixed scots pine & larch plantation with beech trees adjacent to trackway. Dry with light breeze. The murmur of the wind in the pines runs through out this recording - ebbing and flowing with the breeze. There is much woodland birdsong. Some other noises of human making can also be hear and interrupt the otherwise peaceful rural ambience. Distant jet aeroplane 0:13truck on nearby road (b6034) 2:43drone of propeller aircraft can also be hear in much of recording - prominent at 2:57, 3:23muffled gunshots 3:04, 3:34, 7:01,7:56clearer gunshot 4:50distant motorbike 8:26 to end.

Walking away from mic 10 paces and returning. Boots on wood floor. Recorded in studio (clean recording).

- sound of a train leaving the station;. - sound of a soldier marching;. - locomotive's sound.

Contains samples of "tu n'as pas de non" by monplaisir. Retrieved from free music archivelink to listen this marc vyler loopy loop 2 on youtube/ 74bpm / wildlife / the exit of the penguins https://youtu. Be/al-id5ilcsq.

Anti-war protest march in downtown toronto, lo-fi microcassette recorder (march 22, 2003).

From the loa angeles book fair 2019 opening day at usc campus. Not the full band , still very impressive. Forgive the clipping as the dynamic range for this material is quite large. Recording too far away i would have picked up chatter, so a compromising record.

Snare drum rolls with military attitude / marching soldiers (also loopable, respective markers within the wave file)created with native instruments battery 4 and a lot of reverb.

Late winter snow storm last night in the detroit area 3-3-23 around 9pm est. Was attempting to record thundersnow but by the time i found my batteries the thunder and lightning stopped. Threw my zoom h1n under a plastic cloths basket just incase the thunder started back up, but no luck. This is a short clip of the original hour long recording. You'll hear, sleet, snow & wind.

Livin' the Dream performed by Wild Blue Country of the United States Air Force Academy Band. Track 3 from Free Man (2011). Credits: Bass, Vocals – SMSgt Jerome Oddo* Drums, Vocals – TSgt Tim Stombaugh* Engineer [Sound] – MSgt Janusz Masztalerz* Guest [Guest Artist], Guitar – Mr. Brent Mason* Guitar, Vocals – MSgt Stephen Brannen* Other [Commander] – Colonel Larry H. Lang Steel Guitar – TSgt Jeff Valentine*[1][2][3]

Italiano: Scena della lettera, primo atto di Eugene Onegin di Tchaikovsky, canta il soprano Claudia Muzio in italiano. Rappresentazione del 3 novembre 1920 al New York Metropolitan Opera, con il ruolo principale affidato al baritono Giuseppe De Luca. Letter Scene, the first act of Eugene Onegin by Tchaikovsky, the soprano Claudia Muzio sings in Italian. Performed on November 3, 1920 at the New York Metropolitan Opera, with the main role played by the baritone Giuseppe De Luca.

Amateur guitar play from an old cassette (memorex 120, 1 of 2) recorded in 1984 when i was 15. Plucking 1 or 2 strings to a tune of my own making. This was an experimental recording session, using two tape recording machines. (ghetto blaster & hi-fi tower) take - 3 with takes 1 & 2 impositions playing, creating a final 3 track recording. Two previous takes (two track recording) playing, while recording a third track.

This was recorded with a trustin portable rechargeable 8gb dictaphone. The recorder was held about 7" away for the louder scrapes and drops and no more than 3" away with the softer scraping sounds. Some normalization was used to drop the peaks. The tiles were in the small hall of an apartment, facing an open door. The hall was approximately 3 feet wide and 8 feet long. This is free to use anywhere you may find useful, and i'd love to hear the results.

Processed version of:https://freesound. Org/people/toiletrolltube/sounds/422056/which is itself a processed version of:https://freesound. Org/people/gis_sweden/sounds/417382/. Signal chain was as follows:1) gate (otherwise the quiet parts would have a lot of digital sounding noise after processing)2) spectral processing (frequency reversing) applied using unfiltered audio's specops vst plugin. 3) reverb4) slight compression. Effects 1), 3) an 4) above were applied using ableton live's built in effects.

A room tone attic in ostend, belgium. Construction and scaffold building across the street. Occasional car passing. The windows were closed but it’s only single layered glass. At 3:06 you can hear my feet moving (sorry about that). Recorded with tascam dr 701d en rode ntg 3 (shotgun type mic). The shotgun was positioned on top of the tascam in between the two internal mics. No processing whatsoever. Enjoy, use this in any way you seem fit, no credit needed.

Noodling on a conn tenor saxophone with a brilhart 6 metal mouthpiece and fibracell 3 reed. Recorded with ardour using a mxl 2001 microphone and no processing or edits.

Este es un sonido en el cual use 3 tonos diferentes, uno grave, uno medio y uno agudo para representar un pulso y un ritmo usando de referencia una clave africana "gahu rotation".

This sound was created using the "dune 3" synthesizer. Bpm 127key: f majorcheck it out: https://presetshare. Com/preset/view?id=1894.

An atmospheric pad in f minor at 120bpm. Use however you like, but please show me what you did with it :3.

Recording of sequence from td-3-mo-am by behringer. Tempo 136bpm. Resonance is lifting from minimum to maximum.

Two washers oscillate on the steel threaded rod with the loweringthreaded rod 3: the microphone is on the bottom of the rod and the pads move towards it.

Driving next to a noisy car. 3:00 pm, february 22. No credit necessary, but as always, it is greatly appreciated.

Multi-octave F major chord with octaves marked by brackets. Created by Hyacinth (talk) 07:47, 3 January 2012 (UTC) using Sibelius 5.

Same engine for sound 'động cơ bơm cát 1 but about 3-4 m above water (engine pump sand on ship). Some wind and motorcycle noise. 10:04.