479 ロイヤリティフリー オーディオトラック の "Layers"

I created a click track and got rid out the last two beats of each bar. I shortened the spaces between the first two beats of every bar. I then added a reverb effect and created another layer of brownian noise to even out the silence. Descriptiftypologie selon pierre schaeffer - x"masse: groupe de sonstimbre harmonique:acidegrain: lisseallure: pas de vibratodynamique: l'attaque est abrupte.

One of a series of heavily processed sounds of a squelchy stress reliever toy. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, combining and mulching everything into new, dynamic sounds with lots of interesting, muddy contours.

Here's one from a series of 'clang' sounds, great for impact moments in trailers & commercials, or to layer up with other sounds. They are somewhat high-pitch, so they might mix well with low frequency drums and impact sounds. Recorded with tascam dr-40 built-in-mics, by hitting a railing with a pipe in a stairwell and adding a little bit more reverb in daw.

As titled, i cannot really describe this sound much more as it is abstract and can mean different things to different people. Anyway, 6 variations using the same core layer, 24 bit 48000 khz. Feel free to use it in your projects ! credit is always appreciated of course.

The sound of me banging on a metal folding chair after i reversed it and added reverb to it. I also made another layer of the same sound un-reversed underneath it so it would not be too abrupt. Ah, the things you can do with an ordinairy metal folding chair! made with audacity and an ordinairy metal folding chair.

This is a break i made to layer over my breaks at 102bpm. It was created in free tracker jeskola buzz using vst instrument, alchemy, multiloop2-move knob 1. This is not a looped sample from the instrument, i created it using the tracker, then applied an ohm boys delay effect. Sounds great over the breaks at 102. Enjoy :).

A sound of a tightening wrench (a bike repair kit) being spun around to produce its distinct ratchet like sounds. Foley fun: put to 25% of its rate and you get convincing metallic gear sounds, apply a tiny bit of reverb, maybe layer it with some screeching sounds from other users (or me, your choice) or a slow gate shutter to get a nice mechanical door opening sample.

Just a few hand claps i layered, compressed, and added a touch of reverb. I use this sample in my own songs all the time. Just a nice layer to put under the backbeat, not a crazy, huge clap to use on its own. I'd love if you'd credit joshua scott or rjc studios if you use this sample, but don't sweat it if you don't. Good artists borrow, great artists steal.

Bow wave of a ~8m sailing boat in calm water, distant micing. No sounds from the sail (could just as well be a motor boat depending on what you layer the sound with ;) ). There is also recording with a more close up perspective of the bow wave. Recorded with a ~30cm ab pair of neumann km183 on a tascam hd-p2, 48khz, 24bit.

Well, the pond area still had a layer of ice on it, but the birds were getting chatty anyways. Spring may eventually crack around here…. You can hear a freeway in the background, just pretend it's a river, m'kay?. Recorded march 20, 2014 near chicago. I achieved great detail with equalization, but it’s uploaded here au natural so you can do as you like. Cheers!.

I was just going through my sounds, when i decided "hey. . . I'm gonna release this. " so here you all go! i'm really proud of how this turned out. This, as you can tell, is a deep eerie ambience loop. It can be used for anything you want. I like to leave things up to the imagination of the audience. How it was made:. Software used:-fl studio 20-harmor-harmless-fruity parametric eq 2-valhallaroom. So basically what i did was get a low pitch sawtooth waveform, put it through some effects like harmonization, a low pass filter with high resonance, a phaser, and a load of distortion. The main synth is made with harmor. (yes, this is all one synth. It just has a lot of dynamics. ) i then processed it with some eqing. What made this sound what it is would be the reverb. I put 2 layers of valhallaroom on the synth. One has a very short decay time, and gives it texture. The other gives it the atmosphere. To add some more depth, for the final touch, i layered a sub-bass underneath it. Which is just a low sine-wave with reverb on it, which i used harmless to make. I hope you enjoy this!.

Made in ableton live. A slow firing heavy weapon. 19 layers were used to create this one. Eq was used to select different frequencies from various weapon samples and compressed together for the inital transient or pop. Time based fade in/out layering was used for the sustain and reverb tails so they fit nicely together. The single shot that was layered together was then printed as a new audio sample. I created a loop and pitched every shot by a few cents or 1 semitone to add variation. Each sample was then manually shifted on the timeline forward or backward by milliseconds to give a more realistic feel in timing rather than sound robotic. Each shot was sidechained to duck down in volume when a new shot triggers for more clarity. Mechanical trigger and bolt movement samples were add in before/after the initial transient of the shot. Shell hit floor samples were used for added detail. I felt the shots lacked a good sub bass so an eq was used to filter out the sub and replaced with a rapidly decaying 808 kick drums sub. Once the loop was formed, all shots were then grouped together and processed with a transient designer into a clipper, a compressor, a maximizer, ott multiband, gluing reverb, stereo spread and then into a final limiter. Enjoy.

One of a series of heavily processed sounds of a squelchy stress reliever toy. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, shaping them into short, sharp, and punchy impulses. These might be useful for some unusual ui sound design, or perhaps some gloopy weapon sounds!.

Long easy rain. Recorded from my front porch the evening of may 22, 2018. Almost half an hour; slice it up to use your favorite parts. Rain slows down around 3:00. Some distant thunder around 16:20. Look out for a few small ambient noises like splashes or traffic. A perfect audio bed under your sound design of a rainy scene. Or layer it to create a storm.

An ice storm moves in to the deep woods of north carolina on 01/30/2014. As the small particles of ice and sleet fall through the pine trees, they land on a bed of pine straw on the ground below. This is that sound. It's cold, solitary, and gives you a feeling of total isolation. Enjoy!. Christopher c. Courter.

My dog and the nieghbour's dog don't like each other. While i was asleep they went to the fence and from the calmness they barked and growled at each other. The neighbour's dog who has sharper voice tore some pieces of the wooden fence on the nieghbour's side but the another layer of the fence is iron and cannot be toren apart by them. Recorded by sony stereo dictaphone.

One of a series of heavily processed sounds i made using a small squeeze toy that just happens to be shaped like a cob of corn. I used s-layer, the sample-mangling plugin from twisted tools, to combine these swishy sounds with various other metallic and synthetic sounds from my own library. The results are dynamic and surprising, and might be useful for certain kinds of unusual ui sound design.

Simulation of leaves rustling. I needed a sound that didn't also include the wind/breeze because i prefer to layer different elements. When i found a dead plant in the basement of my apartment building, i took the opportunity to record some light rustling sounds. Recorded on may 04, 2021. Edited on may 09, 2021 to merge the best of the raw recording - there are gaps between each segment. Zoom h4n pro with the on-board x-y mic.

This is the finished version of "scary night". It's not completely what i envisioned, but it was fun to build. This is a compilation using all the files noted under "scary night base layer" and including the following:104720__corsica-s__can-you-keep-my-secret125555__dariachic__low-growling142344__oneirophile__aggressive-guard-dogs157226__11linda__girl-trying-to-cry-quietly217739__michieldb__fox-screaming-in-winter-forest-in-the-night220712__11linda__heavy-breathing-and-texting253460__11linda__you-ll-all-be-dead-without-someone-to-protect-you265304__netpunk__dog-eating-neck-of-goose-chewing-breaking-bonesmost of these have been distorted in some manner.

One of a series of heavily processed recordings i made using a hikari monos cv. It's a small, highly tweakable synthesizer that's great for drones, resonant pings, and all manner of dynamic electronic sounds. Using s-layer, the sample-mangling plugin from twisted tools, i focused on generating short, punchy impulses that leaned into the resonant character of the original monos recordings. These sounds might be useful for ui buttons, as well as designing modern-retro sounds for games.

Got a group of about 8 people to say "hey!" a few times. Layered all the takes, compressed, and added a touch of reverb. I've used this one a bunch in my own songs. Sometimes, to achieve a convincing gang vocal effect, when i don't have a gang, you can sing your line a few times, and then layer this "hey" under each syllable, and you can get a pseudo-gang vocal. Works in a pinch if your mix is dense enough. I'd love if you'd credit joshua scott or rjc studios if you use this sample, but don't sweat it if you don't. Good artists borrow, great artists steal.

Sounds from the following packs where used as bases for the creation of this pack, then i used audacity and renoise to layer and process the samples. Http://www. Freesound. Org/people/pjcohen/packs/8851/http://www. Freesound. Org/people/sandyrb/packs/2265/http://www. Freesound. Org/people/quartertone/packs/8588/http://www. Freesound. Org/people/theriavirra/packs/16665/http://www. Freesound. Org/people/cbeeching/packs/4857/http://www. Freesound. Org/people/zgump/packs/6172/http://www. Freesound. Org/people/walter_odington/packs/1583/http://www. Freesound. Org/people/quartertone/packs/8491/http://www. Freesound. Org/people/alteration/packs/12139/.

An ambient, white noise wall of sound recorded as i walked through our well ventilated university print shop. You can hear a variety of machine noises that layer to create a constant hum, with a swelling rise and fall like occasional waves. Some of the vents whistle, some tick or click and purr. Near the very end, there is a single sharp click. The ventilation system is an anti-fume tube series used for printmaking. Recorded on a microtrack ii. General information: recorded indoors on handheld microtrack while walking from room to room. No noticeable footstep sounds. No voices. Room has high ceilings and cement floors.

Underwater [loop] amb. Update: i have decided to release this sfx for free, public domain. Enjoy! :). Please like and share!. A loop-able ambiance of being submerged in water for your underwater needs. This one was particularly difficult to process as i had to layer many scuba diving sounds in one order to get this effect. Only after crushing many frequencies via eq, is when it gets this deep. Get it? deep like an ocean? no? okay i swim away now. . . Enjoy =). - noise reduction- high pass at 30khz- artifact removal- noise removal- bass enhancement- low pass- layering- stereo imaging- stereo widening. Details:. - gopro hero 4- 48khz- 24bit- wav. Crediting: optional. Dcsfx: https://www. Freesound. Org/people/dcsfx/.

I'm trying to create a sound that resembles captain america's shield from the marvel movies. I took a recording of a metal garbage can ringing and brought it into iris 2. I cut the attack from the envelope and added light amplitude sine wave modulation. I also set a short decay. I also layered a clean sine wave underneath the recording sample in order to give the recording more umph and body when it resonates. This is the base of captain america's shield. Layer this with metal impacts and sub sonic stings and you're all set. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk gear. I love hearing what people are up to!702-860-9869.

Recorded at night with external microphones using a panasonic lumix gh-2 camera,out of the window from 2nd floor. In this sound file i mixed two sound recordings, the chronologically second record i put first, the first record i put second using a little fade out on the latter. Some night bird interacts. Generalcomplete name : foxy_foxes_ii_and_i. Mp3format : mpeg audiofile size : 10. 00 mibduration : 4mn 22soverall bit rate mode : constantoverall bit rate : 320 kbpswriting library : lame3. 98rsoftware : lavf56. 25. 101. Audioformat : mpeg audioformat version : version 1format profile : layer 3duration : 4mn 22sbit rate mode : constantbit rate : 320 kbpschannel(s) : 2 channelssampling rate : 48. 0 khzcompression mode : lossystream size : 9. 99 mib (100%)writing library : lame3. 98rencoding settings : -m s -v 4 -q 3 -lowpass 20. 5.

Just discovered this recording i had from 2016, and thought i'd upload it to complement my other diner recording on here (https://freesound. Org/people/edlundart/sounds/501025/). This is 4 and a half minutes of background noise from a new york city diner, including people talking, clanging plates and glasses and forks and knives and cups being cleared away by staff. Crucially, no music is playing. This means you can either use this clean, or layer in your own rights-cleared music if you're using this in a film or whatever. Recorded in 2016 with an iphone — don't let the recording device scare you, it sounds pretty good and certainly fine for this kind of background noise. Use it in any way you like for any purpose. Warmly,bard edlund, edlundart. Com.

Over 5 minutes of background noise from a well-known new york city diner, including people talking, clanging plates and glasses and forks and knives and cups being cleared away by staff, and in the second half of the clip, radio ads playing faintly in the background. But crucially, no music is playing. This means you can either use this clean, or layer in your own rights-cleared music if you're using this in a film or whatever. Recorded in january 2019 with an iphone x — don't let the recording device scare you, it sounds pretty good and certainly fine for this kind of background noise. Use it in any way you like for any purpose. Update: i just uncovered a similar recording i made in 2016 at a different diner, and uploaded that here: https://freesound. Org/people/edlundart/sounds/515719/ pick whichever one you prefer, or use a combination of both!. Warmly,bard edlund, edlundart. Com.

Featured in the game 'noclip vr'!! thank you so so much, reality games online!. This is heavily inspired by the urban myth and/or creepypasta called the backrooms, which have a very distinct atmosphere to them. This is my interpretation. However, this isn't exclusively for backrooms-related stuff! so by all means, if you're simply in need of some interior ambience of any sort, that's also why i made this for you. No advanced processing was used to achieve this sound. I recorded an electrical box in my garage for the buzzing. For the 2nd layer, i turned on some fans in my room, and made a long mono recording of the white-noise. I then split the recording in half, and used each half for the left and right channel, giving it a stereo sound. I then spent an hour leveling all of it because i'm a perfectionist. Yay. Hardware & software used:-audacity-zoom h4n pro (buzzing)-rode nt1 (fan-noise).