479 ロイヤリティフリー オーディオトラック の "Layers"

Kick made in caustic, layer of about 5 kicks. Tuned and leveled just right, also eq'd to a sweet point.

A layer from "within alien ocean biome" track, recorded by tabique malevolo.

The sound of a metal handle hitting the side of a bucket. It might be good to layer with a snare or clap for added texture and character.

South india, goa state, sunrise. Every sunrise the hill tropical jungle is rich in sound. Slowly, the awaking of the village as added layer. Md recorder - pocket microphone.

Ocean-like sub frequency information. Can be used as a layer for many purposes.

I made this sound using my vocals and untuning them on each layer audio of the same sound.

Snare drum distorted, i added other snare drum for more drum sound. Good for snare rolls, snare rushes, and other snare techniques. Also you can layer with other snare, or eat it, your imagination puts the limit.

Made in ableton live. Layered together out of various explosions sounds and a kick drum. One sound layer ran through a guitar amp for distortion. Low-fi-ish.

Collection of inharmonic noise samples. Created and processed with a variety of reverbation, granular and spectral techniques. Useful to layer in a pad, make risers or drums. Will continue to add to this pack.

A tech loop @ 150 bpm. Done in caustic 3. Layer of 3 loops1) 8 bit synth, glitchy synth break2) beatbox, normal 606 breakbeat low vol3) beatbox, percussion through bit crush & fast delay.

A glitchy abstract futuristic jam created in cryogen by glitchmachines. Contains some fantastic weird textures, glitches, rythems and bits to use as effect or as a layer for drums.

Short samples useful to add transient accenting to sounds, can be layered with other samples, can be used to make drum samples, basses, organic keys, or stretched, reversed, sliced to create even more complex snippets.

Made this as a layer for an experimental noise track. It changes tempo so beware in your productions, but the closest is 100 bpm. This sound is in the open domain, use it freely without the need for retribution or credit.

Recording of a small brook in the forest. The water is flowing underneath a thin layer of ice giving it a filtered effect. Recorded with the h2n zoom recorder.

Sounds of me punching my leg, hitting my palms together and punching books under a pillow. These work well as a layer on top of other existing punch sounds on this website to make a punch sound more fleshy.

This is the second version without the mechanical bolt. Maybe can be used for bolt action rifles. Made this is ableton live, it is multilayered with the top end of a 9mm and the low/mid range of an ak47. Another carbine sound is faded in after the transients to give more sustain. Two reverbs fade in and out creating a smooth transition and blend. A little white noise is added for subtle sheen and air. All the layers were grouped together into a single band compressor and ran through serum fx distortion and then into a krush distortion plugin for added fatness. A blending reverb was used to glue the sounds into the same space and ran into a final transient designer which is adding a little more snap and punch and clipping the excess transients off. Enjoy.

As a homage to freesound. Org for being a member for over 7 years under the name "djeuphoria", i present the freesound community with some unique sounds i've created recently using loads of different plugins and synthesizers that i've been acquiring over the years that has slowly turned into a massive collection. So with that being said i'm going to be periodically adding sounds to my "dream sample pack" so you can all hear the sounds i've been creating under my new nickname "dream", thank you all for the downloads, its awesome to see how terrible my sound quality was and how much i've improved from that, enjoy these awesome synth sounds i've engineered, cheers. -dreamp. S, most of the melodic sounds are recorded in the key of c for convenience and all foley sounds are recorded with a zoom h4 at 44khz.

This pack was made by layering and processing sounds from the freesound packs listed bellow, using renoise as a daw. Http://www. Freesound. Org/people/veiler/packs/16053http://www. Freesound. Org/people/fiditg/packs/12636/http://www. Freesound. Org/people/snapper4298/packs/11125/http://www. Freesound. Org/people/pjcohen/packs/8910/http://www. Freesound. Org/people/jfcharles/packs/3445/http://www. Freesound. Org/people/freakrush/packs/2735/http://www. Freesound. Org/people/mattlohkamp/packs/2070/http://www. Freesound. Org/people/pder/packs/6748/http://www. Freesound. Org/people/cdrk/packs/2858/http://www. Freesound. Org/people/veiler/packs/13347/http://www. Freesound. Org/people/parasense/packs/7958/http://www. Freesound. Org/people/suicidity/packs/5893/http://www. Freesound. Org/people/mr_laro/packs/14664/http://www. Freesound. Org/people/crispydinner/packs/15497/http://www. Freesound. Org/people/objectivedll/packs/16692/.

Title: indian poetrytopic: poetrylanguage: urdu / hindi. Words:maẕhab nahīṉ sikhātā āpas meṉ bair rakhnāhindī haiṉ ham, wat̤an hai hindositāṉ hamārā. Recorded using:focusrite scarlett 2i4 audio interfacebm-800 condenser microphonedouble-layer pop filter.

Inflation of nos balloon recorded on wide diaphragm condenser, with acoustic dampening around the mic but not in studio conditions - should be pretty cool for a non synthy noise sweep, or for a snare layer.

The inspiration for this track came from a stereo cross-fading delay patch for modular synths i found, created using caustic 3. 2 with my akai mpk mini keyboard as usb-midi controller with a bit of a tangerine dream style.

Bird singing and insects hissing in one part of the big singapore botanic gardens. Recorded with an iphone 6 internal mic so it's more for a background ambiance than a first layer sound.

A closeup recording of a bright light like the ones that illuminate flags. Recorded with an iphone for intentionally cheap-sounding, distant fidelity. Currently mixed hot but can be brought down for a more ambient layer in a room.

A rendition of :: http://freesound. Org/people/kkz/sounds/66224/. Just pitched down an octave with another layer 2 notes up so they are modulating plus a bitcrusher with amount going down plus a flange/chorus thing.

A distorted arpeggio with sharp release and long sustain used as a background layer for an a-ha moment in a film. Used a roland groovebox self-record utility straight to wav, which is pretty good, though it results in quieter high frequencies.

A short layer of rhythmic clanging created as a scary atmosphere in a chase scene. Used a roland groovebox with the self-sampling utility directly to wav. I've found this method results in good sounding recordings, but reduced high frequencies. Sorry, don't know the bpm.

This is the superimposition of 2 sounds, 1/ what seems to be a distant metallic sound and 2/ what seems to be multiple impacts and touches on a plastic wrap layer. I don't exactly remember what i was going for on that one.

Steps on a thick layer of fallen oak leaves. Two people walk side by side in an oak forest in burgos, northern spain. Hello autumn. Recorded with sony pcm-d50.

Double bass bowed harmonics. Bass played by houston guy, recorded with a shure ksm44, 24bit mono. I was producing a song and asked mr. Guy to give me some noisy strangness just to layer in for texture and he performed admirably.

Hey!. I've made this for a friend's project. But the project is now stalled, so i decided to release my work to the world. The sound is created with multiple layers of zynaddsubfx digital synthesizer. Sequenced and rendered using lmms. This was my first serious attempt at creating high-quality game sounds. I've spend quite some time refining and adding detail to the sounds, so they are rich and convincing. I hope this is a production at top level, that could be used in a commercial motion picture. Have i reached my goal?. If you want to use them, you'll need to edit it by yourself :). There are several different firing sounds, laser beams, discharge, sounds of plasma projectiles hitting a wall etc. . . Have fun and don't forget to give me a credit and link to this page!.

Made in ableton live this time, it is a multilayered loop consisting of recordings of an ak47, a 30 caliber 1918, and an m60 machine gun to make a rediculous powerful sound. A very short clicky kick drum with the high end reduced is added before the initial gunshot to make it punch more, otherwise it would sound weaker. There are two mechanical bolt sounds, one covering the upper mid range, and the other covering the extreme highs. Shell ejections and two reverb tails were mixed in at the end with some simple automated panning to make it move around the stereo field. The tempo slowly decreases to simulate barrel heating. Lots of processing. The layers were eq'ed, then ran into a software amp that is gently distorting the low and mid range. Then smashed together with ott multiband upward/downward compression to bring out the details. A maximizer was used to bring up the loudness some. Enjoy.

Some synth thing i made for a track i was working on. It's a layer of a few different oscillators tuned a certain way to sound harsh. . . Then ran it through a hpf to make it ggrroowwll. . !!!!! and of course a lil echo and stuff. .

Dark , evil, piano with a layer of strings. . Created w/ fl5 back in 2005 or 2006 , was originally an experimental hiphop beat. . Sound includes piano, and 5 different styles of strings over each piano note.

Semi drives by on the highway. I tried to edit out some of the background noise, but you still hear a flag snapping in the wind a bit. However, if you layer this on top of some ambient highway noise, it shouldn't be noiticeable.

This is a recording of a friend of mine, i asked him to record this voice as a favour for a movie called 'the mad detective' - it was used as a layer in the city scape, the voice is advertising his service as a knife sharpener.

Crew removing top layer from road in a quiet suburban street. A very large heavy machine slowly driving over the road, churning up the dirt and blows it into a large truck driving just ahead of it. Suburb of tampa florida. Recorded using zoom h4n.

This is a sample of howling wind created in logic pro x using a few of choruses, flangers and fm synthesis. It isn’t the most realistic recreation of wind, but i think it’s a great layer to put under actual wind recordings. This is also suitable for horror:esc sounds.

A gibbering mouther roaring at an adventurer. This was done by foley work i was doing for ballad of the seven dice. I modified my voice with numerous effects in audacity to change the pitches as well as layer a number of them together.

A gibbering mouther shrieking after being frightened or damaged. This was done by foley work i was doing for ballad of the seven dice. I modified my voice with numerous effects in audacity to change the pitches as well as layer a number of them together.

A gibbering mouther crying while wounded or dying. This was done by foley work i was doing for ballad of the seven dice. I modified my voice with numerous effects in audacity to change the pitches as well as layer a number of them together.

This is a 'helicopter' esque pass by created with my vocals, a tone generator and a guitar tremolo pedal. I think this could be best used as a layer. It really needs some background noise and potentially more engine noises to sound realistic. Use it as you like!.

Single-pitch heavy distortion with multi-layer. Mild modulation. Made for a emotionally intense moment in a horror film. Toward the middle you will hear a very quiet rhythmic element. Used a roland groovebox self-sample utility directly to wav, which results in good recordings, though reduced high frequencies.

Mono recording of a small cooking blender that, after some pitching and processing, i used as a layer for a robot's movement mechanism. Format: wav 48khz 24bit monogear: oktava mc 012 -> joemeek vc1qcs -> audiofuse interface.

A close recording of me splashing about very gently in a basin of water. You can hear bubbles forming on the surface. Some birdsong and road noise in the background (but edited to remove the worst). Used as a layer for a dock ambience. Recorded with an akg c414 into a focusrite saffire pro 40.

This is a clip of me walking outside on a layer of ice. Underneath is water. When i step it sounds as if the ice will give, towards. 1:10 it makes crack and splash sounds/. 1:50 i actually break through the ice and splash into some water. .

Unexpected surly neighbor shouting while recording night time ambience of my neightborhood on a windy fall night. Possibly strong language for some. But could be an interesting/amusing exterior ambience to layer into a sound design. You never know.

Recording of a heavy book being drop over a wooden box damped with a cloth. We also added thin paper as a high end layer. Created by the students of the sound design workshop from the national school of arts of uruguay, at playa hermosa. Gear:zoom f8nsennheiser mk50.

This helicopter sound design was created at fl studio, in the sytrus synthesizer. The sound consists of four layers. 1. Sine wave frequency of 44 hz. Simulates the low frequency noise of propeller blades. 2. White noise passed through the svf filter. Simulates the noise of propeller blades. 3. Saw wave. Simulates the sound of an engine. 4. The sine wave. Imitates a high-frequency whistle of the engine. Various modulations are applied to all waves through the envelopes of the synthesizer. Next, the signal on the mixer channel is processed by a multi-band exciter and equalizer. Then a signal was sent to two channels with delay processing. One of them imitates reflections. In the lower-middle frequency range. On the second in the upper-middle frequency range. As you approach the sound source, the volume parameters of the direct and reflected signals are automated, low pass filter, pan width and equalization of direct sound. The helicopter performs strange maneuvers, as if making constant circles during the approach to the listener. I did not seek to create the veracity of these maneuvers.

A delicate tinkling of ice recorded on a behringer ultravoice mic from tilting a plastic container of frozen turkey broth i took out of the freezer. Apparently a small number of free floating ice crystals were hitting a layer of frozen crystals on the lid, resulting in this remarkably musical sound. Please feel free to use as you like!.

I created a click track and got rid out the last two beats of each bar. I shortened the spaces between the first two beats of every bar. I then added a reverb effect and created another layer of brownian noise to even out the silence. Descriptiftypologie selon pierre schaeffer - x"masse: groupe de sonstimbre harmonique:acidegrain: lisseallure: pas de vibratodynamique: l'attaque est abrupte.