479 ロイヤリティフリー オーディオトラック の "Layers"

Futuristic organic effect,sound design elements. Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab, pro tools first. I use software to produce effects:ableton livecakewalk by bandlabreaktor 6vcv rack 0. 6. 0pro tools firstaudio editor wavosaur.

Futuristic organic effect,sound design elements. Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab, pro tools first. I use software to produce effects:ableton livecakewalk by bandlabreaktor 6vcv rack 0. 6. 0pro tools firstaudio editor wavosaur.

Futuristic organic effect,sound design elements. Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab, pro tools first. I use software to produce effects:ableton livecakewalk by bandlabreaktor 6vcv rack 0. 6. 0pro tools firstaudio editor wavosaur.

Futuristic organic effect,sound design elements. Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab, pro tools first. I use software to produce effects:ableton livecakewalk by bandlabreaktor 6vcv rack 0. 6. 0pro tools firstaudio editor wavosaur.

Futuristic organic effect,sound design elements. Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab, pro tools first. I use software to produce effects:ableton livecakewalk by bandlabreaktor 6vcv rack 0. 6. 0pro tools firstaudio editor wavosaur.

Futuristic organic effect,sound design elements. Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab, pro tools first. I use software to produce effects:ableton livecakewalk by bandlabreaktor 6vcv rack 0. 6. 0pro tools firstaudio editor wavosaur.

Futuristic organic effect,sound design elements. Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab, pro tools first. I use software to produce effects:ableton livecakewalk by bandlabreaktor 6vcv rack 0. 6. 0pro tools firstaudio editor wavosaur.

Futuristic organic effect,sound design elements. Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab, pro tools first. I use software to produce effects:ableton livecakewalk by bandlabreaktor 6vcv rack 0. 6. 0pro tools firstaudio editor wavosaur.

Futuristic organic effect,sound design elements. Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab, pro tools first. I use software to produce effects:ableton livecakewalk by bandlabreaktor 6vcv rack 0. 6. 0pro tools firstaudio editor wavosaur.

Bamboo windchimes with delay added and one layer paulstretched.

Synth bass loop rooted in c tempo 100.

Weird noise with a noise layer and a sine wave.

I went for a more realistic gun sound without the hollywood subbass and a lot cleaner than my previous work. Made in ableton live, i just layered an ak47, an m16, an enfield rifle and an acoustic kick drum together with eq and used parallel compression to gel them together. Transient designers were used on the layers to make them snap harder. A bolt slide forward sample and a bolt slide back sample were added to give some mechanical feels to the gunshot. Enjoy.

Sound design elements. Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab, pro tools first. I use software to produce effects:ableton livecakewalk by bandlabreaktor 6vcv rack 0. 6. 0pro tools firstaudio editor wavosaur.

Created for a trailer for a film. I used a grandfather clock for the main ticking of the hands but layered and added other sounds such as a heartbeat, hall kick drum with reverb and synthesis techniques. Please note: the ticking by note be in sync if you use and a countdown image i had to move the ticks to accommodate the wall clock i was working with due to the ticks where not always in time.

I made this texture by using an audio from cpark12 https://freesound. Org/people/cpark12/for this texture i made the audio a slow motion and added layers of it so it would sound more profund. Made for the second part of a homework i also uploaded here, if you wanna check it out, its birds or whales. . . ?im not a pro in any way, but i do like to explore, so i hope you enjoy it as well :).

Swishes for layering, transitions. Some swishes have a tonal character to it and every swish is different so you can use it for multiple situations in an edit or something. You are allowed to use these sounds in any way, no need to credit me. Greets, tapesome. If you want to support this free community give freesound a donation and give something back to this community to upload your own high-quality sounds.

Sound of wooden pencils shaken to add layer to percussion.

Multiple layer of switches in an old theatre.

Pluck layer from lmms' gameboy emulator called freeboy.

Horror background atmosphere with gentle cinematic violin-like layer.

I try to layer a few sounds to get roomy effekt.

A hit on a box to add punch to kickdrums.

The following packs where used as source for the creation of these samples, the process was basic layering processing and resampling until i had a nice sounding results. Http://freesound. Org/people/theriavirra/packs/16665/http://freesound. Org/people/niqoplitnouk/packs/13936/http://freesound. Org/people/jagadamba/packs/13878/?page=2#soundhttp://freesound. Org/people/moca/packs/13261/http://freesound. Org/people/csmag/packs/13007/http://freesound. Org/people/quartertone/packs/12775/http://freesound. Org/people/quartertone/packs/12754/.

Need a linear spectrogram to render the (circular) logo properly,( freesound's spectrogram scale is logarithmic, so image is distorted here. . . Https://cdn. Freesound. Org/displays/651/651015_1015240_spec_l. Jpg). See. . . Https://blog. Freesound. Org/?p=1438&. . . Https://soundlogo. Wikimedia. Org/. The competition specifies mix of at least 2 sounds. . ". . . Your sound logo should comprise at least two overlapping layers, textures, or sounds. "maybe this [cc0] sonification of the logo could be one of them.

A person walking on a thin layer of snow, making a crunchy sound. Recorded using an iphone.

Perhaps useful as a harmonic layer on a bassy pad? additive synthesis, reverb and unison.

sound-walk#1 oslo's harbour promenade. Sound collage with concrete sounds and overlapping layers based on field recording along the oslo harbour promenade (october 12 & november 7 2017). Recorded sites are frognerkilen, frognerstranda, kongen marina, aker brygge - the harbour promenade western part. The soundscapes are part of the doctoral study at the faculty of landscape and society. Norwegian university of life sciences nmbu. The study explore the urban intertidal and urban sea areas. The soundscapes are recorded and edited by elin t. Sørensen, visual artist/landscape architect. Mixed and mastering by cato langnes, sound engineer/producer at notam.

This sound was created artificially. In general, it consists of four main layers. 1. The sound of noise overboard (created from white noise). 2. The sound of clanking of the inner skin synchronously with the sound of wheels (created from white noise). 3. Metallic noise. Created from the sound of bolts shaken in a metal can. 4. Actually the sound of wheels (created from ten sounds of various metal and percussion). A rather complicated equalization was applied, and filtering in several stages. Also, the sum of the sounds is processed by the convolutional reverb.

Scary music i made in garageband for something called victors crypt. It's bombastic and creepy in a way with layers of instruments on top. Could be suited for anything scary and excited i think. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt on youtube. Https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

An upbeat electronic synth melody with a non-compliant piano layer stirring thoughtfulness.

Boost the lows, layer and add some delay and it's a good wing flap of a flock of birds.

I played arbitrary co-soundings on the mystic scale (it becomes mystic arabian if you mimic arabian music; otherwise is sounds european). I applied 300 hz steep low pass (eq) on an inverse sawtooth soundwave generator. I applied many delay effects in tandem. Created on fruity loops and re-equed on wavelab. Mystic(has three submodes, scale-shifts [same intervals, overall shifted]). • do, re#, mi, sol, sol#, si• do, do#, mi, fa, sol#, la• do#, re, fa, fa# la, la#. (semitonally/fret steps: 0, +1, +3, +1, +3, +1, +3). (si = ti, do = c). It is chordable.

High above our heads and the less pleasant layers of car traffic, budgies tweet and chirp and chitter. Nestling in the crowns of pine trees in various parks across the eu capital, they add a subtropical flavor to brussels' diverse soundscape. Just as most of the city's inhabitants, the ring-necked, alexandrine and quaker parrots came from a different place. Having escaped a zoo exhibit many years ago, they've been eking out a living, adapting to the tempered climate and found themselves a new home. As urban animals they contribute to brussels' exceptional cosmopolitan vibe. (recorded in the park of forest).

Dont ask why this is named like that lol, made using a lot of layers but the fundamental of the snare is synthesized, distorted the first miliseconds of the sample to make an snappy transient and make it cut throught the mix. For the process i used analog modelled plugins such as exciters, tube saturators, preamps, coloring eqs, and compressors alongside with some digital modelled plugins such as camelcrusher, transient shaper and sliceeq both by kilohearts, the compressor mjucjr ny klanghelm to amplify the waveform of the sample and finally a clipshifter plugin, which i love it, to limit the snare aggresively.

This is an upload for a sample request (http://www. Freesound. Org/forum/sample-requests/32975/ ) for a person who wanted a haunting melody with some layers in the key of g# / ab. I am not a melody guy, so i don't know if i've got the notes right or if the piece may even fit the description of what the guy wants, but here it is!. Edit (mar 2018): no need to ask if you need to give me credit. Up to you. Just continue your amazing work with sounds & music. ;). Specs: 80bpm, 48000 hz, 24 bit, wav format, (i think it is in the key of g# / ab), original file name - haunting tone in g# abinstruments used (all found in reason 5 soundbank; all virtual): "a" piano, grand piano, pizzicato strings, violin, a random ghost layer synthesized in maelstrom graintable synthesizer, double basseffects used: a little equalization here and there; a little bit of delay on the pizzicato strings; volume automation.

Drm n bss beat @ 165. Layer of 4 identical beats with different kits. Made in caustic.

Strange ambience i made using that noise layer from the lmms' gameboy emulator with a big amount of reverb.

Walking up and down 1900s wooden stairs with a thin layer of carpet in trainers.

It starts with a little click i've recorded, then processed through a granulator called dropout, + a little layer of reverb.

An experimental sub bass created on audacity, three tones. Used as layer in music production. Hope you dig it, for whatever purpose xx.

Spooky sound of water filling a washing machine, as heard by a doll trapped inside with an under layer of tension building sound.

sound walk#2 along oslo's harbour promenade [wav 16 bits 44,1 khz. 00:05:38. 56,9 mb]sound collage with concrete sounds and layers based on a field recording along the oslo harbour promenade (november 9 & 11 2017. Recorded sites are oslo town hall square, vippetangen, the opera, sørenga, lohavn, kongshavn - the harbour promenade eastern part. The soundscape is a work-in-progress, and part of a doctoral study at the faculty of landscape and society, norwegian university of life sciences nmbu. The study explore the urban intertidal and oslo's urban sea areas. The soundscapes are recorded and edited by elin t. Sørensen, visual artist/landscape architect. Mixed and mastering by cato langnes, sound engineer/producer at notam.

Close-up recording of a harsh-sounding buzz from a machine. I used this as a layer to sound design a headache.

Comprised of two recordings. After about a minute and 45 seconds, i add a third layer, a copy of one of the original sounds.

Transient foley/sfx layer. Sweetened up in rx8~-24lufs.

A song sample feature moody and heavy bass and drums, with a layer of atmospheric junk on top. Created in fl studio.

2 minutes following a rotovator (an engine-driven tool for turning over the top layer of soil) around a small garden in preparation for turfing.

Snaps after poetry/open mic night. You'll likely need to duplicate/layer it to make it sound more full/realistic.

Layer of sample in reverse mod.