479 ロイヤリティフリー オーディオトラック の "Layers"

Foley snare consisting of multiple layers recorded in an old factory. Resembles pitched, trap-style snare sound.

Energy-type explosion or blast sound created using microphone, 4 voice layers and multiple effects. .

Tonal impact hitting the note g.

A slowly evolving multi-layered sound with a subtly arpeggiated whistle ideal for an intro.

Scary sound. A bunch of layers of me screaming loudly with other effects, at random pitches.

Lots of layers of fruit and veg being mashed up and crunched. A slightly different version.

Grabado de cerca con nt-1. Creado por capas. Close up shot with nt-1. Layering.

808 drum sounds played through an orange amplifiers "micro crush" miniamp recorded for stereo ambiance in the original batcave. These work well as drum layers under more conventional sounds, and in other creative ways. Recording assisted by steve and mikro.

26 layers of sounds for a full and complex crashing sound.

An alert sound created with five synth layers. Speed: 130bpmyou can perfectly loop this.

5 individual sounds created for a cyclops monster in a project that was cancelled before any real sound design could begin. This sound was created by recording various vocal noises and importing them into pro tools. Each vocal take was then pitch shifted down by -24 semitones and duplicated into 4-5 layers. These layers were processed individually using techniques such as reverse reverb, distortion and eq to emphasise different aspects of the creature's roar. The final sound is a result of all these layers playing simultaneously.

Layered bass note(s). Layered analog and synth sounds in fruity loops. Filtered / amplified.

A single snare drum hit. Part of my snare drum pack.

Simple kiss sound effect created by layering three recordings. Used izotope rx for cutting and de-noising. Cubase for the layering.

There was a foley (of the then cranky closet of mine i was fiddling with) lying around in my hard drive i recorded some time ago. I pitched it down several times, stacked up in multiple layers & went on to process the layers individually.

Here's a fun little drum-loop for ya'.

Layers sounds as if you're searching for something, some papers, small objects, faint sounds of fabric rustling.

Sound fx for a machinery seal door. With air effects as the seal tightens.

One of a series of heavily processed sounds of me ripping various objects off a sticky surface. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, combining and mulching everything into new, dynamic sounds with lots of movement and texture.

Sped-up reverby drone music + distortion + highpass + a couple layers of logarithmic fade-out = a pretty nice hi-hat.

A snare that i created using a combination of samples, harmor and maximus. Created in fl studio on january 11,2015.

Snare drum synthesized in chuck programming language. Sinosc (200 hz) attack modulated by triosc3 layers of white noise1 resonance at 5000 hz.

Dug up from the mastering stems from an ancient track called 'closer (vip)' i made in 2014. 172 bpm.

Compilations and layers of rocks falling onto the ground down a hill like a rock slide.

Strong processed kick made of few layers of kicks compressed and eq'ed thru a neve channel strip.

A lush and airy pad. Started as a recording of a note on alto saxophone. It contains several resampled/paulstretched layers.

A beat induced version of "hive comm", with an emphasis on using a freeware beat generator, (hammerhead) and use of an existing freesound sample. . . .

Engine control unit ecu utv atv trail path channel battery jitter fraser iso synchronous lens dual carb upgrade duo-alveolus-pigtail triband layer starter corrector autonomy lifelike optical thunder mirror nose target.

Engine control unit ecu utv atv trail path channel battery jitter fraser iso synchronous lens dual carb upgrade duo-alveolus-pigtail triband layer starter corrector autonomy lifelike optical thunder mirror nose target.

This is an attempt to recreate the sound of a gunshot. At a distant and medium distance. The sound consists of two layers. In the synthesis, white noise with different filtering by layers was used. Reverb was not used. The final processing is equalization and a bit of overdrive.

My friend trying to prove she's not drunk in a voice message. With long reverb on it, sounds like an atmospheric crash sound.

This was made with a freesound by erdie (rubbing metal) and my own layers of fruit and veg being mushed and crunched.

A highly layered and processed kick drum replete with hard-hitting attack. Processed in ableton live.

Layered out of an sks, ak47, uzi and a snare drum with a metallic texture. A short decayed 808 kick drum is occupying the sub frequencies. A bolt mechanic layer added before and after the shot transient. Two echo/reverbs were added for the stereo width. Shell eject layer added. All layers grouped together and lightly compressed and saturated. Made in ableton live. Enjoy.

One of a series of heavily processed sounds of me ripping various objects off a sticky surface. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, layering and sculpting the sounds into short impulses that are suitable for ui sound design.

One of a series of heavily processed sounds of me ripping various objects off a sticky surface. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, using the granular synthesis features to generate a range of distorted, robotic tones.

This is me, doing some pseudo latin voice over work for an audio play i'm working on. Basically this consists of 2 vo layers. One normally spoken, but pitched, the other one just whispering the same text in synch with the first layer. Add some fancy reverb and there you have your evil demon chant.

I did this sound by slapping the underside of the table and my theighs. Easy to do, and very effective. Hope you enjoy!.

Like the door open but things are not reversed. Air affect is placed in front not behind for release of pressure.

Multiple layers of downpitched vocals, recorded via rode nt2a -> focusrite liquid saffire 56. Editing and mixing in ableton live 9.

Heavily processed, strongly compressed, tight and bright punchy tekky snare sound nice for producing technoid-neurofunk drum-n-bass.

A bigger crowd version of the previous claps upload. More layers, no eq or effects. Based on a single handclap track recorded on a laptop microphone.

Created for a video project, though pitch shifted in the final product. These sounds were creating using 3 layers of water sloshing noises and processed in audacity.

Truly dnb kick. Subtle processing on the kick would fit the peg in the hole of your mix. Processed in ableton live.

I used this sound file http://freesound. Org/people/frankum/sounds/171284/. Added a few layers of subtle vocals (my voice) and did some remastering.

A scary, mecanical, big elevator i created with multiples plugins and layers of my lift recordings. The arrival of the elevator sound.

Magical ambience created in ableton with dreamy sustained e-piano layers + lots of reverb and shimmer.

Three layers of me singing. Good for meditations and soul alignments. Use it to create more beauty in this world :-).

Multiple layers of vocals run through piles of reverb, mumbles, thumps, looped.

This track is an original, with the use of the hammerhead beat generator and sound file processor called goldwave. The track has been processed fo added effect. . .