479 ロイヤリティフリー オーディオトラック の "Layers"

This track is an original, with the use of the hammerhead beat generator and sound file processor called goldwave. The track has been processed fo added effect. . .

Made this in bitwig, i used 17 different layers to make this. A kick drum is added before the gunshot to add punch. Sub bass is synthesized for the deep lowend, 30-50hz. All layers were selected for certain frequencies using eq and then processed together with multiband compression. Shell sounds, mechanical noises were added for more depth. Using automation, the pitch, decay, and phase of every single layer used other than the subbass, morph to give life to the sound loop, and not sound robotic. Even though it "might" sound real, its an illusion of sounds being played from a midi clip. Enjoy.

General slap sound fx. Created by layering and eqing to get it to sound the way it is. By the way it hurt to make this sound.

Another one of my heavy beat experiments i made with the amen break as the foundation. Mixed with some live drumming done by myself.

A combination of four layers with different sounds recorded from waldorf m. Recorded dry from the sampler. C# chord.

Another 30 second sample, this time of a light rain this past august. No thunder or other background noises, just the rain. Perfect to loop.

Sound of timpani's with cow bells and other tuned percussion to give it its unique sound. I also used sound techniques of reversing eqing ect to create this sound.

This was a shotgun i recorded with 6 mics then layered it to big it sound very fat and powerful for the screan then added eq and compression.

Short and boomy kick drum heavy on initial click synthesized out of bazzism, processed in ableton live.

Monster sound effects,my processed voice. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Monster sound effects,my processed voice. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Monster sound effects,my processed voice. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Monster sound effects,my processed voice. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Monster sound effects,my processed voice. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Monster sound effects,my processed voice. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Monster sound effects,my processed voice. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Monster sound effects,my processed voice. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Monster sound effects,my processed voice. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Monster sound effects,my processed voice. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Monster sound effects,my processed voice. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Coming out of the far end of my steve reich obsession, this starts as a pretty simple two violins and piano thing but layers up quite big. I like it quite a lot.

Creatures sound alienrecorded phonesfx conversion edited: adobe + fxs + mastered.

Several layers of "relaxing spritzy whooshy noise texture normtrim. Wav" at different volumes/speeds.

Several layers of synths compiled to form an airy, breathy type of tension thriller ambience. Composed on magix music maker 2016 live.

Monster sound effects,my processed voice. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Monster sound effects,my processed voice. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Several layers of synths compiled to form an ethereal thriller atmosphere. Dark, somewhat ominous & tense. Composed on magix music maker 2016 live.

A 90s trance / chillout vowel pad. Several layers recorded from various vst synths stacked, resanpled and seasoned in the sampler. No hardware involved and all materials are neither vintage nor rare ;-).

Zaphir bells. I used:samson condenser microphone. Presonus audiobox 22vsl pre-amp. Software: studio one. Effects: yes: reverb, delaysample: my garden wind-chime. Layers: 1 voice. Recorded where: the netherlandsrecorded date: 2019-february.

Several layers of synths compiled to form a somewhat warped, ethereal, tension thriller. A touch of spookiness and horror peek through. Composed on magix music maker 2016 live.

A processed square wave that sounds a lot like boots on wood tiles walking from left to right, with slight reverb. Great for layering - no background noise.

Quick reverse reverb on a few layers of swedish lines i was doing for a roleplay game. Enjoy.

Recordings of 2 nerf guns, the strongarm and modulus recon mkii. Both well put together nerf guns, would be a good basis when creating your own weapon sounds when coupled with other layers.

A wobble or "synth growl" i done did in caustic 3 on the saw synth. Used a pulse wave, flange & phaser, then a couple pitch layers in post. √π ∆ π√.

This was hard to create i used many different types of doors for the close including hatches, fridges, cars, large and small. I layered them with a stretched air effect to indicate pressure.

Soundtrack created purely from audio recorded with a contact mic and stones, layered and sometimes slowed down. For immersive stories, the unheard voice. Made by thijmen boet and luka geelen.

Various layers of things scraping to create a visceral sound bed that evokes creepy crawly things. Created using various wire brushes slowly scraping against different surfaces.

A self generated cue for a musical. Used xpand2 plug-in in pro tools 10. Features a medium attack gust with a long decay. Leaves can be heard underneath the whistle of the wind.

This is essentially a bass guitar with distortion with three layers of notes, merged together to make a "siren" of sorts. It can be used as a fire alarm, or maybe an alarm on a spaceship or ufo.

Synthetic sound depicting the sound an old crt monitor makes when switching on layers:- thumb from power switching on- decaying bursts of hf noise- 15. 6khz electronic switching noise (squarish with lower frequency jitter).

Hardstyle kick made in fl studio using few 3xosc layers and a bunch of eq's, filters and distortion units. Also used some reverb to give some character to it (i always put my kicks in mono while producing a song).

A chord progression loop i pulled from one of my remixes. Made with stacked synth pad and bass layers, and compiled in reaper.

This is a transformation of the original recording https://freesound. Org/people/pinehadmz/sounds/369501/. For week 10 "musical piece" assignment for the audio signal processing for music applications online class. There are three layers, panned in stereo. Each syllable of each layer was randomly pitch shifted to a note in the minor scale using the harmonic plus stochastic model. Each harmonic track was thickened with extra harmonics during the synthesis process too to make it extra weird.

This is a synthesized hi-hat groove. It is basically an on two layers sequenced noise-patch. One layer to create the "closed hat" effect and another one to create the "open hat" effect. I've applied some waveshaping to add sharpness to the sound and put some reverb on top of that. If you like this sound, you'll probably also like my tunes on soundcloud: http://soundcloud. Com/beverlyhillsboy cheers!.

81 bpmall drum sounds ive created and added into a crusty free loop for you to use however you like. Hard hitting snare/kick. . With a fast rhythmic hihat pattern.

[can be used anywhere!] a very thick boom bap snare. I really want to see what you'll do with it. Sample was taken from the "funky mule break". (just in case you were curious).

3 guitar layers double-tracked and panned, reversed, pitched up 2 semitones, filtered via cab simulation, looped, faded. Mbv inspired, short ambient guitar oriented loop. Ableton live. April 8 4pm 2023 pa southeast.

Very complex sound which took a lot of effort to make. Used different techniques to create the punch. The drop was created by creating a body out of pillows sand ect. Layered and used effects.

Made cool sounding crash by combining two crashes layered on top using daw flstudio. Enjoy free to use as u please. If you put a low pass filter on it, it will sound better.

Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.