479 ロイヤリティフリー オーディオトラック の "Layers"

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00:02
Recording of swimming. Since the sony ic recorder only records in mono, i layered 3 separate splashes sounds(1 left, 1 right, 1 center) to achieve a fake stereo sound. Processed in fl studio's edision.
著者: Swordofkings
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00:11
Grab a pair of headphones and listen closely to the many different aspects of this abstract sound. You can hear many layers to it that you can only truly appreciate if you focus. 00. 10. 005 sec. 44. 1 khz. 16 bit. Wav file.
著者: Danielwalsh
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00:16
I created this using fl studio and serum. **note: if you plan to make money with my creations, do email me at djdomenian@gmail. Com**. If this is going to be used in a non-profit fashion, please drop a link below of your project below! i'd love to hear it!!. Please credit both of my names, jay prowaves a. K. A. Domenian as a "contributing sound designer & artist". Thank you all! i hope that you enjoy my sounds! <3!.
著者: Domenian
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Do you want more samples? check this out: https://traktrain. Com/johnnieholiday?t=1027543&kit. This track was created using fl studio 20key: cbpm: 120 (duration 1 sec).
著者: Johnnie Holiday
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00:02
Do you want more samples? check this out: https://traktrain. Com/johnnieholiday?t=1027543&kit. This track was created using fl studio 20key: cbpm: 120 (duration 2 sec).
著者: Johnnie Holiday
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00:03
Do you want more samples? check this out: https://traktrain. Com/johnnieholiday?t=1027543&kit. This track was created using fl studio 20key: cbpm: 120 (duration 3 sec).
著者: Johnnie Holiday
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00:02
A single shot of what could be an electromagnetic pulse for some sci-fi videogame or video. Made in ableton with layers of synths, reverb, lfo and chorus. Completely free to use.
著者: User
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02:26
Layers of droning male vocal slowed down and looped with various pops, scratches, and thumps run through an assortment of guitar pedals including reverb, harmony, echo, delay, etc. . .
著者: Whalesofjupiter
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00:01
Do you want more samples? check this out: https://traktrain. Com/johnnieholiday?t=1027543&kit. This track was created using fl studio 20key: cbpm: 120 (duration 0. 5 seconds).
著者: Johnnie Holiday
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00:06
A laser noise created for my science fiction sitcom. The base was just a note from a vst synth (i can't remember which) and then a variety of pitch shifts, time stretches and layers of reverb until it sounded right.
著者: Waxsocks
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00:40
Took a drum loop and pitched out 3 different layers of itself, one at half speed an octave down, one at quarter speed 2 octaves down, and one on top that starts out chopped up into separated transients and returns to full speed at the end. I originally made this to be 3 different levels of progression for a backing drum-loop, with the first section being the buildup, the second as the transition/windup, and the third as the breakdown.
著者: Jackie Makes Noiz
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00:06
A new hardstyle kick harmonic enough made from a old kickdrum of mine and some bass layers made in sytrus from zero. Key:cprocessed/clean. Tempo:155/130(this instrument is in whole length cause of reverb,is not a loop,just one-shot).
著者: Meganitro
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01:51
In hinduism and its many derived views of life, there are a number of "realms", each with their own forms of consciousness. The oldest of these is the realm of the minerals, the stones. This is followed by plants, animals, humans, angels and gods. Each kingdom is divided into layers, in the human realm the "caste's" or social layers. Hindus believe that through good works you can be born in a higher caste or even realm in the next life. Among the people who belong to the caste of brahmans, the priestly caste, it happens that some have memories of many past lives. This track represents the connection between the heartbeat of a brahman priest during his meditation and his energetic vibrations, long time ago, as crystal. He discovers that time is an illusion and that all his lives are layers one on another creating a building, the shape of his eternal existence. He has yet to build further but is well on his way. Right now, he should not be proud, or in the next life he will be certainly no angel but falls back to a previous level.
著者: Huggingbear
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00:18
An ominous ambient background hum that is heavy on the bass and with other layers to add subtle complexity. Loopable. Good for a dramatic scene on a space ship to add tension. Created in adobe audition.
著者: Alaskarobotics
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00:08
This is a combination of a bunch of sounds to create a very close feeling digging and tearing through earth sound. Thick roots being torn, low rumble, a lot of layers. Used for a video of hands moving through dirt, digging, forming, etc.
著者: Prozaciswack
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00:36
Rain storm alien abstract fantasy sfx masteredi transformed the sound of rain and storm and added effects, then mastered it. Recorded tascam dr-05xedited: adobe + fxs + mastered. Please support freesound. Org :-).
著者: Szegvari
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00:03
Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.
著者: Audiopapkin
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00:08
Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.
著者: Audiopapkin
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00:04
Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.
著者: Audiopapkin
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00:07
Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.
著者: Audiopapkin
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00:05
Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.
著者: Audiopapkin
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00:07
Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.
著者: Audiopapkin
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00:07
Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.
著者: Audiopapkin
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00:06
Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.
著者: Audiopapkin
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00:08
Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.
著者: Audiopapkin
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00:07
Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.
著者: Audiopapkin
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00:04
Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.
著者: Audiopapkin
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00:06
Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.
著者: Audiopapkin
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00:08
Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.
著者: Audiopapkin
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00:06
Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.
著者: Audiopapkin
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00:09
Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.
著者: Audiopapkin
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01:42
Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.
著者: Audiopapkin
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08:28
Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.
著者: Audiopapkin
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00:52
Base layer for sound fx compositions for space, deep sea, volcanoes, and so on.
著者: Itsawab
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One of a series of heavily processed recordings i made using a hikari monos cv. It's a small, highly tweakable synthesizer that's great for drones, resonant pings, and all manner of dynamic electronic sounds. ‘slayer’ refers to s-layer, the sample-mangling plugin made by twisted tools. By layering, blending, and mulching the original monos recordings, i was able to get a range of sounds the are dynamic, punchy, and unabashedly stereo. These might be useful for edgy-sounding ui elements.
著者: Mrfossy
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A layered kick i made from 2 analog sources. Enjoy!btw, if u use my sounds, i would love to hear what you do with them! & yes u can use them in any way you like. Royalty free. ;-).
著者: Dwsd
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00:23
Recorded myself beatboxing at 87 beats per minute. I did three layers, then copied the whole thing, pitch shifted it and put it back in. Enjoy! use for whatever you like. This was just an experiment, so i didn't use a click track. Apologies for any timing issues.
著者: Jackheath
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00:33
Needs to be faded in, but otherwise it should properly loop. Created using cubase and retrologue 2. A simple patch exploring the vsti's multi oscillators. Two oscillators plus a bit of semi-random filter modulation.
著者: Cabled Mess
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03:02
I created this using digital synthesizers. I lost the presets to this so i can't say exactly how it was created, but eventually i'll create a new version and describe the process. It's basically multiple layers of very grainy (like sparklers or vinyl) noise processed through filters modulated by some kind of noise.
著者: Elanhickler
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Simple layer.
著者: Kevinsaintsans
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Sound i created for a film i did the effects for though i'd share it with you guys. Its a sound designed for someone to get hit with a melee weapon. Created using punch sounds i've made with also a body fall. Hope you like.
著者: Paul
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This series is done through layering and processing many samples of drum sounds i synthesised using various plugins namely xoxo's vst's and zynaddsubfx mixed with some old hardware samples i made a long time ago. There are 4 packs of the same series : perc snare kick and hats all using the same process.
著者: Soneproject
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00:01
I made 3 copies of each sample:a-stretch of 25% and passed in guitar cab simulatorb-lowered by 5-7 semitones and passed in a bass chorusc-passed in a very bland reverblayers and passed in the art vla2 compressor. . . I like them very much. . . Try and enjoy. . (also works with other percussive sounds).
著者: Akustika
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Created in waveform-10 using 1 instance of zynaddsubfx with 3 layers of hi pass filtered oscillators which were tweaked in detail to sound more like noise. Theres a little reverb, delay and distortion in there. The other oscillator was white noise created in 4osc ( native waveform-10 plugin ).
著者: Mikobuntu
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4 layers of coins being dropped into palms, blended and panned forming a continuous clinking sound. Feel free to use in whichever way you like. No need for attribution of any kind. Always fun to see what people get up to though, so post a link here with your work if you want to :).
著者: Egill
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00:29
This sound took me a while i used warehouse machinery at the beginning as the gun is turning to its target and when it finished with an alarm and light sound indicating its powering. The charge & fire sound is all synthesis layered several sounds on top with each other also using eq, compressor ect.
著者: Paul
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00:08
A sound i made that would be used for buffing spell in a game such as 'iron flesh' in skyrim. There are multiple layers of sword sounds i have recorded as well as some kick samples, reverse effects and some leather flapping. Please credit if you use this it took quite a while for me to get this. Nm.
著者: Deleted User
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00:01
This series is done through layering and processing many samples of drum sounds i synthesised using various plugins namely xoxo's vst's and zynaddsubfx mixed with some old hardware samples i made a long time ago. There are 4 packs of the same series : perc snare kick and hats all using the same process.
著者: Soneproject
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00:02
This series is done through layering and processing many samples of drum sounds i synthesised using various plugins namely xoxo's vst's and zynaddsubfx mixed with some old hardware samples i made a long time ago. There are 4 packs of the same series : perc snare kick and hats all using the same process.
著者: Soneproject
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00:08
I've fiddled with this sound for a while, its 22 layers of base tones, atmosphere and static blended together to create a heavy, powerful sounding beam weapon. The finish is a slowed, lowered and reverberated tone from a french horn.
著者: Deleted User
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