97 ロイヤリティフリー オーディオトラック の "Oriental"

Oriental magpie robin or doel bird singing at morning 5am. Recorded with my mobile device. You are allowed to download and use this free sound effects for your private/commercial projects.

Happy dance oriented loop. Snow, furtrees, sparks.

Little song loop made with garage band. Use it everywhere, no credits or anything boring like that needed! :). I would just love to know if you used it somewhere in the comments!.

Sand and wind atmo.

Japanese traditional song. Disc 4 of the set Musik des Orients compiled by E.M. Von Hornbostel and published in Berlin by Lindström A.G. [1] [2]

*** please rate this sound if you download and like :-) ***. Tabla loop built with boulanger's free library on ableton's drum rack and mastered. -3 db level.

Traditional Sundanese song. Disc 8 of the set Musik des Orients compiled by E.M. Von Hornbostel and published in Berlin by Lindström A.G. [1] [2]

Traditional music from Persia. Disc 19 of the set Musik des Orients compiled by E.M. Von Hornbostel and published in Berlin by Lindström A.G. [1] [2]

Japanese traditional song. Disc 3 of the set Musik des Orients compiled by E.M. Von Hornbostel and published in Berlin by Lindström A.G. [1] [2]

Traditional music of Tunisia. Disc 23 of the set Musik des Orients compiled by E.M. Von Hornbostel and published in Berlin by Lindström A.G. [1] [2]

Japanese traditional song. Disc 2 of the set Musik des Orients compiled by E.M. Von Hornbostel and published in Berlin by Lindström A.G. [1] [2]

Traditional Javanese music. Disc 10 of the set Musik des Orients compiled by E.M. Von Hornbostel and published in Berlin by Lindström A.G. [1] [2]

Traditional music from Egypt. Disc 20 of the set Musik des Orients compiled by E.M. Von Hornbostel and published in Berlin by Lindström A.G. [1] [2]

Formatted for use in the make noise morphagene. This reel was used in the iterative morphagenetics: clocking and shifting video. It consists of one beat-oriented splice and was created with stock sounds in ableton live.

Traditional Balinese music of silhouette play. Disc 11 of the set Musik des Orients compiled by E.M. Von Hornbostel and published in Berlin by Lindström A.G. [1] [2]

Traditional Siamese musical drama. Disc 16 of the set Musik des Orients compiled by E.M. Von Hornbostel and published in Berlin by Lindström A.G. [1] [2]

Classical Chinese drama. Disc 5 of the set Musik des Orients compiled by E.M. Von Hornbostel and published in Berlin by Lindström A.G. [1] [2]

Traditional Balinese music of princely court. Disc 15 of the set Musik des Orients compiled by E.M. Von Hornbostel and published in Berlin by Lindström A.G. [1] [2]

Traditional music of Egypt. Disc 22 of the set Musik des Orients compiled by E.M. Von Hornbostel and published in Berlin by Lindström A.G. [1] [2]

19th century Chinese drama. Disc 6 of the set Musik des Orients compiled by E.M. Von Hornbostel and published in Berlin by Lindström A.G. [1] [2]

Traditional Indian music. Disc 17 of the set Musik des Orients compiled by E.M. Von Hornbostel and published in Berlin by Lindström A.G. [1] [2]

Traditional Balinese music played during ceremonies. Disc 12 of the set Musik des Orients compiled by E.M. Von Hornbostel and published in Berlin by Lindström A.G. [1] [2]

Traditional music from Egypt. Disc 21 of the set Musik des Orients compiled by E.M. Von Hornbostel and published in Berlin by Lindström A.G. [1] [2]

Traditional Balinese music for sitting dance. Disc 14 of the set Musik des Orients compiled by E.M. Von Hornbostel and published in Berlin by Lindström A.G. [1] [2]

Looped synthesizer phrase. Resembles kid's fun rhyme. Made in fl studio.

Recorded with h4n pro with 90deg mic orientation in front of my house. I used diy deadcat, but you can still hear a little bit of wind rumble. Kinda relaxing sound tho.

Traditional music from India. Disc 18 of the set Musik des Orients compiled by E.M. Von Hornbostel and published in Berlin by Lindström A.G. [1] [2]

This is a recording of autumn rain falling down and pouring through a drain pipe outside my bedroom window. It is a very pleasant sound if i may say so, and can be used for many soundscape or atmosphere oriented things. Recorded with zoom h1.

Metal windchimes in a light breeze. Duration: 3 minsrecorded 17th june 2018, at elpha green, northumberland, england48000 hz stereo 24-bit adobe audition recording using macbook pro with external stereo mic.

This is the sound of an inland vessel on river rhine, near mannheim, germany. You can hear the rhythmic and fluctuating vibrations of the diesel engine. Seems to be an older one. Unfortunately i oriented my zoom h2n wrongly (90° to the right). So most of the noise appears on the left ear.

Sampled sound recorders alto yamaha yra-302biii (production in japan) processed reverb program wavelab 6. Sample recorded using a condenser microphone, oktava mk-220 and sound card m-audio 18/14 firewire.

3 guitar layers double-tracked and panned, reversed, pitched up 2 semitones, filtered via cab simulation, looped, faded. Mbv inspired, short ambient guitar oriented loop. Ableton live. April 8 4pm 2023 pa southeast.

The oud is an oriental instrument,which is being played at egypt,syria ,palestine,maroc,algeria,jordania. Greece etc. . . It is the predecessor of the european lute,but sounds quite different. The original samples are very short. I put them into my akai 2000,looped them and tried to give them a synthetic decay. The file contains a collection of twenty different samples,arranged from d 1 to f 3.

On an even night of april 2018, in a huge temple in bangkok -none of the famous ones-, i went to crash funerals -i truly recommend do this; people is very nice and the spectacle it's just amazing, you have singing, acrobatics, free food. . . This recording came from a taoist funeral -that night they have also some others in that temple -i need to find out which one, but i think it's next to sam sen subway station-, many, buddhist funerals. Just now, i realized the singing it's in mandarin. Over the funeral chatting, you heard the singer voice and the instrument, timbals, erhu. A very oriental ambiance. Not edited. Recorded with my old, and now quite cranky, zoom ii recorder.

Took a violin bow to a chinese guzheng and the results were pretty great. Good for ambience, drones and creepy stuff. Recorded with blue spark and blue bluebird condenser mics through a scarlett 6i6 interface. Uncut with a small glue compressor to minimize spikes.

Recorded about every sound you can get off a chinese guzheng, tuned in d pentatonic. Recorded with blue spark and blue bluebird condenser mics through a scarlett 6i6 interface. No credits necessary but i'd like to hear what you use it in!.

Soldier's from the royal electrical and mechanical engineers (reme) training on hankley common in surrey, england. Recorded from fairly close to the action with a zoom h3 using the standard microphone. Spoken voices are from the instructor and a group of elderly orienteering runners who blundered into the middle of the battle. Weapons mostly 5. 56mm sa80 rifles and 7. 62 gpmg. Note the crescendo of firing as the assault goes in.

An emulation of the classic "rewind and stop" sound performed by djs to add tension before the drop. Made after tens of trials using fl studio's fruity scratcher on a sample i don't remember. Le: i'm happy this sample from 10 years ago helped so many people, cheers to all!. If you liked this sound you might also like my oriental song, check it out!https://soundcloud. Com/miles-under/bazar.

Ambient on metro station (lisboa-oriente), chatter (portuguese + other). 1st train arrives. 2nd train arrives and i get in and make the ride. Recorded with zoom h4n-pro 48 khz / 24 bit. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

Rain in brittany on a windy winter day. I built this sound by mixing several field recordings made on the same spot: a small wood in the south of the region. These recordings had different focuses: some were more wind-oriented, others had more rain. . . Instead of publishing these individual takes, i chose to mix them in order to create a soundscape that would vary in density, depth and spacing. Recorded with a zoom h2n in x/y stereo mode. Mixed in nuendo 2. Mastered in sound forge 8.

Short comment about why i donate to a nonprofit student-oriented radio station (c89. 5/knhc) operated from nathan hale high school in seattle, wa (us), for possible airplay - but maybe useful (in whole/part) for your creative project. Recorded into adobe audition using a blue snowball usb mic, with some (hopefully minor/not noticeable) noise reduction. Phonetic word list for possible clip extraction: my name is stuart jay whitmore and i'm a writer in the seattle area i donate monthly to see eighty nine point five because support educational mission also like listening to music while work on books.

This sound is produced by one of the eye tracker experiments at cbc (upf). These experiments are oriented to newborns and it analyzes their brain cognition by stimuli. As researchers of the center for brain and cognition, we work to advance our understanding of how experience influences the emergence of structure and function through computational and experimental investigation. We are also interested in understanding how mechanisms regulating brain development interact with the effects of experience to produce the structural and functional characteristics of the brain. These lines of research clarify how specific biological mechanisms routinely support the emergence of cognitive functions, leading to insights into why experience is so important for normal brain development. Learn more at: https://www. Upf. Edu/web/cbc.

This sound is produced by one of the eye tracker experiments at cbc (upf). These experiments are oriented to newborns and it analyzes their brain cognition by stimuli. As researchers of the center for brain and cognition, we work to advance our understanding of how experience influences the emergence of structure and function through computational and experimental investigation. We are also interested in understanding how mechanisms regulating brain development interact with the effects of experience to produce the structural and functional characteristics of the brain. These lines of research clarify how specific biological mechanisms routinely support the emergence of cognitive functions, leading to insights into why experience is so important for normal brain development. Learn more at: https://www. Upf. Edu/web/cbc.

This sound is produced by one of the eye tracker experiments at cbc (upf). These experiments are oriented to newborns and it analyzes their brain cognition by stimuli. As researchers of the center for brain and cognition, we work to advance our understanding of how experience influences the emergence of structure and function through computational and experimental investigation. We are also interested in understanding how mechanisms regulating brain development interact with the effects of experience to produce the structural and functional characteristics of the brain. These lines of research clarify how specific biological mechanisms routinely support the emergence of cognitive functions, leading to insights into why experience is so important for normal brain development. Learn more at: https://www. Upf. Edu/web/cbc.

Came up with a drumbeat in garageband and soon after a bassline that fit the drums. Added "satan", some handclaps and oriented kind of sounds. Also did a darker mid-part to make a feeling of something bad happening. Did it for something called victors crypt on youtube. Think it would fit to anything dark and cool. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Tiến Quân ca is the national anthem of Vietnam. This version was recorded by (likely to be) the French Far East Expeditionary Corps (Corps Expéditionnaire Français en Extrême-Orient, CEFEO). Van Cao was the author of the anthem. Please note that, Tiến Quân ca was donated to the people of Vietnam, and to the Government of Vietnam at the National Assembly of Vietnam on 15 July 2016 by the family of the author, in which the Ministry of Culture, Sports and Tourism became the management board of the anthem. Therefore, the anthem is now a public domain work and no personnel or organisations have the right to own the anthem, which means that the anthem does not require licenses to distribute on any platform, including Wikipedia. Any act of removing the anthem, banning the anthem from public distribution, or claiming the copyrights/licenses of the anthem is illegal, according to the Law of Vietnam and the Constitution of Vietnam. Tiếng Việt: Tiến Quân ca, quốc ca Việt Nam. Trình bày và thu âm bởi (có thể là) Quân đội viễn chinh Pháp vùng Viễn Đông (Corps Expéditionnaire Français en Extrême-Orient, CEFEO). Sáng tác bởi Văn Cao. Xin lưu ý rằng gia đình nhạc sĩ Văn Cao vào ngày 15 tháng 7 năm 2016, đã hiến tặng bài Tiến quân ca cho nhân dân và Tổ quốc Việt Nam. Bộ Văn hóa, Thể thao và Du lịch là cơ quan quản lý bài Tiến quân ca theo quy định pháp luật về quyền tác giả và các quyền liên quan về bản quyền. Lễ tiếp nhận được tổ chức tại Tòa nhà Quốc hội Việt Nam. Vì vậy, đây là tác phẩm công chúng và không thuộc sở hữu của bất cứ cá nhân hoặc tổ chức nào. Mọi hành vi xóa bỏ tác phẩm hoặc đánh dấu bản quyền với tác phẩm này là hành vi xâm phạm bản quyền, ngăn chặn, cản trở phổ biến quốc ca Việt Nam, trái với pháp luật Việt Nam kể từ ngày 1 tháng 1 năm 2023.

We Three Kings performed by the Airmen of Note of the United States Air Force Band. Track 7 from A Holiday Note From Home (2005). Recorded June 20-24 & July 7, 2005 at Bias Studios. Credits: Alto Saxophone [Jazz] – MSgt Andy Axelrad* Alto Saxophone [Lead] – TSgt Lucas Munce* Artwork [Cover] – Stewart Andrews Baritone Saxophone – TSgt Doug Morgan* Bass – CMSgt Paul Henry* Bass Trombone – CMSgt Dudley Hinote* Cello – MSgt Frank McKinster*, MSgt Vivian Podgainy* Directed By – SMCgt Joe Jackson* Directed By [Assistant] – MSgt Rich Sigler* Double Bass – MSgt William Hones* Drums – TSgt Dennis Hoffmann* Edited By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Engineer – Bob Dawson Guitar – TSgt Geoff Reecer* Management – CMSgt Dudley Hinote* Management, Directed By [Strings] – CMSgt Jane Bockenek* Mastered By – Charlie Pilzer Mixed By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Percussion – SMSgt Pat Shrieves* Photography By – A1C Rusti Caraker*, Thomas Devins Piano – MSgt Steve Erickson* Producer – SMSgt Joe Jackson* Producer [Assistant] – MSgt Alan Baylock* Strings – The United States Air Force Strings Tenor Saxophone [Jazz] – MSgt David Stump* Tenor Saxophone [Lead] – TSgt Tedd Baker* Trombone [Jazz] – TSgt Ben Patterson*, MSgt Jeff Martin* Trombone [Lead] – SMSgt Joe Jackson* Trumpet [Assistant Lead] – MSgt Kevin Burns* Trumpet [Jazz] – MSgt Rich Sigler*, MSgt Tim Leahey* Trumpet [Lead] – TSgt Brian MacDonald* Viola – TSgt Bryce Bunner*, SMSgt Paul Swantek*, MSgt Sharon Bingham Wolfolk*, TSgt Wayne Graham*, TSgt William Hurd* Violin – MSgt Alexander Dean*, MSgt Cleveland Chandler*, SMSgt Deborah Volker*, TSgt Emily Barnes*, TSgt Gregory Pinney*, TSgt Henry Tyszler*, CMSgt Jane Bockenek*, TSgt Luke Wedge*, TSgt Mari Uehara*, TSgt Mark Dorosheff*, TSgt Mark Helm*, SMSgt William Tortolano* Vocals – TSgt Paige Wroble*