1,125 ロイヤリティフリー オーディオトラック の "パターン"

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I changed the synthesizer's ranges and played a bit with reaktor's structures until i realized i was playing with the frequency range. The result is a radically different sound that sounds more like a machine.
著者: Errorcell
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Back to normal. Nothing really special here excepting the unusual tom sound that seems out of pitch.
著者: Errorcell
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Finally, another normal loop. Nothing much again, but the difference is significant.
著者: Errorcell
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I made this pattern in ableton. Enjoy and use it in whatever.
著者: Tmog
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02:24
Pattern 3 w 3 x cvlfo-motorthe pattern is here: https://www. Instagram. Com/p/bmtfta5ajfh/?taken-by=gis_sweden.
著者: Gis Sweden
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02:25
Pattern 4 increase/decreasethe pattern is here: https://www. Instagram. Com/p/bmyofl8gjlz/?taken-by=gis_sweden.
著者: Gis Sweden
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09:21
Pattern 5 seaweed. Long. Some low frequencies. The pattern is here: https://www. Instagram. Com/p/bmluh8vajro/?taken-by=gis_sweden.
著者: Gis Sweden
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Glitch looped drum pattern made by digital tracker. Please check up my commercial portfolio. Your visits and listens will cheer me up!thank you.
著者: The Sacha Rush
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Simple beat with repeating keyboard motif. Mixed through audacity.
著者: Bigvegie
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02:39
Another one with 1 looping envelope and 2 vclfos in a dance. I start the recording with the looping envelope in non looping mode. After about 33 sec i switch to looping-mode. Records and hope that a pattern should emerge. So, what do you think? one more time i switch looping mode off and then on. Cool technique.
著者: Gis Sweden
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Recorded a basic drum and muted guitar loop at 105-bpm using ableton live 9. 4 notes per bar played on guitar in this order: d a c a. Drums are kontakt player "urban beats" default setting. Guitar is a single coil telecaster playing thru a reverb pedal (shift line's astronaut a+) and mic'd up w/ a ldc. Additional notes:-14. 8 lufs integrated-1. 8 db true peak max. Want something more customized? send me a note or visit myyoutube. Com/bainmack. Hope this helps and is useful for your next project. Cheers,bainmack.
著者: Bainmack
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-cute and interesting tweaked synth "semi-vocal" sound making a sweet and moderately complex arpeggio-type melody at around 100 bpm. -could be used as intro or maybe the drop. -i think it would fit well in the electronica and dubstep genre, but use it as you please!.
著者: Slivkro
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10 loops with a wonderful vintage flavor. . . Created with the samples from my library with hydrogen and scrupulously edited with various vst effects. . Enjoy.
著者: Akustika
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05:47
Repeating patterns but not exact. Guess this sound will loop. I have not tested. . . I should. Who wants to loop it?.
著者: Gis Sweden
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Aethernet-cc0 pattern template hysteresis spectrum wire net volume oscillator ghost pilot.
著者: Awaka
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07:19
Aethernet-cc0 pattern template hysteresis spectrum wire net volume oscillator ghost pilot.
著者: Awaka
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Aethernet-cc0 pattern template hysteresis spectrum wire net volume oscillator ghost pilot.
著者: Awaka
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A decent sized group clapping in a black box theatre, the patterned it slow to fast, a little laughing at the end. Unedited, raw data.
著者: Issalcake
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A loop of off-beat claps with a military march feel.
著者: Procynic
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Drum pattern in the fashion of industrial metal.
著者: Nicovize
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Created in hydrogen and korg microsampler with samples from my personal and original library. Edit on audacity. Absolutely royalty free.
著者: Akustika
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02:46
Repeating patterns but not exact. Guess this sound will loop. I have not tested. . . I should. This is chaos music.
著者: Gis Sweden
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This is a percussion beats made at tempo 124. It spans 8 bars and is ready to be looped in your daw. This is a sound i've found in my old foxdot projects, it has a really cool "ocean" or "wave" noise-like sound that repeats at the right then left of stereo, in the end of each 4-bar segement. It layers multiple kicks and snares, with one of the sounds being stretched, that produce this "wave" sound. It can be evaluated in foxdot with the following code to replicate this result. D1 >> play(p[" [--]o h: -"]. Layer("mirror"),dur=pdur(5,8), rate=expvar([0. 09,2],8),sample=2, pan=sinvar([-1,1],16),amplify=0. 5).
著者: Mbpl
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04:19
Claudio S. Grafulla's march Washington Grays, performed by the U.S. Army Band
著者: Composition: Claudio S. Grafulla (1810–1880) Performance: U.S. Army Band
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Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
著者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807
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Aethernet cc0 pattern template design ontodesign f++ f+~ atv wifi wimax spot area ad hoc local global networking homonculus light carrier wavelength band autocom autobot los azimut web.
著者: Awaka
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08:33
Aethernet cc0 pattern template design ontodesign f++ f+~ atv wifi wimax spot area ad hoc local global networking homonculus light carrier wavelength band autocom autobot los azimut web.
著者: Awaka
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I mixed a flute loop by davejf and a bainmack drum track. Https://freesound. Org/people/davejf/sounds/562289/. Https://freesound. Org/people/bainmack/sounds/567718/.
著者: Dasteemaeker
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Engine control unit ecu utv atv trail path channel wideband broadband battery jitter sox cox nox probe analogic calculator chassis dual carb alveolus pattern optical mirror iso symmetry fraser lens.
著者: Awaka
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Engine control unit ecu utv atv trail path channel wideband broadband battery jitter sox cox nox probe analogic calculator chassis dual carb alveolus pattern optical mirror iso symmetry fraser lens.
著者: Awaka
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A drum & bass-styled drum fill. 178 bpm.
著者: Theendofacycle
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Freischutz Quickstep performed by the Concert Band of the United States Air National Guard Band of the Southwest. Track 2 from American Songs (2005).
著者: Composition: Claudio S. Grafulla; Performance: United States Air National Guard Band of the Southwest, Concert Band; Recording: United States Air Force
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Beautiful sounding minimalist classical piano piece. 2 pianos laying out a hypnotic interlaying rhythm.
著者: Theojt
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The orange side of plaits randomised from rnd step driven by wogglebug and instruo neoni, into harmonaig, cv to plaits. Aux channel passed through rings, one output through tau phaser the other through mimeophon and finally though qmmg moved by maths and sent through erbe-verb. Phew! enjoy! oh yes, markers are in place for morphagene.
著者: Jim Bretherick
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02:11
White noise through s&h sampled at audio rate using neóni. Quantised sequenced in mimeophon and dpo using 0-ctrl. 1/2 signal through erbe-verb the other through mimeophon. 10 markers set. Rendered at 48khz 32bit for morphagene in reaper. Enjoy!.
著者: Jim Bretherick
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Aethernet cc0 pattern template design ontodesign f++ f+~ atv wifi wimax spot area ad hoc local global networking homonculus light carrier wavelength band autocom autobot los azimut web.
著者: Awaka
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Dug up from an old project. Korg monotribe groovebox processed by a doepfer a-189-1 bit modifier, a lowpass- and a highpass-filter. Recorded using ni maschine. 11. 10. 2013. It's always nice to hear what projects you use these sounds for. Let me know. ;-).
著者: Cabled Mess
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Dug up from an old project. Korg monotribe groovebox processed by a doepfer a-189-1 bit modifier, a lowpass- and a highpass-filter. Recorded using ni maschine. 11. 10. 2013. It's always nice to hear what projects you use these sounds for. Let me know. ;-).
著者: Cabled Mess
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Der Tag bricht an und zeiget sich; Evang. Gesangbuch 438; Wach auf, wach auf, ’s ist hohe Zeit; Evang. Gesangbuch 244
著者: Melodie: Melchior Vulpius 1609; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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This is a sound effect i created using chiptone. You don't need to credit me. You can download this sound effect as needed and use it for any project. I would appreciate it if you support me on ko-fi: https://ko-fi. Com/staycalm182.
著者: Brickdeveloper
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Musical box-style melody on vibraphone through audacity in wav. Background or interlude.
著者: Bigvegie
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Made with vst instruments / no attribution required - public domain.
著者: Phantastonia
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Simple hip hop beat made by hörspiel-werkstatt bad hersfeld (www. Hörspiel-werkstatt. De). Public domain - make attribution or not - decide for yourself!. Made with vst instruments.
著者: Phantastonia
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Made with vst instruments / make attribution or not - decide for yourself!.
著者: Phantastonia
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This is a sound effect i created using chiptone. You don't need to credit me. You can download this sound effect as needed and use it for any project. You can support me by donating to my ko-fi page here: https://ko-fi. Com/staycalm182.
著者: Brickdeveloper
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Processed / experimental dubstep beat (8-bars), good quality. Wav. "unused" yet. Feel free to exploit! decided to start sharing my beat garage so enjoy, and msg/email me if you need similar/specific samples/loops =].
著者: Slivkro
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Repeating vibraphone motif changing key, suggesting waking or rising light from dark. Could be a short interlude or transformation. Various keyboards over chorus through audacity in wav.
著者: Bigvegie
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I'm Just Wild About Harry song (instrumental version). 78 RPM vertical cut photograph. Noise removed. Some equalization and compression to adjust for "tinny" sound. Some mild adjustments to even out the volume. Українська: «Я просто божеволіє від Гаррі», написана Юбі Блейком і на слова Нобла Сіссла, виконана в 1922 році.
著者: Eubie Blake, composer (with Sissle, Noble, lyrics), performance conducted by Vincent Lopez, published by Edison
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This is a sound effect i created using chiptone. You don't need to credit me. You can download this sound effect as needed and use it for any project. You can support me by donating to my ko-fi page here: https://ko-fi. Com/staycalm182.
著者: Brickdeveloper
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Cut the 8-bar loop to 1/8 pieces and you have patterns (kb , kbb , k_b_ , kbbb) to loop!. Psy trance kick bass drum loop 138bpm g#1from the demo here:. Https://functionalsoftware. Net/syndrome-sounds-volume-1-trance-music-sound-library-sample-pack-kick-bass-loops-for-psy-goa/?ref=freesound210521loop.
著者: Syndrm
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