1,051 ロイヤリティフリーオーディオトラックの "パッチ"

モジュラー電子工学ノイズ発生器混沌フィードバックロマンチック音楽ランダムパターン

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09:17

Electronic Minute No Modular Algorithm No (Man ) Rec A

Algorithmic modular music program (man2_2019). The computer is my analog modular synth. 01 to 08 are clock sequencer steps. 00 rem -------------- man2_2019 --------------00 rem vco_1 sin through wave folder00 rem vco_2 tri00 rem vco_3 sqr through vcf00 rem (vco_1, vco_2, vco_3) tuned to 130 hz00 rem rnd pitch cv from attenuated tri lfo00 rem rnd cv from tri lfo00 rem main clock (lfo_1) start frq 10 hz00 rem reset is tricky, trg -> short env -> reset00 rem (noise) is noise through a lfo sweeped vcf00 rem ---------------------------------------01 rnd -> vca cv in (vco_1)02 if (lfo_2 = high) then goto 01 [= reset]03 rnd frq lfo_1 (run speed)04 rnd fm mod (vco_1) with audio from (vco_2)05 rnd -> vca cv in (vco_1, vco_2, vco_3): invert cv -> vca cv in (noise)06 trg long env (vco_2): rnd pitch @ eoc (vco_2)07 trg long env (vco_3): rnd pitch @ eoc (vco_3)08 rnd -> wave folder (vco_1): rnd -> vcf (vco_3)10 goto 01.

著者: Gis Sweden

モジュラー電子工学パッチ音楽

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05:10

Electronic Minute No Modular Algorithm No V (Manv )

Algorithmic modular music program ver. 2 (man2v2_2019). The computer is my analog modular synth. 01 to 08 are clock sequencer steps. Admit, the spring reverb makes a nice job!. 00 rem -------------- man2_2019 --------------00 rem ------------------ v2 -----------------00 rem vco_1 sin through wave folder00 rem vco_2 tri00 rem vco_3 sqr through vcf00 rem (vco_1, vco_2, vco_3) tuned to 130 hz00 rem rnd pitch cv from attenuated tri lfo00 rem rnd cv from tri lfo00 rem main clock (lfo_1) start frq 10 hz00 rem reset is tricky, trg -> short env -> reset00 rem (noise) is noise through a lfo sweeped vcf00 rem ---------------------------------------01 rnd -> vca cv in (vco_1)02 rnd -> wave folder (vco_1): rnd -> vcf (vco_3)00 rem line 08 in ver. 103 rnd frq lfo_1 (run speed)00 rem [less secitive for cv change]04 rnd fm mod (vco_1) with audio from (vco_2)05 rnd -> vca cv in (vco_1, vco_2, vco_3): invert cv -> vca cv in (noise)00 rem [added some offset with attenuverter]06 trg short env (vco_2): rnd pitch @ eoc (vco_2)00 rem [long env in ver. 1 - with long env i seldom reach eoc]07 if (lfo_2 = high) then goto 01 [= reset]00 rem line 02 in ver. 108 [07] trg short env (vco_3): rnd pitch @ eoc (vco_3)00 rem line 07 in ver. 100 rem [long env in ver. 1 - with long env i seldom reach eoc]10 goto 01.

著者: Gis Sweden

モジュラー電子工学パッチ音楽

00:00

09:60

Electronic Minute No Changing Sequence

A patch with a changing sequence made on analog modular synth. Spring reverb and analog delay. The changes are made with an chaos lfo. Its 10 min loop!.

著者: Gis Sweden

モジュラー電子工学パッチループ

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03:24

Anton Günther - s is Feierobnd

Anton Günther Gesang und Gitarre: "S ist Feierobnd" in erzgebirgisch

著者: Untitled

00:00

01:47

Morceau improvisation guitare électrique Arthur P. pour Culture(s) Numérique(s) (Radio Pluriel)

Morceau d'improvisation à la guitare électrique par Arthur P. (11 ans et quelques) pour l'émission Culture(s) Numérique(s) numéro 11 (juin 2019) sur Radio Pluriel. Publié ici avec son accord.

著者: Untitled

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05:00

Electronic Minute No Krell And Sample And Hold

A krell patch and short sample and hold tones. Okay even the krell gets pitch cv from a sample and hold. The short sample and hold tones are panned with help of chaos. I use two nlc sloth lfos to control the panning. The speed of the short sample and hold tones are controlled by two mixed lfos from bmc 2lfosh. Reverb from spring reverb and delay from an anlog delay stomp box. Please suggest some tags i should have used. . . !.

著者: Gis Sweden

モジュラー宇宙空間電子工学パッチ

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02:24

Electronic Minute No Pattern W X Cvlfo Motor

Pattern 3 w 3 x cvlfo-motorthe pattern is here: https://www. Instagram. Com/p/bmtfta5ajfh/?taken-by=gis_sweden.

著者: Gis Sweden

モジュラー電子工学パターンパッチ

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02:25

Electronic Minute No Pattern Increase Decrease

Pattern 4 increase/decreasethe pattern is here: https://www. Instagram. Com/p/bmyofl8gjlz/?taken-by=gis_sweden.

著者: Gis Sweden

モジュラー電子工学パターンパッチ

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09:21

Electronic Minute No Pattern Seaweed

Pattern 5 seaweed. Long. Some low frequencies. The pattern is here: https://www. Instagram. Com/p/bmluh8vajro/?taken-by=gis_sweden.

著者: Gis Sweden

モジュラー電子工学パターンパッチ

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01:25

Electronic Minute No Fun Without Computer

Started with me playing with doepfer a-146-2 as gate delay. Went on using it as a wave shaper. Went on and on. . . It's not a very big patch. But the outcome is nice. It's a mix of chaos and random. Yes i'm using jerk off and sloth. Analog modular synth fun.

著者: Gis Sweden

モジュラー電子工学パッチ音

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01:21

Almost Quantizer Feedback Patch (Ver

No, it's not beautiful but its a generative feedback patch.

著者: Gis Sweden

モジュラー電子工学パッチノイズ

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03:15

Electronic Minute No Mission Really Accomplished

Now finally! my two neuron patch idea has a sound. It's like music to a graphic score. My score is this:https://www. Muffwiggler. Com/forum/userpix2/27319_2_neurons_not_so_small_1. Jpg. Maybe both score and its sound is bad. . . But i'm happy :-).

著者: Gis Sweden

モジュラー電子工学パッチノイズ

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05:05

Electronic Minute No Exploring Two Modules

In this patch i use bastl instruments tromsø as comparator, sample and hold and oscillator (3 in 1). The cv is coming from nonlinearcircuits jerk off. The audio out from tromsø goes through nonlinearcircuits timbre!. Some delay from an analog delay pedal and reverb from doepfer spring reverb. One voice exploring a chaotic cv source. I sold one of my tromsøs a while ago. Will i regret that? psssst take a closer look at the wave form! the wave folder is doing its work!.

著者: Gis Sweden

モジュラー電子工学パッチ退屈

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06:32

Stupid Chase Useless Modular Sound Dl Club

Modular synth patch where two envelopes are involved in a chase. There could have been a rhythm, but i let chaos disturb theharmony. The square wave sounds are "distorted" in a wave rectifier. The kind of patch only an owner to a modular synth findany interest in?do you find any use for some part of this sound let me know!the "ground/root pith" is 122hz. . . Almost a b. . . But not really. I tune my oscillators without caring about "real" tones. The quantizer makes the steps between tones.

著者: Gis Sweden

モジュラー電子工学パッチ封筒

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01:01

Some Sounds Should Not Be Recorded

. . . But i recorded this. I recorded the sound to celebrate my first stereo patch. Yep, now i have squeezed in three mixers and will be able to make stereo effects on my modular.

著者: Gis Sweden

モジュラー無人航空機電子工学パッチ

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05:00

Two Voices Caught In A Chaotic Feedback Patch

5 min recording. Question. Do you hear any form of repetitiv pattern?the "engine" for this. . . Is a feedback patch. Chaotic? maybe. The colors the soundfile get here on freesound reveals patterns. I use this feedback patch to derive timing and pitch. I restrain the pitch. It's bad enough as it is. The feedback patch is made with 2 lfos, 1 vclfo and a vcad.

著者: Gis Sweden

フィードバックモジュラーパッチ混沌

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10:00

Electronic Minute No Start With Chaos

Start with chaos. In this sound/patch you have the possibility to enjoy chaos and feedbacki use my sloth lfos and jerkoff - another chaos moduleim possible sick i like this - thou its simple. Sloth modulate vco and filter cut of frequencyfeedback from vco to the filter via a vca controlled by a looping envpan fx also controlled by sloth - same env that controls the frequency. The "prassel" rustle sound is great in my earsjerkoff, exp vca, function and another sloth. Evaluation of patch/soundone cycle is - there are many cycles to consideronly short sounds - no, goodamplitude variation - yep goodpitch variation - mediumtimbre variation - some, via filter/two soundsmusical value - i think so!entertaining - yes?!.

著者: Gis Sweden

モジュラーパッチノイズ混沌

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00:06

Bass

A pretty cool 808 bass i made for a new song im working on, enjoy guys.

著者: Infestedpasta

サンプルパッチ蹴り技音楽

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11:47

Electronic Minute No This Is A Drone

A drone made with a modular synth.

著者: Gis Sweden

モジュラー無人航空機電子工学パッチ

00:00

04:51

Electronic Minute No My Neuron

Boring sound. . . Neuron patch (?). . . Inspired by nlc squid axon (i have saved some hp for that one!) i have patched up a simple 2 stage asr with 2 s/h. Most of the time it plays its atonal melody, but when the patch is stimulated (by a sloth lfo) feedback opens up. I can adjust the sensitivity in different ways (so i can simulate the intake of drugs. . . ). The sound from the oscs goes though vcfs with some resonance. The vcfs are controlled by the same sloth lfo. My neuron patch. . . No hands during recording. My favourite part is when nothing happens - for almost 1 min?! but you can hear the filter working via the vcfs. The cv must be in some strange area.

著者: Gis Sweden

モジュラーナマケモノ電子工学パッチ

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04:19

Washington Grays - U.S. Army Band

Claudio S. Grafulla's march Washington Grays, performed by the U.S. Army Band

著者: Composition: Claudio S. Grafulla (1810–1880) Performance: U.S. Army Band

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04:04

Random Bits Things From My Soundcloud Musical Alien Creature

Patch on my doepfer a-100 modular synthesizer. Recorded in early 2015 using my google nexus 5 with a class-compliant audio-interface and the soundcloud app. I called it "babysteps" at the time. Denoised with audacity. Cut and normalized using ocenaudio. It's always nice to hear what projects you use these sounds for. Let me know. ;-). You can also check out my pond5 profile. Perhaps you find something you like there. Http://www. Pond5. Com/artist/cabled_mess.

著者: Cabled Mess

モジュラー電子工学生き物音楽

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03:55

U.S. Air Force Band - Claudio S. Grafulla - Washington Grays

Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.

著者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807

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03:31

Freischutz Quickstep - Concert Band - United States Air National Guard Band of the Southwest

Freischutz Quickstep performed by the Concert Band of the United States Air National Guard Band of the Southwest. Track 2 from American Songs (2005).

著者: Composition: Claudio S. Grafulla; Performance: United States Air National Guard Band of the Southwest, Concert Band; Recording: United States Air Force

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01:13

Der Tag bricht an und zeiget sich

Der Tag bricht an und zeiget sich; Evang. Gesangbuch 438; Wach auf, wach auf, ’s ist hohe Zeit; Evang. Gesangbuch 244

著者: Melodie: Melchior Vulpius 1609; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)

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03:54

Eubie Blake - Just Wild about Harry

I'm Just Wild About Harry song (instrumental version). 78 RPM vertical cut photograph. Noise removed. Some equalization and compression to adjust for "tinny" sound. Some mild adjustments to even out the volume. Українська: «Я просто божеволіє від Гаррі», написана Юбі Блейком і на слова Нобла Сіссла, виконана в 1922 році.

著者: Eubie Blake, composer (with Sissle, Noble, lyrics), performance conducted by Vincent Lopez, published by Edison

英語

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04:08

We Are Coming, Father Abraham - U.S. Marine Band

Stephen Foster's music to "We Are Coming, Father Abraham", played by the United States Marine Band. Performed February 16, 2009 at The Music Center at Strathmore. Col. Michael J. Colburn, conducting; Gy.Sgt. Kevin Bennear, baritone.

著者: Untitled

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00:03

Minikorg S Fx Fx

Short sound effects made with minikorg 700s + kenton midi to cv converter.

著者: Hast

00:00

02:43

My Irish Song of Songs

著者: John McCormack

歌

00:00

02:44

The Barefoot Trail

著者: John McCormack

歌

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00:03

Folabi Masha Manipulation Ismail Masha Selection Manipulated

Manipulated recording of the back of headphones being rubbed together.

著者: Ismailmasha

00:00

00:03

Mtc Pack Glass Breaking

Glass bottle shattering.

著者: Sgarrison

ガラス

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00:02

Ismail Masha Ismail Masha Selection

Recording of a phone screen being flicked.

著者: Ismailmasha

00:00

00:02

Recording Assignment # Fork In Trash Can

Fork being scraped around in a trash can.

著者: Evanmack

フォークごみ

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00:13

Mtc First Assignment Plastic Knife Rubbing On Aluminum Foil

Class project.

著者: Tmathis

学級音

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02:01

Students Talking

Students talking between classes, near microphone.

著者: Claudiooliveira

学生・生徒・児童トーク学校

00:00

00:13

Telephone S Circle Dial Dialing

Telephone 70s circle dial dialing recorded using a sennheiser wireless dynamic ew135g2 microphone through a yamaha dm1000 digital console with cubase software.

著者: Yakkall

固定電話

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00:02

Mtc Cimmet Struck Tablespoon

Struck the back side of a metal tablespoon with another spoon, and let it ring.

著者: Bcimmet

金属

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00:23

Mtc Amrita Stuetzle Sheet Film

Tapping of hand on plastic sheet film. Recorded with mono microphone and ensemble. No post processing.

著者: Amrita

タップ

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00:03

Manipulations Assignment Big Trash Can Hit

A slowed down hit on a trash can with added reverb.

著者: Evanmack

ごみ打つ缶

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01:32

S Bahn Train Approach Leave & Tannoy

Standing on a platform for the s-bahn (overground) train in berlin. Train approaches, stops, small people get on board. Tannoy makes announcement and train leaves.

著者: Skjor

ドイツ人列車葉

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00:09

R We Recording This Shit Philipsmic Sd Jozefaleksanderpedro

First recording with the sound devices mix pre 6with my oldschool vintage philips 50's microphonefrom the rommelmarkt ! just being nice to thelittle device. . . Recording: 18 november 2020. 11 dec 2020, late at nighta+josé.

著者: Antwerpsounddesign

マイクロフォンビンテージ

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00:21

Voices For Sketch #

Two sustained voice samples i subsequently pitch shifted and layered for an ambient work (to achieve an 80's choir pad effect). The key is almost in middle c, but slightly off. . . Because i can't sing. The second, lower voice sample was recorded extremely close to the mic to achieve clipping; i wanted to get a buzzy, boomy sound out of it.

著者: Housedj

持続可能なドライ声

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00:40

Assignment # Maryam Sounds

This is the sound of my nails slowly scraping the plastic back of a chair.

著者: Maryamseraji

プラスチックノイズ傷

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00:30

Rain Light Basement Window Pov Neumann Rsm Gadiraz

Light rain drizzle, recorded from basement window. M-s recorded with neumann rsm191 (decoded while recording)16bit 48khzisrael.