1,172 ロイヤリティフリーオーディオトラックの "フィードバック"

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01:04

Had a short relaxing session with my modular. I wanted to use the "divide by 64" patch and make some generative sounds/music. I added some mixer feedback. This is a patch for 2 voices.

著者: Gis Sweden

フィードバックディバイダー電子工学発生器

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02:28

Electronic Minute No Mission Accomplished

My two neuron patch with cross feedback! here it is. I think!i will take a closer look tomorrow.

著者: Gis Sweden

モジュラー電子工学ノイズ混沌

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04:07

Smashing Guitars

Me and a mate just er, decided to smash 2 cheap guitars to bits, something to do at the time.

著者: Jackwheatley

フィードバックギターノイズごみ

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00:10

Insideatornado

This is a very intense sound of being inside a tornado. Made with over 10 different sounds in fl studio.

著者: Polonuim

ノイズ竜巻バス風

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00:02

Collect

A sound i made for picking up an item in a computer game. Made in fl studio using a vst synth plugin.

著者: Wagna

コレクションサクセスゲーム勝利

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08:21

Wierd Sound

A compilation of effects from this site merged together with effects added. Noisy, nasty and quite cool.

著者: Jackwheatley

エイリアンうるさいノイズ変

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00:16

Feedback Existance

Freaky resonant feedback atmosphere created with an excellent sound generator.

著者: Headphaze

フィードバック無人航空機雰囲気過程

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00:29

Monster Cry

Heavily processed vst synth sound using various reverbs, phasers and distortion.

著者: Schmaddio

エイリアン宇宙空間ノイズ怪物

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02:54

Weird Feedback Sound

While trying to get my microphone to work, it was having this unusual feed back buzzing pulsing sounds. Along with a strange noise. (this wasn't my voice, and the file hasn't been edited. ). "who's there?" and the "hello's" are of course me, trying to get the microphone to work. I decided to record it after i felt it was strange. The sound is of course free to use for whatever you desire, credit if you want and leave a comment below to be nice. :).

著者: Velazurian

マイクロフォンエイリアンクレイジー変

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01:21

Almost Quantizer Feedback Patch (Ver

No, it's not beautiful but its a generative feedback patch.

著者: Gis Sweden

モジュラー電子工学パッチノイズ

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00:05

Short Abstract Synth Sfx Ringmod Merry Go

Descending clicks echo into high pitched ringy pulsations.

著者: Nfrae

電子工学抽象絵画デジタルノイズ

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00:06

Noise Sample

Sample is a clip from another song i just recorded. Created with effects pedals feeding back into each other. Effects used: behringer micro-mixer (used here as a "clean boost/volume effect), sirkut electronics gnarler, danelectro eq, boss xtortion, and boss metal zone, with various other fx sprinkled throughout. This is another "sounds kind of like screaming" sample.

著者: The Semen Incident

電子工学ノイズループ悲鳴

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00:26

Feedback

Concert feed back, recorded with a tascam d-40 live sound in a concert.

著者: Ar

ギター演奏会岩石電気

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03:15

Electronic Minute No Mission Really Accomplished

Now finally! my two neuron patch idea has a sound. It's like music to a graphic score. My score is this:https://www. Muffwiggler. Com/forum/userpix2/27319_2_neurons_not_so_small_1. Jpg. Maybe both score and its sound is bad. . . But i'm happy :-).

著者: Gis Sweden

モジュラー電子工学パッチノイズ

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02:35

Bass Drum Module Experiments And Feedback Sounds

Using a bass drum module to get not that bassdrummy sounds. . . Combining this with different types of feedback. I didn't know how to end the recording, as you will notice. I'm using an analog delay and spring reverb. Maybe the ending in it self is interesting? i find it hard to "tag" this sound :-)how useless is this sound on a scale from 1 to 5? 5 is totally useless. . .

著者: Gis Sweden

モジュラー電子工学太鼓春

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00:50

Feedback

Harsh microphone feedback. (sounds different after download).

著者: Urker

ありがたい電子工学デジタルノイズ

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05:00

Two Voices Caught In A Chaotic Feedback Patch

5 min recording. Question. Do you hear any form of repetitiv pattern?the "engine" for this. . . Is a feedback patch. Chaotic? maybe. The colors the soundfile get here on freesound reveals patterns. I use this feedback patch to derive timing and pitch. I restrain the pitch. It's bad enough as it is. The feedback patch is made with 2 lfos, 1 vclfo and a vcad.

著者: Gis Sweden

フィードバックモジュラーパッチ混沌

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01:27

Electronic Minute No Chain Reaction

Sloth (lfo) to vclfo is the "engine". Triggers chain reacting function generators"boom/booiing" trigered "by" logic - nor i thinkjupiter storm is one voicejupiter storm also modulates the other voice that goes through wave rectifyingjerkoff modulates jupiter storm, a trigger goes back to jerkoff and jupiter is modulating it self. . . Noiseno hands. . .

著者: Gis Sweden

モジュラー電子工学ノイズ鎖

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10:00

Electronic Minute No Start With Chaos

Start with chaos. In this sound/patch you have the possibility to enjoy chaos and feedbacki use my sloth lfos and jerkoff - another chaos moduleim possible sick i like this - thou its simple. Sloth modulate vco and filter cut of frequencyfeedback from vco to the filter via a vca controlled by a looping envpan fx also controlled by sloth - same env that controls the frequency. The "prassel" rustle sound is great in my earsjerkoff, exp vca, function and another sloth. Evaluation of patch/soundone cycle is - there are many cycles to consideronly short sounds - no, goodamplitude variation - yep goodpitch variation - mediumtimbre variation - some, via filter/two soundsmusical value - i think so!entertaining - yes?!.

著者: Gis Sweden

モジュラーパッチノイズ混沌

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01:56

Time´S Savage March

Time passing by vicious and malevolent indifferent sadistic tick-tock. Drone generated in strega and o-coast, mods by o-ctrl, passed through maths modulated qmmg (settings on "both") and then into erbe-verbenjoy!.

著者: Jim Bretherick

フィードバック時計時間時間

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00:11

Speaker Buzz

Speaker buzz from audio feedback. Cable was plugged in only half way, which is what generated the buzz.

著者: Ev Dawg

オーディオ電子工学電気音

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00:05

Skype Feedback

Skype interference or feedback sound effect. Its the sound your computer makes if your speakers are too loud. What happens is that your computer plays the sound coming from the person on the other side and then it plays over there and then plays back on your computer, it builds up in waves. Just turn your sound down and it should go away.

著者: ezwa

マイクロフォンインターネットコンピュータ電子工学

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03:45

Electronic Minute No Feedback Is Art

More feedback patching. Everything goes around. . .

著者: Gis Sweden

モジュラーエイリアン宇宙空間電子工学

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04:51

Electronic Minute No My Neuron

Boring sound. . . Neuron patch (?). . . Inspired by nlc squid axon (i have saved some hp for that one!) i have patched up a simple 2 stage asr with 2 s/h. Most of the time it plays its atonal melody, but when the patch is stimulated (by a sloth lfo) feedback opens up. I can adjust the sensitivity in different ways (so i can simulate the intake of drugs. . . ). The sound from the oscs goes though vcfs with some resonance. The vcfs are controlled by the same sloth lfo. My neuron patch. . . No hands during recording. My favourite part is when nothing happens - for almost 1 min?! but you can hear the filter working via the vcfs. The cv must be in some strange area.

著者: Gis Sweden

モジュラーナマケモノ電子工学パッチ

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04:19

Washington Grays - U.S. Army Band

Claudio S. Grafulla's march Washington Grays, performed by the U.S. Army Band

著者: Composition: Claudio S. Grafulla (1810–1880) Performance: U.S. Army Band

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00:16

Messing Around With Amplification Flanger Feedback

All sounds made using following equipment:. -roland m-cube gx-xlr cable-ibanez grg170dx electric guitar.

著者: Recklessgoomba

電子工学ギター電気波

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00:17

Feedbacks

Playing with the feedbacks from a mic to speakers around the noisy computer cooling fan.

著者: Jedo

マイクロフォン無人航空機宇宙空間怖い

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03:55

U.S. Air Force Band - Claudio S. Grafulla - Washington Grays

Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.

著者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807

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01:04

Audio Feedback

Static to both left and right channel. Noise alternates to both left and right side. [cc zero].

著者: Beetlemuse

マイクロフォンオーディオ電子工学抽象絵画

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00:25

Car Stereo Feedback

The end result of plugging your tascam dr-05 recorder into the auxiliary output of my chevrolet aveo's car stereo: pure auditory madness!. Feel free to use this sound for whatever projects or pure enjoyment that you see fit. Have a blessed day!.

著者: Amichaelwilson

オーディオ電子工学デジタルラジオ

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00:04

Refre Painful Hf Eliminated

Frozen reverb without a certain ear-piercing whine.

著者: Saltbearer

無人航空機電子工学整備士指輪

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04:10

Electronic Minute No Chaotic Noise Glitch

It has a start and an ending. . . Feedback. If you like noise. . .

著者: Gis Sweden

モジュラー電子工学ノイズエラー

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00:29

Bad Connection Plug

(warning headphone users)microphone plug with bad connection. You can use my sounds freely. It would be great if you credit me. Leave a comment and tell me for which project you used it. Daniel lucas, danlucaz. 2021.

著者: Danlucaz

マイクロフォン電気信号波

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00:01

Dca Tape Kick & Bass Warp Bass Warp Dca Tape Design

One-shot sample created from portable cassette tape recorders. Sound sources from broken cassettes, internal feedback modulation and tape speed manipulation. All original sounds. Suitable for drum rack/ drum machine sequencing.

著者: Darcyadam

ダンス蹴り技太鼓家

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01:15

Webcam Feedback

This sound was the result of a scary accident. I was looking at the view in the webcam of an open doorway leading into a dark hallway in my house, when suddenly this haunting feedback faded in and looped repeatedly, until i pulled the volume down. It was unexpected, and quite unnerving. I had to laugh about it once i realized what had happened. But that first moment had me expecting some ghostly apparition to come in from the darkness. Anyhow, it's just an accidental feedback loop. I've had it in my archives for about 20 years now. I thought it might be useful to someone else. Enjoy!.

著者: Filmscore

マイクロフォン抽象絵画ノイズ音

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00:04

Refre Painful Hf

Frozen reverb with an ear-piercing whine.

著者: Saltbearer

無人航空機電子工学整備士指輪

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03:31

Freischutz Quickstep - Concert Band - United States Air National Guard Band of the Southwest

Freischutz Quickstep performed by the Concert Band of the United States Air National Guard Band of the Southwest. Track 2 from American Songs (2005).

著者: Composition: Claudio S. Grafulla; Performance: United States Air National Guard Band of the Southwest, Concert Band; Recording: United States Air Force

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00:36

Audio Feedback

著者: Ev Dawg

オーディオ電子工学ケーブルうるさい

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01:14

Electronic Minute No Spring Reverb Drone

Feedback drone made with doepfer a-199 sprv.

著者: Gis Sweden

モジュラー無人航空機不気味なホラー

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00:22

Electric Guitar Electric Guitar Amp Feedback Noise

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

著者: Joao Janz

ギター岩石金属橋

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01:42

Metallic Drone

A strange drone created by feedback loops.

著者: Prrll

無人航空機電子工学金属電気

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01:13

Der Tag bricht an und zeiget sich

Der Tag bricht an und zeiget sich; Evang. Gesangbuch 438; Wach auf, wach auf, ’s ist hohe Zeit; Evang. Gesangbuch 244

著者: Melodie: Melchior Vulpius 1609; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)

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01:17

Computer Feedback

*warning* --- you may want to turn your volume down*this was accidently created when i was goofing around trying to convert an iso file. It was actually for the movie "a beautiful mind". When the conversion started i wanted to see what it looked like so far and this is what i got out of it. I didn't want to delete it because it sounded so cool. . . . Almost like what a computer world might sound like or "a computer's brain". But anyways i figured maybe someone else might want a sound like this too. I might use it someday myself.

著者: Masterr

テクノロジーコンピュータオーディオうるさい

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03:54

Eubie Blake - Just Wild about Harry

I'm Just Wild About Harry song (instrumental version). 78 RPM vertical cut photograph. Noise removed. Some equalization and compression to adjust for "tinny" sound. Some mild adjustments to even out the volume. Українська: «Я просто божеволіє від Гаррі», написана Юбі Блейком і на слова Нобла Сіссла, виконана в 1922 році.

著者: Eubie Blake, composer (with Sissle, Noble, lyrics), performance conducted by Vincent Lopez, published by Edison

英語

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11:28

Spring Reverb Drone Session

This is a small jam i recorded myself on my diy spring reverb circuit i've built for a friend. It sounds really good with music. In this session, i've only used coninuous triangle/sine/square waveforms and jammed on my for pots: input gain,hp filter cutoff, feedback amount, output gain. I'm sorry if the recording clips sometimes, but there's a big dynamic so i couldnt see how much loud it was. Feel free to take it and use it for sampling or sound design layering.

著者: Drmond

電子工学玩具春波

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04:52

Audio Feedback Very Low And Slow

Squeaky audio cable-to-speaker incomplete connection. One end is plugged into a speaker and the other is not plugged into anything. The squeaking sound is made from my fingers touching the tip and sides of the metal tip of the non-connected end of the cable. The variation of sound and pitch is from moving my fingers up and down the metal tip in different speeds, angles, and placements. The sound has been slowed way down, and the pitch has been taken way down too, to create a low drone sound for industrial purposes or in mad chemistry lab scenes, etc. Anything with a dark, industrial, and slight sci-fi feels.

著者: Ev Dawg

無人航空機電子工学ケーブル産業

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00:06

Doom Loop ( Bpm)

I made. . . Something. If any of you are out there making harsh noise music. . This will be perfect for you.

著者: Peepee

不気味な亡霊金属黒

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04:08

We Are Coming, Father Abraham - U.S. Marine Band

Stephen Foster's music to "We Are Coming, Father Abraham", played by the United States Marine Band. Performed February 16, 2009 at The Music Center at Strathmore. Col. Michael J. Colburn, conducting; Gy.Sgt. Kevin Bennear, baritone.

著者: Untitled

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00:03

Minikorg S Fx Fx

Short sound effects made with minikorg 700s + kenton midi to cv converter.

著者: Hast

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02:43

My Irish Song of Songs

著者: John McCormack

歌

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1,172 ロイヤリティフリー オーディオトラック の "フィードバック"

1,172 ロイヤリティフリーオーディオトラックの "フィードバック"